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An error has ocurred. Please try againRobert Redford as Bob Woodward in All the President's Men (1976).
Christopher Walken as Shannon, The Dogs of War (1980).
Bill Dolworth: “Maybe there's only one revolution, since the beginning, the good guys against the bad guys. Question is, who are the good guys?”
Burt Lancaster as Bill Dolworth, The Professionals (1966).
Title card: For a Few Dollars More (1965)
“Alive or dead? It's your choice.”
Clint Eastwood as Monco For a Few Dollars More (1965)
Reviews
L.A. Crackdown (1987)
L.A. Boredown - bloody tedious
*** This review may contain spoilers ***
*Plot and ending analyzed*
L. A. Crackdown (1987)
Well, once again a movie that doesn't live up to its title. You think you are going to get a violent cop vigilante movie from the 80s, but what we get instead is a bloody tedious teenager reform family type drama. Minus any real drama. It was shot on a lousy video camera, so right off it looks terrible.
No budget, horrendous writing and inept acting is the normal here. Some female cop/social worker takes a couple of delinquent girls home. Fill in the cliche blanks. It is long and boring.
There is a laughable scene with the female cop taking out a couple of goons in a pool hall with a cue stick.
It's probably a safer bet just to watch a few episodes of Police Woman (TV Series 1974-1978) or The Streets of San Francisco (1972-1977).
Further:
Hollywood Vice Squad (1986), Angel (1983), Avenging Angel (1985), Vice Squad (1982).
Agmyeong (1974)
The Dragon Has No Jaws, or teeth for that matter
*** This review may contain spoilers ***
*Plot and ending analyzed*
Jaws of the Dragon (1974)
Well, if you have no idea what is exactly happening in this movie in the first 20 minutes, don't feel bad. You are not alone. There are a bunch of 1970s guys that all look like a 1970s Bruce Lee. And they fight each other. And I mean constantly. Then a crime boss beats up or shoots some of his own henchmen because they failed him. There is also mention of heroin.
The scenes are very dark at times, so you have no clue to who is fighting with whom. Add to that a poorly lit disco where another fight occurs, over a woman. Apparently because she danced with an old friend (the hitman enforcer) and the thugs got jealous. Okay. The cameraman also zooms in and out trying to be cool and hip, but you only get dizzy.
Then the hitman enforcer is called by his boss to whack a woman. The boss asks him what he is doing, and the hitman enforcer tells him that he is reading. Actually he was in bed with the woman from the disco. Is that supposed to be funny? (?) For the record, I did not laugh. But I had to think about it for awhile. And he visits the heavily guarded property and hangs some sentry guard with a rope by putting it around his neck then jumping down from the tree. (?) He climbs the building and uses a ridiculous miniature bow and arrow to "assassinate" the woman who is taking a bath. He takes a photograph of her for "proof". Ostensibly, the hitman enforcer has no qualms about icing a woman. Nice guy. No morals. I probably won't be rooting for him in the movie. Or anybody for that matter. Why am I watching it?
Then right out of left field there appears
an Asian female folk-singer at some club singing the most ear-wrenching songs ever. And they accompany flashbacks of people running in a grassy field.
And you can guess how the next excessively tedious one hour and eleven minutes go on and on. Then you can also guess how many guys get their teeth knocked out, or how many pounds of heroin are exchanged. Or how many women are insulted. Or how many of your brain cells have died from watching this movie.
And then you begin to wonder if it would not have been a better idea to have started reading the abridged book, "The History of the Insect World" instead of watching this movie.
Good luck.
The Mugger (1958)
The Mugger with a Cold Rusted Knife
*** This review may contain spoilers ***
*Plot and ending analyzed*
The Mugger (1958) is a fairly good police procedural movie. This one has as a main protagonist, a headshrinker that is basically a cop. Good thing that they stuck more to the police aspects of his job because listening to his psychologist lingo mumbo jumbo would have gotten really tedious after a while.
Basically a man is mugging women and also cutting their faces. The cops are working hard to bring him in. They also throw in some taxi driver (James Franciscus) and his domestic problems, which tie in to the ending.
Good crime dialogue is also found in the movie, and the decent acting from the main actors is what carries it along at a brisk pace. Some of the acting from the lower incidental characters stinks, especially from the guy who owns the Turkish bathhouse. He's so bloody over the top and comical, attempting to be a "tough as nails" boss.
One ridiculous aspect of the movie was that the psychologist cop gets way too many compliments about his "handsome" looks from dames. Some broad even brings him a cake. (?) He also has a younger policewoman girlfriend. That is just ludicrous writing. Why waste a good movie with nonsense like this? It ruins any sense of realism. And the psychologist cop is an older man and definitely no charmer or dreamboat. He has a regular mug.
And be prepared to be further letdown by the capture of the mugger himself. It was laughable. Terrible writing, just intended to support that the psychologist cop was "correct" about his "profile".
The ending was also rushed and harshly violent. I mean James Franciscus attempting to get away and trying to leap onto a departing ferry boat, and he misses and jumps into the propeller blades? I'm still scratching my head on that one.
So it drops because of the quick closing scene that has the psychologist cop and his policewoman girlfriend put the heat on James Franciscus because "she saw him with the murdered young woman". Then he spills his guts to them that he did kill her. It was not very convincing at all.
Grade: B -
Supernatural: Viktoria (1977)
Demonia, Doll of the Damned
*** This review may contain spoilers ***
*Plot and ending analyzed*
Quite a splendid little teleplay emphasizing the particular era of Victorian horror.
A hooded person walks into some gentleman's occult club with a written story to tell the members to see if they can seek admittance.
It details the fractious relationship between a conceited Englishman and his equally thoughtless European wife, who is an invalid, and also a bit of a valetudinarian. She takes pills for her heart and one day is unable to get to the pill case. Her husband intentionally delays, and she dies. Her old European female caretaker is horrified by her death and seems to put some type of preternatural animation in a strange doll that the young daughter takes a fancy to later. Apparently she may be a practitioner of the occult or malefic witchery. Well, the unusual doll seeks revenge against the indifferent husband. Is the doll the reincarnated mother, some demonic spirit, a rancorous life force? We have to guess it seems, and that is why it is so interesting. And the ending was absolutely sumptuous to behold.
One interesting note to add, the wonderful Norwegian writer Knut Hamsun wrote two books with the title of "Rosa" and "Victoria", which are both the names of the young daughter and of the bizarre doll. I wonder if the writer of the teleplay was not influenced by Hamsun in some way.
Los buitres cavarán tu fosa (1971)
And the Crows Will Dig Your Grave
*** This review may contain spoilers ***
*Plot and ending analyzed*
The Vultures Will Dig Your Grave (1971)
Fairly enjoyable Western about Wells Fargo hiring its own armed force to deal with a rash of banditry that has been threatening its stagecoach business. It turns out that most of the men are nothing more than disreputable riffraff and murdering bounty hunter vermin. One of them, Jeff Sullivan (American actor Craig Hill) has a few more scruples than the rest. He visits a prison camp to buyout a prisoner who is the half-brother of a notorious bandit. We don't know exactly what his motive is, but we later learn of it in the end.
The ex-prisoner escapes from the bounty hunter a few times, and then they work together at others.
Spanish actor Fernando Sancho is one of the dishonorable bounty hunters, Pancho Corrales, and he even shoots the father of a woman. The ex-prisoner and her fall "in love" later, which is supremely ridiculous. She later puts a bullet in Jeff Sullivan (American actor Craig Hill) to help the ex-prisoner escape. Spanish actor Fernando Sancho travels with a few other rabble bounty hunters, trying to get whatever bounty they can.
The finale has a long gunfight that is particularly routine, and not filmed with any artistry, but everyone gets their comeuppance.
There is a really nice introduction with colorful still-shots from the movie. It is a basic Western, but will be perfectly adequate for anyone seeking such a movie.
Grade: C.
Judas... ¡toma tus monedas! (1972)
Take Your Coins and Die! - a tolerable Western
*** This review may contain spoilers ***
*Plot and ending analyzed*
Judas... Take your coins
Judas... ¡Toma tus monedas! (1972)
Spanish film actor Jorge Martín, wearing the same black hat and black coat that he wore in the Western movie Sonora (1968) plays some man on the hunt for a former army officer who stole some gold. Actor Jorge Martín has a sculpted beard that looks ridiculous and out of place in the old West, and he also has tons of "sun burnt" makeup. Anyways, he breaks some murderer out of jail so that he can get information on the former army officer who stole a cache of gold. He also comes across some bounty hunter, and they usually work together, but then don't want to share the reward later on. But it seems to be more playful than actual betrayal. Spanish actor Fernando Sancho is thrown in here as an element of comedy and scheming, and he can really get annoying at times. He actually makes it alive to the end, how he escaped a bullet to the back or a hangman's rope, I'll never know.
The former army officer who stole the gold is holed-up in some abandoned town with some hired men. They all have to face the men who are after them.
It is a tolerable Western movie, nothing outstanding or superb. The budget is really nonexistent, but the two leads are what make it at least watchable. You can really feel the dust and heat from the movie.
Grade: C -
Le due facce del dollaro (1967)
Two Faces of the Dullard
*** This review may contain spoilers ***
*Plot and ending analyzed*
Two Faces of the Dollar (1967)
Well, at least there is a really good introductory musical theme in the movie. They use it throughout the movie and it is nice to hear. Unfortunately, that is the only thing that is of any interest.
Some annoying "genius" who has been mining dirt, and is the laughingstock of the town (this plays into his plan later), hatches some harebrained idea that he can pull off a robbery of gold in some United States Army fort. Yeah right. He gets a few other miserable people to help him out, and it all works perfectly. They all just waltz into the fort quite easily. Implausible scenes ahead. Apparently the army troops are the most incompetent around. Then the "genius" double-crosses the woman who had helped them. And later, everyone double-crosses each other, but then start working together to save the woman, who was double-crossed earlier, and was captured by bandits. They kill the group of bandits, who were hired by a soldier at the fort who learned of the robbery, and quite easily. Then they double-cross each other again in one of the most ridiculous endings ever. You will be scratching your head during the last thirty minutes, tired of the excessive use of the "double-cross" scenario.
This could have been a decent movie if the writers stuck to some consistency, and made it a regular heist Western. But it is just a complete waste of time with all the additional nonsense added. All the characters are absolutely vile and unlikeable as well, and that doesn't help either.
Grade: D.
Adiós gringo (1965)
Adiós Amigo - decent Western
*** This review may contain spoilers ***
*Plot and ending analyzed*
Adiós gr-ingo (1965)
An innocent cowboy Brent Landers (Italian actor Giuliano Gemma) meets up with an old friend who sells him his cattle. When Brent Landers (Italian actor Giuliano Gemma) gets to town, he is accused of stealing the cattle by a respectable man. The man provokes him so that he has to shoot in self-defense. He barely escapes an angry mob, and is on the trail of his reprobate scoundrel old friend so that he can clear his name.
He finds a woman who is tied in the desert and saves her. Taking her to town, he finds a kind doctor. We learn that three men kidnapped her and they are now in town. One of them is the son of a wealthy man. The wealthy man then tries to take on the sheriff, the doctor, and Brent Landers (Italian actor Giuliano Gemma), who are all working together to protect the young woman who can identify the three men.
This Italian Western is decent enough, although it can be corny at times, especially the fight scenes that have Brent Landers (Italian actor Giuliano Gemma) appear as a nearly unbeatable adversary.
It's worth a watch.
Grade: C -
Dove si spara di più (1967)
Fury of the Gunfighter - predictable dull Western
*** This review may contain spoilers ***
*Plot and ending analyzed*
Fury of Johnny Kid (1967)
A predictably dull Western that seems to borrow plenty of ideas from American Westerns, but has no idea on how to make it all work together. It is an absolutely ridiculous and dumb movie.
Two warring ranch families have long feuded with each other, and the Mexican Campos ranch family got the upper hand by putting explosives into the ground and shooting at them while the Anglo-Saxon Mounter ranch family was passing through. Implausible scenes ahead.
Johnny Mounter (the eminently uninteresting German actor Peter Lee Lawrence) is captured and then breaks away with some other guy that was captured by the Mexican Campos ranch family, in one of the most unbelievable scenes ever. The bloke's nickname is "Lefty" because he is wearing a hook for a hand. He supposedly teaches Johnny Mounter (the eminently uninteresting German actor Peter Lee Lawrence) how to shoot in a five minute sequence. Now Johnny Mounter is an expert. (?) Lefty definitely becomes the movie's most annoying character, next to the sheriff, and just about everyone else.
The dubbed voices are horrible, attempting to sound like American country folks. The corny dubbing is in that Italian horror movie vein from the 1960's whereby some ridiculous 'dubbers' overexaggerate and ruin any sense of tension or urgency in the script. The movie also overuses the insipidly drab theme music throughout. You can probably guess how it all ends. No mystery there.
What to look out for:
"Lefty" teaching Johnny Mounter (the eminently uninteresting German actor Peter Lee Lawrence) how to shoot by putting pieces of bread on his hook and having him shoot them.
Two men arm wrestling in a cantina with nails on each side of their hands/arms. Loser gets nailed.
A woman stagecoach passenger who shoots the bandana off of Johnny Mounter's (the eminently uninteresting German actor Peter Lee Lawrence) face.
The woman stagecoach passenger who Johnny Mounter (the eminently uninteresting German actor Peter Lee Lawrence) fell in love with, getting slapped in the face by him, after he tells her that he loves her.
The ridiculously stupid ending that seems to belong more in a Mario Bava horror movie.
Le pistole non discutono (1964)
No Name on the Bullet - enjoyable Western
*** This review may contain spoilers ***
*Plot and ending analyzed*
This is an altogether enjoyable Western movie. It looks exactly like an American Western, but is actually a joint European production. Stalwart Canadian actor Rod Cameron makes a fine presentation playing the traditional role that he was known for in his Westerns. The direction, the beautiful color of the film, and the music is very good.
Rod Cameron plays a sheriff who is getting married when two brothers rob the bank. He goes after them in Mexico, finds them quite easily, and then has to bring them back alive. Meanwhile, some bandits are informed of the bank loot that he is hauling back. They decide to try to get it for themselves.
Some of the writing and the story is not generally believable, especially when the bandits fail to kill them. Also when the sheriff quickly lifts up both brothers into an above-room storage loft before the Mexican law arrives and they don't even bother to check it, and when they easily cross the desert without water, and when one of the brothers gets a bullet taken out of his shoulder and suddenly he's riding a horse again. Still, it's hard to dislike the movie.
Grade: C+
Anda muchacho, spara! (1971)
Dead Rider on a Horse
*** This review may contain spoilers ***
*Plot and ending analyzed*
A prisoner (Italian actor Fabio Testi) escapes the extremely brutal and tough conditions of the Yuma Territorial Prison. He is given help by a man from a poor peon mining village, where the men work as slaves, getting gold out for the local strong-arm boss.
Eventually the prisoner (Italian actor Fabio Testi) shoots a man in self-defense and brings inquiries about who he is and where he came from. He even gets a job from the local strong-arm boss. Then they show some infighting between a couple of the local strong-arm boss's men. Apparently they are fighting over some woman.
The strong-arm boss also has some vicious Mexican bandits on his payroll to kill any peasants who want to try to get the gold to Tucson Arizona for a fair price. They are given information by an informant who is a peasant.
Slowly, we begin to learn that the current local strong-arm boss had another wealthy man jailed and put into the Yuma Territorial Prison. The escaped prisoner (Italian actor Fabio Testi) saved him from a whipping, and later escaped with him, but the man died. We are led to surmise that the escaped prisoner (Italian actor Fabio Testi) was promised gold for helping him. And the woman that the two men were fighting over was his daughter.
This Western is completely average, but there are some nice scenes with music that usher in a touch of sadness. Especially when the local strong-arm boss has his men hang up by the arms, the escaped prisoner (Italian actor Fabio Testi) and has him beaten; the director inserts flashbacks of when he saved the older man from a whipping. What also really works is the enigmatic nature of the escaped prisoner (Italian actor Fabio Testi). He is quite laconic and we don't know anything about him. This is an asset for his mournful persona. There is also some nice little class consciousness added to the movie, not the full dose that you usually find in Zapata Spaghetti Westerns, but just enough to perceive that the peons at the end are now wary of gold exploiters taking over again.
The ending is right out of A Fistful of Dollars (1964), they also filmed it at the same location. But they did not even get as close to how good Sergio Leone edited his ending. And Italian actor Fabio Testi is nowhere near as great an actor, or even presence as Clint Eastwood. But he does have a youthful appearance that works well.
The version I watched was in Spanish with no subtitles. The audio was not very good, so it is difficult to hear what is being said at times. It is also in Castilian Spanish from the heart of Spain, and introductory Spanish students may have trouble with the accents.
What to look out for:
Italian actor Fabio Testi shooting a barber in self defense while leaning backwards in a barber chair.
Italian actor Fabio Testi using a leather hand strap when in a gunfight. Clint Eastwood wore a leather shooting wrist cuff in For a Few Dollars More (1965).
A beautiful and morose main musical theme.
Sei bounty killers per una strage (1973)
Six Dunce Killers for a Massacre
*** This review may contain spoilers ***
*Plot and ending analyzed*
Well, this is a terribly incomprehensible and incoherent Italian Western. It seems to have been made by someone who had no idea how to put together a story that the audience could understand. What they did was assemble a bunch of long and tedious scenes in the hopes that it would all miraculously come together. A bunch of lifeless characters are brought into the picture and you don't know who is who, nor will you actually care. And this goes on for one hour and twenty minutes. The movie is only one hour and twenty seven minutes. So seven minutes for the big "pay off", and they even botched that.
The plot, if there is a resemblance of one, has some man and his henchmen attack some armed and guarded carriage, and kidnapping a woman and her child. Apparently they are the governor's family. So he hires a cadre of bounty killers with the most ridiculous names, and equally ridiculous attributes, to attempt a rescue.
The acting is atrocious, the music is lousy and repetitive, and it is so drudgingly long.
What to look out for:
A henchman wearing the same poncho that Clint Eastwood wore in A Fistful of Dollars (1964).
A man who has the worst fake "hook for a hand".
A henchman getting a knife in the front of his skull.
Más negro que la noche (1975)
Night and Then the Dark - average horror movie
*** This review may contain spoilers ***
*Plot and ending analyzed*
Darker Than Night
Más negro que la noche (1975)
An average horror movie from Mexico. Not much in frights, or anything for that matter.
A remake of "Más negro que la noche" (1975), was included on a TV set a girl is watching in the Director Henry Bedwell (2014) version. That one was absolutely horrible. This original version is a bit better.
The 1975 film is directed by Carlos Enrique Taboada, who did "Even the Wind Is Afraid" (1968) and "The Book of Stone" (1969) in his trilogy of horror, all equally average and dull.
Grade: C+
Fury at Showdown (1957)
Showdown at Fury - a reliable Western
*** This review may contain spoilers ***
*Plot and ending analyzed*
Fury at Showdown (1957) is a really reliable Western. I particularly liked that it was filmed in Black and White, and the introductory montage was singularly unique. You tend to see more out of the ordinary and interesting introductory montages on these smaller budget Westerns. See director R. G. Springsteen's Apache Uprising (1965) opening.
It is based on a pulp Western book, Showdown Creek (1956) by Lucas Todd.
Director Gerd Oswald, whom I know from The Outer Limits (1963 TV series), takes his time and does not rush through the scenes at all. This adds a bit of pressure and tension to the story. The locations are also very good. Certain to note, is that I perceived that this Western seems very lugubrious. I don't know if the director intended it that way, or the actors are all just emphasizing a gloomy world in which they all must live. Nonetheless, it is very interesting. Also to be mindful of, is the subtle acting from all actors involved, quite a few that I recognized from other Westerns.
John Derek as Brock Mitchell, plays a man who has used his gun in self-defense before, but gets stigmatized as a hot-headed gunslinger. He goes back to his hometown where Nick Adams as Tracy Mitchell, his younger brother, has maintained the family cow ranch.
They are expecting a signed and delivered deal from the railroad company to feed their workers. But they run into opposition from the brother of a man that John Derek as Brock Mitchell, had killed. He also hires a gunfighter as his personal guard, and they both go out of their way to impede or provoke the two brothers.
The bar fight with the two gunmen had some great body double stuntmen work. The fight even went out into the street and involved a horse carriage. Actor John Smith (Laramie (TV Series 1959-1963), who plays the
gunfighter agitator and personal guard, reminds me a bit of actor Jack Palance in Shane (1953), who also played a hired gunfighter agitator. Although nowhere near the great presence that Jack Palance emitted in his role. Additionally, each character wore a two gun holster, creating a menacing presence in the form of both of the guns.
A nice Western, but it does come short in runtime at 75 minutes, and the lack of action may put off some more-demanding audience members.
7 Colt per 7 carogne (1967)
Seven Guns for Seven Corpses
*** This review may contain spoilers ***
*Plot and ending analyzed*
Siete Pistolas para Siete cadáveres (1967)
Seven Guns for Seven Corpses
Siete Pistolas para Siete cadáveres (1967) was directed both by Rene Cardona and his son Rene Cardona Jr. Rene Cardona Sr. Was a director in the Golden Age of Mexican cinema. Rene Cardona Sr, who was an in-house Mexican Director, along with his son, did some 1970's Exploitation films that played the world theater circuits. Together they produced, directed and distributed numerous low-budget Exploitation films that weren't very good, but are noted for having burnt out Hollywood actors and exotic themes (Guyana: Crime of the Century (1979), Carlos the Terrorist (1979), Cyclone (1978), The Bermuda Triangle (1978), ¡Tintorera! Tiger Shark (1977)).
This is a Mexican Western, but it is completely stylized like an American Western. The towns, the hats, the clothing, all copy the American television and movie Western fashions of the 1960s.
Jorge Rivero plays a gunfighter named Ringo, who butts heads with the local town bosses. They have him shot, and he is left for dead. Later, a priest saves him and he recovers in the church. Not content with leaving, Ringo seeks revenge against all the men responsible for his attempted murder.
Jorge Rivero was a Mexican actor who appeared in a few American movies (The Last Hard Men (1976), Rio Lobo (1970), Soldier Blue (1970)). He was a weightlifter and starred in a few "El Santo" movies and plenty of low budget films like Manaos (1979), Pistoleros de la frontera (1967), Manaos (1979) and Evil Eye (1975).
It is pretty average and it looks like Rene Cardona and his son Rene Cardona Jr. Also shot La vuelta del Mexicano (1967) using the same sets, actors, and costuming. Either that or they just shot additional scenes and changed the characters' names, etc and released this in European markets as a Spaghetti Western. The movie title is not a typical Mexican Western title.
In Spanish with no subtitles.
Vamos a matar Sartana (1971)
Let's Go and Kick 'Em All Sartana!
*** This review may contain spoilers ***
*Plot and ending analyzed*
I recently pulled out an old VHS copy of this movie from my storage. It has been a while since I have seen it. The copy is blurry, has scratches, and is in terrible shape, but it still is perfectly watchable. And the audio is satisfactory, but it is only in Spanish; for those who don't speak it you can easily figure what is going on.
The title on my version is "Demasiados muertos para Tex" which translates into English as, "Too Many Dead for Tex". It seems like it was retitled for the American market as a Sartana movie though, as many Spanish and Italian Westerns were, in an attempt to capture a greater share of American audiences.
Spanish actor Jorge Martín, appearing with the most ridiculous wig ever, plays a man named Tex Nebraska. He gets into trouble with the law frequently, and was just set free by a judge. He later visits his fiancé, and suddenly five men start to beat him, out of nowhere. She throws him a revolver to defend himself, and he kills them all. And she is smiling after that. Very strange woman. The scene is absolutely ridiculous and quite typical in Spaghetti Westerns. And then the sheriff suddenly appears, and locks Tex up in the local jail. The sheriff is also the brother of Tex's fiancé.
In jail, some other guy is locked up with Tex. He is called "El Loco", the crazy one in English. American actor and bodybuilder Gordon Mitchell plays him. A bit later, El Loco's two friends break them all out of jail.
They meet up with a fat guy and then they go search for a ranch house that has gold in it. A couple is in the house, and the man is killed by El Loco's accomplice. The woman is saved by Tex after telling them that the gold is hidden in an old church, and she is let go.
There are a lot of imbecilic comedic scenes in this movie, and that really ruins it because then they are attempting to be serious in other instances. It probably would have been better if it was all serious and not dumb and simpleminded. I think they wanted to be like the Trinity movies.
The whole group goes looking for the church, but get their horses stolen, and then the sheriff suddenly starts to follow them (even after he was shot by El Loco's accomplice - it's like the writers forgot about that) and they also start bickering amongst themselves. The fat guy is shot by the posse and disappears from the movie altogether. Tex also starts flirting with the woman who helped with the jailbreak.
El Loco then gets pushed off a ledge by the woman accomplice. And Tex has to kill the man who freed El Loco from jail because he is jealous and wants to kill him. So basically, the story just keeps getting more unbelievable and pointless.
Finally, Tex and the woman find the church and then the gold, but she shoots him (like you could not see that coming). She goes to the top floor and two men attack her. I think they were bandits that were following them. Tex is still alive, as the bullet only grazed his forehead. He kills the two bandits, and the woman runs away with the chest of gold. Apparently there is a mud pool nearby, and the woman and the chest of gold start to sink after she runs in the mud. Tex attempts to save her, but she goes under. And then Tex is drowning, but is thrown a lasso rope and pulled from the mud by the sheriff. And this is a hilarious scene from a horror movie, the woman has become a skeleton and we see her skull before it sinks back into the mud! Tex's fiancé is present as well, and she suggests that Tex and her get married. But he is having doubts, and the movie end credits start.
Be sure to look for the stock footage of a waterfall, and also for the excessive use of the audio stock effect of the "werewolf howling" that you have heard in countless movies.
Quite an unusual movie. It is average, and peculiar in many ways, but definitely worth a watch.
Grade: C -
In Spanish with no subtitles.
Mark of the Gun (1969)
Mark of the Empty Gun - a peculiar Western
*** This review may contain spoilers ***
*Plot and ending analyzed*
A young man gets tussled up by what seem like lawmen, but he escapes them and heads off into the yonder. He comes across some building with a young guy guarding the entrance, and he lets him pass. He seeks lodging at the place and sees that there are many women and men present. One of them picks a fight with him, and another draws a gun on him but is shot dead. The place may be a brothel, it is hinted at but never overtly stated.
Later, the man also shoots the guy who had picked a fight with him earlier. And he is still allowed to be at the house after killing two of the men. That seems very odd. The leader of the ruffian men asks him if he wants to do a bank robbery job with them. He agrees, but infighting and jealousy take their toll. Soon they are ineffective at doing anything at all. And it turns out that the men were also double-crossed by the women, who actually robbed the bank. The plot is inconsistent and ridiculous, but at least they added some female spin to the mix.
As far as Westerns go, Mark of the Gun is extremely anemic and peculiar. They waste half the runtime at the old building, with nothing but talking and quarreling. It doesn't really pick up that much later, but then it does start to resemble a regular Western again. The producers make decent use of some old abandoned building for the ending shootout. I saw a few familiar faces like actor Ned Romero and actor Paul Sorensen.
The lead man is so inept and does not have any charismatic qualities at all. He barely speaks as well and that makes him extremely irritating. The rest of the cast is tolerable for a no-budget Western movie. It is not a particularly enjoyable viewing, but it is somewhat interesting to find these low-end movies. The movie looks like from 1962 or so. It probably was locked up in a vault and the dates are incorrect.
Grade: C -
The Beast from the Beginning of Time (1965)
The Smelly Caveman from the End of Time
*** This review may contain spoilers ***
*Plot and ending analyzed*
With an extravagantly flamboyant title like "The Beast from the Beginning of Time", you would think that the spectacular titular monster is from another planet, or distinct zone of time in another universe. But no, apparently it is from the good old polluted Earth. And he comes complete with an ancient loincloth tied around his (blank) to prove it. Imagine the smell of that thing.
This is a tolerantly interesting zero-budget little movie. That is, if you have the patience for it. And by patience, I mean the type of patience that you can acquire only if you have been incarcerated for 6 months, or have been living alone in a desolate forest for one year. It is long-winded and exceedingly garrulous. I mean these guys can really chatter and yap with the best of them. The plot is about some troglodyte that is uncovered in some type of dig. It is never mentioned what area of specialty the crew is from, but it is safe to say they are either archaeologists, paleontologists, or relic pirates. And they are extremely dull, dumb, prone to bickering, and a very danger to the community where they live.
Anyways, the troglodyte is inexplicably "animated" back to life by some lighting storm, and he impales a man with a shovel. The blame is put on one of the men of the dig, who is quickly labeled a lunatic and locked up in the local nuthouse. But he gives a stern warning to everyone that the troglodyte came to life during a lightning storm. But does anyone listen? Not those arrogant men of science.
Finally, the arrogant men of science go look for one of the original men involved with the dig, who is in the academic building late at night. There is also a lighting storm brewing, and the homicidal troglodyte comes back to life and rips off the arms of the original man involved with the dig. He also kills an old custodian, who was packing a revolver, and probably moonshine, in his room on the furnace level.
The smug academic guys try to hunt the troglodyte, with the help of a few useless sheriffs. But bullets are ineffective, and a tail spine spike from the fossilized figure of a Stegosaurus in the building museum, is used to impale him. But, the troglodyte is still breathing at the end. Eegah!
The horrible condition of the aged movie actually aids the viewing. And, although those who are more inclined to find fault in these types of movies may disagree, the troglodyte was actually quite acceptable.
So, if you are altogether already accustomed to these old zero-budget horror movies, then you might find this one somewhat amusing.
Makes great viewing paired up with Trog (1970), Iceman (1984), and Quest for Fire (1981).
Have fun.
Los jaguares contra el invasor misterioso (1975)
The Jaguar Men Against the Mysterious Invader
*** This review may contain spoilers ***
*Plot and ending analyzed*
Los jaguares contra el invasor misterioso
The jaguar men against the mysterious invader
Quite a curious no-budget movie in the vein of El Santo Mexican wrestling movies. It pits three masked wrestlers, complete with spiffy capes, spotted jaguar shirts, boots and tights, and Aquaman type gloves, who work for some agency or government (?). They are called the jaguars. They don't carry weapons or have any superpowers, and their actual wrestling skills are entirely ineffective against some evil henchmen. Perhaps they should have had some laser rifles at the ready. Apparently they ride motorcycles in close formation through the streets as well. How is that for being overtly sophisticated?
After a female narrator tells us that a meteor has brought alien invaders to earth, they show just "one" alien from behind, so you can't see his face. Some Earth people are also conspiring with him. A bald guy speaking Spanish with a lousy fake German accent. Hilarious. The whole movie simply details one drawn-out chase scene. It involves a man and the daughter of the bald guy scientist who is working with the alien. They attempt to sell some synthetic diamonds and are chased by the jaguar men, some criminal hoods, and the police. Fight scenes are totally inept, gun battles are wholly static and terrible, but you get to see a veritable time capsule on film. It gives the impression of being more like a 1960s movie than a 1970s movie.
It seems like that they added different music in the 1980s, and also imposed some introductory titles. Probably for the video market.
The audio is not very good, so it is difficult to hear what is being said at times. Also, there is a delay in the synchronization of the audio and the movement of the actor's lips. So it is like watching a cheap kung fu movie.
The evil henchmen are actually pretty cool looking. They seem to be wearing wrestling masks, but they have a goatee on them. And they all have the same uniforms and are trained in karate. The alien also finally turns around towards the end, and he is an ape! Then he escapes with two of his little companions in some window time portal. They probably had a sequel in the works but went bankrupt. There was also another movie in the series, Karla contra los jaguares (1974). I wonder what ever happened to the jaguar wrestling team.
At least they left us with two movies.
The movie itself is below average, but it might be great amusement just to watch on a foggy or foul-weather day.
Introductory Spanish students should also have great fun with the movie.
In Spanish with no subtitles.
Con lui cavalca la morte (1967)
Death Rides A Slow Mule
*** This review may contain spoilers ***
*Plot and ending analyzed*
A forgotten Spaghetti Western directed by Italian director Giuseppe Vari. It starts off with some nonsense about political schemes in a small town, and the powerful men trying to buy out the land rights from innocent people. A few of them have risen against them, but failed.
Apparently someone sent some important documents with a horse delivery service. And the rider gets stuck in the fight between the innocent folks and the corrupt men in town.
Overall, there are a few interesting touches, but not enough to sustain much interest. I also felt that the direction was sluggish throughout.
Quella dannata pattuglia (1969)
The Battle of the Dummies
*** This review may contain spoilers ***
*Plot and ending analyzed*
This was an incredibly revolting movie experience. I wonder how in the world that a movie so idiotic could be made and sent out to theaters.
The beginning lacked just about everything that resembled an actual movie. Twenty minutes into the movie and you are asking yourself where did your time go? Why has nothing happened? Forty minutes into the movie and you know nothing good is going to come out of the movie experience.
It starts off really slow and boring. You get to meet a crack team of American soldiers. But none of them actually look like genuine soldiers. All of them are numbnuts. On top of that, they are vile, nagging, inconsiderate, and disloyal.
Anyways, they spend their time driving a few miles in the desert. Get attacked by a training plane that is supposed to be a German Messerschmitt ME 109 fighter. Find an oasis with water with relative ease. Then walk a few minutes, and they miraculously reach the German Africa Korps fuel depot, kill a bunch of guards, then blow up the bloody fuel tanks.
At least none of them came out alive.
Incredibly stupid.
Uccidete Johnny Ringo (1966)
Kill Johnny Ringo, Kill! - below average Italian Western
*** This review may contain spoilers ***
*Plot and ending analyzed*
Stiff-nose Texas Ranger Johnny Ringo comes to town to get to the bottom of a counterfeit operation working in a gambling saloon. People try to kill him, but eventually he will bring justice to town, all by himself, because the villains are all so inept and can't shoot him.
Kill Johnny Ringo (1966) is a pretty standard Italian version of a traditional American Western. That said, it falls below the average category because it becomes quite tedious and does nothing correct like the superior American Westerns.
The main problem is that the director has no flavor for excitement or artistry. All he does is go from point A to point B. And he takes a long time to do it. This dull Western clocks in at 1 hour and 38 minutes. American television episodes of Westerns are a lot more exciting, enjoyable, and interesting.
Monotonous American actor Brett Halsey is also a complete bore. He does not show any emotion or range, and that could be said about the entire cast. They are lackluster, unimaginative and uninteresting.
See it if you can cowboy, but don't expect much.
Super Colt 38 (1969)
Colt 38 Super Killer - Mexican Western
*** This review may contain spoilers ***
*Plot and ending analyzed*
I recently found my old 1980s VHS tape of this movie. It was an extremely difficult to find movie for many years, but now many sites are offering DVD copies of it.
My version is in Spanish only. The movie has American actor Jeffrey Hunter, who died in 1969, in it. His life was taken by an explosion and its after effects on some cheap movie production in Europe. Apparently he was not getting roles in America so he went abroad. Quite a tragic loss.
The movie also has familiar Mexican actors in it. Pedro Armendáriz Jr., Andrés García, and Mexican director and actor Chano Urueta, who was in Sam Peckinpah's The Wild Bunch (1969), are just a few of them.
Dominican-born Mexican actor Andres Garcia (a popular Latin actor who was concentrating on soap operas before he died) was only about 28 years old here. He could have been a Latin Paul Newman, but films like this did not establish his dramaturgical expression and credibility.
This Western is a typical low budget Mexican movie, except that they brought in an American for it. Jeffrey Hunter plays a lawman who goes hunting for a vicious bandit, who turns out to be an old friend. He draws on Jeffrey Hunter, and loses. Jeffrey Hunter then decides to put the guns away for good. But more bad men are to be found. Will he pick up his guns again? I think you know the answer.
"You got two ways to go, put it down or use it. " - Hombre (1967)
Kanunsuz kahraman - Ringo Kid (1967)
Turkish Ringo Shoots First!
*** This review may contain spoilers ***
*Plot and ending analyzed*
Interesting movie from Turkey, as they were riding the coattails of the 1960s Spaghetti Westerns. Specifically, the Django and Ringo titles.
This one is a Ringo title. It is hardly any good, and it was entirely in the Turkish language. And the copy was faded and blurry, and seeped in bad light exposure.
You can figure it out, even without understanding a word of the language. Ringo goes after bandits that robbed a small town and killed his family. Along the way, he meets up with a couple in a wagon and they fend off an Indian attack. The scene was absolutely ridiculous and hilarious. Turks dressed in cheap Indian clothing get slaughtered.
The guy who plays Ringo actually looks cool, and he rides a horse really well and has a cigarette in his mouth in all the scenes. And the Turkish desert setting surprisingly looks like the old West and is beautiful.
Jessi's Girls (1975)
Once Upon a Time in the Female West
*** This review may contain spoilers ***
*Plot and ending analyzed*
If you have watched every Western by now, you will probably be coming up to lower end bargain basement bin movies like this one.
It uses the established formula from Nevada Smith (1966) in which Steve McQueen seeks revenge for the murder of his parents. He is taught how to shoot by the reliable actor Brian Keith.
This time around they make it a female revenge Western, and toss the women's undergarments into the bonfire. The moment was ripe, since feminists were burning their own brassieres in the street, denouncing male overlords, and letting their body hair grow out everywhere.
So, a few female revenge Westerns came out at this time, and also later. Wild Women (1970), The Animals (1970), Hannie Caulder (1971), Apache Woman (1976), Desperate Women (1978), and White Apache (1987).
Were they any good? Nope, they all stunk like fresh cow manure, and were pretty average and below average. The main problem was that they are completely unbelievable. No one who has watched Westerns is going to be convinced that these women can actually handle a revolver, much less survive in the harsh climate of the old West. Another problem was that the movies were wholly preposterous and ridiculous. How many times can you watch a woman shoot a man in the (blank)? It gets weary really quick.
So, director Al Adamson gives us his own inept treatment of the subject. It is dumber than a pile of bricks, and very tedious at times, but surprisingly it is watchable. I said watchable, not enjoyable.
I like that 1950s Western film star Rod Cameron gets to play the old reliable who teaches the woman how to survive and handle a gun. He is barely recognizable because they pasted a dead roadkill skunk on his face that is supposed to pass off as a beard. He hardly gets any screen time either, which is a shame, and probably was only paid bus money for his appearance.
The location shooting is very beautiful, and the final showdown actually has some good stunt work.
There is also a nice Western theme. But after it is played constantly, you will get annoyed by it, and on the twentieth time that you hear it in the movie, you will want to either mute the sound, or toss the television out the window.