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- The confession of a man who was the director of a factory in Lower Silesia. "He was a Party member but opposed to the Mafia-like organization of Party members which was active in that factory and region.
- Over a decade after the almost total wartime destruction, Warsaw still looks bruised and battered. Ruined houses are nevertheless inhabited which can be dangerous for the local population.
- A girl strolls through the Old Town streets of Warsaw and listens to the sounds of the city, which change from random noise into a kind of outdoor concert.
- A communist party control committee interrogates a worker and party activist who is to be excluded from the party.
- The last assembly works at the Gdansk Shipyard are followed by the ceremonial launching of a new ship.
- A reporter and his wife are trying to adopt the young son of an alcoholic single mother.
- Set at the end of the war. A hot-headed colonel tries to force his men on to heroics although the war is almost over. A war-weary lieutenant tries to muffle his efforts but he keeps on with his men and is killed fighting in the front lines, all his men decide to get his body.
- The film is reminiscent of "Gosciminska" by virtue of both analogy and a reversal. Both films are based on a written text - a colloquially worded document written and read out by the protagonist, which initially takes form of curriculum vitae, but as it progresses begins to sound more like a letter of complaint. The protagonist's account spans from the pre-war to the post-war period. What is reversed is the relationship accounts and the film footage illustrating them. The unique method of editing archive material is particularly worthy of note. As each take is replayed a number of times the footage looses its credibility.
- Mass Catholic pilgrimage to the Kalwaria Zebrzydowska Sanctuary where amateur actors perform the Passion of the Christ.
- Roman Polanski, the famous film director, is visiting his Lodz Film School in Lodz, Poland while directing a theatre play Amadeus in Teatr Na Woli in Warsaw, starring the legendary Polish actor Tadeusz Lomnicki as Salieri and Roman Polanski himself as Mozart.
- 24 hours in the life of an ordinary Polish woman, who works, takes care of her children and does housework.
- In this training / promotional film, a narrator describes the various safety measures in place at a copper mine, as a worker goes about their work day.
- The camera turns inward in this intense look at the renowned Polish director.
- Twenty years old prostitute and drug addict, Jola, by chance meets Andrzej, a "railway station gay". They try to stay together, in spite of numerous diffculties. They both are carriers of the HIV virus. At the end of their travels they find themselves in the Red Palace - formerly the recreation centre for Party dignitaries, now a home for AIDS sufferers - which is run by father Jan. In the nearby small town aggression begins to grow again the unwanted guests; the house have been promised to the local people for housing purposes... The lives and fates of Jola, Andrzej, and father Jan become increasingly intertwined with one another...
- A portrait of a traveling circus.
- TV reporters conduct a street survey, asking random people "How are the youths of today?". This brief collection of opinions unexpectedly turns into powerful study of media manipulation.
- One day in the life of a multi-generational country family whose members work very hard, live close to nature and share every meal with each other.
- Portrait of a young girl from the countryside who lives, works, studies and looks for a right boyfriend in the suburbs of Warsaw.
- The film crew follows a camp of Polish Roma as they move around. We see their daily life: women cook, wash, take care of the children, and men, well, drink and play cards.