Movie News
Theo James is set to star alongside Aaron Taylor-Johnson in the heist thriller “Fuze.”
Directed by David Mackenzie from a script penned by Ben Hopkins, “Fuze” “opens on the discovery of an unexploded World War II bomb in a London construction site sparking a mass evacuation the perfect cover for a heist,” according to the film’s synopsis. Filming will begin in early July.
“Fuze” is produced by Gillian Berrie for Sigma Films, as well as Sebastien Raybaud and Callum Grant for Anton. “Hell or High Water” cinematographer Giles Nuttgens has joined the creative team as director of photography.
Anton is financing “Fuze.” UTA Independent Film Group and WME Independent will co-rep the U.S. rights with Anton.
James is known for the “Divergent” film series, Guy Ritchie’s “The Gentlemen” and the HBO series “The Time Traveler’s Wife.” He scored his first Emmy nomination for his performance as Cameron Sullivan...
Directed by David Mackenzie from a script penned by Ben Hopkins, “Fuze” “opens on the discovery of an unexploded World War II bomb in a London construction site sparking a mass evacuation the perfect cover for a heist,” according to the film’s synopsis. Filming will begin in early July.
“Fuze” is produced by Gillian Berrie for Sigma Films, as well as Sebastien Raybaud and Callum Grant for Anton. “Hell or High Water” cinematographer Giles Nuttgens has joined the creative team as director of photography.
Anton is financing “Fuze.” UTA Independent Film Group and WME Independent will co-rep the U.S. rights with Anton.
James is known for the “Divergent” film series, Guy Ritchie’s “The Gentlemen” and the HBO series “The Time Traveler’s Wife.” He scored his first Emmy nomination for his performance as Cameron Sullivan...
- 5/28/2024
- by Michaela Zee
- Variety - Film News
Josh O’Connor and Cailee Spaeny are joining Daniel Craig in the upcoming Knives Out 3 sequel, The Hollywood Reporter has confirmed.
Last week, writer and director Rian Johnson confirmed on X, formerly Twitter, that Craig would be reprising his role as Benoit Blanc in the next ensemble murder mystery film. In a 45-second video teaser video, he also revealed the sequel’s title as Wake Up Dead Man: A Knives Out Mystery.
“The next Benoit Blanc mystery, the follow-up to Knives Out and Glass Onion, is called Wake Up Dead Man,” the filmmaker wrote in the post’s caption on Friday.
Netflix also confirmed Craig’s return and the sequel title on its Tudum site following Johnson’s post.
“That’s right, Daniel Craig is back as the suave Southern investigator in Wake Up Dead Man: A Knives Out Mystery, a new installment of the whodunnit franchise written and directed by Rian Johnson.
Last week, writer and director Rian Johnson confirmed on X, formerly Twitter, that Craig would be reprising his role as Benoit Blanc in the next ensemble murder mystery film. In a 45-second video teaser video, he also revealed the sequel’s title as Wake Up Dead Man: A Knives Out Mystery.
“The next Benoit Blanc mystery, the follow-up to Knives Out and Glass Onion, is called Wake Up Dead Man,” the filmmaker wrote in the post’s caption on Friday.
Netflix also confirmed Craig’s return and the sequel title on its Tudum site following Johnson’s post.
“That’s right, Daniel Craig is back as the suave Southern investigator in Wake Up Dead Man: A Knives Out Mystery, a new installment of the whodunnit franchise written and directed by Rian Johnson.
- 5/28/2024
- by Carly Thomas
- The Hollywood Reporter - Movie News
Bollywood Stars Shine Brightly
Deepika Padukone, who made her Bollywood debut with “Om Shanti Om” (2007), has topped IMDb’s list of the top 100 most viewed Indian stars of the last decade. Shah Rukh Khan, her co-star in that and several other films, is in second place. The list is determined by the page views of the 250 million monthly visitors to IMDb worldwide. Aishwarya Rai Bachchan and Alia Bhatt place third and fourth on the list while the late Irrfan Khan is in fifth position, Aamir Khan in sixth, the late Sushant Singh Rajput in seventh and Salman Khan in eighth.
Notably, most of the stars in the top 20 are from the Hindi-language Bollywood, while the highest placed actors from India’s southern film industries are all women – Samantha Ruth Prabhu at 13, followed by Tamannaah Bhatia at 16 and Nayanthara at 18. The highest placed male actors from the southern industries are Prabhas,...
Deepika Padukone, who made her Bollywood debut with “Om Shanti Om” (2007), has topped IMDb’s list of the top 100 most viewed Indian stars of the last decade. Shah Rukh Khan, her co-star in that and several other films, is in second place. The list is determined by the page views of the 250 million monthly visitors to IMDb worldwide. Aishwarya Rai Bachchan and Alia Bhatt place third and fourth on the list while the late Irrfan Khan is in fifth position, Aamir Khan in sixth, the late Sushant Singh Rajput in seventh and Salman Khan in eighth.
Notably, most of the stars in the top 20 are from the Hindi-language Bollywood, while the highest placed actors from India’s southern film industries are all women – Samantha Ruth Prabhu at 13, followed by Tamannaah Bhatia at 16 and Nayanthara at 18. The highest placed male actors from the southern industries are Prabhas,...
- 5/29/2024
- by Naman Ramachandran
- Variety - Film News
Katharina Sporrer’s abducted runaway bride is credible but the rest of the cast are so stilted it sounds more like a radio play than a film
This claustrophobic thriller takes place almost entirely in the boot of a rented car moving down an empty Texas highway. Bride Amanda (Katharina Sporrer), still in her floofy white wedding dress, is trapped inside the vehicle, having been kidnapped at the parking garage where she was dropping off the rented car she used to run away from her own wedding. Luckily for both her and the film, she has her mobile phone to hand and manages to make some calls, first to what she thinks is emergency services, only to realise she’s actually speaking to her kidnapper (Caspar Phillipson). Who doesn’t hate it when that happens?
Despite the all-American setting and accents, this was made by a Danish film company, led by writer-director Jonas Kvist Jensen,...
This claustrophobic thriller takes place almost entirely in the boot of a rented car moving down an empty Texas highway. Bride Amanda (Katharina Sporrer), still in her floofy white wedding dress, is trapped inside the vehicle, having been kidnapped at the parking garage where she was dropping off the rented car she used to run away from her own wedding. Luckily for both her and the film, she has her mobile phone to hand and manages to make some calls, first to what she thinks is emergency services, only to realise she’s actually speaking to her kidnapper (Caspar Phillipson). Who doesn’t hate it when that happens?
Despite the all-American setting and accents, this was made by a Danish film company, led by writer-director Jonas Kvist Jensen,...
- 5/29/2024
- by Leslie Felperin
- The Guardian - Film News
The 15th anniversary edition of the London Indian Film Festival will open on June 26 with the European Premiere of U.S. indie, tear-jerker drama “Paper Flowers,” directed by Mahesh Pailoor (“Brahmin Bulls”), starring “Deadpool’s” Karan Soni. It will close on July 7 with a screening of ultra-violent Indian actioner “Kill,” which is produced by Karan Johar and Guneet Monga and which represents Lionsgate’s first foray into South Asian film production.
In between, the festival will operate across five additional cities and thematically extend itself across feature film, TV series, short films, Xr and gaming.
“It’s been an incredible journey marking 15 years this year and we are delighted to expand into new U.K. cities, welcoming Bradford and Liverpool into our 6-city reach. It’s also personally exciting to have such a talented team and innovative partners, as we push ahead to explore new frontiers of South Asian gaming...
In between, the festival will operate across five additional cities and thematically extend itself across feature film, TV series, short films, Xr and gaming.
“It’s been an incredible journey marking 15 years this year and we are delighted to expand into new U.K. cities, welcoming Bradford and Liverpool into our 6-city reach. It’s also personally exciting to have such a talented team and innovative partners, as we push ahead to explore new frontiers of South Asian gaming...
- 5/29/2024
- by Patrick Frater
- Variety - Film News
The European Commission and the European Investment Fund (Eif) have signed loan guarantee agreements with organisations from France, Germany and Finland that are expected to lead to €141m of new financing for the film, TV and creative sectors.
The agreements have been signed with three intermediaries - Germany’s Beta Film, France’s Institute pour le Financement du Cinéma et des Industries Culturelles (Ifcic) and the Finnish Impact Film Fund (Fiff) - which will provide access to finances for European creative Small and Medium Enterprises (SMEs).
France’s Ifcic will have access to an Eif guarantee line to target the cultural and creative sectors,...
The agreements have been signed with three intermediaries - Germany’s Beta Film, France’s Institute pour le Financement du Cinéma et des Industries Culturelles (Ifcic) and the Finnish Impact Film Fund (Fiff) - which will provide access to finances for European creative Small and Medium Enterprises (SMEs).
France’s Ifcic will have access to an Eif guarantee line to target the cultural and creative sectors,...
- 5/29/2024
- ScreenDaily
Unifrance and Screen International held a dinner to celebrate up-and-coming French talent on May 22 at the Terrasse Unifrance, during the 2024 Cannes Film Festival.
Unifrance’s 10 to Watch have been selected for the excellence of their work by international journalists Rebecca Leffler (Screen International), Fabien Lemercier (Cineuropa), Elsa Keslassy (Variety), Christine Masson (France Inter), and Jordan Mintzer (The Hollywood Reporter). The talents epitomise a reinvigoration of French cinema through the freedom and singularity of their artistic choices, their ambition, their audacity, and their unique perspectives of the world.
In Cannes, the 10 To Watch were also put in the spotlight through a...
Unifrance’s 10 to Watch have been selected for the excellence of their work by international journalists Rebecca Leffler (Screen International), Fabien Lemercier (Cineuropa), Elsa Keslassy (Variety), Christine Masson (France Inter), and Jordan Mintzer (The Hollywood Reporter). The talents epitomise a reinvigoration of French cinema through the freedom and singularity of their artistic choices, their ambition, their audacity, and their unique perspectives of the world.
In Cannes, the 10 To Watch were also put in the spotlight through a...
- 5/29/2024
- ScreenDaily
Fremantle has confirmed Mark Reynolds as its global head of documentaries.
Reynolds joined the Rtl-owned production and distribution group as interim global head of documentaries in January 2024, replacing Mandy Chang who stepped back to run Fremantle’s premium documentary label Undeniable.
Before joining Fremantle, Reynolds was a consultant advising producers and platforms on programming, co-production and distribution strategies. Prior to that, he was unscripted portfolio director at BBC Studios and also had a long career in factual at BBC Worldwide.
Reynolds reports to Andrea Scrosati, Fremantle’s group COO and CEO of Continental Europe, and will work with Fremantle...
Reynolds joined the Rtl-owned production and distribution group as interim global head of documentaries in January 2024, replacing Mandy Chang who stepped back to run Fremantle’s premium documentary label Undeniable.
Before joining Fremantle, Reynolds was a consultant advising producers and platforms on programming, co-production and distribution strategies. Prior to that, he was unscripted portfolio director at BBC Studios and also had a long career in factual at BBC Worldwide.
Reynolds reports to Andrea Scrosati, Fremantle’s group COO and CEO of Continental Europe, and will work with Fremantle...
- 5/29/2024
- ScreenDaily
Cannes 2024 was a life-changing journey for Indian production designer-turned actor Anasuya Sengupta who won best actress at the festival’s Un Certain Regard strand for “The Shameless.”
Sengupta made her acting debut alongside several of her friends in Anjan Dutt’s music-themed “Madly Bangali” (2009) and served as director’s assistant to Claire McCarthy in Australian production “The Waiting City” the same year. Kolkata native, Sengupta then moved to Mumbai, home to the vast Bollywood industry. She wasn’t impressed by Bollywood and became a noted production designer and artist instead. Her credits in that field include Netflix’s “Selection Day” and “Ray” and feature films “Chippa” and “Good Morning Sunshine.” Acting stayed alive in the shape of the occasional commercial or short film.
Acting became front and center again when Bulgarian-American filmmaker Konstantin Bojanov was prepping for “The Shameless.” At one stage, when he was particularly disillusioned with the financing...
Sengupta made her acting debut alongside several of her friends in Anjan Dutt’s music-themed “Madly Bangali” (2009) and served as director’s assistant to Claire McCarthy in Australian production “The Waiting City” the same year. Kolkata native, Sengupta then moved to Mumbai, home to the vast Bollywood industry. She wasn’t impressed by Bollywood and became a noted production designer and artist instead. Her credits in that field include Netflix’s “Selection Day” and “Ray” and feature films “Chippa” and “Good Morning Sunshine.” Acting stayed alive in the shape of the occasional commercial or short film.
Acting became front and center again when Bulgarian-American filmmaker Konstantin Bojanov was prepping for “The Shameless.” At one stage, when he was particularly disillusioned with the financing...
- 5/29/2024
- by Naman Ramachandran
- Variety - Film News
The Oscar-winning film-maker discusses his documentary about the legendary puppeteer and his unwavering desire to experiment
Before he became the world’s most famous puppeteer – the man responsible for The Muppets and Big Bird; and turning David Bowie into the Goblin King in Labyrinth – Jim Henson was an experimental film-maker.
In his Oscar-nominated 1965 short, Time Piece, Henson stars as a man transcending time and space, the percussive beats of ticking clocks, heartbeats and other machinery creating the rhythms for the film’s montage. In a film that takes cues from Georges Méliès and Dziga Vertov, Henson goes from playing hospital patient to Tarzan to George Washington. He was a man who could seemingly be anyone, and do anything, much like Henson himself.
Before he became the world’s most famous puppeteer – the man responsible for The Muppets and Big Bird; and turning David Bowie into the Goblin King in Labyrinth – Jim Henson was an experimental film-maker.
In his Oscar-nominated 1965 short, Time Piece, Henson stars as a man transcending time and space, the percussive beats of ticking clocks, heartbeats and other machinery creating the rhythms for the film’s montage. In a film that takes cues from Georges Méliès and Dziga Vertov, Henson goes from playing hospital patient to Tarzan to George Washington. He was a man who could seemingly be anyone, and do anything, much like Henson himself.
- 5/29/2024
- by Radheyan Simonpillai
- The Guardian - Film News
John Rosman’s effective debut intertwines the lives of a woman escaping a black-site facility and a woman hired to contain the outbreak
Amid the dumper-truck of post-Covid lockdown-inspired films, very few take disease and pandemics themselves as their central focus. So John Rosman’s stripped-back but effective debut is a sobering flashback to those incubative early days, its title punning its title punning on the microbe that asymptomatic protagonist Jessica (Hayley Erin) is carrying on her person, as well as her hopes for a fresh start, unharassed by government spooks, north of the Canadian border.
All we know at the start is that blood-splattered Jessica has just escaped imprisonment in some black-site facility. She bundles herself into a pickup heading north, which luckily belongs to kindly farmer Frank (Blaine Palmer), who sends her on her way with a new jacket and a rucksack full of tinned food. Rosman makes...
Amid the dumper-truck of post-Covid lockdown-inspired films, very few take disease and pandemics themselves as their central focus. So John Rosman’s stripped-back but effective debut is a sobering flashback to those incubative early days, its title punning its title punning on the microbe that asymptomatic protagonist Jessica (Hayley Erin) is carrying on her person, as well as her hopes for a fresh start, unharassed by government spooks, north of the Canadian border.
All we know at the start is that blood-splattered Jessica has just escaped imprisonment in some black-site facility. She bundles herself into a pickup heading north, which luckily belongs to kindly farmer Frank (Blaine Palmer), who sends her on her way with a new jacket and a rucksack full of tinned food. Rosman makes...
- 5/29/2024
- by Phil Hoad
- The Guardian - Film News
Gdh 559’s How To Make Millions Before Grandma Dies, already the biggest film at the Thai box office in 2024, has now surpassed 2 million admissions in Indonesia, making it the second biggest Asian title at the Indonesian box office of all time.
The family drama hit the milestone on May 27 after 13 days on release through Indonesian distributor Falcon Pictures.
It is now the biggest Thai film, surpassing Thai-Korean horror The Medium’s 700,000 admissions in 2021, and the second biggest Asian film in Indonesia, only after Korean supernatural thriller Exhuma, which scored 2.6 million admissions earlier this year.
Given the momentum, Falcon is optimistic...
The family drama hit the milestone on May 27 after 13 days on release through Indonesian distributor Falcon Pictures.
It is now the biggest Thai film, surpassing Thai-Korean horror The Medium’s 700,000 admissions in 2021, and the second biggest Asian film in Indonesia, only after Korean supernatural thriller Exhuma, which scored 2.6 million admissions earlier this year.
Given the momentum, Falcon is optimistic...
- 5/29/2024
- ScreenDaily
A 22-year-old prodigy when he won the New Directors Award at San Sebastian in 2018 for his student film “Jesus,” Okuyama Hiroshi took something of a roundabout route to his second feature, “My Sunshine,” which screened in Cannes’ Un Certain Regard lineup.
Okuyama’s coming-of-age drama about two tween ice skaters — a boy and girl who study under the same coach in a northern provincial town — originated from his own seven years in the sport. “I learned skating from the age of 5 to 12 — I wanted to become a professional,” says Okuyama.
But he also struggled to construct a story from his childhood skating memories until he came across a 2014 hit by the singer-songwriter duo Humbert Humbert. Called “Boku no Ohisama” (“My Sunshine”), it not only supplied the title of his film, but its lyrics about “getting stuck when I try say something important” also gave him the idea for his protagonist,...
Okuyama’s coming-of-age drama about two tween ice skaters — a boy and girl who study under the same coach in a northern provincial town — originated from his own seven years in the sport. “I learned skating from the age of 5 to 12 — I wanted to become a professional,” says Okuyama.
But he also struggled to construct a story from his childhood skating memories until he came across a 2014 hit by the singer-songwriter duo Humbert Humbert. Called “Boku no Ohisama” (“My Sunshine”), it not only supplied the title of his film, but its lyrics about “getting stuck when I try say something important” also gave him the idea for his protagonist,...
- 5/29/2024
- by Mark Schilling
- Variety - Film News
Modine plays amateur cyclist and teacher Greg Townsend, leading troubled teenagers on a gruelling journey across Colorado in a real-life-inspired drama
‘I’ve never had a bike before,” says a teenage boy, grinning from ear to ear. This earnest, likable drama is inspired by the real-life amateur cyclist Greg Townsend, a teacher at a Colorado young offenders educational institution. For years, Townsend led boys on 700-mile bike tours from Denver to the Grand Canyon, sleeping out under the stars. His story has been fictionalised here into a formulaic sports movie that unfolds predictably, exactly on cue, with no surprises or upsets. But I warmed to its sensitivity; it possesses an insistence that these difficult boys are vulnerable and scared kids (undermined only slightly by the fact that the actors playing them look well into their 20s).
Matthew Modine is Townsend, who understands childhood trauma. In flashbacks, we watch him repeatedly...
‘I’ve never had a bike before,” says a teenage boy, grinning from ear to ear. This earnest, likable drama is inspired by the real-life amateur cyclist Greg Townsend, a teacher at a Colorado young offenders educational institution. For years, Townsend led boys on 700-mile bike tours from Denver to the Grand Canyon, sleeping out under the stars. His story has been fictionalised here into a formulaic sports movie that unfolds predictably, exactly on cue, with no surprises or upsets. But I warmed to its sensitivity; it possesses an insistence that these difficult boys are vulnerable and scared kids (undermined only slightly by the fact that the actors playing them look well into their 20s).
Matthew Modine is Townsend, who understands childhood trauma. In flashbacks, we watch him repeatedly...
- 5/29/2024
- by Cath Clarke
- The Guardian - Film News
Unusual in tone and content, “Simon of the Mountain” is a small, low-budget drama in which the title character tries to find his comfort zone. Unfolding in short vignettes, the Argentine feature centers on a group of nonprofessional performances: independent-minded adolescents with cognitive disabilities. The only professional actors featured on-screen play the title character and the working adults they interact with. The open-to-interpretation debut feature from prize-winning shorts helmer Federico Luis challenges viewers’ preconceptions about his characters and won’t be to every taste. But the intimate drama has definitely found fans, as indicated by its warm reception from the jury of the Cannes Critics’ Week, where it nabbed the Grand Prize last week.
Twenty-one-year-old Simon first appears ascending a small mountain during a wind storm with a group from a school for disabled youth, hiking toward a statue of Christ. Simon pals around with another older lad, Pehuén (Pehuén Pedre...
Twenty-one-year-old Simon first appears ascending a small mountain during a wind storm with a group from a school for disabled youth, hiking toward a statue of Christ. Simon pals around with another older lad, Pehuén (Pehuén Pedre...
- 5/29/2024
- by Alissa Simon
- Variety - Film News
The 21st century cheerleader is an athlete unlike any other. With a wide-eyed grin, flashy makeup and a glittering bow to match, she is required to be sturdy yet feminine; pliant yet steely. In “Backspot,” D.W. Waterson’s feature directorial debut, the Canadian filmmaker has crafted a thrilling character portrait that puts those seemingly incongruent demands to the test. And, in the process, they have created a bold showcase for Devery Jacobs (“Reservation Dogs”), an actress who deftly captures the vexing tightrope walk required of young women in such a demanding, performance-driven, sport.
What’s immediately noticeable when you first meet Riley (Jacobs) are her eyebrows. Waterson doesn’t have us fixate on them but as you witness Riley going about her cheerleading practice with, among others, her girlfriend Amanda (Kudakwashe Rutendo), you can’t help but wonder why they’re so thinned out. She’s a capable athlete whose...
What’s immediately noticeable when you first meet Riley (Jacobs) are her eyebrows. Waterson doesn’t have us fixate on them but as you witness Riley going about her cheerleading practice with, among others, her girlfriend Amanda (Kudakwashe Rutendo), you can’t help but wonder why they’re so thinned out. She’s a capable athlete whose...
- 5/28/2024
- by Manuel Betancourt
- Variety - Film News
Late 20th-century Vietnamese history casts a trancelike spell across Truong Minh Quy’s “Viet and Nam,” a thickly shadowed exploration – or should that be excavation? — of national trauma and its habit of living on, in spectral form, through subsequent generations. Given an edge of radical newness by its frank, grimily beautiful portrayal of gay lovemaking (seldom have the body-contouring properties of coal dust on sweat-slicked skin been more sensuously explored), still, the rhythms of Truong’s film are slow, and the curtains-drawn darkness of much of its 16mm imagery may induce a state of meandering, semi-directed sleepiness. But then perhaps Truong does not mean us to watch “Viet and Nam” so much as he wants us doze and dream our way in and out of it.
It is 2001 and Nam (Pham Thanh Hai) and Viet (Dao Duy Bao Dinh) — never distinctly identified as such within the film and given a...
It is 2001 and Nam (Pham Thanh Hai) and Viet (Dao Duy Bao Dinh) — never distinctly identified as such within the film and given a...
- 5/28/2024
- by Jessica Kiang
- Variety - Film News
Molly Gordon makes everything better. She was a stand-out among stand-outs in films like Good Boys, Booksmart, and Shiva Baby. Then she showed her talents on the other side of the camera, co-writing/directing the hilarious indie hit Theater Camp. Now she plays Claire on the beloved series The Bear, which is about to drop its third season. On this episode she talks about why she loves improv, how her parents unintentionally formed her comedy sensibilities, getting “buzzed” from in-person auditions, “locking in” with Jeremy Allen White, why she’s always aspiring to a child-like lack of self consciousness, and much more. […]
The post “I Want To Get Back To That Lack of Self-Consciousness I Had as a Kid” Molly Gordon, Back To One, Episode 293 first appeared on Filmmaker Magazine.
The post “I Want To Get Back To That Lack of Self-Consciousness I Had as a Kid” Molly Gordon, Back To One, Episode 293 first appeared on Filmmaker Magazine.
- 5/28/2024
- by Peter Rinaldi
- Filmmaker Magazine - Blog
Baz Luhrmann is no longer attached to the long-awaited English-language adaptation of Russian novel “The Master and Margarita,” Variety has learned.
A seminal 20th century novel, Bulgakov first wrote “The Master and Margarita” in the Soviet Union in the 1930s but it was not published until some decades after the author’s death. The fantastical story, inspired by Faust, sees the Devil visit the Soviet Union and includes elements of satire, Christianity, comedy and the supernatural.
It was first reported in 2019 that Luhrmann planned to develop a film based on the iconic book via his joint-venture company with Len Blavatnik, Baz & Co. At the time Luhrmann did not commit to directing it.
But a movie failed to materialize and Luhrmann instead went on to direct his Oscar-nominated “Elvis” biopic and limited series “Faraway Downs.” Now the director has stepped back from the project entirely. Variety understands there was concern over the book rights.
A seminal 20th century novel, Bulgakov first wrote “The Master and Margarita” in the Soviet Union in the 1930s but it was not published until some decades after the author’s death. The fantastical story, inspired by Faust, sees the Devil visit the Soviet Union and includes elements of satire, Christianity, comedy and the supernatural.
It was first reported in 2019 that Luhrmann planned to develop a film based on the iconic book via his joint-venture company with Len Blavatnik, Baz & Co. At the time Luhrmann did not commit to directing it.
But a movie failed to materialize and Luhrmann instead went on to direct his Oscar-nominated “Elvis” biopic and limited series “Faraway Downs.” Now the director has stepped back from the project entirely. Variety understands there was concern over the book rights.
- 5/28/2024
- by K.J. Yossman
- Variety - Film News
To say that this Memorial Day weekend was a disappointment at the box office would be a grave understatement. Warner Bros. unleashed director George Miller's "Furiosa: A Mad Max Saga" in theaters, while Sony Pictures released the family-friendly "The Garfield Movie." On paper, we had a much-anticipated (or so we thought) prequel to "Mad Max: Fury Road," which is one of the most beloved action movies of all time, as well as an animated movie that could get parents out of the house with their kids. In practice, we endured a truly sobering several days' worth of lousy ticket sales.
"Furiosa" topped the charts with a $26.3 million haul through Sunday, with that number growing to $32 million when accounting for the Monday holiday. "Garfield" came in a close second with $24 million over the weekend and $31.1 million through Monday. Both of those numbers were well below industry projections, with "Furiosa" failing...
"Furiosa" topped the charts with a $26.3 million haul through Sunday, with that number growing to $32 million when accounting for the Monday holiday. "Garfield" came in a close second with $24 million over the weekend and $31.1 million through Monday. Both of those numbers were well below industry projections, with "Furiosa" failing...
- 5/28/2024
- by Ryan Scott
- Slash Film
Universally beloved figures are increasingly rare these days, with a distressing number of our former heroes having been outed as one kind of monster or another in recent years. Jim Henson is a notable exception. The creator of the Muppets remains as revered today as he was during his too-short life, an enduring icon of wholesomeness whose legend has only grown since he died in 1990 at the age of 53. Among his legion of admirers is Ron Howard, whose documentary “Jim Henson Idea Man” premiered at Cannes earlier this month and will be available to stream on Disney+ this Friday.
A multihyphenate if ever there were one, the puppeteer, filmmaker, animator and actor is described here as both a “boy genius” and “very rare creature” who was “so internal and quiet that his inner life must have been sparkling.” It’s certainly true that his life’s work sparkled, and not...
A multihyphenate if ever there were one, the puppeteer, filmmaker, animator and actor is described here as both a “boy genius” and “very rare creature” who was “so internal and quiet that his inner life must have been sparkling.” It’s certainly true that his life’s work sparkled, and not...
- 5/28/2024
- by Michael Nordine
- Variety - Film News
Molly Ringwald appeared on Marc Maron’s “Wtf” podcast (via People magazine) and revealed that she’s tried to convince her 20-year-old daughter not to become an actor because of how difficult it is for young women in Hollywood. Ringwald, an icon of 1980s teen movies thanks to roles in “The Breakfast Club,” “Pretty in Pink” and more, said she was taken advantage of as a young actor — and that it’s nearly impossible not to be as a woman growing up in Hollywood.
“I never really felt like I was part of a community when I was in Hollywood, just because I was so young, really,” Ringwald said. “I wasn’t into going out to clubs. I feel like I’m more social now than I was then. I was just too young.”
“Well, you’re lucky you didn’t get taken advantage of or got into some sort of horrible situation,...
“I never really felt like I was part of a community when I was in Hollywood, just because I was so young, really,” Ringwald said. “I wasn’t into going out to clubs. I feel like I’m more social now than I was then. I was just too young.”
“Well, you’re lucky you didn’t get taken advantage of or got into some sort of horrible situation,...
- 5/28/2024
- by Zack Sharf
- Variety - Film News
Another weekend, another bit of very bad news for the movie business. Memorial Day weekend has, historically, been a major frame for the box office, with Disney's "The Little Mermaid" remake pulling in $95.4 million last year. (That number grows to $117.5 million when accounting for the Monday holiday.) That's what we've come to expect, pandemic notwithstanding. Unfortunately, the dual threat of "Furiosa: A Mad Max Saga" and "The Garfield Movie" didn't prove to be much of a threat at all, as both films fell well short of expectations, leading to a downright terrible holiday weekend. Garfuriosa was, in the end, the direct opposite of last year's Barbenheimer phenomenon in every way imaginable.
Warner Bros.' "Furiosa" took the top spot on the charts, pulling in $26.3 million through Sunday, with that number growing to an estimated $32 million when accounting for Monday. Meanwhile, Sony Pictures' new animated "Garfield" film landed at number two...
Warner Bros.' "Furiosa" took the top spot on the charts, pulling in $26.3 million through Sunday, with that number growing to an estimated $32 million when accounting for Monday. Meanwhile, Sony Pictures' new animated "Garfield" film landed at number two...
- 5/28/2024
- by Ryan Scott
- Slash Film
Glen Powell told some of his best Tom Cruise stories as part of a cover story interview with GQ UK magazine. The two actors became close friends during the production of “Top Gun: Maverick.” Powell originally auditioned for the role of Rooster, but he was beat out by Miles Teller. Cruise liked Powell and offered him the role of Hangman, but Powell had some notes.
“What we were talking about is, how can Hangman service the story and give the flavor of the original ‘Top Gun’ that you need?” Powell remembered saying to his A-list co-star. “I said my piece to Tom about what I do and what I do well, and he listened. Tom’s a listener. He listens to the crew members, he listens to his collaborators, and he hears people.”
One of Powell’s most cherished Tom Cruise memories is when Cruise personally flew him back to...
“What we were talking about is, how can Hangman service the story and give the flavor of the original ‘Top Gun’ that you need?” Powell remembered saying to his A-list co-star. “I said my piece to Tom about what I do and what I do well, and he listened. Tom’s a listener. He listens to the crew members, he listens to his collaborators, and he hears people.”
One of Powell’s most cherished Tom Cruise memories is when Cruise personally flew him back to...
- 5/28/2024
- by Zack Sharf
- Variety - Film News
“There’s a wonderful thing that happened when MoviePass went away.”
It’s an odd thing for the founder of MoviePass to say, but Stacy Spikes told IndieWire as much. That’s because in the wake of the spectacular crash and burn of his subscription movie-ticketing company, numerous copycats and in-house loyalty programs quickly tried to re-create what Spikes built.
“You had a lot of people introduced to subscription models, [which] validated that subscription models work, and that consumers like them,” Spikes said.
After MoviePass shuttered in 2019 — then under the leadership of Mitch Lowe and Ted Farnsworth after Spikes had been pushed out in 2017 — Spikes re-acquired the MoviePass brand in an auction and relaunched the company in 2022, hoping to build back his baby’s name after the former CEOs caused so much ill will.
Less than two years later, Spikes has achieved something the company never did before — especially not when...
It’s an odd thing for the founder of MoviePass to say, but Stacy Spikes told IndieWire as much. That’s because in the wake of the spectacular crash and burn of his subscription movie-ticketing company, numerous copycats and in-house loyalty programs quickly tried to re-create what Spikes built.
“You had a lot of people introduced to subscription models, [which] validated that subscription models work, and that consumers like them,” Spikes said.
After MoviePass shuttered in 2019 — then under the leadership of Mitch Lowe and Ted Farnsworth after Spikes had been pushed out in 2017 — Spikes re-acquired the MoviePass brand in an auction and relaunched the company in 2022, hoping to build back his baby’s name after the former CEOs caused so much ill will.
Less than two years later, Spikes has achieved something the company never did before — especially not when...
- 5/28/2024
- by Brian Welk
- Indiewire
The Story of Souleymane follows an undocumented delivery worker as he prepares for an asylum application interview while pedaling through the Paris streets. But belying the innocuous title and unassuming premise, this latest narrative feature from veteran filmmaker Boris Lojkine is actually a fast-paced thriller. And also a logistical feat as Lojkine’s lens races to keep up with his less than honest protagonist as he literally cycles through a Kafkaesque EU system in which even the most mundane move might […]
The post “I Was Much More Influenced by Andrea Arnold’s Work or That of the Safdie Brothers”: Boris Lojkine on His Cannes Jury Prize-Winning The Story of Souleymane first appeared on Filmmaker Magazine.
The post “I Was Much More Influenced by Andrea Arnold’s Work or That of the Safdie Brothers”: Boris Lojkine on His Cannes Jury Prize-Winning The Story of Souleymane first appeared on Filmmaker Magazine.
- 5/28/2024
- by Lauren Wissot
- Filmmaker Magazine - Blog
In line with the IndieWire Craft team’s best film cinematography list of 2024, we’re going to keep track of film scores that strike us as exceptional over the course of this year. We’ve already seen (and heard!) a number of really good soundtracks that complement their stories, add momentum and pathos, and even spike dramatic moments with a bit of musical humor. Some of the biggest action blockbusters of the year have delivered instrumental bangers that are far from, in the words of Immortan Joe, mediocre. But some of the smallest, weirdest films of the year also have music that is perfectly placed in order to help us feel our way through the lonely forest home of cryptids and the absurd maze of the U.S. immigration system alike.
If any criteria has guided our score choices so far this year, it probably is weirdness. Music is the most immediate route into emotion,...
If any criteria has guided our score choices so far this year, it probably is weirdness. Music is the most immediate route into emotion,...
- 5/28/2024
- by Sarah Shachat
- Indiewire
"Coherence" is one of the best sci-fi thrillers there is -- the type of movie that breaks your brain in the best possible way. It's a mind-bending movie that tells a grand scale story in a small scale setting, but without the need for diagrams to explain its plot à la "Primer." In this regard, it's the more accessible version of that cult classic.
In a nutshell, "Coherence" is the kind of low-budget indie genre movie that tells a simple story and leaves an impact, with its filmmakers going on to make bigger-budget movies. It is not, however, the kind of film that seems designed to spawn a franchise. Yet, somehow, more than a decade after its release, it appears director James Ward Byrkit is developing a sequel — and he's recruited producer Kate Andrews from the spectacularly twisted "It's What's Inside" to join the project.
According to Deadline, Byrkit has...
In a nutshell, "Coherence" is the kind of low-budget indie genre movie that tells a simple story and leaves an impact, with its filmmakers going on to make bigger-budget movies. It is not, however, the kind of film that seems designed to spawn a franchise. Yet, somehow, more than a decade after its release, it appears director James Ward Byrkit is developing a sequel — and he's recruited producer Kate Andrews from the spectacularly twisted "It's What's Inside" to join the project.
According to Deadline, Byrkit has...
- 5/28/2024
- by Rafael Motamayor
- Slash Film
Actor Robert De Niro was present outside the New York courthouse where Donald Trump’s hush-money trial was reaching its closing stages. The 80-year-old Oscar winner is part of Joe Biden’s re-election campaign and called Trump ‘a clown’ as he urged Americans to take the ‘second chance’ to ‘vote him out once and for all’ in the US elections in November
‘A coward’s violence’: Robert De Niro trolls Trump outside hush-money trial...
‘A coward’s violence’: Robert De Niro trolls Trump outside hush-money trial...
- 5/28/2024
- The Guardian - Film News
Recently crowned Oscar winner Da’Vine Joy Randolph has joined the cast of A24’s upcoming romantic comedy “Eternity,” Variety has learned exclusively.
Directed by David Freyne, the film also stars Miles Teller (“Top Gun: Maverick”), Elizabeth Olsen (“WandaVision”) and Callum Turner (“Masters of the Air”). This project marks Randolph’s first feature film with A24.
The plot of “Eternity” remains under wraps, but it is described as a romantic comedy in which characters must decide who they want to spend eternity with. Patrick Cunnane, who wrote the screenplay and appeared on the 2022 Black List, is best known for penning the TV thriller “Designated Survivor,” starring Kiefer Sutherland.
A24 is financing the film and partnering with Oscar-nominated producers Trevor White and Tim White (“King Richard”) under their production company Star Thrower Entertainment. Olsen and Teller will also serve as executive producers. “Eternity” is set to begin production this summer.
Randolph gained...
Directed by David Freyne, the film also stars Miles Teller (“Top Gun: Maverick”), Elizabeth Olsen (“WandaVision”) and Callum Turner (“Masters of the Air”). This project marks Randolph’s first feature film with A24.
The plot of “Eternity” remains under wraps, but it is described as a romantic comedy in which characters must decide who they want to spend eternity with. Patrick Cunnane, who wrote the screenplay and appeared on the 2022 Black List, is best known for penning the TV thriller “Designated Survivor,” starring Kiefer Sutherland.
A24 is financing the film and partnering with Oscar-nominated producers Trevor White and Tim White (“King Richard”) under their production company Star Thrower Entertainment. Olsen and Teller will also serve as executive producers. “Eternity” is set to begin production this summer.
Randolph gained...
- 5/28/2024
- by Clayton Davis
- Variety - Film News
For months now, awards prognosticators across the interwebs have been lamenting the state of the Emmy’s Drama categories. No, not the Emmy Awards that already happened (let’s not get into all that again) but the one TV Academy members will vote on in a few weeks. After a strike-altered release calendar and the departure of daddy’s No. 1 boy, 2024 was destined to be a strange awards season. Seven of last year’s eight nominees for Best Drama Series are no longer in contention. None of the most recent Primetime Emmy winners are eligible. A new Best Director, Writer, Actor, Actress and more will be crowned. Yet in an often-repetitive TV awards cycle, the excitement typically felt for a fresh field has been tempered by this year’s lackluster yield.
That is, excitement was tempered until a few weeks ago, when a white knight golden samurai rode in to rescue the Emmys.
That is, excitement was tempered until a few weeks ago, when a white knight golden samurai rode in to rescue the Emmys.
- 5/28/2024
- by Ben Travers
- Indiewire
Andrew Scott has joined the sprawling cast of “Knives Out 3.”
The “Ripley” and “Fleabag” actor will star in the whodunit — titled “Wake Up Dead Man: A Knives Out Mystery” — alongside the previously announced additions of “Challengers” breakout Josh O’Connor and Cailee Spaeny of “Priscilla” fame. And of course, Daniel Craig will reprise his role as the quirky sleuth at the center of it all, Benoit Blanc.
Rian Johnson is writing and directing the third “Knives Out” installment. He’s also producing with his T-Street partner Ram Bergman, who worked on the first two films. “Wake Up Dead Man” is expected to soon go into production and is slated to release in 2025. Plot details have yet to be revealed, but Johnson and Craig have teased that it is Blanc’s “most dangerous case yet.”
“I love everything about whodunits, but one of the things I love most is how malleable the genre is,...
The “Ripley” and “Fleabag” actor will star in the whodunit — titled “Wake Up Dead Man: A Knives Out Mystery” — alongside the previously announced additions of “Challengers” breakout Josh O’Connor and Cailee Spaeny of “Priscilla” fame. And of course, Daniel Craig will reprise his role as the quirky sleuth at the center of it all, Benoit Blanc.
Rian Johnson is writing and directing the third “Knives Out” installment. He’s also producing with his T-Street partner Ram Bergman, who worked on the first two films. “Wake Up Dead Man” is expected to soon go into production and is slated to release in 2025. Plot details have yet to be revealed, but Johnson and Craig have teased that it is Blanc’s “most dangerous case yet.”
“I love everything about whodunits, but one of the things I love most is how malleable the genre is,...
- 5/28/2024
- by Rebecca Rubin
- Variety - Film News
Bret Easton Ellis’ series at HBO is inching closer to reality. HBO has tapped Kristoffer Borgli to direct the series adaptation of the Ellis book “The Shards.”
Borgli, who directed last year’s “Dream Scenario” starring Nicolas Cage and 2022’s “Sick of Myself,” is attached to direct and serve as an executive producer on the series that’s currently in development at HBO.
Ellis published “The Shards” just last year, and the series per its official logline is “set in the early ’80s and tracks a group of privileged Los Angeles High School friends as a serial killer strikes across the city.”
But what makes “The Shards” ripe for an adaptation is that it’s a pulpy and sexy yet sprawling and unwieldy piece of fiction featuring much of Ellis’ own biography. While it follows the murders of a serial killer known as The Trawler with great detail, it also...
Borgli, who directed last year’s “Dream Scenario” starring Nicolas Cage and 2022’s “Sick of Myself,” is attached to direct and serve as an executive producer on the series that’s currently in development at HBO.
Ellis published “The Shards” just last year, and the series per its official logline is “set in the early ’80s and tracks a group of privileged Los Angeles High School friends as a serial killer strikes across the city.”
But what makes “The Shards” ripe for an adaptation is that it’s a pulpy and sexy yet sprawling and unwieldy piece of fiction featuring much of Ellis’ own biography. While it follows the murders of a serial killer known as The Trawler with great detail, it also...
- 5/28/2024
- by Brian Welk
- Indiewire
Albert S Ruddy, the Hollywood film and television producer who earned best picture Academy Awards for both The Godfather and Million Dollar Baby, has died peacefully following a brief illness. He was 94.
Born in Montreal and raised in New York City, Ruddy began his entertainment career as creator, with Bernie Fein, of sixties TV sitcom Hogan’s Heroes. He produced features including Robert Redford drama Little Fauss And Big Halsy before being brought in by Paramount as sole producer of Francis Ford Coppola’s The Godfather, for which he won his first Oscar in 1973.
Ruddy later served as executive producer on The Offer,...
Born in Montreal and raised in New York City, Ruddy began his entertainment career as creator, with Bernie Fein, of sixties TV sitcom Hogan’s Heroes. He produced features including Robert Redford drama Little Fauss And Big Halsy before being brought in by Paramount as sole producer of Francis Ford Coppola’s The Godfather, for which he won his first Oscar in 1973.
Ruddy later served as executive producer on The Offer,...
- 5/28/2024
- ScreenDaily
Previously, Glen Powell has made it clear he is not interested in Marvel films and superhero films, in general. However, if you’re looking for a Batman, perhaps someone can convince him.
Read More: Glen Powell Passed On New ‘Jurassic World’ & ‘Bourne’ Films & Says He Won’t Do A Marvel Project
Speaking in a long profile over at GQ, Glen Powell talked about his aversion to superhero films.
Continue reading Glen Powell’s “Wild Take” On Batman Would Be Closer To Michael Keaton at The Playlist.
Read More: Glen Powell Passed On New ‘Jurassic World’ & ‘Bourne’ Films & Says He Won’t Do A Marvel Project
Speaking in a long profile over at GQ, Glen Powell talked about his aversion to superhero films.
Continue reading Glen Powell’s “Wild Take” On Batman Would Be Closer To Michael Keaton at The Playlist.
- 5/28/2024
- by Martin Miller
- The Playlist
Musician James Blunt recently said at the Hay Festival in Wales (via People) that his close friend Carrie Fisher faced tremendous pressure to be thin for “Star Wars” when she reprised her iconic role of Princess Leia in “Star Wars: The Force Awakens.” Fisher previously told Good Housekeeping U.K. in 2015 shortly before “The Force Awakens” opened in theaters that she lost 35 pounds for the movie. She died one year later in December 2016 after going into cardiac arrest while flying from London to Los Angeles.
“She’d been really mistreating her body, and she’d just got the job again of being Princess Leia in a new ‘Star Wars’ movie,” said Blunt at the arts festival, where he was speaking about his memoir, “Loosely Based on a Made-Up Story.”
Blunt became friends with Fisher in the 2000s and even lived with her and her mother, the late Debbie Reynolds, when...
“She’d been really mistreating her body, and she’d just got the job again of being Princess Leia in a new ‘Star Wars’ movie,” said Blunt at the arts festival, where he was speaking about his memoir, “Loosely Based on a Made-Up Story.”
Blunt became friends with Fisher in the 2000s and even lived with her and her mother, the late Debbie Reynolds, when...
- 5/28/2024
- by Zack Sharf
- Variety - Film News
A Berlin Generation Crystal Bear winner and the first foray into film of the Fremantle-backed The Immigrant, Sofía Auza’s “Adolfo” saw its premiere Monday night in Mexico City.
With Fremantle handling international distribution, “Adolfo” has a lot to celebrate. Auza’s first feature, it also took best feature at Stockholm, screened as opening night film at last year’s TIFF Next Wave Festival and, testing home market waters, scooped best actress for Rocío de la Mañana at Mexico’s Guadalajara Festival in June.
Now, via Cinemex, Mexico’s second biggest exhibition chain, “Adolfo” will hit 12 theaters around Mexico on June 6. A platform release via Cinemex expands in its second week to another 12 locations. “Adolfo” will play upscale Premium and Platino theaters on the Cinemex circuit,
“It’s really important for a relatively small film to have a commercial release, to see the reaction of audiences. It’s not...
With Fremantle handling international distribution, “Adolfo” has a lot to celebrate. Auza’s first feature, it also took best feature at Stockholm, screened as opening night film at last year’s TIFF Next Wave Festival and, testing home market waters, scooped best actress for Rocío de la Mañana at Mexico’s Guadalajara Festival in June.
Now, via Cinemex, Mexico’s second biggest exhibition chain, “Adolfo” will hit 12 theaters around Mexico on June 6. A platform release via Cinemex expands in its second week to another 12 locations. “Adolfo” will play upscale Premium and Platino theaters on the Cinemex circuit,
“It’s really important for a relatively small film to have a commercial release, to see the reaction of audiences. It’s not...
- 5/28/2024
- by John Hopewell
- Variety - Film News
Over the course of 45 years and five films, director George Miller has created something unparalleled in the world of action cinema: an epic franchise that started great (with 1979’s “Mad Max”) and has grown exponentially more audacious, complex, and visionary with each subsequent film. Each time Miller returns to the “Mad Max” universe — from “The Road Warrior” (1981) and “Mad Max Beyond Thunderdome” (1985) to “Mad Max: Fury Road” (2015) — he expands upon and deepens the story with increasing ambition, a project that has now culminated in the most epic (in both length and mythological impact) entry in the series to date, “Furiosa.” The longevity of the series and the enduring fertility of Miller’s imagination have proven one of the movies’ great surprises over the years — especially to Miller himself.
In fact, when asked whether he ever envisioned the “Mad Max” saga lasting for decades, Miller had a quick answer. “Never!” he...
In fact, when asked whether he ever envisioned the “Mad Max” saga lasting for decades, Miller had a quick answer. “Never!” he...
- 5/28/2024
- by Jim Hemphill
- Indiewire
The big winners out of the 2024 Cannes Film Festival suggest bright times ahead for indie and international moviegoing. Sean Baker’s “Anora” winning the Palme was a kind of apotheosis for the self-made indie filmmaker. And Neon already has the movie for U.S. distribution — the company’s fifth Palme d’Or winner in a row. Meanwhile, other Cannes winners like “Emilia Pérez” (Netflix), “All We Imagine as Light” (Sideshow/Janus), and “The Seed of the Sacred Fig” (Neon) have homes awaiting them on the other side of their journeys out of Cannes and into the world.
But in a compressed time for film sales across fiction and nonfiction titles, that means plenty of movies that premiered at Cannes are still searching for a home. And what a world where the latest film from two-time Palme d’Or winner Francis Ford Coppola is among them (“Megalopolis”). Same with David Cronenberg...
But in a compressed time for film sales across fiction and nonfiction titles, that means plenty of movies that premiered at Cannes are still searching for a home. And what a world where the latest film from two-time Palme d’Or winner Francis Ford Coppola is among them (“Megalopolis”). Same with David Cronenberg...
- 5/28/2024
- by Ryan Lattanzio and David Ehrlich
- Indiewire
Rachel Brosnahan and Boyd Holbrook have something in common. Yes, they’re both actors, but they’re also both incredibly underrated. Sure, Brosnahan has received all sorts of acclaim for her role in “The Marvelous Mrs. Maisel,” but she’s just damn good in almost anything she works in. And Holbrook elevates every role. That’s why the reason a re-release of “Boomtown” caught our eye. A film from 2017 is getting a re-release, and a new trailer.
Continue reading ‘Boomtown’ Trailer: Rachel Brosnahan & Boyd Holbrook star in Sabyn Mayfield’s New Film at The Playlist.
Continue reading ‘Boomtown’ Trailer: Rachel Brosnahan & Boyd Holbrook star in Sabyn Mayfield’s New Film at The Playlist.
- 5/28/2024
- by Martin Miller
- The Playlist
Look, far be it from me to tell a young, diverse, and predominantly non-male group of horror-movie protagonists what to do. But if I were ever in a situation that involved dabbling with the supernatural in highly creepy settings while also breaking long-established rules involved with the aforementioned dabbling, I would simply not do that. Of course, there wouldn't be a movie for us to talk about here in that hypothetical, but that ain't my problem!
For better or worse (you can probably guess which one it is), nobody involved with the production of "Tarot" bothered to listen to my advice. For this group of college kids who committed the faux pas of all faux pas by messing with a tarot deck that wasn't theirs to begin with, the end result was ... pretty messy, to put it mildly. Writer/directors Spenser Cohen and Anna Halberg (along with co-writer Nicholas Adams...
For better or worse (you can probably guess which one it is), nobody involved with the production of "Tarot" bothered to listen to my advice. For this group of college kids who committed the faux pas of all faux pas by messing with a tarot deck that wasn't theirs to begin with, the end result was ... pretty messy, to put it mildly. Writer/directors Spenser Cohen and Anna Halberg (along with co-writer Nicholas Adams...
- 5/28/2024
- by Jeremy Mathai
- Slash Film
While most of the discussion regarding James Gunn’s Dcu seems to be on “Superman,” which is currently about halfway through production, there are still plenty of other projects at DC Studios that are moving forward, including, apparently, the long-awaited series, “Lanterns.” And now, we know some of the names of folks who are helping craft the series.
On Instagram, over the weekend, James Gunn confirmed the rumors that a couple of major names were leading the way on the TV series, “Lanterns.”
Read More: ‘Supergirl: Woman Of Tomorrow’ From DC Studios Lands Summer 2026 Release
“Yes, it’s true,” said Gunn.
Continue reading ‘Lanterns’: Damon Lindelof Among Writers Brought In To Craft James Gunn’s DC TV Series at The Playlist.
On Instagram, over the weekend, James Gunn confirmed the rumors that a couple of major names were leading the way on the TV series, “Lanterns.”
Read More: ‘Supergirl: Woman Of Tomorrow’ From DC Studios Lands Summer 2026 Release
“Yes, it’s true,” said Gunn.
Continue reading ‘Lanterns’: Damon Lindelof Among Writers Brought In To Craft James Gunn’s DC TV Series at The Playlist.
- 5/28/2024
- by Martin Miller
- The Playlist
On "Star Trek: Enterprise," the character of Ensign Hoshi Sato, played by actress Linda Park, served as the communications officer on board the titular ship. "Enterprise" takes place a century before the events of the original "Star Trek" series, so the franchise's notorious universal translator hadn't yet been refined, leaving human translators like Hoshi to fill in the gaps. Hoshi had a talent for xenolinguistics, but didn't quite have the constitution for long-range space missions or combat situations. She was young and inexperienced, and had to constantly face her anxieties head-on. As the show progressed, Hoshi came into her own, displaying more and more confidence.
The problem with characters that can be defined as "young and inexperienced" is that eventually they will have to become adult and experienced. They will then require other character traits to define them ... and TV writers don't always think that far ahead. Many of the...
The problem with characters that can be defined as "young and inexperienced" is that eventually they will have to become adult and experienced. They will then require other character traits to define them ... and TV writers don't always think that far ahead. Many of the...
- 5/28/2024
- by Witney Seibold
- Slash Film
Diablo Cody and Mason Novick are teaming with Wattpad Webtoon Studios to produce an adaptation of the popular Webtoon webcomic “Death of a Pop Star” as a film.
The script will be written by buzzy screenwriter and producer Isa Mazzei. Named one of Filmmaker Magazine’s 25 New Faces of Independent Film, Mazzei is the writer and producer behind Blumhouse’s psychological horror film “Cam,” as well as producer of Neon’s 2022 eco-thriller “How to Blow Up A Pipeline.” Her first book, “Camgirl,” was selected as one of NPR’s favorite books, and her writing has also been featured in New York Magazine’s The Cut, Glamour Magazine, and Het Hem’s The Couch. She is currently in post-production on an adaptation of “Faces of Death” that she wrote and produced for Legendary Pictures.
The “Death of a Pop Star” webcomic, written by creator Violet Karim and boasting 33 million global views,...
The script will be written by buzzy screenwriter and producer Isa Mazzei. Named one of Filmmaker Magazine’s 25 New Faces of Independent Film, Mazzei is the writer and producer behind Blumhouse’s psychological horror film “Cam,” as well as producer of Neon’s 2022 eco-thriller “How to Blow Up A Pipeline.” Her first book, “Camgirl,” was selected as one of NPR’s favorite books, and her writing has also been featured in New York Magazine’s The Cut, Glamour Magazine, and Het Hem’s The Couch. She is currently in post-production on an adaptation of “Faces of Death” that she wrote and produced for Legendary Pictures.
The “Death of a Pop Star” webcomic, written by creator Violet Karim and boasting 33 million global views,...
- 5/28/2024
- by Katcy Stephan
- Variety - Film News
Despite a muted reception back in May 1994 — certainly compared to Spike Lee’s previous film “Malcolm X” — “Crooklyn” has endured for three decades as one of the director’s most treasured films.
At the time, Spike Lee was still in the first decade of his career as a director, and “Crookyln” marked his seventh film in nine years with his “brand” in the popular consciousness as a polemical artist at the vanguard of the ’90s Black New Wave that also featured filmmakers such as John Singleton, Mario Van Peebles, and the Hughes Brothers.
Crooklyn, while fitting within Spike’s collected body of work about the Black experience in America, took a detour in tone from his earlier, more overtly political films such as “Do the Right Thing” and “Jungle Fever.” Contemporary reactions to the film were mixed, and “Crooklyn,” like all of Spike’s post-”Malcolm X” films up to “Inside Man,...
At the time, Spike Lee was still in the first decade of his career as a director, and “Crookyln” marked his seventh film in nine years with his “brand” in the popular consciousness as a polemical artist at the vanguard of the ’90s Black New Wave that also featured filmmakers such as John Singleton, Mario Van Peebles, and the Hughes Brothers.
Crooklyn, while fitting within Spike’s collected body of work about the Black experience in America, took a detour in tone from his earlier, more overtly political films such as “Do the Right Thing” and “Jungle Fever.” Contemporary reactions to the film were mixed, and “Crooklyn,” like all of Spike’s post-”Malcolm X” films up to “Inside Man,...
- 5/28/2024
- by Sam Moore
- Indiewire
Al Ruddy, two-time Oscar winner for producing “The Godfather” and “Million Dollar Baby,” died May 25 at UCLA Medical Center in Los Angeles. Ruddy was also co-creator of “Hogan’s Heroes” and of “Walker, Texas Ranger.” He was 94.
After the success of sitcom “Hogan’s Heroes,” Ruddy went on to produce “Little Fauss and Big Halsy” and “Making It” before coming on to Francis Ford Coppola’s “The Godfather,” which was nominated for 11 Academy Awards.
Al Pacino said in a statement, “Al Ruddy was absolutely beautiful to me the whole time on ‘The Godfather’; even when they didn’t want me, he wanted me. He gave me the gift of encouragement when I needed it most and I’ll never forget it.”
After “The Godfather,” he produced his own story treatment for “The Longest Yard.”
Ruddy went on to produce notable films including “The Cannonball Run.” Other features he produced included “Matilda,” “Coonskin,...
After the success of sitcom “Hogan’s Heroes,” Ruddy went on to produce “Little Fauss and Big Halsy” and “Making It” before coming on to Francis Ford Coppola’s “The Godfather,” which was nominated for 11 Academy Awards.
Al Pacino said in a statement, “Al Ruddy was absolutely beautiful to me the whole time on ‘The Godfather’; even when they didn’t want me, he wanted me. He gave me the gift of encouragement when I needed it most and I’ll never forget it.”
After “The Godfather,” he produced his own story treatment for “The Longest Yard.”
Ruddy went on to produce notable films including “The Cannonball Run.” Other features he produced included “Matilda,” “Coonskin,...
- 5/28/2024
- by Pat Saperstein
- Variety - Film News
Earlier today, we shared a news item about Rahul Kohli being a bit heartbroken that he didn’t land a role in Marvel Studios’ “The Fantastic Four.” Now, here’s a story about another actor, Glen Powell, who is finally able to joke about the fact that he “blew” the final audition for a major “Star Wars” role. It goes to show you how actors can never forget the times they came so close to landing career-changing roles.
Read More: Glen Powell Passed On New ‘Jurassic World’ & ‘Bourne’ Films & Says He Won’t Do A Marvel Project
Speaking to GQ, Glen Powell talked about all of the opportunities that didn’t work out for him.
Continue reading ‘Solo’: Glen Powell “Blew The Final Audition” To Lead ‘Star Wars’ Spinoff Film at The Playlist.
Read More: Glen Powell Passed On New ‘Jurassic World’ & ‘Bourne’ Films & Says He Won’t Do A Marvel Project
Speaking to GQ, Glen Powell talked about all of the opportunities that didn’t work out for him.
Continue reading ‘Solo’: Glen Powell “Blew The Final Audition” To Lead ‘Star Wars’ Spinoff Film at The Playlist.
- 5/28/2024
- by Martin Miller
- The Playlist
There’s something so frustrating about watching a show that should work but can’t quite figure out how to put its puzzle pieces together. Sometimes, the pieces just don’t fit. That’s the experience for the bulk of the six episodes of Netflix’s “Eric,” a drama that tries to do so many different things that it ends up doing too little of any of them. Its most fatal flaw might be that its conceit never feels thematically engaging, distracting from what works best about the show, a series of excellent performances that work on a scene-by-scene basis but never come together to form an effective show overall.
Continue reading ‘Eric’ Review: Benedict Cumberbatch’s ‘Sesame Street’-Meets-Kidnapping Series Can’t Find The Right Tones To Support Strong Performances at The Playlist.
Continue reading ‘Eric’ Review: Benedict Cumberbatch’s ‘Sesame Street’-Meets-Kidnapping Series Can’t Find The Right Tones To Support Strong Performances at The Playlist.
- 5/28/2024
- by Brian Tallerico
- The Playlist
Are you optimistic about the Dallas Cowboys 2024 NFL season? Well, recent history suggests you probably shouldn’t be. (Giants fan over here.) But there is something exciting leading in to the summer’s Dallas Cowboys training camp: a new cheerleading docuseries from director Greg Whiteley, the man behind Netflix’s “Cheer” and “Last Chance U.”
“America’s Sweethearts: Dallas Cowboys Cheerleaders,” a collection of seven 45-minute episodes, will follow the squad from start to finish — meaning from their auditions to the team’s inevitable late-regular-season or early-post-season collapse. The cheerleaders are led by their longtime director Kelli Finglass.
The docuseries, which is definitely not “Cheer” Season 3 (except it definitely should be), premieres on June 20 on Netflix.
Whiteley executive produces alongside Adam Leibowitz for One Potato Productions; Andrew Fried and Dane Lillegard of Boardwalk Pictures and Ross M. Dinerstein and Rebecca Evans of Campfire Studios also executive produce for their respective companies.
“America’s Sweethearts: Dallas Cowboys Cheerleaders,” a collection of seven 45-minute episodes, will follow the squad from start to finish — meaning from their auditions to the team’s inevitable late-regular-season or early-post-season collapse. The cheerleaders are led by their longtime director Kelli Finglass.
The docuseries, which is definitely not “Cheer” Season 3 (except it definitely should be), premieres on June 20 on Netflix.
Whiteley executive produces alongside Adam Leibowitz for One Potato Productions; Andrew Fried and Dane Lillegard of Boardwalk Pictures and Ross M. Dinerstein and Rebecca Evans of Campfire Studios also executive produce for their respective companies.
- 5/28/2024
- by Tony Maglio
- Indiewire
While some might have predicted it, you wouldn’t be wrong in saying that most people were surprised at the low box office debut for “Furiosa: A Mad Max Saga.” The film has made approximately $33 million over the four-day holiday weekend, which is one of the worst Memorial Weekend debuts in decades. That would seemingly stop all discussion about more ‘Mad Max’ films in the near future, which means ‘The Wasteland’ might not ever see the light of day.
Continue reading ‘The Wasteland’: George Miller’s Next ‘Mad Max’ Film Is A “Saga” Similar To ‘Furiosa’ at The Playlist.
Continue reading ‘The Wasteland’: George Miller’s Next ‘Mad Max’ Film Is A “Saga” Similar To ‘Furiosa’ at The Playlist.
- 5/28/2024
- by Martin Miller
- The Playlist
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