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1-13 of 13
- A young woman searches for the lost sword of D'Artagnan after her grandfather has an accident.
- The brothers 'De Smet' created a system to live their lives as singles in the most comfortable way. When a new woman moves into their street, their synergy turns out to be a house of cards.
- Six year-old Willem's parents drop him off in a strange village, leaving him with two unhygienic strangers. Hours later, Willem still hasn't been collected. He realises he has been abandoned and will have to make his own way home on foot, as far as his little legs will carry him.
- How do two of the new generation's most passionate designers, Nienke Hoogvliet (1989) and Dave Hakkens (1988), use design to tackle the world's biggest problems?
- Koen Claassens (44), is a happy real estate agent who shares his life with his wife Fransien (40) and their child Roy (8). When Koen pays a visit to his house doctor for routine check up, the doctor makes a disturbing discovery. Koen is not happy. Koen resists, but the technical equipment of the doctor is relentless. He can simply tell by the data from the scanner and 'the numbers tell the tale'. Koen has some serious work to do. Will he succeed in achieving the perfect score for happiness?
- It is an ordinary weekday. Twenty-year-old student Steven is babysitting the one-year-old Levy at his usual babysitting address. Because of a stupid, small accident, the life of Levy slips through his fingers. Driven by guilt, he makes decisions he never thought he could make.
- One Hour Real explores the coulisses and facades of a contemporary free-time phenomenon, real-life escape games. These games originally emerged in Japan, and their popularity among players in Europe has recently snowballed. In its unbiased observation of the automated mechanisms used in escape rooms, the film raises questions about surveillance, the human yearning to play, and the relation between imprisonment and desire.
- Interviews with seamen's widows take the viewer through the history of a trade as old as our civilisations, told by the women left behind on shore. These stories, represented on screen by flowing imagery, catalogue a collection of the souvenirs gathered at sea. Shot on 36-hour ferry cruises between Rotterdam and Hull, and Kiel and Oslo.