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- Bosnia and Herzegovina during 1993 at the time of the heaviest fighting between the two warring sides. Two soldiers from opposing sides in the conflict, Nino and Ciki, become trapped in no man's land, whilst a third soldier becomes a living booby trap.
- The impact of a selfless deed of benevolence and heroism right in the middle of the raging Bosnian war inextricably intertwines the lives of five people who are still affected by its consequences, over a decade later.
- At the very beginning of the World War I, Filip, a Serb and the principal of a gymnasium in a small Serbian town, is summoned urgently to Belgrade to serve in the war effort. He has no one to leave his wife Lea with. She is a young and pretty Slovenian woman, a teacher of rhythmics and dance he met while studying in Western Europe. Azem, an illiterate, patriarchal Albanian, the school custodian, gives Filip his solemn oath, his 'Besa' (in the Albanian tradition: when someone gives their word which must be kept even if they lose their life in the process) that he would look after Lea and see to it that nothing happened to her. Two Europeans, from two entirely different cultures and habits are forced to an awkward cohabitation in the empty school. While the war rages in the background and gets menacingly closer, their interaction develops from hatred, through intolerance, to tolerance and an unusual friendship. Circumstances gradually draw Lea and Azem, a Christian woman and a Muslim man, into a complex forbidden relationship - something like love! More than merely a romantic story, this movie is a paradigm of profound ethnic and class divisions in Europe in the early 20th century which some of them prevail to this day.
- Lavinia, a single mother, is trying to make a better living for her and her son, in a poor Romanian village. On her own terms. She's impulsive, she miscalculates, she doesn't know very well how to love. When she gets a job in Marseille, she has to leave her son behind. While she's away, he has to find out who he can become.
- As Western influences make their way through Eastern Europe, three losers decide to bring to Slovenia the most American of innovations, the pornographic movie, Charly and his two mates who decide to make the first porno movie made in Slovenia. Charly is the best choice to direct as he's been a viewer of porn since he was a kid. His mate runs a brothel and this is where they get their girls from. Trouble is Charly falls for Kalinka. They also run into trouble when the Pimp who use to run the girls has busted out of the clink and wants his property back.
- On New Years Day, two innocent 12-year-old boys in a small town buys vodka for a young female teacher, Katerina's (Natálie Rehorová) and two other men (David (Martin Pechlát), her boyfriend, and his friend Stepanand (Jirí Cerný). They are invited to the house. Here they experience their first encounter with sexuality. The children lose track of time. They were expected home long ago. They drink, throw up and are intoxicated by love and "the shameless, unbridled and licentious" world in which David, Katerina and Stepán live.
- At night a city bus driver finds an abandoned baby near a stop. A divorced man comes to pick up his excited son for the weekend. A pretty doctor befriends a quadriplegic. Out of this unfolds a delicate story of human relationships, in which tough feelings of sympathy and guilt the protagonists are confronted with different ways of looking at events.
- 2009, Slovenia, European Union. For 30 years, Alija, the miner, has been one of the many Bosnian immigrant workers. Due to the crisis, miners are losing jobs. Alija is sent to check an abandoned mine. His task is to quickly make sure the mine is empty before management sells the company. But in the mine, Alija finds hidden proof of executions after WWII. He is told to stop digging and report the mine empty. He decides to continue, although he is risking his job. Alija discovers thousands of executed people. He informs the police. He found women among the dead. Some of them were civilians, missing persons, just like his sister that was lost in the 1995 genocide in Bosnia. Alija is convinced the victims need to be brought out, identified and buried. But there is no interest in doing that. The mine is proclaimed a WWII military grave and walled in. The dead will stay without a burial. Alija loses his job and struggles to preserve his dignity. He is sure he was doing the right thing, in spite of the unemployment his family is now faced with. Based on a true story.
- A group of dissident Greek film makers try to produce a politically committed film with the backing of American producers in the aftermath of the coup d'etat by the military in Greece in the early 1970s.
- The breathtaking opening vistas of Personal Baggage, with a choral score to match, give fair but subliminal warning to the audience: this film will twist you and turn you. A talented but spoilt young man smothered in the affection of his adoring mother and heedless of his aloof father; his grandfather, a benevolent but self-important patriarch; and his new girl-friend, a creature of voluptuous innocence wrestling with the torment of a dysfunctional home, are the central characters in this ensemble narrative of strained love and spiralling desire. The masterfully portrayed characters reveal the inexorable issues, or baggage, they bring with them, and ultimately their own baggage becomes a ruinous physical burden. The peripheral, chorus-like characters, including a reclusive painter and her friend, an unworldly man of the woods, provide their own touching story, but offer no redemption. And surrounding the entire film is the remote yet haunting presence of the Slovenian forests, which have been slowly yielding up their own gruesome historical baggage, a subtext that director Janez Lapajne uses to excruciatingly ironic effect.
- Luka leaves for the countryside unhappy with the way his girlfriend Katarina has treated him. She follows him hoping that they could sort out their relationship. Despite the beauty and tranquillity of their surroundings they go through twists and turns that only intensify their crisis. When Katarina befriends the happy-go-lucky soldier Primoz, new dimensions and choices open up for her. Ultimately all three must decide where their own life will take them.
- In 2009, a group of military enthusiasts led by the commander France decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija and his daughter Mateja.
- Egon Vittori (Janko Mandic) is thirteen years old and does not have a record player. It is the beginning of the seventies and Yugoslavia seems to be the land of prosperity. Goods are being imported from the West, and these include American music, films and fashion. Everybody but Egon owns a record player. Finding his path among his family members, hippie owners of music records, schoolmates, teachers, communists and dissidents. Egon gets his record player in the end. And grows up somewhere along the way.
- 19 filmmakers from ten european countries selected by Mike Figgis for a Masterclass by the European Film Academy come to Slovenia in a challenging mission: to conceive, shoot, complete a 90m feature film in seven days and screen it on the day after in a cinema for the public.
- A successful stage director plans to put on an outdoor production of a previously unknown play by a famous writer, but is haunted by his past in the form of the actors and crew with whom he has to work.
- A story about a group of young Slovenians living in Ljubljana.
- Retired music teacher, tired of life, buys himself a grave and checks into a retirement home where he finally starts to live.
- Bread and Circuses is a comedy with a sent of nostalgia about socialistic Yugoslavia's last breaths looking forward into brighter future days than they appear to be at the moment.
- The destiny unites two homeless men in the S.O.S. canteen. A failed actor and lost poet begin telling each other the key events from their lives. After an extraordinary twist we become aware that the two men are popular and will participate in a film experiment on the Moon.
- A Man, a Woman and a Boy. Three people in a timeless landscape. They don't know each other, their cultural background is undefined. They try to survive, each on his/her own. Slowly they start to get in some contact which is utterly mistrusting and occasionally hostile, but through various different situations it gradually starts to develop into relationships.
- Sometimes, an event connects a group of individuals: a pregnant woman who sets off with her daughter to give birth; her husband, who needs to take her to the maternity ward as soon as possible; a woman who is in conflict with the pregnant woman's husband regarding a parking dispute; her lover who wants a serious relationship; and a postman who wants this man's signature upon a registered letter. The day starts like any other ordinary day, a day like every other, but then it transforms itself into something completely different.
- The baby is growing up. His mothers try to grow up to become active citizens. But their country has not yet grown up to allow all people access to basic human rights.
- The main heroes, or rather antiheroes, are an inseparable unity. Their symbiosis stems from their handicap. They find the meaning of their daily lives in chasing persons of the opposite sex, which brings them to the »edge« of the world. And that's where it all comes to an end. Or even begins?
- When a director yields to no external pressure and carries his vision through to the end.
- A Bosnian Muslim couple, Jasmina and Zijo, lives on the outskirts of Ljubljana. Zijo works as a butcher and sings Bosnian love songs and drinks out of despair. Jasmina is pregnant and wants to live a normal life. The conflict between the two escalates until the tragic end.
- A professor has quit his job at the university to expiate his son's eyes disease. Giovanni's blindness drags Angelo into a never ending crisis. Finally, from Angelo's socially committed past, dark shadows spread out; he comes face to face with himself and gets back to his role as a father.