Movie News
A remake of Heaven Can Wait is in early development at Paramount with Glen Powell, The Hollywood Reporter has confirmed.
Stephen Gaghan, an Oscar winner for his script for Steven Soderbergh’s 2000 crime film Traffic, is writing the project for Powell to star. Based on Harry Segall’s play of the same name, the original 1978 movie Heaven Can Wait starred Warren Beatty and was nominated for nine Oscars including best picture, with the film notching a win for best art direction.
Heaven Can Wait centered on Beatty as an NFL quarterback who dies prematurely due to an antsy angel and returns to Earth in the body of a recently murdered millionaire. Beatty directed the film with Buck Henry and co-wrote the script with Elaine May.
Segall’s play Heaven Can Wait had previously been adapted for the 1941 feature Here Comes Mr. Jordan, with the lead character being a boxer, and...
Stephen Gaghan, an Oscar winner for his script for Steven Soderbergh’s 2000 crime film Traffic, is writing the project for Powell to star. Based on Harry Segall’s play of the same name, the original 1978 movie Heaven Can Wait starred Warren Beatty and was nominated for nine Oscars including best picture, with the film notching a win for best art direction.
Heaven Can Wait centered on Beatty as an NFL quarterback who dies prematurely due to an antsy angel and returns to Earth in the body of a recently murdered millionaire. Beatty directed the film with Buck Henry and co-wrote the script with Elaine May.
Segall’s play Heaven Can Wait had previously been adapted for the 1941 feature Here Comes Mr. Jordan, with the lead character being a boxer, and...
- 5/21/2024
- by Ryan Gajewski and Borys Kit
- The Hollywood Reporter - Movie News
A24 has nabbed U.S. rights to “The Death of Robin Hood,” one of the hottest packages at this year’s Cannes. The Sherwood Forest-set film stars Hugh Jackman and Jodie Comer and is directed by Michael Sarnoski, the filmmaker behind the critically acclaimed “Pig” and this summer’s “A Quiet Place: Day One.”
According to the official logline, the film will find Robin Hood “grappling with his past after a life of crime and murder.” Instead of the merry outlaw seen in certain previous versions of the story, like the one portrayed by Errol Flynn, this Robin Hood is “a battle-worn loner [who] finds himself gravely injured and in the hands of a mysterious woman, who offers him a chance at salvation.” Production on “The Death of Robin Hood” is set to begin in 2025. A24 will release the film theatrically. Negotiations were highly competitive with several potential buyers circling the film.
According to the official logline, the film will find Robin Hood “grappling with his past after a life of crime and murder.” Instead of the merry outlaw seen in certain previous versions of the story, like the one portrayed by Errol Flynn, this Robin Hood is “a battle-worn loner [who] finds himself gravely injured and in the hands of a mysterious woman, who offers him a chance at salvation.” Production on “The Death of Robin Hood” is set to begin in 2025. A24 will release the film theatrically. Negotiations were highly competitive with several potential buyers circling the film.
- 5/21/2024
- by Brent Lang
- Variety - Film News
Ari Aster and his producing partner Lars Knudsen have boarded Chile’s Cristóbal León and Joaquín Cociña’s new film “Hansel & Gretel” as executive producers through their company, Square Peg.
The Chilean duo’s feature “The Hyperboreans” forms part of Cannes’ Directors’ Fortnight.
The story is expected to twist the fairy tale into inimitable shapes. “It’s our very personal adaptation of the classic fairy tale, with the main difference that Hansel and Gretel are both boys in this version, at least at the beginning of the story,” Cristóbal León told Variety. In this telling, “the story itself gets lost,” León added.
León and Cociña worked with Aster on “Beau is Afraid,” having come to his attention via their feature “The Wolf House,” a winner at Annecy described by Variety as “a jaw-dropping marriage of various animation techniques.”
“Cociña and León are among the true originals working in animation right now.
The Chilean duo’s feature “The Hyperboreans” forms part of Cannes’ Directors’ Fortnight.
The story is expected to twist the fairy tale into inimitable shapes. “It’s our very personal adaptation of the classic fairy tale, with the main difference that Hansel and Gretel are both boys in this version, at least at the beginning of the story,” Cristóbal León told Variety. In this telling, “the story itself gets lost,” León added.
León and Cociña worked with Aster on “Beau is Afraid,” having come to his attention via their feature “The Wolf House,” a winner at Annecy described by Variety as “a jaw-dropping marriage of various animation techniques.”
“Cociña and León are among the true originals working in animation right now.
- 5/20/2024
- by Callum McLennan
- Variety - Film News
Kodak, which had a momentous 2023 with more than 60 movies shot on film has gotten off to a promising start in 2024 with Luca Guadignino’s “Challengers” and Jane Shoenbrun’s “I Saw the TV Glow, which A24 released wide May 17. Upcoming releases include Jeff Nichols’ “The Bikeriders” and Robert Eggers’ “Nosferatu.”
Meanwhile, Kodak premiered 29 movies shot on film at Cannes. These include five features competing for the Palme d’Or: Yorgos Lanthimos’ “Kinds of Kindness,” Sean Baker’s “Anora,” Andrea Arnold’s “Bird,” Karim Aïnouz’s “Motel Destino,” and Miguel Gomes’ “Grand Tour.”
Additionally, four movies are featured in Un Certain Regard, and 16 titles across Directors’ Fortnight and Critics’ Week were captured on film. Meanwhile, 16mm film continues to prove its popularity and relevance, with 23 of the on-film titles at the festival choosing it as their capture medium.
This article was first published January 27, 2024. It has been updated.
Cannes 2024 Premieres ‘Kinds...
Meanwhile, Kodak premiered 29 movies shot on film at Cannes. These include five features competing for the Palme d’Or: Yorgos Lanthimos’ “Kinds of Kindness,” Sean Baker’s “Anora,” Andrea Arnold’s “Bird,” Karim Aïnouz’s “Motel Destino,” and Miguel Gomes’ “Grand Tour.”
Additionally, four movies are featured in Un Certain Regard, and 16 titles across Directors’ Fortnight and Critics’ Week were captured on film. Meanwhile, 16mm film continues to prove its popularity and relevance, with 23 of the on-film titles at the festival choosing it as their capture medium.
This article was first published January 27, 2024. It has been updated.
Cannes 2024 Premieres ‘Kinds...
- 5/27/2024
- by Bill Desowitz
- Indiewire
The Cannes Film Festival is arguably the single most prestigious film festival in all of world cinema. Every year, hundreds descend on the French resort town for two weeks of screenings from some of the film industry’s most respected auteurs. If you want high-quality cinema, or movie star glamour, Cannes supplies all of that in abundance.
But maybe it’s because Cannes is such a shiny beacon atop the cinematic landscape that it’s also so frequently embroiled in massive controversies, in a way that American festivals like, say, Sundance don’t really manage, at least not anymore. It’s not an every year occurrence, but whenever Cannes starts up in May, putting money on something happening to make people very angry is generally the safer bet.
Sometimes, the controversy has to do with the films playing on the Croisette themselves. Take notorious projects like “The Brown Bunny,” a...
But maybe it’s because Cannes is such a shiny beacon atop the cinematic landscape that it’s also so frequently embroiled in massive controversies, in a way that American festivals like, say, Sundance don’t really manage, at least not anymore. It’s not an every year occurrence, but whenever Cannes starts up in May, putting money on something happening to make people very angry is generally the safer bet.
Sometimes, the controversy has to do with the films playing on the Croisette themselves. Take notorious projects like “The Brown Bunny,” a...
- 5/22/2024
- by Wilson Chapman
- Indiewire
IndieWire launched our “Pass the Remote” FYC TV screening series, produced in partnership with Disney, with a dynamic casting directors panel April 25, two Disney Storytellers panels April 29, and a panel about “Abbott Elementary” May 20.
Next up? A “Jim Henson Idea Man” panel on May 24 celebrating the documentary about the Muppets creator, which just premiered at the Cannes Film Festival. Like all events in the “Pass the Remote” screening series, it will take place at the Vidiots Foundation in Los Angeles’s Eagle Rock neighborhood.
Legendary director Ron Howard will be in attendance on the panel, as will executive producer Sara Bernstein, composer David Fleming, and editor Paul Crowder. Howard is a two-time Oscar winner. In recent vintage, he’s become a more prolific documentary director, with films such as “The Beatles: Eight Days a Week” (2016), “Pavarotti” (2019), “Rebuilding Paradise” (2020), and 2022’s profile of Jose Andres and the World Central Kitchen, “We Feed People.
Next up? A “Jim Henson Idea Man” panel on May 24 celebrating the documentary about the Muppets creator, which just premiered at the Cannes Film Festival. Like all events in the “Pass the Remote” screening series, it will take place at the Vidiots Foundation in Los Angeles’s Eagle Rock neighborhood.
Legendary director Ron Howard will be in attendance on the panel, as will executive producer Sara Bernstein, composer David Fleming, and editor Paul Crowder. Howard is a two-time Oscar winner. In recent vintage, he’s become a more prolific documentary director, with films such as “The Beatles: Eight Days a Week” (2016), “Pavarotti” (2019), “Rebuilding Paradise” (2020), and 2022’s profile of Jose Andres and the World Central Kitchen, “We Feed People.
- 5/22/2024
- by Christian Blauvelt
- Indiewire
Telefilm Canada-backed feature Jude & The Jinn has completed principal photography in Cairo and Toronto, with Alexander Siddig starring for writer-director Rolla Tahir.
Financed by Telefilm’s Talent to Watch programme and the multi-national New Dawn fund, the magic realist tale stars Saddig and newcomer Azza Abbaro in the story of thirty-something Nubian woman Jude, who is stuck in bureaucratic hell after immigrating to Canada. When her father is deported, Jude falls into a depression until she meets and befriends a mysterious jinn. Also starring are Deena Nina, Emmanuel Kabongo and Hudson Wurster.
As well as making her feature directing debut,...
Financed by Telefilm’s Talent to Watch programme and the multi-national New Dawn fund, the magic realist tale stars Saddig and newcomer Azza Abbaro in the story of thirty-something Nubian woman Jude, who is stuck in bureaucratic hell after immigrating to Canada. When her father is deported, Jude falls into a depression until she meets and befriends a mysterious jinn. Also starring are Deena Nina, Emmanuel Kabongo and Hudson Wurster.
As well as making her feature directing debut,...
- 5/21/2024
- ScreenDaily
You might not get the dog you want, but you always get the dog you need. That old dog-lover’s adage applies peculiarly well to Chinese director Guan Hu’s “Black Dog.” A far smaller-scale project than his recent blockbusters “The Eight Hundred” and “The Sacrifice,” Guan’s latest — an Un Certain Regard standout at Cannes this year — nonetheless has the grandly cinematic vision to lend an intimate tale a gloriously epic, allegorical edge.
Set in a dying town on the fringes of the Gobi desert, “Black Dog” has elements of the genre western, like taciturn loner antihero Lang (a fantastic Eddie Peng), who returns to his eroded hometown himself hollowed out by repressed guilt for the incident that caused his recent imprisonment. But, dipped in the caustic soda of social commentary and steeped in the fatalistic mood of a place barely chugging by on borrowed time, the film also...
Set in a dying town on the fringes of the Gobi desert, “Black Dog” has elements of the genre western, like taciturn loner antihero Lang (a fantastic Eddie Peng), who returns to his eroded hometown himself hollowed out by repressed guilt for the incident that caused his recent imprisonment. But, dipped in the caustic soda of social commentary and steeped in the fatalistic mood of a place barely chugging by on borrowed time, the film also...
- 5/21/2024
- by Jessica Kiang
- Variety - Film News
Paolo Sorrentino embraced the stars of his latest film “Parthenope,” including Gary Oldman, Celeste Della Porta and Stefania Sandrelli, as the film received a 9.5-minute standing ovation at Cannes Film Festival on Tuesday night.
Tears streamed down the face of Della Porta, who plays the title character, and Sorrentino looked visibly moved as he addressed the crowd.
“For me, this movie is a celebration of the journey of my life,” he said. “I want to thank [Cannes general delegate] Thierry Fremaux for the beginning of my journey in cinema 20 years ago.”
His film “The Consequences of Love” premiered at Cannes two decades ago, and the Italian auteur has certainly made his mark on the festival since. He won the festival’s jury prize in 2008 for “Il Divo” and the prize of the ecumenical jury in 2011 for “This Must Be the Place.” Sorrentino has now had seven films compete for the prestigious Palme d’Or.
Tears streamed down the face of Della Porta, who plays the title character, and Sorrentino looked visibly moved as he addressed the crowd.
“For me, this movie is a celebration of the journey of my life,” he said. “I want to thank [Cannes general delegate] Thierry Fremaux for the beginning of my journey in cinema 20 years ago.”
His film “The Consequences of Love” premiered at Cannes two decades ago, and the Italian auteur has certainly made his mark on the festival since. He won the festival’s jury prize in 2008 for “Il Divo” and the prize of the ecumenical jury in 2011 for “This Must Be the Place.” Sorrentino has now had seven films compete for the prestigious Palme d’Or.
- 5/21/2024
- by Nick Vivarelli and Ellise Shafer
- Variety - Film News
It’s no secret that Paolo Sorrentino is profoundly obsessed with the topics of youth and great beauty. Such preoccupations — and several more! — are self-evident in films like “Youth” and “The Great Beauty,” two unbridled displays of Italian maximalism that are every bit as subtle as their titles suggest.
Following 2021’s achingly personal “The Hand of God,” in which the Neapolitan director filtered the agony and the ecstasy of his formative years through the same veil of Fellini-esque sacrilege that he’d previously cast over movies about Silvio Berlusconi and the fading splendor of Roman history, Sorrentino is back on his proverbial bullshit with another sprawling flesh parade that’s more consumed with abstract ideals than it is with the stuff of life itself. Once again, he returns with a rapturously sumptuous film that blurs the line between the sacred and the profane until sex feels like religion and religion feels like sex,...
Following 2021’s achingly personal “The Hand of God,” in which the Neapolitan director filtered the agony and the ecstasy of his formative years through the same veil of Fellini-esque sacrilege that he’d previously cast over movies about Silvio Berlusconi and the fading splendor of Roman history, Sorrentino is back on his proverbial bullshit with another sprawling flesh parade that’s more consumed with abstract ideals than it is with the stuff of life itself. Once again, he returns with a rapturously sumptuous film that blurs the line between the sacred and the profane until sex feels like religion and religion feels like sex,...
- 5/21/2024
- by David Ehrlich
- Indiewire
Cannes – If we know anything about Paolo Sorrentino it’s that he adores his hometown of Naples, Italy. His last directorial effort, “The Hand of God” was a love letter to the port city and, in something of a surprise, he taps that well once again for “Parthelone,” a title in competition at this year’s Cannes Film Festival. A movie that chronicles a woman’s long and unexpected journey from a captivating young goddess to a respected academic.
Continue reading ‘Parthenope’ Review: Paolo Sorrentino’s Portrait Of An Italian Diva Coming Of Age [Cannes] at The Playlist.
Continue reading ‘Parthenope’ Review: Paolo Sorrentino’s Portrait Of An Italian Diva Coming Of Age [Cannes] at The Playlist.
- 5/21/2024
- by Gregory Ellwood
- The Playlist
When Akira Kurosawa, Shinobu Hashimoto, and Hideo Oguni were writing the screenplay for their 1954 epic "Seven Samurai," they couldn't have predicted its lasting influence on cinema. Not only did Kurosawa's masterful direction alter and revolutionize the way action sequences would be shot, but the premise became a reliable and lasting template that multiple other filmmakers would employ in the ensuing decades. For those unlucky enough to have never seen "Seven Samurai," the setup is simple: a remote farming village is regularly looted by passing bandits, leaving them destitute. Unable to withstand another attack, the villagers gather up their modest means and hire seven rogue samurai to protect them. The samurai know that the job won't pay, but each one has their own reasons for joining the cause. Using their cunning and limited means, the samurai repel the bandit attack.
Most recently, the "Seven Samurai" premise was transposed onto Zack Snyder's "Rebel Moon.
Most recently, the "Seven Samurai" premise was transposed onto Zack Snyder's "Rebel Moon.
- 5/21/2024
- by Witney Seibold
- Slash Film
A24 has acquired US rights to The Death of Robin Hood, the upcoming adventure story from writer-director Michael Sarnoski with Hugh Jackman and Jodie Comer set to star.
Sarnoski won honours including the first screenplay Independent Spirit Award for his first feature Pig and is also writer-director on Paramount’s late June release A Quiet Place: Day One.
The Death Of Robin Hood is set to begin production in February next year. Lyrical Media is fully financing the film and Aaron Ryder and Andrew Swett will produce under their Ryder Picture Company banner together with Lyrical Media’s Alexander Black.
Sarnoski won honours including the first screenplay Independent Spirit Award for his first feature Pig and is also writer-director on Paramount’s late June release A Quiet Place: Day One.
The Death Of Robin Hood is set to begin production in February next year. Lyrical Media is fully financing the film and Aaron Ryder and Andrew Swett will produce under their Ryder Picture Company banner together with Lyrical Media’s Alexander Black.
- 5/21/2024
- ScreenDaily
A24 has acquired US rights to The Death of Robin Hood, the upcoming adventure story from writer-director Michael Sarnoski with Hugh Jackman and Jodie Comer set to star.
Sarnoski won honours including the first screenplay Independent Spirit Award for his first feature Pig and is also writer-director on Paramount’s late June release A Quiet Place: Day One.
The Death Of Robin Hood is set to begin production in February next year. Lyrical Media is fully financing the film and Aaron Ryder and Andrew Swett will produce under their Ryder Picture Company banner together with Lyrical Media’s Alexander Black.
Sarnoski won honours including the first screenplay Independent Spirit Award for his first feature Pig and is also writer-director on Paramount’s late June release A Quiet Place: Day One.
The Death Of Robin Hood is set to begin production in February next year. Lyrical Media is fully financing the film and Aaron Ryder and Andrew Swett will produce under their Ryder Picture Company banner together with Lyrical Media’s Alexander Black.
- 5/21/2024
- ScreenDaily
When Filmmaker featured the startup film collective Omnes Films in our 2021 25 New Faces list, the L.A. outfit’s first two microbudget features — Jonathan Davies’ Topology of Sirens and Tyler Taormina’s Ham on Rye — had both premiered at festivals and received U.S. releases from Factory 25, its members had produced shorts and music videos, and new features were in the works. One of the few companies or collectives to land on our list over its history, Omnes impressed us with not only the quality of the films but the ambition — and optimism — evinced by a group […]
The post “We’re Very Preoccupied with Making Personal Arthouse Features”: With Two Films in Cannes, Carson Lund and Tyler Discuss Production Company, Omnes Films first appeared on Filmmaker Magazine.
The post “We’re Very Preoccupied with Making Personal Arthouse Features”: With Two Films in Cannes, Carson Lund and Tyler Discuss Production Company, Omnes Films first appeared on Filmmaker Magazine.
- 5/21/2024
- by Scott Macaulay
- Filmmaker Magazine - Blog
The title planet in Frank Herbert's 1965 novel "Dune" is a desolate desert world, only survivable if one has access to a stillsuit. A stillsuit is a head-to-toe garment that captures every microscopic piece of moisture that exudes from the wearer's body, filters and recycles it, and stores it for drinking. Yes, you drink your own sweat, urine, and feces in a stillsuit. When used properly, a wearer could subsist on their own fluids for weeks. In the novel, stillsuits also covered the wearer's face and head, wicking moisture from their hair and pores.
In the various film and TV adaptations of "Dune," including in Denis Villeneuve's most recent versions, the mask portion of a stillsuit is often replaced by a single breathing tube that extends under the wearer's nose. The nasal tube presumably gathered saliva and mucous, although it seems inefficient, given that the bulk of human saliva escapes from the mouth.
In the various film and TV adaptations of "Dune," including in Denis Villeneuve's most recent versions, the mask portion of a stillsuit is often replaced by a single breathing tube that extends under the wearer's nose. The nasal tube presumably gathered saliva and mucous, although it seems inefficient, given that the bulk of human saliva escapes from the mouth.
- 5/21/2024
- by Witney Seibold
- Slash Film
This article contains spoilers for "Shōgun."
It already feels safe to say that FX's "Shōgun'' is the TV breakout of 2024. FX, noticing the comparisons of "Shōgun" to "Game of Thrones," has concluded they have a golden goose; and picked up the limited series for two more seasons.
"Shōgun" is set in Japan during the year 1600. Lord Yoshii Toranaga (Hiroyuki Sanada) gains an ally in John Blackthorne (Cosmo Jarvis), a shipwrecked European sailor. Blackthorne came to Japan to ensure the Portuguese didn't seize the island nation before his homeland England could get a trading foothold. When he arrives, he doesn't speak a word of his new companions' language.
One of the first Japanese words that Blackthorne learns is "Teki" — "Enemy." I remember as I watched the scene, I recognized the word myself. I don't speak Japanese, but I have picked up a few words from watching many different anime series.
It already feels safe to say that FX's "Shōgun'' is the TV breakout of 2024. FX, noticing the comparisons of "Shōgun" to "Game of Thrones," has concluded they have a golden goose; and picked up the limited series for two more seasons.
"Shōgun" is set in Japan during the year 1600. Lord Yoshii Toranaga (Hiroyuki Sanada) gains an ally in John Blackthorne (Cosmo Jarvis), a shipwrecked European sailor. Blackthorne came to Japan to ensure the Portuguese didn't seize the island nation before his homeland England could get a trading foothold. When he arrives, he doesn't speak a word of his new companions' language.
One of the first Japanese words that Blackthorne learns is "Teki" — "Enemy." I remember as I watched the scene, I recognized the word myself. I don't speak Japanese, but I have picked up a few words from watching many different anime series.
- 5/21/2024
- by Devin Meenan
- Slash Film
In Episode 2 of the “Jerrod Carmichael Reality Show,” we watch the recently out-of-the-closet 37-year-old comedian cheat on his first real boyfriend. In Episode 3 we watch him, dressed in a tux, stop to get a hot dog and miss his best friend’s wedding ceremony. In Episode 4, Carmichael asks his father about his 40-year affair and the other family he kept hidden — a story at the heart of Carmichael’s Emmy-winning stand-up special “Rothaniel.” Cornered by the cameras at a campfire during the father-son road trip, the elder Carmichael is visibly uncomfortable, refusing to talk on camera, and asks his son permission to go home.
The reaction on social media was fast, loud, and furious. Many were shocked by Carmichael’s behavior; more were in disbelief he’d document it for the world to see every week on Max. Some went as far as to question his ethics, accusing him of...
The reaction on social media was fast, loud, and furious. Many were shocked by Carmichael’s behavior; more were in disbelief he’d document it for the world to see every week on Max. Some went as far as to question his ethics, accusing him of...
- 5/21/2024
- by Chris O'Falt
- Indiewire
Debut fiction features by Romania’s Cristian Pascariu, Ukraine’s Valeria Sochyvets and Turkey’s Alkim Özmen are among 10 projects selected for Transilvania Pitch Stop (Tps) on June 20-21.
The international co-production platform takes place during the Transilvania International Film Festival in Cluj, Romania, and is part of the industry strand Ro Days.
Titles selected include Cristian Pascariu’s A Flower Is Not A Flower about an 11-year-old girl Ana who escapes from a communist Romanian orphanage into the sewers of Bucharest where she has to use her ingenuity to survive. It is a Romanian-Latvia co-production between Point Film and Riga-based Air Productions.
The international co-production platform takes place during the Transilvania International Film Festival in Cluj, Romania, and is part of the industry strand Ro Days.
Titles selected include Cristian Pascariu’s A Flower Is Not A Flower about an 11-year-old girl Ana who escapes from a communist Romanian orphanage into the sewers of Bucharest where she has to use her ingenuity to survive. It is a Romanian-Latvia co-production between Point Film and Riga-based Air Productions.
- 5/21/2024
- ScreenDaily
The X-Men are one step closer to joining the Marvel Cinematic Universe with their own movie.
Screenwriter Michael Lesslie (“The Hunger Games: The Ballad of Songbirds & Snakes”) is in talks with Marvel Studios to write the first “X-Men” movie since the mutant superhero franchise was acquired by Disney in its purchase of 21st Century Fox in 2019.
As with every Marvel Studios film, Kevin Feige will produce, but nothing else about the film has been set, including director or cast. Marvel has been slowly seeding the MCU with mutants over the past two years, including brief mentions in 2022’s “Ms. Marvel” and “Black Panther: Wakanda Forever,” and appearances of the X-Men’s namesake and leader, Charles Xavier (Patrick Stewart), in an alternative universe in 2022’s “Doctor Strange in the Multiverse of Madness,” and of Beast (Kelsey Grammer) in the post-credits sequence of 2023’s “The Marvels.”
Most recently, Marvel Studios...
Screenwriter Michael Lesslie (“The Hunger Games: The Ballad of Songbirds & Snakes”) is in talks with Marvel Studios to write the first “X-Men” movie since the mutant superhero franchise was acquired by Disney in its purchase of 21st Century Fox in 2019.
As with every Marvel Studios film, Kevin Feige will produce, but nothing else about the film has been set, including director or cast. Marvel has been slowly seeding the MCU with mutants over the past two years, including brief mentions in 2022’s “Ms. Marvel” and “Black Panther: Wakanda Forever,” and appearances of the X-Men’s namesake and leader, Charles Xavier (Patrick Stewart), in an alternative universe in 2022’s “Doctor Strange in the Multiverse of Madness,” and of Beast (Kelsey Grammer) in the post-credits sequence of 2023’s “The Marvels.”
Most recently, Marvel Studios...
- 5/21/2024
- by Adam B. Vary
- Variety - Film News
After "Madame Web" somehow became an unlikely hit on Netflix despite being a bad movie and a horrible box office misfire, it seems audiences remained hungry for Spider-Man movies that don't really feature Spider-Man -- because they just made an excellent 2018 movie, one that is essentially a much better "Venom" than the one we got, a hit once again.
That movie is "Upgrade," the 2018 sci-fi horror film that premiered at SXSW to great acclaim and has spent the past few days among the top five most-streamed films on Netflix in the U.S. (via FlixPatrol). That's a good thing, too; "Upgrade" is a fantastic and underseen movie with an interesting world, inventive cinematography, and some pretty gnarly action. Despite positive reviews, the movie wasn't a flop, but it wasn't a huge hit either, making $17 million on a $3 million budget. At the least, it led to more Leigh Whannell movies, as...
That movie is "Upgrade," the 2018 sci-fi horror film that premiered at SXSW to great acclaim and has spent the past few days among the top five most-streamed films on Netflix in the U.S. (via FlixPatrol). That's a good thing, too; "Upgrade" is a fantastic and underseen movie with an interesting world, inventive cinematography, and some pretty gnarly action. Despite positive reviews, the movie wasn't a flop, but it wasn't a huge hit either, making $17 million on a $3 million budget. At the least, it led to more Leigh Whannell movies, as...
- 5/21/2024
- by Rafael Motamayor
- Slash Film
Metrograph Pictures has acquired North American rights to writer-director Julien Colonna’s The Kingdom after the film’s world premiere this week in the Cannes festival’s Un Certain Regard section.
Metrograph is planning a theatrical release at a date yet to be announced.
The film, Colonna’s narrative feature debut, centres on a teenager (played by Ghjuvanna Benedetti) who reconnects with her local mob boss father on the island of Corsica and goes on the run from other mobsters and the police.
Hugo Selignac and Antoine Lafon produced for Chi-Fou-Mi Productions and Goodfellas is handling sales.
Metrograph head David Laub...
Metrograph is planning a theatrical release at a date yet to be announced.
The film, Colonna’s narrative feature debut, centres on a teenager (played by Ghjuvanna Benedetti) who reconnects with her local mob boss father on the island of Corsica and goes on the run from other mobsters and the police.
Hugo Selignac and Antoine Lafon produced for Chi-Fou-Mi Productions and Goodfellas is handling sales.
Metrograph head David Laub...
- 5/21/2024
- ScreenDaily
Amazon Prime Video’s “Fallout” is set within the post-apocalyptic universe of one of the most beloved video game series of all time, something that gave its filmmakers a rich world they could build on, deepen, and expand. When production designer Howard Cummings came on board, the first thing he did was immerse himself in the game and its various environments. “I really got to research it like I was doing a period film,” Cummings told IndieWire, noting that there was a vast network of fans whose YouTube videos he could draw from to collect reference material. Those videos not only provided information, they made Cummings fully aware of how much scrutiny his work would be subject to from the video game’s devoted followers. “I realized, ‘Wow, if I do this, every single thing I do will be analyzed.'”
Yet the appeal for Cummings and the other department...
Yet the appeal for Cummings and the other department...
- 5/21/2024
- by Jim Hemphill
- Indiewire
Screen’s Cannes Close-Up interview series talks to Olivier Marchetti, Founder and President at France’s Provence Studios.
Based in Aix-Marseille, Provence Studios has recently hosted international productions such as Warner Bros’ The Nun II, Varsity for Apple and Disney’s The Amateurs, and also recreated the interiors of Château de Chambord for The Serpent Queen.
“I think in the future we can have more American projects, international project,” says Marchetti. “Marseille is a very cosmopolitan town, we have a lot of people from North Africa, from Asia, a few months ago we shot the streets of Bagdad and the...
Based in Aix-Marseille, Provence Studios has recently hosted international productions such as Warner Bros’ The Nun II, Varsity for Apple and Disney’s The Amateurs, and also recreated the interiors of Château de Chambord for The Serpent Queen.
“I think in the future we can have more American projects, international project,” says Marchetti. “Marseille is a very cosmopolitan town, we have a lot of people from North Africa, from Asia, a few months ago we shot the streets of Bagdad and the...
- 5/21/2024
- ScreenDaily
Asked about language learning models (LLMs) at the recent 2024 AI on the Lot summit, writers and showrunners Matt Nix and Mark Groffman had a lot to say. On a panel moderated by IndieWire editor-in-chief Dana Harris-Bridson on May 16 — also featuring filmmaker Joe Penna and animator/director Momo Wang — the creatives discussed a handful of the potential uses for systems like ChatGPT in scripted projects with an emphasis on episodic work.
“Every show has instructions and rules, whether it’s a way that a character behaves or the type of world view that [the show] has or the general shape of an episode or how two characters interact with each other,” Groffman said of using LLMs to break stories. “You can feed it all of this.”
“I’ve done a lot of experimenting with my own past work,” Nix said, likening the process of teaching ChatGPT to hiring a new writer on his show “Burn Notice.
“Every show has instructions and rules, whether it’s a way that a character behaves or the type of world view that [the show] has or the general shape of an episode or how two characters interact with each other,” Groffman said of using LLMs to break stories. “You can feed it all of this.”
“I’ve done a lot of experimenting with my own past work,” Nix said, likening the process of teaching ChatGPT to hiring a new writer on his show “Burn Notice.
- 5/21/2024
- by Alison Foreman
- Indiewire
Richard Foronjy, a character actor who grew up in the gangster world and went to prison before becoming an actor in movies including “Midnight Run,” “Prince of the City” and “Carlito’s Way,” died Sunday. He was 86.
Foronjy, born in Brooklyn, N.Y., saw his first small role as Corsaro in “Serpico,” the 1973 autobiographical crime drama that starred Al Pacino as a whistleblower whose work led to an investigation by the Knapp Commission into the department.
In the 1984 “Repo Man,” starring Harry Dean Stanton and Emilio Estevez, Foronjy played Arnold Plettschner, the rent-a-cop with the memorable speech, “You’re fuckin’ right I’m Plettschner! Arnold Plettschner! Three times decorated in two world wars! I was killing people while you were still swimming around in your father’s balls! You little scumbag! I worked five years in a slaughterhouse, and ten years as a prison guard in Attica!”
In the 1988 comedy action film “Midnight Run,...
Foronjy, born in Brooklyn, N.Y., saw his first small role as Corsaro in “Serpico,” the 1973 autobiographical crime drama that starred Al Pacino as a whistleblower whose work led to an investigation by the Knapp Commission into the department.
In the 1984 “Repo Man,” starring Harry Dean Stanton and Emilio Estevez, Foronjy played Arnold Plettschner, the rent-a-cop with the memorable speech, “You’re fuckin’ right I’m Plettschner! Arnold Plettschner! Three times decorated in two world wars! I was killing people while you were still swimming around in your father’s balls! You little scumbag! I worked five years in a slaughterhouse, and ten years as a prison guard in Attica!”
In the 1988 comedy action film “Midnight Run,...
- 5/21/2024
- by Selena Kuznikov
- Variety - Film News
Nathalie Emmanuel’s first trip to the Cannes Film Festival was certainly a memorable one.
The “Fast and Furious” franchise star and “Game of Thrones” alum knows what it’s like to be in the spotlight, but Cannes is unique. First, consider the fact that she’s the leading lady in legendary filmmaker Francis Ford Coppola’s longtime passion project “Megalopolis,” which made its world premiere at the festival. Then, there’s the reality of ascending the famed red steps to the Palais des Festivals.
“This whole experience has been like nothing I’ve ever had before,” Emmanuel told Variety the next day. “That moment was so much bigger and so much grander — I just had no concept of how crazy it would be, how exciting it would be, how many people there would be. … It was quite overwhelming, but really exciting and felt like a real celebration.”
“And obviously,...
The “Fast and Furious” franchise star and “Game of Thrones” alum knows what it’s like to be in the spotlight, but Cannes is unique. First, consider the fact that she’s the leading lady in legendary filmmaker Francis Ford Coppola’s longtime passion project “Megalopolis,” which made its world premiere at the festival. Then, there’s the reality of ascending the famed red steps to the Palais des Festivals.
“This whole experience has been like nothing I’ve ever had before,” Emmanuel told Variety the next day. “That moment was so much bigger and so much grander — I just had no concept of how crazy it would be, how exciting it would be, how many people there would be. … It was quite overwhelming, but really exciting and felt like a real celebration.”
“And obviously,...
- 5/21/2024
- by Angelique Jackson
- Variety - Film News
Justin Long waited 20 years to cop to the fact that he was too old to play a high schooler in “Dodgeball.”
Long co-starred in the 2004 sports comedy alongside Ben Stiller and Vince Vaughn. During a recent “Dinner’s On Me” podcast hosted by Jesse Tyler Ferguson, Long revealed that his part was “written for a 15-year-old.” He was almost a decade older at the time.
“It was because of ‘Ed’ that I got [‘Dodgeball’] because it was an episode from ‘Ed’ that the writer, Rosson, the writer/director saw, and he wrote this part for me,” Long said. “The character’s name was Justin and…Ben and Vince Vaughn were two of my favorites. I so admired them. They were idols of mine, you know, and so it was such a fantasy and I was really nervous for the table read because I thought ‘This part is mine to lose.
Long co-starred in the 2004 sports comedy alongside Ben Stiller and Vince Vaughn. During a recent “Dinner’s On Me” podcast hosted by Jesse Tyler Ferguson, Long revealed that his part was “written for a 15-year-old.” He was almost a decade older at the time.
“It was because of ‘Ed’ that I got [‘Dodgeball’] because it was an episode from ‘Ed’ that the writer, Rosson, the writer/director saw, and he wrote this part for me,” Long said. “The character’s name was Justin and…Ben and Vince Vaughn were two of my favorites. I so admired them. They were idols of mine, you know, and so it was such a fantasy and I was really nervous for the table read because I thought ‘This part is mine to lose.
- 5/21/2024
- by Samantha Bergeson
- Indiewire
“Garfiosa”? “Furiofield”?
Whatever the portmanteau for this Memorial Day weekend’s dual release of “Furiosa: A Mad Max Saga” and “The Garfield Movie,” the two newcomers are aiming to jolt the sluggish summer season.
“Furiosa,” the fifth entry in director George Miller’s post-apocalyptic “Mad Max” series, looks to lead the way with $40 million to $45 million from 3,750 venues over the four-day holiday weekend. Sony’s animated “The Garfield Movie” should trail in second with $30 million to $35 million from 4,000 venues between Friday and Monday. Box office comparisons to the same holiday weekend in 2023 will be tough given that Disney’s “The Little Mermaid” remake took the crown with $118 million.
Warner Bros. spent $168 million on “Furiosa,” not including the many millions to market the movie. It’s not expected to live up to the debut of its predecessor, 2015’s “Max Max: Fury Road,” which captured $45 million over three days. That film, led...
Whatever the portmanteau for this Memorial Day weekend’s dual release of “Furiosa: A Mad Max Saga” and “The Garfield Movie,” the two newcomers are aiming to jolt the sluggish summer season.
“Furiosa,” the fifth entry in director George Miller’s post-apocalyptic “Mad Max” series, looks to lead the way with $40 million to $45 million from 3,750 venues over the four-day holiday weekend. Sony’s animated “The Garfield Movie” should trail in second with $30 million to $35 million from 4,000 venues between Friday and Monday. Box office comparisons to the same holiday weekend in 2023 will be tough given that Disney’s “The Little Mermaid” remake took the crown with $118 million.
Warner Bros. spent $168 million on “Furiosa,” not including the many millions to market the movie. It’s not expected to live up to the debut of its predecessor, 2015’s “Max Max: Fury Road,” which captured $45 million over three days. That film, led...
- 5/21/2024
- by Rebecca Rubin
- Variety - Film News
It was announced today in the Hollywood Reporter that Simon Kinberg is taking over the development of the new "Star Trek" feature film, currently working its way through pre-production at Paramount. This new film will be the fourth to be connected to the Kelvin timeline of "Star Trek," a timeline which started with the events of J.J. Abrams' 2009 "Star Trek" film. As of this writing, Toby Haynes ("Andor") is slated to direct, while Seth Grahame-Smith has signed on to write. Kinberg is a notable Hollywood player who wrote "X-Men: The Last Stand," "X-Men: Days of Future Past," "X-Men: Apocalypse," and "Dark Phoenix" (among many others) and who produced "The New Mutants," "Deadpool," "Logan," "X-Men: First Class," "Cinderella," "The Martian," and "Elysium" (among many others). He is a franchise guy through-and-through, and Paramount likely wanted a new producer with high-profile experience.
It has been reported that the new "Star Trek" movie will,...
It has been reported that the new "Star Trek" movie will,...
- 5/21/2024
- by Witney Seibold
- Slash Film
Heidi Gardner knew that “Saturday Night Live” Beavis and Butt-Head sketch was taking off after a chat with a lifelong friend.
“My friend Michelle, I’ve known her since second grade,” Gardner told IndieWire during a recent interview. “It was really cute after ‘Beavis and Butt-Head,’ she was like, ‘I loved seeing you laugh in that sketch because I know that laugh.’ And [I said], ‘Yeah, that’s because we’ve laughed like that for so many years.’ That’s what is special to me about [the sketch]. Mikey [Day] feels like a friend I’ve had since I was a kid. To get to show the world, ‘Yeah, I think this person is so funny,’ I welcome it.”
The viral sketch, which found guest host Ryan Gosling and Day as random background players who look suspiciously like the ‘90s animated comedy duo, became a standout moment on Season 49 of “SNL,” both for their ridiculous...
“My friend Michelle, I’ve known her since second grade,” Gardner told IndieWire during a recent interview. “It was really cute after ‘Beavis and Butt-Head,’ she was like, ‘I loved seeing you laugh in that sketch because I know that laugh.’ And [I said], ‘Yeah, that’s because we’ve laughed like that for so many years.’ That’s what is special to me about [the sketch]. Mikey [Day] feels like a friend I’ve had since I was a kid. To get to show the world, ‘Yeah, I think this person is so funny,’ I welcome it.”
The viral sketch, which found guest host Ryan Gosling and Day as random background players who look suspiciously like the ‘90s animated comedy duo, became a standout moment on Season 49 of “SNL,” both for their ridiculous...
- 5/21/2024
- by Erin Strecker
- Indiewire
“Bridgerton” Season 3 is off to a steamy hot start.
The third season of the Shondaland period drama drew 45.1 million views over its first four days of availability, according to Netflix, easily finishing first on the streamer’s Global Top 10 list. Take that, Tom Brady roast.
It was the biggest week — by quite a bit — for any series on Netflix since the streamer changed its core metric from hours viewed to views in mid-June 2023.
The first four “Bridgerton” Season 3 episodes reached number 1 in 78 countries and the Top 10 in 92, Netflix said. The next four episodes premiere on June 13; try not to obsess over the big cliffhanger between now and then.
The third season of “Bridgerton” also brought the first two back to (some semblance of) their former glory. “Bridgerton” Seasons 1 and 2 both returned to Netflix’s Top 10 TV (in any language) list in the week ahead of Season 3. They did even better during Season 3’s premiere week.
The third season of the Shondaland period drama drew 45.1 million views over its first four days of availability, according to Netflix, easily finishing first on the streamer’s Global Top 10 list. Take that, Tom Brady roast.
It was the biggest week — by quite a bit — for any series on Netflix since the streamer changed its core metric from hours viewed to views in mid-June 2023.
The first four “Bridgerton” Season 3 episodes reached number 1 in 78 countries and the Top 10 in 92, Netflix said. The next four episodes premiere on June 13; try not to obsess over the big cliffhanger between now and then.
The third season of “Bridgerton” also brought the first two back to (some semblance of) their former glory. “Bridgerton” Seasons 1 and 2 both returned to Netflix’s Top 10 TV (in any language) list in the week ahead of Season 3. They did even better during Season 3’s premiere week.
- 5/21/2024
- by Tony Maglio
- Indiewire
There are only a few people on this planet more in-demand in Hollywood as Glen Powell. After the success of “Top Gun: Maverick” and the recent “Anyone But You,” the actor has been landing gig after gig. And his latest one might be one of the biggest yet. You see, Glen Powell is set to star in a remake of the Oscar-nominated film “Heaven Can Wait.”
Read More: Glen Powell Being Eyed For Role In J.J.
Continue reading ‘Heaven Can Wait’: Glen Powell To Star In Remake Of Classic Film Written By Stephen Gaghan at The Playlist.
Read More: Glen Powell Being Eyed For Role In J.J.
Continue reading ‘Heaven Can Wait’: Glen Powell To Star In Remake Of Classic Film Written By Stephen Gaghan at The Playlist.
- 5/21/2024
- by Martin Miller
- The Playlist
After nearly a decade, director George Miller has returned to the Wasteland with "Furiosa: A Mad Max Saga." The film serves as a prequel to 2015's Oscar-winning, dangerous epic "Mad Max: Fury Road," which has garnered a reputation as one of the greatest action films ever made. Miller enlisted Anya Taylor-Joy ("The Queen's Gambit") and Chris Hemsworth ("Thor") to tell the tale of Furiosa years before we met her in "Fury Road." With the film hitting theaters this week, critics have weighed in, and while many are praising Miller's latest, others have vocally disliked it. So, what are critics saying about the long-awaited film?
The latest entry in the "Mad Max" franchise centers on a young Furiosa (Anya-Taylor Joy) who is snatched from the Green Place and winds up in the hands of the warlord Dementus (Chris Hemsworth). As he goes to war with the Immortan Joe for control of the Wasteland,...
The latest entry in the "Mad Max" franchise centers on a young Furiosa (Anya-Taylor Joy) who is snatched from the Green Place and winds up in the hands of the warlord Dementus (Chris Hemsworth). As he goes to war with the Immortan Joe for control of the Wasteland,...
- 5/21/2024
- by Ryan Scott
- Slash Film
Talking to Kevin Costner after the Cannes premiere of “Horizon: An American Saga,” IndieWire’s Anne Thompson asked the filmmaker if he thought he could improve on Taylor Sheridan’s “Yellowstone.” Costner starred as John Dutton for five seasons; he is unmentioned in the press release for the sixth, which just began production.
“No, of course not,” he said.
However, Costner noted, it could be the other way around: During the second season of “Yellowstone” in 2019, he said, Sheridan was looking for writers. He and Baird sent him the “Horizon” script. Thompson noted that both “1883” and “Horizon” share a wagon train story.
“So I don’t know if there’s any duplications there,” Costner said. “Whether he borrowed something, only he’d have to admit to.” (Reps for Sheridan did not respond to multiple requests for comment.)
Vague accusations of “borrowing” aren’t new to “Yellowstone.” It’s a popular topic on fan sites,...
“No, of course not,” he said.
However, Costner noted, it could be the other way around: During the second season of “Yellowstone” in 2019, he said, Sheridan was looking for writers. He and Baird sent him the “Horizon” script. Thompson noted that both “1883” and “Horizon” share a wagon train story.
“So I don’t know if there’s any duplications there,” Costner said. “Whether he borrowed something, only he’d have to admit to.” (Reps for Sheridan did not respond to multiple requests for comment.)
Vague accusations of “borrowing” aren’t new to “Yellowstone.” It’s a popular topic on fan sites,...
- 5/21/2024
- by Dana Harris-Bridson and Anne Thompson
- Indiewire
John Kander may be close to 100 years old, but that didn’t mean he wasn’t involved with the upcoming film adaptation of the Broadway musical “Kiss of the Spider Woman.”
Kander and the late lyricist Fred Ebb – known collectively as Kander and Ebb – composed the music and wrote the songs for the original 1993 Tony-winning Broadway production of “Kiss of the Spider Woman.”
The upcoming film, directed by Bill Condon, stars Jennifer Lopez, Diego Luna and newcomer Tonatiuh.
“John Kander, who is 97 years old, was in the studio with me,” Lopez told me Monday at the premiere of her new Netflix sci-fi action movie, “Atlas.” “He is the most beautiful man. He was there for all of our recordings of the album and the pre-records for the movie. It was a dream.”
Lopez said Kander only had “very small notes” on her performance. “I was shocked,” she said.
Lopez’s producing partner,...
Kander and the late lyricist Fred Ebb – known collectively as Kander and Ebb – composed the music and wrote the songs for the original 1993 Tony-winning Broadway production of “Kiss of the Spider Woman.”
The upcoming film, directed by Bill Condon, stars Jennifer Lopez, Diego Luna and newcomer Tonatiuh.
“John Kander, who is 97 years old, was in the studio with me,” Lopez told me Monday at the premiere of her new Netflix sci-fi action movie, “Atlas.” “He is the most beautiful man. He was there for all of our recordings of the album and the pre-records for the movie. It was a dream.”
Lopez said Kander only had “very small notes” on her performance. “I was shocked,” she said.
Lopez’s producing partner,...
- 5/21/2024
- by Marc Malkin
- Variety - Film News
Shot between his directing Alicia Vikander in “Firebrand” and Kristen Stewart in “Rosebushpruning,” “Motel Destino,” which bows in Cannes Competition on May 22, can be seen as a return by Brazil’s now most international director to his Brazilian roots.
This axis between international and local, plays out in “Motel Destino” and Aïnouz insists, in now his whole career.
An erotic thriller, “Motel Destino” turns on Dayana, the young wife of a roadside sex hotel owner who seduces on-the-run minor mobster Heraldo for great sex. But she soon conceives the idea of his helping her to kill her terrifyingly abusive older husband.
“I was really interested in a kind of Brazilian interpretation of melodrama and noir cinema, how to take genre, which begins in Hollywood, and appropriate it make it local and ours,” Aïnouz tells Variety.
“Motel Destino” is melodrama “in the sense these characters that are trying to survive, by any means.
This axis between international and local, plays out in “Motel Destino” and Aïnouz insists, in now his whole career.
An erotic thriller, “Motel Destino” turns on Dayana, the young wife of a roadside sex hotel owner who seduces on-the-run minor mobster Heraldo for great sex. But she soon conceives the idea of his helping her to kill her terrifyingly abusive older husband.
“I was really interested in a kind of Brazilian interpretation of melodrama and noir cinema, how to take genre, which begins in Hollywood, and appropriate it make it local and ours,” Aïnouz tells Variety.
“Motel Destino” is melodrama “in the sense these characters that are trying to survive, by any means.
- 5/21/2024
- by John Hopewell
- Variety - Film News
There was an eight-year gap between the release of David Cronenberg’s “Maps to the Stars” and “Crimes of the Future.” Thankfully, we didn’t have to wait that long for his newest feature, “The Shrouds.”
Read More: ‘The Shrouds’ Review: David Cronenberg Digs Into The Core Of How Messy Grief Can Be [Cannes]
With “The Shrouds” debuting at Cannes, we now have our first teaser for the sci-fi drama from director David Cronenberg.
Continue reading ‘The Shrouds’ Teaser: David Cronenberg’s Sci-Fi Drama Stars Vincent Cassel & Diane Kruger at The Playlist.
Read More: ‘The Shrouds’ Review: David Cronenberg Digs Into The Core Of How Messy Grief Can Be [Cannes]
With “The Shrouds” debuting at Cannes, we now have our first teaser for the sci-fi drama from director David Cronenberg.
Continue reading ‘The Shrouds’ Teaser: David Cronenberg’s Sci-Fi Drama Stars Vincent Cassel & Diane Kruger at The Playlist.
- 5/21/2024
- by Martin Miller
- The Playlist
"Star Trek" has just added a new captain to Starfleet's prestigious ranks, and she's definitely worthy of wearing the uniform. Even as the franchise is undergoing some change on the television side of things, as "Discovery" speeds headlong towards its last couple of episodes in its final season and the animated "Lower Decks" is similarly coming to a close, fans will have another new series to look forward to -- and no less than an Oscar-winning actor is now attached as the lead.
In a tweet posted earlier today from the official account, Paramount announced that "Starfleet Academy" has found its captain in Holly Hunter. Her character will actually serve as both "captain and chancellor" for the new Paramount+ streaming series, which was first revealed to be in the works back in March of 2023 and is set to depict the famous space-faring school for new Starfleet officers-in-training. It will serve...
In a tweet posted earlier today from the official account, Paramount announced that "Starfleet Academy" has found its captain in Holly Hunter. Her character will actually serve as both "captain and chancellor" for the new Paramount+ streaming series, which was first revealed to be in the works back in March of 2023 and is set to depict the famous space-faring school for new Starfleet officers-in-training. It will serve...
- 5/21/2024
- by Jeremy Mathai
- Slash Film
So this is what economizing looks like in Cannes.
The rosé still flowed, though not as freely, and it was easier to get a reservation at the Michelin-starred restaurants that are usually booked months in advance of the film festival. There were still rooms to be had at the Hôtel du Cap, the posh resort where studio chiefs and movie stars typically stay. Most troubling, the deals — both for completed films that premiered in Cannes and the packages that hit the Côte d’Azur searching for financing — are taking much longer to close.
Even in the shimmering south of France there’s no escaping that the movie business, having endured Covid shutdowns and two devastating labor strikes, has lost much of its luster. Donna Langley, the chairman of NBCUniversal Studio Group, was blunt during a talk, noting that the domestic box office is down 20% and the global box office has...
The rosé still flowed, though not as freely, and it was easier to get a reservation at the Michelin-starred restaurants that are usually booked months in advance of the film festival. There were still rooms to be had at the Hôtel du Cap, the posh resort where studio chiefs and movie stars typically stay. Most troubling, the deals — both for completed films that premiered in Cannes and the packages that hit the Côte d’Azur searching for financing — are taking much longer to close.
Even in the shimmering south of France there’s no escaping that the movie business, having endured Covid shutdowns and two devastating labor strikes, has lost much of its luster. Donna Langley, the chairman of NBCUniversal Studio Group, was blunt during a talk, noting that the domestic box office is down 20% and the global box office has...
- 5/21/2024
- by Brent Lang and Matt Donnelly
- Variety - Film News
The Cannes Film Festival is many things: A prestigious platform for the best of world cinema, a massive industry event where film acquisitions get made, a testament to the French film industry’s classism and rampant sexual abuse. But more than anything, it’s one of the world’s greatest photo opps.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
Sure, sure, everyone wants the Palme D’or. But even more people would kill to get seen on the iconic Cannes red carpet, and get their picture snapped by the hordes of press that camp on the Croisette. Some of the world’s most glamorous and beautiful celebrities can be seen on the steps outside the Palais des Festivals et des Congrès every year posing for the cameras, and while it’s not quite the fashion moment that the Met Gala is, it still offers a great opportunity for us pleebs to gawk at some particularly shiny stars in all of their finery.
- 5/21/2024
- by Wilson Chapman
- Indiewire
Have you ever watched “Game of Thrones” and thought, “Man, I’d love to see a version of this where there are no dragons and cosplayers take the place of kings and queens?” No? Well, HBO hopes you do, as it has a three-part documentary, titled “Ren Faire,” coming your way.
In all seriousness, “Ren Faire” is a docuseries about the largest Renaissance festival in the world and the one man who rules over it, an 86-year-old George Coulam.
Continue reading ‘Ren Faire’ Trailer: The Safdie Brothers Produce A Docuseries About The World’s Largest Renaissance Festival at The Playlist.
In all seriousness, “Ren Faire” is a docuseries about the largest Renaissance festival in the world and the one man who rules over it, an 86-year-old George Coulam.
Continue reading ‘Ren Faire’ Trailer: The Safdie Brothers Produce A Docuseries About The World’s Largest Renaissance Festival at The Playlist.
- 5/21/2024
- by Martin Miller
- The Playlist
The Art Directors Guild has elected Dina Lipton as its president, replacing Nelson Coates who was at the helm of the guild for over eight years.
In Lipton’s new role, she will lead a 20-member executive board and for the first time in Adg’s history, the four top-ranking members are all women. The executive officers include senior set designer Kristen Davis as vice president, supervising art director Helen Harwell as treasurer and art director/senior set designer Judy Cosgrove is reelected as secretary.
“Celebrating the results of our elections this year, we’re excited to highlight the milestone of electing all-female executive officers for the first time in the guild’s herstory,” says Chuck Parker, Adg national executive director. “I look forward to the leadership they will provide over the next three years.”
Adg was first established in 1937 and represents 3,300 members who work in the film, TV and...
In Lipton’s new role, she will lead a 20-member executive board and for the first time in Adg’s history, the four top-ranking members are all women. The executive officers include senior set designer Kristen Davis as vice president, supervising art director Helen Harwell as treasurer and art director/senior set designer Judy Cosgrove is reelected as secretary.
“Celebrating the results of our elections this year, we’re excited to highlight the milestone of electing all-female executive officers for the first time in the guild’s herstory,” says Chuck Parker, Adg national executive director. “I look forward to the leadership they will provide over the next three years.”
Adg was first established in 1937 and represents 3,300 members who work in the film, TV and...
- 5/21/2024
- by Jazz Tangcay, Lexi Carson and Jack Dunn
- Variety - Film News
Fred Roos, the Oscar-winning producer of The Godfather Part II and many other notable films, has died. He was 89.
Roos had a long relationship with Francis Ford Coppola, serving as producer or co-producer on many of the director’s best known films, including the second and third Godfather films (the second bringing him his Oscar), The Conversation, Apocalypse Now, One From The Heart and The Cotton Club.
Most recently, Roos served as executive producer of Coppola’s Megalopolis, which premiered this week at the Cannes festival.
Born in Santa Monica, Roos began his film career in the mailroom at talent agency McA.
Roos had a long relationship with Francis Ford Coppola, serving as producer or co-producer on many of the director’s best known films, including the second and third Godfather films (the second bringing him his Oscar), The Conversation, Apocalypse Now, One From The Heart and The Cotton Club.
Most recently, Roos served as executive producer of Coppola’s Megalopolis, which premiered this week at the Cannes festival.
Born in Santa Monica, Roos began his film career in the mailroom at talent agency McA.
- 5/21/2024
- ScreenDaily
Sometimes a broken hip is the best thing that could happen to you. Or at least that’s the situation seen in the upcoming comedy film, “Late Bloomers.”
Read More: Summer Movie Preview: 50 Must-See Films To Watch
As seen in the trailer, “Late Bloomers” tells the story of a young woman who finds herself suddenly single and with a broken hip. While recovering in the hospital, she meets an older lady and they form a bittersweet friendship.
Continue reading ‘Late Bloomers’ Trailer: Karen Gillan Breaks Her Hip & Makes A Friend In Lisa Steen’s Comedy at The Playlist.
Read More: Summer Movie Preview: 50 Must-See Films To Watch
As seen in the trailer, “Late Bloomers” tells the story of a young woman who finds herself suddenly single and with a broken hip. While recovering in the hospital, she meets an older lady and they form a bittersweet friendship.
Continue reading ‘Late Bloomers’ Trailer: Karen Gillan Breaks Her Hip & Makes A Friend In Lisa Steen’s Comedy at The Playlist.
- 5/21/2024
- by Martin Miller
- The Playlist
Thanks to enhanced security measures, attendees at this year’s Cannes Film Festival have faced only a few hiccups. Even the ongoing war and Israeli hostage situation in Gaza haven’t made headlines during the festival, in stark contrast with the Berlinale.
But one private screening, which was scheduled outside of the festival and market, was canceled abruptly, and attendees were told it was due to a security threat. Details of what happened remain unclear.
On May 17, WestEnd Films co-founder Sharon Harel-Cohen organized a screening of “Bearing Witness” for a small group of industryites who were in town for the festival. The 47-minute film shows raw footage from the Oct. 7 terror attack in southern Israel, some of it captured by body cameras and CCTV. The invitation warned: “The footage is extremely graphic and violent, including videos of murder filmed by Hamas terrorists.” It also noted, “For security reasons the location...
But one private screening, which was scheduled outside of the festival and market, was canceled abruptly, and attendees were told it was due to a security threat. Details of what happened remain unclear.
On May 17, WestEnd Films co-founder Sharon Harel-Cohen organized a screening of “Bearing Witness” for a small group of industryites who were in town for the festival. The 47-minute film shows raw footage from the Oct. 7 terror attack in southern Israel, some of it captured by body cameras and CCTV. The invitation warned: “The footage is extremely graphic and violent, including videos of murder filmed by Hamas terrorists.” It also noted, “For security reasons the location...
- 5/21/2024
- by Tatiana Siegel and Elsa Keslassy
- Variety - Film News
Celebrities: they’re not just like us, exactly, but they’re human just the same. Which is why some of the current discourse around “nepo babies” must be a little wounding for showbiz scions nursing their own insecurities about their talent, their reputation and their place in the world — even if the prudent thing to do, from a PR perspective, is to openly check your privilege and move on. Yet whatever degree of sympathy one might feel for actor Chiara Mastroianni — the daughter of Catherine Deneuve and Marcello Mastroianni, a dazzling legacy to bear but perhaps not an easy one — largely evaporates by the end of “Marcello Mio,” a vastly indulgent but gossamer-weight bit of frippery from French writer-director Christophe Honoré, in which Mastroianni channels her late father to increasingly contrived comic effect.
So wink-wink it can barely see straight, so inside-baseball it’s practically buried under the pitcher’s mound,...
So wink-wink it can barely see straight, so inside-baseball it’s practically buried under the pitcher’s mound,...
- 5/21/2024
- by Guy Lodge
- Variety - Film News
Of all the actors with claims to nepo baby aristocracy, few, if any, have the same pedigree as Chiara Mastroianni. An accomplished performer and winning star all on her own, the daughter of Catherine Deneuve and Marcello Mastroianni has that rare distinction of seeing both of her parents grace Cannes Film Festival posters, leaving a project that playfully interrogates that very heritage a near shoo-in for the festival spotlight. But that vaunted competition slot does little favors for Christophe Honoré’s slight and sketch-like “Marcello Mio,” which plays as an incisive photo-shoot concept in search of wider justification.
This fashion shoot concept isn’t hypothetical, as Honoré’s meta-movie doodle opens on the very same, finding Mastroianni decked out in full Anita Ekberg garb as she saunters into a pool before Paris’ Saint-Sulpice church reformatted as an ersatz Trevi Fountain. The visual folds in several layers, taking Marcello’s iconic turn in “La Dolce Vita,...
This fashion shoot concept isn’t hypothetical, as Honoré’s meta-movie doodle opens on the very same, finding Mastroianni decked out in full Anita Ekberg garb as she saunters into a pool before Paris’ Saint-Sulpice church reformatted as an ersatz Trevi Fountain. The visual folds in several layers, taking Marcello’s iconic turn in “La Dolce Vita,...
- 5/21/2024
- by Ben Croll
- Indiewire
Berlin-based sales agency M-Appeal has sold the distribution rights for Marcelo Caetano‘s “Baby,” which world premiered May 21 in Cannes Critics’ Week, to several territories.
The buyers are Palace Films for Australia and New Zealand, Swallow Wings Films for Taiwan, and Salzgeber for Germany and Austria.
The Brazilian film, based on a screenplay by Caetano and Gabriel Domingues, centers on 18-year-old Wellington, who has been released from a juvenile detention center. He finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. He encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion.
The cast includes João Pedro Mariano, Ricardo Teodoro, Ana Flavia Cavalcanti, Bruna Linzmeyer and Luiz Bertazzo.
The production companies are Cup Filmes, Desbun Filmes and Plateau Produções in Brazil, Still Moving in France,...
The buyers are Palace Films for Australia and New Zealand, Swallow Wings Films for Taiwan, and Salzgeber for Germany and Austria.
The Brazilian film, based on a screenplay by Caetano and Gabriel Domingues, centers on 18-year-old Wellington, who has been released from a juvenile detention center. He finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. He encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion.
The cast includes João Pedro Mariano, Ricardo Teodoro, Ana Flavia Cavalcanti, Bruna Linzmeyer and Luiz Bertazzo.
The production companies are Cup Filmes, Desbun Filmes and Plateau Produções in Brazil, Still Moving in France,...
- 5/21/2024
- by Leo Barraclough
- Variety - Film News
Veteran producer Simon Kinberg, who oversaw most of the “X-Men” movies for 20th Century Fox, is in talks to produce an upcoming “Star Trek” movie for Paramount Pictures, Variety has confirmed.
The project has already been in development at the studio for some time, with Seth Grahame-Smith (“Abraham Lincoln: Vampire Hunter”) handing the screenplay and Toby Haynes on board to direct. Insiders say the film is intended as an origin story for the main timeline of the “Star Trek” franchise, set in the aftermath of humanity’s first contact with aliens.
Kinberg started his career as a screenwriter, penning 2005’s “XXX: State of the Union” and “Mr. and Mrs. Smith,” before joining the “X-Men” franchise as a co-screenwriter of 2006’s “X-Men: The Last Stand.” He transitioned to producing every subsequent “X-Men” film, and he made his directorial debut with the final movie in the franchise, 2019’s “Dark Phoenix.” He...
The project has already been in development at the studio for some time, with Seth Grahame-Smith (“Abraham Lincoln: Vampire Hunter”) handing the screenplay and Toby Haynes on board to direct. Insiders say the film is intended as an origin story for the main timeline of the “Star Trek” franchise, set in the aftermath of humanity’s first contact with aliens.
Kinberg started his career as a screenwriter, penning 2005’s “XXX: State of the Union” and “Mr. and Mrs. Smith,” before joining the “X-Men” franchise as a co-screenwriter of 2006’s “X-Men: The Last Stand.” He transitioned to producing every subsequent “X-Men” film, and he made his directorial debut with the final movie in the franchise, 2019’s “Dark Phoenix.” He...
- 5/21/2024
- by Adam B. Vary
- Variety - Film News
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