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1-6 of 6
- In Godard and Gorin's free interpretation of the Chicago Eight trial, Judge Hoffman becomes Judge Himmler (who doodles notes on Playboy centerfolds), the Chicago Eight become microcosms of French revolutionary society, and Godard and Gorin play Lenin and Karl Rosa, respectively, discussing politics and how to show them through the cinema.
- A filmic essay on class struggle which draws on images from westerns but has no plot and is both an experiment in making a revolutionary film and an interrogation of how successfully such a film can be revolutionary.
- Co-directed by Godard with the Dziga Vertov group in 1969, 'Pravda's a direct attack to revisionism and socialist imperialism. With his usual collage of images taken from real life, the film's structured as a letter which a man writes to a woman called Rosa.
- An examination of the daily routine at a British auto factory assembly line, set against class-conflict and The Communist Manifesto.
- Letter to Jane (1972) is a postscript film to Tout va bien directed by Jean-Luc Godard and Jean-Pierre Gorin and made under the auspices of the Dziga Vertov Group. Narrated in a back-and-forth style by both Godard and Gorin, the film serves as a 52-minute cinematic essay that deconstructs a single news photograph of Jane Fonda in Vietnam. This was Godard and Gorin's final collaboration.
- The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.