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- In the late 80's, the filmmaker shot with a group of punks who were struggling with the communist regime. 20 years later, she comes back and asks them how do they see life in Hungary before and after the fall of the Berlin wall? Their testimonies help us understand how the market economy has put the Hungarian population in an ambivalent situation. With a liberal left-wing dismantling the socialist heritage and a social right-wing reverting to nationalism, the traditional line between the Right and the Left has been blurred. What remains is an ideological confusion that we all have to face.
- People from all over the world meet on a weekly basis at the Atelier de conversation of the Bibliothèque publique d'information located in the Centre Pompidou in Paris to practice their French. Refugees of war sit together with businessmen, easy-going students next to victims of political persecution. As diverse as its members might be, they have one goal in common that connects all of them: to learn the language and find companions while living abroad - if not to survive living abroad. At this hopeful place social and cultural borders dissolve. People, who otherwise would never be in touch, meet eye to eye.
- Lucile Chaufour's LOVE and CRASHES takes us for an unforgettable ride in partnership. With a mixture of fictional and documentary techniques, the film immerses us in the universe of sidecar racing, paying attention to the peculiarities of a vehicle driven by a magical alliance between pilot and passenger (or as it is known in sidecar jargon, 'monkey'). Aided by a dreamy musical score and Hélène Louvart's deft cinematography, LOVE and CRASHES explores technique and sensuality, control and spontaneity, the physical and the mental, speed and care.