Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-9 of 9
- A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
- A biographical film about the acclaimed American humourist and author.
- In 1962, Oscar Niemeyer was invited to conceive an international fairground in the city of Tripoli, Lebanon, which was never completed. To Remain in the No Longer looks at how architecture operates in this failed state. By examining the precarity of the project site that remains to this day, the film reflects on the country's current socio-economic crisis. Employing archival materials, interviews, and 16mm and digital film, the experimental documentary explores the political and cultural forces that have come to bear on the site-from its halted construction to its imposed abandonment and attempted reappropriations. How has architecture been instrumentalized in the ongoing construction of a national narrative? What is the role of architects in shaping society within corrupt ecologies of power and failed financial engineering? Film becomes a plastic medium to reframe the positivism of urban masterplans and architectural monuments and formulate a social critique. Modern structures under threat of collapse stand in as protagonists to tell the story of a promised metropolis that never came to be, while the fairground acts as a lens to look at implicit collapse beyond the perimeter of the site.
- This film, produced by the Canadian Centre for Architecture, explores the controversial story of the planning and politics of a series of overpasses that span the parkways of Long Island, New York. These bridges were commissioned in the 1920s and 1930s by the public administrator Robert Moses. The story suggests that the bridges were designed to prevent the passage of buses, thereby allowing only people who could afford to own a car to access Long Island's leisure spaces. The film investigates the story and the ongoing academic debate that it spurred through interviews with four scholars who in the 1980s and 1990s discussed interpretations of the design: Bernward Joerges, Bruno Latour, Langdon Winner and Steve Woolgar. The questions that the film raises engage with issues of secrecy and control, the morals of power and the effects of technology. What is the relationship between politics and artifacts? How and to what degree can a project's intentions be deliberately concealed? What are the deviously designed effects and the unplanned political consequences of the agency of the artifacts that surround us? This film is part of a curatorial project carried out by Francesco Garutti while in residence as Emerging Curator 2013-2014 at the Canadian Centre for Architecture.
- When We Live Alone explores the ways in which we live alone together in contemporary cities. If living alone is our new reality, the film asks what does it look like?
- What does it mean to live in the city without a place you can call your own? What role can architects have in addressing homelessness? And how can cities become a better home for all? The film What It Takes to Make a Home follows a conversation between architects Michael Maltzan (Los Angeles) and Alexander Hagner (Vienna), who have been grappling with these questions over many years and through various projects. While the cities and the political and economic contexts in which Maltzan and Hagner work differ, both search for long-term strategies for housing instead of reacting with ad hoc solutions. Focussing on some causes and conditions of homelessness, the film questions the role architects can play toward overcoming the stigmatization of people experiencing it, in order to build more inclusive cities.
- What are the consequences for the city now that more and more people are choosing to live alone? How should we plan our cities and what is the importance of public meeting places? More than Houses: a depressing or liberating vision?
- The nineteenth century was marked by the introduction of the use imported plant species into gardens. The trend was the result largely of two people. The first is Joseph Banks, Director of Kew Gardens early in the century, he who transformed what was ostensibly a landscape garden typical of the previous century into a true botanical garden. While he himself was a plant hunter in traveling abroad to discover new plants, he spurred others to do the same. The second is Queen Victoria's consort Prince Albert, who took an active role in the plant selection, largely trees, for the gardens of which he had control. This trend was assisted by the industrial revolution of the era and the general want to find solutions for problems, including how to keep plants alive in their transportation from overseas, and how to cultivate non-native species in Britain, especially of what are considered tropical plants. These advances led to gardens accessible for the masses, both in terms of access through the creation of public parks and gardens, and writing about British gardening trends in inexpensive trade magazines.