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1-6 of 6
- It follows the roads that lead into the cold darkness of Italian decline of the family, of patriarchal society, of educational firms, of religion and a land where common shared space is molded by a drab, egotism, even its revolutionary.
- RED ASHES explores poetical, mystical and visionary aspects of the island of Stromboli and the film made in 1950 by Roberto Rossellini, Stromboli, Terra Di Dio. It uses archive footage from the restored print of Rossellini's film, together with sequences from documentaries shot by Vittorio De Seta in the Aeolian Islands, and home movies by Ingrid Bergman not previously screened in public. The protagonists of the film are four islanders ' two of whom were directly involved on set in 1950 ' and the film critic Adriano Aprà, a leading authority on the work of the neorealist director.
- Transparent Roads delivers the physical sensations of a bus trip - it's so realistic it becomes ironic at times - and portrays Brazil's human variety in a series of encounters. The landscapes seen through the windows, the restaurants on the road, the testimonies of common and awfully endearing people are so touching because they don't correspond to the stereotypes we have about this country.
- Chicago, from the 1990s on, has established itself as one of the most interesting cities on a musical level, despite its decentralized position in relation to the West/East Coast dichotomy. The merit goes to people like Steve Albini (journalist, critic and producer, as well as leader of the group Shellac), David Grubbs, Damon Locks, Ken Vandermark, and Ian Williams, who have given life to a type of sound connected to the architecture of this city where different styles of the underground music scene meet.