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1-6 of 6
- Follows the life of beloved actor and advocate Michael J. Fox, exploring his personal and professional triumphs and travails, and what happens when an incurable optimist confronts an incurable disease.
- A perfect family's dynamic is ruined by a kidnapper's brutally efficient plot.
- After crash landing near a desert town, an alien enlists the help of a local waitress to re-capture a monster that escaped from the wreckage of his space ship.
- From the deep comedy well of 'dumb guys who think they're smart' we bring you Tom and Grant. Small time crooks, poster children for the disenfranchised, they've been swept to the periphery of the American Dream and left to pick up it's crumbs. They push back against the system, refusing to be lumped in with the masses in the heartland, adopting the mantra 'Quit your day job'. They seek a better way. Problem is, they're idiots. All they've got is a car, a dream, and a very dumb idea: let someone else rob the bank, and then rob the robbers. Theirs is a quest to plunge headlong into the Pantheon of Poor Choices. 'The only thing we have to fear is fear itself'. Some Presidents offer quotes for the ages; others, not so much. These lowered standards have become the lyrics of a troubled era. It's the soundtrack of the misguided, and the music of choice of Tom and Grant. Just as Bruce Springsteen's lyrics for 'Born in the USA' were never anthemic, Tom and Grant's, 'When You Are a Star', was never intended to inspire... Tom Cavanagh and Grant Gustin, arch rivals on the television show 'The Flash', team up to play the titular small time crooks. Their brotherhood is the fuel that drives this caper, offering dissections of the movie stakeout archetype, musings on freedom, and a truly unfortunate misinterpretation of the term 'jazz hands'. Written and directed by Cavanagh, he marries the current politic of hearing only what we want to hear with the easy camaraderie of the buddy pic.
- Five years in, bank colleagues Nadine Ship and Jonathan Evans hit a road block in their personal relationship. Nadine wants their relationship to move to the next level, whereas Jonathan is happy keeping things the way they are. Nadine feels re-energized when a new bank customer starts flirting with her. But things take a more significant turn in Nadine and Jonathan's life when a masked robber comes into the bank and following the heist, takes Nadine hostage. As her assailant takes Nadine along on his personal mission, Jonathan follows a hunch of his own on the identity of the robber in an effort to try and win back Nadine, who was slowly drifting away from him.
- Documentary of Daniel Schubert's grandmother, Martha Katz, a Holocaust survivor.