Buenos Aires-based Boutique sales agency Compañía de Cine has snagged “Pirópolis,” Chilean Nicolás Molina’s docu selected as part of Ventana Sur’s Doc Sur sidebar.
Compañía de Cine’s deal with its producers Funky Films and Pequén Prods. caps a triumphant festival trajectory for “Pirópolis,” which has played in a number of film events, including Docs in Progress at Fidocs + Conecta 2022, where it was awarded with the Best Project prize, as well as Visions Du Réel 2023 were it earned the VdR- Work-in-Progress Award.
“We are genuinely excited about this acquisition and the opportunity to bring ‘Pirópolis’ to a broader audience,” said Compañía de Cine’s Paulina Portela.
“Pirópolis” plunges us into the volatile Valparaíso city-port through the “Pompe France,” a fire brigade with French ties. The captain and crew receive Baptista, a French firefighter addressing eucalyptus-related fires. Amidst social upheaval, the company faces protests and strives for the...
Compañía de Cine’s deal with its producers Funky Films and Pequén Prods. caps a triumphant festival trajectory for “Pirópolis,” which has played in a number of film events, including Docs in Progress at Fidocs + Conecta 2022, where it was awarded with the Best Project prize, as well as Visions Du Réel 2023 were it earned the VdR- Work-in-Progress Award.
“We are genuinely excited about this acquisition and the opportunity to bring ‘Pirópolis’ to a broader audience,” said Compañía de Cine’s Paulina Portela.
“Pirópolis” plunges us into the volatile Valparaíso city-port through the “Pompe France,” a fire brigade with French ties. The captain and crew receive Baptista, a French firefighter addressing eucalyptus-related fires. Amidst social upheaval, the company faces protests and strives for the...
- 12/2/2023
- by Anna Marie de la Fuente
- Variety Film + TV
31 doc projects took part in VdR-Industry.
Visions du Réel has unveiled the winning documentary projects that took part in its annual industry programme.
Headed for the first time by Sophie Bourdon, VdR-Industry hosted 1,600 professionals from nearly 80 countries, a similar number to the record 2022 edition. The programme comprised 31 documentary projects from 32 countries.
Scroll down for full list of winners
The vision sud est Jury award, worth Chf 10,000 in cash, for the best project from the South or from Eastern Europe (excluding EU members) went to The Days I Would Like to Forget, an observational doc about the Russia and Ukraine conflict,...
Visions du Réel has unveiled the winning documentary projects that took part in its annual industry programme.
Headed for the first time by Sophie Bourdon, VdR-Industry hosted 1,600 professionals from nearly 80 countries, a similar number to the record 2022 edition. The programme comprised 31 documentary projects from 32 countries.
Scroll down for full list of winners
The vision sud est Jury award, worth Chf 10,000 in cash, for the best project from the South or from Eastern Europe (excluding EU members) went to The Days I Would Like to Forget, an observational doc about the Russia and Ukraine conflict,...
- 4/28/2023
- by Tim Dams
- ScreenDaily
A group of Ukrainian filmmakers have won the top industry award at Swiss international documentary film festival Visions du Réel with their project “The Days I Would Like to Forget,” divided into three chapters, each of which will explore a different phenomenon of war.
Filmmakers Alina Gorlova, Maksym Nakonechnyi, Simon Mozgovyi and Yelizaveta Smith of independent Ukrainian production company Tabor were awarded the Vision du Sud Est prize, handed out to the best project from the South or Eastern Europe.
Running alongside Visions du Réel, the festival’s industry event brought together some 1,600 professionals from nearly 80 countries, in line with last year’s record numbers.
A total of 31 projects were presented in the key forums – VdR–Pitching, VdR–Work in Progress (Wip) and VdR–Rough Cut Lab, alongside the VdR–Development Lab – that run April 24 through April 27 in Nyon, Switzerland.
Representing her colleague filmmakers who are shooting in Ukraine, Gorlova...
Filmmakers Alina Gorlova, Maksym Nakonechnyi, Simon Mozgovyi and Yelizaveta Smith of independent Ukrainian production company Tabor were awarded the Vision du Sud Est prize, handed out to the best project from the South or Eastern Europe.
Running alongside Visions du Réel, the festival’s industry event brought together some 1,600 professionals from nearly 80 countries, in line with last year’s record numbers.
A total of 31 projects were presented in the key forums – VdR–Pitching, VdR–Work in Progress (Wip) and VdR–Rough Cut Lab, alongside the VdR–Development Lab – that run April 24 through April 27 in Nyon, Switzerland.
Representing her colleague filmmakers who are shooting in Ukraine, Gorlova...
- 4/26/2023
- by Lise Pedersen
- Variety Film + TV
Chilean filmmaker Nicolás Molina, whose latest feature “Gaucho Americano” premieres in the International Spectrum competition at Hot Docs, has wrapped principal photography on a new documentary about a company of heroic firefighters, Variety has learned exclusively.
Set against a backdrop of protest, pandemic and social unrest in the city of Valparaíso, “Piropolis” follows the firefighters of the fifth company as they battle the epic forest fires raging around their city. The film is produced and executive produced by Joséphine Schroeder for Pequén Producciones.
Principal photography on “Piropolis” started in late 2019, just as protests over rising inequality began sweeping across Chile. In the months that followed, Molina told Variety, the fires being fought by the fifth company became a metaphor for the wider current of anger ripping through society.
“The last part of 2019 and 2020—and if you put the pandemic [in that context]—I think Chile got burned,” said the director. “It was full of fires in the forests.
Set against a backdrop of protest, pandemic and social unrest in the city of Valparaíso, “Piropolis” follows the firefighters of the fifth company as they battle the epic forest fires raging around their city. The film is produced and executive produced by Joséphine Schroeder for Pequén Producciones.
Principal photography on “Piropolis” started in late 2019, just as protests over rising inequality began sweeping across Chile. In the months that followed, Molina told Variety, the fires being fought by the fifth company became a metaphor for the wider current of anger ripping through society.
“The last part of 2019 and 2020—and if you put the pandemic [in that context]—I think Chile got burned,” said the director. “It was full of fires in the forests.
- 5/4/2021
- by Christopher Vourlias
- Variety Film + TV
Chile’s documentary film industry is making a major impact internationally with a raft of projects having recently featured at Germany’s Dok Leipzig festival and another batch headed to Amsterdam’s IDFA next week. While the Pinochet dictatorship proves as unavoidable as ever when compiling a list of Chilean productions, recent works promoted by Chiledoc have proved that the country has far more to offer.
Below, 16 short, feature and virtual reality documentary titles from Chile making an impact abroad:
“Ancacoy,”
Based on the real case of Margarita Ancacoy, this project in development explores the circle of violence that led to her eventual death. It’s a portrait of composition of what lies behind a murder. Uncovering recent history and mixing it with personal stories is a specialty of producers El Espino Films. IDFA bound.
“Arica,”
Five countries contribute to the production about Swedish mining company Boliden, which exported toxic...
Below, 16 short, feature and virtual reality documentary titles from Chile making an impact abroad:
“Ancacoy,”
Based on the real case of Margarita Ancacoy, this project in development explores the circle of violence that led to her eventual death. It’s a portrait of composition of what lies behind a murder. Uncovering recent history and mixing it with personal stories is a specialty of producers El Espino Films. IDFA bound.
“Arica,”
Five countries contribute to the production about Swedish mining company Boliden, which exported toxic...
- 11/13/2020
- by Jamie Lang and Pablo Sandoval
- Variety Film + TV
Santiago, Chile –- The second feature from Argentina’s Agustín Tsocano, “The Snatch Thief,” was the big winner at this year’s Santiago International Film Festival (Sanfic), snagging best picture and two best actor plaudits.
The closing ceremonies were held Saturday night at Chile’s CorpArtes Cultural Center.
The Argentina, Uruguay and France co-production, sold by The Match Factory, participated in this year’s Directors’ Fortnight at Cannes, where the tale of a guilt-ridden purse snatcher received unanimous strong reviews, including one by Variety’s Jay Weissberg who described it as a “a nicely plotted, unpretentious film… exactly the type of small-scale Latin American indie product that sees significant festival play.”
Marcelo Martinessi, one of Paraguay’s most high-profile filmmakers, won best director for his latest feature “The Heiresses,” which won the Silver Bear for best picture at Berlin in February. Eliran Elya’s “Doubtful” received a special mention.
In the Chilean competition,...
The closing ceremonies were held Saturday night at Chile’s CorpArtes Cultural Center.
The Argentina, Uruguay and France co-production, sold by The Match Factory, participated in this year’s Directors’ Fortnight at Cannes, where the tale of a guilt-ridden purse snatcher received unanimous strong reviews, including one by Variety’s Jay Weissberg who described it as a “a nicely plotted, unpretentious film… exactly the type of small-scale Latin American indie product that sees significant festival play.”
Marcelo Martinessi, one of Paraguay’s most high-profile filmmakers, won best director for his latest feature “The Heiresses,” which won the Silver Bear for best picture at Berlin in February. Eliran Elya’s “Doubtful” received a special mention.
In the Chilean competition,...
- 8/26/2018
- by Anna Marie de la Fuente and Jamie Lang
- Variety Film + TV
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