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- A neglected, young teenager abandons his troubled home and finds himself caught in a network of jealousy as he drifts from one romantic companion to another, longing for belonging, while living as a hustler and thief among a gang of such.
- Every few years from 1880 through 1979, boys named Carl enter a long-term health facility while poor girls named Hanne work to help their families survive.
- A 12-year-old kid who misses his father becomes really affectionate with a young delinquent he just met.
- Here she comes, right from the pages of the bestselling book Linnea in Monet's Garden. The charming tale of a little girl's love affair with Impressionist Claude Monet's paintings is now brought to life in full animation. Join Linnea and her friend Mr. Bloom as they set off to Paris, and then to Monet's garden in Giverny. Watch with delight as they discover the real places which served as inspiration for their favorite paintings. And marvel as the paintings and the garden come to "life" in live action. Linnea in Monet's Garden is a unique blend of imagination and education, teaching children about the art and life of one of the most important painters of the 20th century, while entertaining them with the mystery and beauty of art and nature.
- The images from the Tour de France in the television production Eddy Merckx in the Vincinity of a Cup of Coffee may be seen as a small sketch for the fully unfurled epic cycling drama Stars and Watercarriers. The film follows the 1973 Giro d'Italia and in his commentary Leth explains the fascination exerted by the great cycle races: "The most beautiful, most pathetic images cycling can give us involve extreme performances in classic terrain." The action literally emerges on the move and the riders readily assume the roles tradition and epic necessity allocate to them, with the central conflict between the accustomed winner and greedy Belgian legend Eddy Merckx and the Spanish mountain specialist José Manuel Fuente. Stars and Watercarriers was created by a small film unit that use a vivid, documentary style to describe the race from close up and sometimes quite from within. The film consist of ten sections, each with a title such as "A road of pain" and "A peaceful day"; thus it alternates between dramatic and more peaceful passages, which Leth's commentary leads the viewer through soberly, empathetically and humorously. The chapter "The trial of truth" stands out with its focus on the Danish star Ole Ritter, his technical, physical and psychological preparations and his performance in the time trials. Ritter is lauded with words such as "power, cycle and style in the simplest manifestation possible", and aesthetically, too, the section stands out: there is no background music or ordinary real sound. Instead, a sound close up of the chain as it seems to sing emphasises the utter concentration of Ritter's venture. Throughout the film Gunner Møller Pedersen's music supports the dramatic and aesthetic aspects of the race and thus sets the mood. The music mimics the light tread of the mountain specialists when they are in focus and seems to indicate the beat as we watch the more powerful riders.
- A young boy finds ways to cope with his brother's sudden death in an accident.
- Haiti. Uden title is a kaleidoscopic, dramatic documentary from this chaotic Caribbean country and comprises a mixture of material on video, 16 mm and 35 mm, dating in some scenes right back shooting on Leth's Udenrigskorrespondent (1982). The very lively hand-held video sequences that make up the most recent material make up the bulk of the film and the rapid, fragmentary editing style garnished with neat video tricks, gunfire, etc. put the film at the same level as the Haiti chaos itself. The French photographer Chantal Regnault plays Leth's role as the "experiencer", an observer in the midst of the dramatic reality of Haiti which she also describes with an outsider's fascination. The film contains a large number of very powerful, sensual pictures of life and death in Haiti, the heartrending weeping at the funerals, mountains of refuse picturesquely and infernally aflame, the dramatic manifestations and ritual beauty of voodoo, the rhetoric of the politicians, and far more besides. Another angle is pursued in the scenes of the American soldier stationed there who clearly represents the impotence of western rationalism in the face of Haitian reality. But there are also great contrasts: in perfectly calm passages the tropical rain pours down on the Hotel Oloffson garden in lingering shots, lightly-attired women was clothes in a river, and a naked woman poet recites one of her poems draped in a basket chair as the camera slowly zooms in on her. Shots of a naked black woman on a white sheet offer highly personal erotic material that is also displayed during the film in ultra-brief, hidden pictures. Haiti. Uden title is thus a dynamic, vigorous visual narrative aesthetically akin to a number of contemporary documentaries such as Tómas Gislason's Fra hjertet til hånden (a portrait film about Leth) and Jacob Thuesen's Under New York.
- For several hundred years, the amazing potato has played an important role in Europe since it was brought from the Andes to Spain, along with stolen Inca gold.
- Director/Writer Krzysztof Kieslowski shares his views on life, people, politics and comments a little about some of his films in a very casual conversation.
- Three women are isolated in a bedroom. A little pig is first loved as a pet, but is later castrated. Symbolizing the wretched man. Out in the dark, a dangerous man, Dracula, is a constant threat.
- Depiction of the social democratic activist and politician Peter Sabroe, who in the time around the turn of the century went to fight for the oppressed, oppressed and abused existences.
- From the farthest reaches of the galaxy comes the magical, mystical, brilliantly animated adventures of Sebastian Star Bear who lives in the Great Bear Constellation. Called to Earth from a distant planet, Sebastian becomes a furry crusader for truth, justice. He must go to Earth to save his fellow bear-mates from the evil Draco.
- A stil-life of marvellous Danish footballer Michael Laudrups performance on the Barcelona dreamteam 1989-94.
- Jørgen Leth made Notater om kærligheden during a crisis in his life and it is a sombre, perhaps very personal film. The tone is struck by Leth's voice, which accompanies a shot of him shaving at the start of the film with the word "Repugnance". The actors are used as properties in the loosely conjoined, sketch-like scenes, and a series of simple themes reappear from Det gode og det onde, of which this film lies clearly in continuation: house fronts behind which people live, smoking a cigarette, and perhaps the most important theme of the film, touch. Other important moods or emotions include restlessness, indecisiveness, and more tangibly, writer's block, with which Leth's alter ego in the film, Claus Nissen, struggles in a brick set by Per Kirkeby. Nissen also takes up his character from Det perfekte menneske and Det gode og det onde in several scenes. In a loose structure kept together by several recurrent motifs such as a large tree lit at night, a canoe gliding along a river in the twilight, and its music, the film also contains other blocks of material, including ballet scenes shot in the studio and a number of affectionate images of a woman and her daughter in Nicaragua. The documentary material from the Trobriand Islands makes the most marked impression: a staged layer mimicking the anthropologist Malinowski's photographs from the islands in black and white and the story of the Danish film unit following in Malinowski's footsteps, again seeking tangible documentation of the nature of love.
- A classical documentary about pelota, the Basque ball game. The film consists of several elegantly interlaced layers, with the manufacture of a pelota ball as the narrative framework. We are introduced to the sport today, concentrating on the current master, Retegui II, on a father teaching his young son, and on a game with the bookmakers' eager involvement on the side lines. The component of the film typical of Leth's attitude to the sport is obviously the story of the mysterious player Atano III, in the visuals an old man, on the soundtrack renowned for "his electric speed and feline suppleness". Finally, the Basque struggle simmers beneath the surface by way of a series of stills of bullet-riddled road signs and painted-over place names. The basic mood of the film is melancholy, not only due to the narrator's emphasis on former pelota feats but also thanks to the rainy weather, grey and green hues of the visuals and the musical theme by Ennio Morricone on the soundtrack.
- During a holiday in Sweden, a group of Danish children drift to sea with a sailboat and land on a small uninhabited island, where they must spend a few days before being found. Describes the sociological mechanisms that come into play when a group of people are suddenly left to fend for themselves. Targeted at a youth audience.
- In-depth interview with Bjørn Andersen and his wing man 'Rense Karl' about the attractions of life in the MC gang 'Vilde Engle' along with footage from club life in the garage and on the road. Also discusses the members' critical views and use of violence against pacifists and foreigners as well as their ousting from Hjemmeværnet. Unfolds a big wish for a club house provided by the local municipality and lengthy negotiations about that. Short comments from three involved politicians and a poetic comment from Georges Marinos.
- Per is an outsider and a charming provocateur who intrudes on former friends, a younger couple in a bourgeois environment on the northern outskirts of Copenhagen. Desperately, and in vain, Per tries to re-establish contact with his old friends through this unconventional, but at the same time frozen and past life form.
- As a visual narrative 66 scener fra America is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots of a tableau nature, each appearing to be a more or less random cross section of American reality, but which in total invoke a highly emblematic picture of the USA. With the one travelling shot (through a car windscreen) and one pan (across a landscape) the tableau principle is only breached on two occasions; exceptions that prove the rule, so to speak. The images or postcards may be viewed as a number of interlaced chains of motifs, varying from ultra close up to super wide, include pictures of landscapes, highways and advertising hoardings, buildings seen from without, mostly with a fluttering Stars and Stripes somewhere in the shot, objects such as coins on a counter, refrigerator with a number of typical food products, a plate of food at a diner or a bottle of Wild Turkey, and finally, people who introduce themselves (and sometimes the content of their lives in rough-hewn form) facing the camera: for example, the New York cabbie or the celebrities Kim Larsen and Andy Warhol. The film actually consists of 75 shots but in some cases several shots combine in one scene, thus ending on sixty six. Each scene is delimited by the narrator; at the end of each shot he pins down the picture content, often by a simple indication of time or place, but in some cases more playfully, often shifting our perception in a surprising fashion. Similarly the sound close-ups in some scenes are intended to alter the viewer's immediate interpretation of the picture content, while the mood-creating or interpretive use of Erik Satie's Gnossiennes (No. 5) provides the final component of the film.
- Troels Kløvedal's second travel series. This time he and his ship Nordkaperen sail the Indian Ocean.
- Camilla and Louise are digging in the desert sand of Israel. They are looking for relics of the past, but while doing so, self-deception and life-lies appear. This mars their conception of life and shakes their relationship.
- Portrait of three Danish heavy metal bands, Illdisposed from Århus, Nidhug from Støvring, and Infernal Torment from Silkeborg.
- Illustrations of the thoughts children's have about death.
- About young people in Copenhagen whose lives have taken a bad turn due to alcohol and drug abuse and for that reason introduced them to crime of all sorts.
- Lars is in his own world, spinning dreamily away from the universe of reality. He observes the world both curiously and reluctantly and always from a safe distance. His wildest dream is big and pure love - and suddenly the only one is there. Lars watches her in fascination, afraid that his dream image of the beloved will crack if he gets too close. How does he establish contact? Original drama.
- The documentary dramatizes the recruiting and training of a young men into the Greek police during the 1967-1974 military junta rule. Seemingly decent young men are selected based on traits viewed as exploitable by the recruiters : illiterate, anti-communist, young and male. The film interviews Michailis Petrou, one of the Greek policeman involved in the tortures who agreed to testify against his peers in exchange for a reduced sentence. Petrou's testimony reveals that the training methods themselves were brutal and often torturous and was viewed as a necessity to ensure the robotic and brutal obedience of the trainees. During the dramatic reenactments of the training camps, the directors draw parallels to modern military boot camps and the methods used in the training of soldiers.
- "A man with no faith is like a bird with no wings", says 76 years old Jenny Jespersen, living in Bovbjerg at the Western coast of Denmark. This is a poetic portrait of Jenny, her sober and level-headed world views, her strong Christian beliefs and the world of unique landscapes surrounding her.
- A short film renewal of "Kostens seks grundpiller", about diet and nutrition.
- Dansk Kvindesamfund's film sbout the position of women in modern society. Everyone theoretically agrees on the equality between women and men, but how does it exist in practice - within the four walls of the home as well as in the workplace?
- The documentary investigates what happened to power. Who took it - and what are the fundamentals for a thriving democracy?
- Leth directed one of the six parts of this film anthology initiated by Werner Pedersen, the head of SFC [Statens Film Central, the National Film Board of Denmark, later amalgamated into the DFI]. Bjørn Nørgaard and Lene Adler Petersen's celebrated "action" in which the latter walked through the Copenhagen Bourse building stark naked with a crucifix in one hand is included in the film, and in general it is a highly experimental work, typical of its time, in which each artist worked freely, suing his or her own imaginations and filmic methods. Leth's contribution is a black and white, frontal shot of a hippie girl talking to the camera in English about her attire and other subjects. Leth's voice is heard off screen, emphasising the artifice of the medium.
- The baroque spiral spire of Our Saviour's Church in Copenhagen, Denmark, built in 1750 by the architect Lauritz de Thurah, is a unique piece of art with a unique history behind, with traces to the Tower of Babel.
- Written exam is just about to begin, and everyone is waiting for the moment that gives permission to turn and read the paper with the assignment. Tables are lined up in the hall. It is completely quiet, and the atmosphere is characterized by a combination of excitement, anticipation and perhaps a little nervousness. When he turns and reads his paper, sweat springs forth and the world changes in an instant. Original short.
- Depicts the life of the Dane Carl Peter Værnet - a well-known doctor in Copenhagen. He is invited by the Nazis to the Buchenwald concentration camp, where he is provided with finances, facilities and human lives for his attempts to 'cure' homosexual men. When the war ends, he is arrested by the Danish authorities, but Værnet manages to escape to Argentina.
- The homeland of voodoo in the time immediately following the death of one of the most notorious of its leaders, Papa-Doc Duvalier. Rather than focusing on public officials and ceremonies, the filmmakers toured the countryside extensively, and in the process shed their official "guides" (actually, censors). Haiti's colorful culture is seen to be very rich, twisted and strange.
- A documentary short that provides a view of mid-twentieth century Copenhagen, the Danish capital. You will see everyday people, tourist attractions, the waterfront, amusement parks, social institutions and living and forgotten history.
- The animated history of the world part 1.
- The second of three short "Ritualer" films filmed during the 1970's by Danish director Jørgen Vestergaard.
- Try to Remember is no nostalgic song from the sixties, but a short film about an athlete's irresistible fascination for his own past: his youth and his childhood. It is a journey into the sphere of memory exploring the emotional and sexual drives that thrived between him and his friends, drives which also motivated him toward sport. In his early thirties he discovers that his attraction and craving for sport was not only a way to sublimate his hidden desires, but it also confirmed his masculinity. By not acting out his true desires and by retaining a facade, he fosters the masculine myths: strength and endurance. It is a film experience which fills you with desperation for the irretrievable past - for all those things one meant to do, but never dared to do, and therefore never lived through. The film is a silent and sensitive visual suite, accompanied by the music of the Finnish jazz-rock musician Pekka Pohjola, whose melancholic rock-symphony "Try to Remember" forms the basis of the film.
- A wide presentation of Danish cartoonists and illustrators living in 1983. Seen in working situations as well as conversations in between many examples of their artistic works. Also two 'victims' chime in - a politician and a popular actor.
- An experimental animated short film by Jørgen Roos and surrealist painter Wilhelm Freddie.