Canada's most beautiful actresses
These are the most beautiful of our countries talented actors
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Genevieve Bujold spent her first twelve school years in Montreal's oppressive Hochelaga Convent, where opportunities for self-expression were limited to making welcoming speeches for visiting clerics. As a child she felt "as if I were in a long dark tunnel trying to convince myself that if I could ever get out there was light ahead." Caught reading a forbidden novel, she was handed her ticket out of the convent and she then enrolled in Montreal's free Conservatoire d'Art Dramatique. There she was trained in classical French drama and shortly before graduation was offered a part in a professional production of Beaumarchais' "The Barber of Seville." In 1965 while on a theatrical tour of Paris with another Montreal company, Rideau Vert, Bujold was recommended to director Alain Resnais (by his mother) who cast her opposite Yves Montand in The War Is Over (1966). She then made two other French films in quick succession, the Philippe de Broca cult classic King of Hearts (1966) and Louis Malle's The Thief of Paris (1967). She was also very active during this time in Canadian television where she met and married director Paul Almond in 1967. They had one child and divorced in 1974. Two remarkable appearances - first as the titular Saint Joan (1967) on television, then as Anne Boleyn in her Hollywood debut Anne of the Thousand Days (1969), co-starring Richard Burton - introduced Bujold to American audiences and yielded Emmy and Oscar nominations respectively. Immediately after "Anne," while under contract with Universal, she opted out of a planned Mary, Queen of Scots (1971) ("it would be the same producer, the same director, the same costumes, the same me") prompting the studio to sue her for $750,000. Rather than pay, she went to Greece to film The Trojan Women (1971) with Katharine Hepburn. Her virtuoso performance as the mad seer Cassandra led critic Pauline Kael to prophesy "prodigies ahead" but to assuage Universal, Bujold eventually returned to Hollywood to make Earthquake (1974), co-starring Charlton Heston, which was a box office hit. A host of other films of varying quality followed, most notably Obsession (1976), Coma (1978), The Last Flight of Noah's Ark (1980), and Tightrope (1984), but she managed nevertheless to transcend the material and deliver performances with her trademark combination of ferocious intensity and childlike vulnerability. In the 1980s she found her way to director Alan Rudolph's nether world and joined his film family for three movies including the memorable Choose Me (1984). Highlights of recent work are her brave performance in the David Cronenberg film Dead Ringers (1988) and a lovely turn in the autumnal romance Les noces de papier (1990).possibly Canada's most beautiful actress, still lovely, still talented- Actress
Lisa Ray was finishing high school in Canada with aspirations of majoring in Journalism at University when a celebrated fashion magazine approached her to model for them, and she ended up on the cover. This catapulted her into a state of instant celebrity. Her high-profile career got her noticed by Indian filmmakers, but she refused many offers until the offbeat _Kasoor (2000)_, which received a considerable amount of attention. Indian-Canadian director Deepa Mehta then cast her as the lead in the lighthearted romantic comedy Bollywood/Hollywood (2002), which went on to be a huge success in Canada. She subsequently moved to London to study acting and concentrate on a serious career in the performing arts. After graduating from drama school she was reunited with Deepa Mehta in the critically lauded Water (2005). She has since carved out a challenging variety of characterizations- everything from a farm girl to a femme fatale- which is a testament to her adaptability and desire for challenge.- Actress
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Pascale Bussières was born on 27 June 1968 in Montréal, Québec, Canada. She is an actress and writer, known for When Night Is Falling (1995), La turbulence des fluides (2002) and Ma vie en cinémascope (2004).- Actress
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Sophie Lorain is a big name in Quebec in the movie business and on the television screen. Strong and fragile, sexy and mischievous, intelligent and accessible, she brings to her interpretations a range of subtly nuanced emotions and expressions. Sophie studied at the prestigious Webber-Douglas Academy of Dramatic Arts in England, moving on to the Theatre Francais de Toronto. Since then she starred in some of Quebec television's most memorable series, playing in Scoop (1992), Omertà, la loi du silence (1996) - for which she won Meatrostar's prize for best actress and a Gemini for best support - and, finally, Fortier (2001), portraying a troubled criminal psychologist with a dark past. Perfectly bilingual, she acted in the 1998 thriller In Her Defense (1999) by old-school Hollywood director Sidney J. Furie, then two years later as an English madame - complete with perfectly accented London English - in the Sherlock Holmes period piece, The Sign of Four (2001) by Rodney Gibbons. In 2001, Sophie was offered her first starring role in a feature film when she played in Denise Filiatrault's Alice's L'odyssée d'Alice Tremblay (2002), a sweet and touching comedy that plunged the viewer into the enchanted world of fairytales and fairies. Sophie shows another side of her talents in her next film Mambo Italiano (2003); she plays Italian seductress setting her sights on a cop with a few ghosts in his closet.- Actress
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Jill Hennessy can be seen starring in Showtime's "City on a Hill" with Kevin Bacon and Aldis Hodge, executive produced by Tom Fontana and Ben Affleck. Jill starred in the special event series "Shots Fired" by Gina Prince-Bythewood with Sanaa Lathan and Stephan James on FOX and was the lead in the Mike Clattenburg comedy "Crawford" with John Carroll Lynch on CBC. She was a guest star in the pilot of "Yellowstone" with Kevin Costner for the Paramount Network. Jill was a recurring character on the CBS drama "Madam Secretary" and was featured in several episodes of the CBS drama "The Good Wife". Jill was also a regular on the HBO series "Luck", which starred Dustin Hoffman, as well as the international series "Jo" shot in Paris opposite Jean Reno. She is best known for her starring roles on NBC's "Law & Order" and "Crossing Jordan" (the #1 new drama). Jill was nominated for a People's Choice Award for her work in "Crossing Jordan" and won a Golden Satellite Award for her work in TNT's "Nuremberg" with Brian Cox and Alec Baldwin. Jill's other film credits include, "Lymelife" with Alec Baldwin, "Roadie" by Michael Cuesta with Bobby Cannavale and Ron Eldard , "Small Town Murder Songs" with Peter Stormare, "Chutney Popcorn" by Nisha Ganatra, "The Paper" by Ron Howard with Robert Duval, "Wild Hogs" with John Travolta and Tim Allen, "I Shot Andy Warhol" by Mary Herron with Lili Taylor and "Exit Wounds" with Steven Segal. She also played Buddy Holly's wife, Maria-Elena, in the Broadway production of "The Buddy Holly Story".
As a singer/songwriter, Jill wrote all of the music and lyrics on her debut album, "Ghost In My Head". She performed on the Lilith Tour with Sarah McLachlan, The Indigo Girls and the Dixie Chicks and was featured on The Indigo Girls' live album "Staring Down The Brilliant Dream". Jill also wrote all the music and lyrics on her second album, "I Do", which was released in October 2015. She is currently at work writing her third album.- Jacqueline Hennessy was born on 25 November 1968 in Edmonton, Alberta, Canada. She is an actress, known for Dead Ringers (1988), The Acting Class (2000) and Northern Borders (2013). She is married to Terry Moore. They have two children.Jill's twin, as beautiful as each other :)
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Statuesque, smart Canadian-born Alexis Smith, with her blue/green eyes and a seductively husky voice, lent a touch of class to her leading ladies of the 1940s and 1950s.
After her family moved to California, Alexis grew into a precocious talent and performed ballet in public by the age of thirteen -- dancing to 'Carmen' at the Hollywood Bowl. She later graduated with a degree in drama from Los Angeles City College having previously won an acting contest whilst still in high school. During a performance of a play on campus she was spotted by a Warner Brothers talent scout and signed to a contract in 1941. Until the early 1950s she was paired with the top male stars in Hollywood, including Clark Gable, Humphrey Bogart, William Holden and Bing Crosby. While often simply decorative (as, for example, in Of Human Bondage (1946) and Stallion Road (1947)), stylishly attired by costume designers like Milo Anderson and Helen Rose in the most glamorous gowns, Alexis also proved to be a capable and spirited actress in spite of relatively few opportunities to break out of the mold of "the other woman".
Early on in her screen career the studio's publicity department touted Alexis -- much to her chagrin -- as the "Dynamite Girl". While she claimed in later years to have typecast herself (saying that few of her assigned roles ever challenged her on any level) Alexis nonetheless enjoyed good critical reviews for many of her performances. She was also popular with directors and film crews who appreciated her relaxed, professional manner on the set. Commencing her Hollywood tenure, she was cast in two films with Errol Flynn (she would make a total of four films with him): Dive Bomber (1941) and the boxing drama Gentleman Jim (1942). Though decidedly second fiddle to both the action and the charismatic Flynn, Alexis made a good first impression as the fetching romantic interest. Her next performance, in The Constant Nymph (1943) opposite Charles Boyer, was described by a reviewer as an "intelligent rendition". Her biggest hit of the mid-1940s was as Cole Porter's wife in the inaccurate--but hugely successful--biopic Night and Day (1946). She also appeared in two "noir" films with Humphrey Bogart at his most menacing: the interesting and underrated Conflict (1945) and the excellent The Two Mrs. Carrolls (1947). As Clark Gable's wife in the gambling drama Any Number Can Play (1949) she was critically lauded as "genuinely appealing". In between, there were also some conspicuous failures, in particular her rather stolid performance in the period drama The Woman in White (1948). She had little to do in Here Comes the Groom (1951) and The Turning Point (1952) and her best part in the 1950s, though small, was that of Carol Wharton in The Young Philadelphians (1959).
During the 1960s, Alexis took a sabbatical from the screen to appear on stage with her husband, actor Craig Stevens (her marriage, a rare Hollywood success, lasted 49 years) in "Critic's Choice", "Cactus Flower" and "Mary, Mary". She reserved her best acting for the stage, becoming the Tony Award-winning star of Stephen Sondheim's musical "Follies" in which she played Phyllis during the 1971 run on Broadway (which landed her on the cover of the May 3 issue of 'Time' Magazine) and at the Shubert Theatre in Los Angeles in 1972. In 1973, she played Sylvia Fowler in a revival of Clare Boothe Luce's "The Women" and was nominated for another Tony for her leading role of Lila Halliday in "Platinum" in 1979.
Alexis was seen infrequently on television from the mid-'50s, sometimes appearing on the same show opposite her husband. She had a recurring role as the homicidal Lady Jessica Montfort in Dallas (1978) during the 1984 and 1990 seasons and was nominated for an Emmy for a guest-starring role on Cheers (1982). It was fitting, or perhaps ironic, that her last film role in The Age of Innocence (1993) was as a New York socialite, the kind of stereotypical persona she had portrayed so often in her heyday at Warners.- Actress
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Yvonne De Carlo was born Margaret Yvonne Middleton on September 1, 1922 in Vancouver, British Columbia, Canada. She was three when her father abandoned the family. Her mother turned to waitressing in a restaurant to make ends meet--a rough beginning for an actress who would, one day, be one of Hollywood's elite. Yvonne's mother wanted her to be in the entertainment field and enrolled her in a local dance school and also saw that she studied dramatics. Yvonne was not shy in the least. She was somewhat akin to Colleen Moore who, like herself, entertained the neighborhood with impromptu productions. In 1937, when Yvonne was 15, her mother took her to Hollywood to try for fame and fortune, but nothing came of it and they returned to Canada. They came back to Hollywood in 1940, where Yvonne would dance in chorus lines at night while she checked in at the studios by day in search of film work. After appearing in unbilled parts in three short films, she finally got a part in a feature.
Although the film Harvard, Here I Come! (1941) was quite lame, Yvonne glowed in her brief appearance as a bathing beauty. The rest of 1942 and 1943 saw her in more uncredited roles in films that did not quite set Hollywood on fire. In The Deerslayer (1943), she played Wah-Tah. The role did not amount to much, but it was much better than the ones she had been handed previously. The next year was about the same as the previous two years. She played small parts as either secretaries, someone's girlfriend, native girls or office clerks. Most aspiring young actresses would have given up and gone home in defeat, but not Yvonne. She trudged on. The next year, started out the same, with mostly bit parts, but later that year, she landed the title role in Salome, Where She Danced (1945) for Universal Pictures. While critics were less than thrilled with the film, it was at long last her big break, and the film was a success for Universal. Now she was rolling.
Her next film was the western comedy Frontier Gal (1945) as Lorena Dumont. After a year off the screen in 1946, she returned in 1947 as Cara de Talavera in Song of Scheherazade (1947), and many agreed that the only thing worth watching in the film was Yvonne. Her next film was the highly regarded Burt Lancaster prison film Brute Force (1947). Time after time, Yvonne continued to pick up leading roles, in such pictures as Slave Girl (1947), Black Bart (1948), Casbah (1948) and River Lady (1948). She had a meaty role in Criss Cross (1949), a gangster movie, as the ex-wife of a hoodlum. At the start of the 1950s, Yvonne enjoyed continued success in lead roles. Her talents were again showcased in movies such as The Desert Hawk (1950), Silver City (1951) and Scarlet Angel (1952). Her last film in 1952 was Hurricane Smith (1952), a picture most fans and critics agree is best forgotten.
In 1956, she appeared in the film that would immortalize her best, The Ten Commandments (1956). She played Sephora, the wife of Moses (Charlton Heston). The film was, unquestionably, a super smash, and is still shown on television today. Her performance served as a springboard to another fine role, this time as Amantha Starr in Band of Angels (1957). In the late 1950s and early 1960s, Yvonne appeared on such television series as Bonanza (1959) and The Virginian (1962). With film roles drying up, she took the role of Lily Munster in the smash series The Munsters (1964). However, she still was not completely through with the big screen. Appearances in such films as McLintock! (1963), The Power (1968), The Seven Minutes (1971) and La casa de las sombras (1976) kept her before the eyes of the movie-going public. Yvonne De Carlo died at age 84 of natural causes on January 8, 2007 in Woodland Hills, California.- Actress
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Margot Kidder was born Margaret Ruth Kidder in Yellowknife, Northwest Territories, Canada, to Jocelyn Mary "Jill" (Wilson), a history teacher from British Columbia, and Kendall Kidder, a New Mexico-born mining engineer and explosives expert. Margot was a delightful child who took pride in everything she did. At an early age, she became aware of the great emotions she felt towards expressing herself, and caught the acting bug. As a child, she wrote in a diary that she wanted to become a movie star, and that one day it would happen, but she had to overcome something else first. She was aware that she was constantly facing mood swings, but didn't know why. At odd times, she would try to kill herself - the first time was at age 14 - but the next day she would be just fine. Her father's hectic schedule and moving around so much didn't help matters, either, causing her to attend 11 schools in 12 years. Finally, in an attempt to help Margot with her troubles, her parents sent" her to a boarding school, where she took part in school plays, such as Romeo and Juliet", in which she played the lead.
After graduation, Margot moved to Los Angeles to start a film career. She found herself dealing with a lot of prejudice, and hotheads, but later found solace with a Canadian agent. This was when she got her first acting job, in the Norman Jewison film Gaily, Gaily (1969). This led to another starring role in Quackser Fortune Has a Cousin in the Bronx (1970), in which she co-starred with Gene Wilder. After some harsh words from the film's director, Margot temporarily left films to study acting in New York, doing television work to pay her bills, but when the money ran out, she decided it was time to make a second try at acting. When she arrived in Hollywood she met up at a screen test with actress Jennifer Salt, resulting in a friendship that still stands strong today. Margot and Jennifer moved into a lofty beach house and befriended other, then unknown, struggling filmmakers such as Martin Scorsese, Brian De Palma, Steven Spielberg and Susan Sarandon, among others. Late nights would see the hot, happening youngsters up until all hours talking around a fire about how they were all going to change the film industry. It was crazy living and within the Christmas season, Margot had become involved with De Palma, and as a Christmas present he gave her the script to his upcoming film Sisters (1972). Margot and Salt both had the leads in the film, and it was a huge critical success.
The film made branded Margot as a major talent, and in the following years she starred in a string of critically acclaimed pictures, such as Black Christmas (1974), The Great Waldo Pepper (1975), 92 in the Shade (1975) - directed by Thomas McGuane, who was also her husband for a brief period - and a somewhat prophetic tale of self-resurrection, The Reincarnation of Peter Proud (1975).
After three years of being a housewife, looking after her daughter Maggie and not working, Margot decided it was time to let her emotions take control and get back into acting. Once her marriage to McGuane was over, she eyed a script that would change her life forever. Her new agent referred her to a little-known director named Richard Donner. He was going to be directing a film called Superman (1978), and she auditioned for and secured the leading female role of Lois Lane. That film and Superman II (1980) filmed simultaneously. After the success of "Superman" she took on more intense roles, such as The Amityville Horror (1979) and Willie & Phil (1980). After that, Margot starred in numerous films, television and theater work throughout the 1980s, including Superman IV: The Quest for Peace (1987). When the 1990s erupted with the Gulf War, Margot found herself becoming involved in politics. She made a stir in the biz when she spoke out against the military for their actions in Kuwait. She also appeared in a cameo in Donner's Maverick (1994).
In 1996, as she was preparing to write her autobiography, she began to become more and more paranoid. When her computer became infected with a virus, this gave her paranoia full rein, and she sank into bipolar disorder. She panicked, and the resulting psychological problems she created for herself resulted in her fantasizing that her first husband was going to kill her, so she left her home and faked her death, physically altering her appearance in the process. After an intervention took place, she got back on her feet and started the mental wellness campaign. Since then, she resumed her career in film, television, and theatre, including appearing in a Canadian stage production of "The Vagina Monologues", and in films like The Clown at Midnight (1998).
Margot died on May 13, 2018, in Livingston, Montana.- Actress
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Cara Pifko is a Canadian actress known primarily for her work on television shows produced by the Canadian Broadcasting Corporation.
Pifko was born in Toronto, Ontario. A graduate of the National Theatre School of Canada, she started acting at the age of 8 and worked all through the nineties, but it was in 2000 that she landed her first starring role, in the series Our Hero, which was aimed at young teens. Her first acting role was The Elephant Show hosted by Sharon, Lois, and Bram in which she was present in all seasons.
In 2004 she showed her dramatic range by appearing as a foreign aid worker in the acclaimed mini-series Human Cargo. Pifko then landed the lead role in the legal drama This is Wonderland, which garnered her a Gemini Award in 2005 for best actress. In early 2006, she appeared as Isolda in Tarragon Theatre's production of Léo. In 2007 she starred in the Lifetime TV movie I Me Wed. In 2009, she joined the soap opera General Hospital as the recurring character of Louise Addison.
In 2010 Cara lent her voice to Suu, a pink Twi'lek in the "Deserter" episode, and as scientist Sionver Boll in "The Zillo Beast" and "The Zillo Beast Strikes Back" episodes of Star Wars: The Clone Wars. She also voiced Yeoman Kelly Chambers in the video games Mass Effect 2 and Mass Effect 3.
In 2016 she joined the Season 2 cast of Better Call Saul as recurring character Paige Novick, senior legal counsel for Mesa Verde Bank and Trust, and friend of Kim Wexler.- Marina Orsini was born on 4 January 1967 in Montréal, Québec, Canada. She is an actress, known for The Last Chapter II: The War Continues (2003), Les filles de Caleb (1990) and L'or et le papier (1990).
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Meaghan Rath was born on 18 June 1986 in Montreal, Quebec, Canada. She is an actress and producer, known for Hawaii Five-0 (2010), New Girl (2011) and Schitt's Creek (2015). She has been married to Jack Cutmore-Scott since 16 May 2020. They have two children.