Production Details on A Select Few Revolution Studios Movies
I said "A Select Few". So don't expect pieces of crap like Gigli, The Fog remake and Little Man to show up
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34 titles
- DirectorJoe RothStarsJulia RobertsJohn CusackBilly CrystalA movie publicist deals with the messy public split of his movie's co-stars while keeping reporters at bay while a reclusive director holds the film's print hostage.Director: Joe Roth
Composer: James Newton Howard
Cinematographer: Phedon Papamichael ASC GSC
Film Editor: Stephen A. Rotter
Production Designer/2nd Unit Director: Garreth Stover
Senior Art Director: Chris Cornwell
Costume Designer: Ellen Mirojnick
Unit Production Manager: Allegra Clegg
Production VFX Consultant: Ken Ralston
SPI Senior VFX Supervisor: Carey Grant Villegas
SPI CG Supervisor: Bart Giovanetti
SPI VFX Executive Producer: Debbie Denise
SPI VFX Digital Producer: Dawn Guinta
Stunt Coordinator: Gary Combs
Camera/Steadicam Operator: Rick Teideman
Las Vegas Unit Camera Operator: Andres L. Porras
Additional DP: Goran Pavicevic
Music Supervisor: Kathy Nelson
Score Mixer/Recordist: Dennis S. Sands
Filming Dates: 11 January 2001 - 22 March 2001
Cameras: Panaflex XL, Millennium & Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision Primo Anamorphic Primes & C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 46 Million USD
Budget AFI (2021): 69.9 Million USD
Visual Effects Provided by: Sony Pictures Imageworks
Attribute: Filmed in Panavision - DirectorJames WongStarsJet LiCarla GuginoDelroy LindoA rogue Multiverse agent goes on a manhunt for alternate versions of himself, getting stronger with each kill. Only the last version of himself, an LASD cop, can stop his crusade before he becomes "The One".Director: James Wong
Composer: Trevor Rabin
Cinematographer: Robert McLachlan ASC CSC
Film Editor: James Coblentz
Additional Film Editor: Logan Breit
Production Designer: David L. Snyder
Costume Designer: Chrisi Dushenko
1st Assistant Director: Richard Graves
Assistant to Corey Yuen/Action Choreography Ass't Director: Jonathan Ke Guy Quan
Stunt Coordinator/2nd Unit Director/Director of Photography: Gary Hymes
Martial Arts Action Choreographer/2nd Unit Director: Corey Yuen
Production SFX Supervisor: Terry Frazee
Production VFX Supervisor: Jeffrey Kleiser
VFX Supervisors: Eric Durst, Craig Hayes
VFX Supervisor/Producer: Cosmas Paul Bolger Jr
Co-VFX Supervisor: Brennan Doyle
VFX Coordinator/Add'l VFX Producer: Mark Soper
Ass't VFX Coordinators: Danielle Costa, Tina Haddad
VFX Digital Lighting Supervisor: Charles Rose
VFX Unit DP: David Stump
DFX Supervisor: James Marbas
DFX Coordinator: Jacqueline Rosado
Motion Capture Supervisor: Gary Roberts
Effects Animation Supervisor: Daniel Roizman
Senior VFX Producers: Jason Heapy, Mark Ashton Hunt, Susan Zwerman
Camera Operator: Casey Hotchkiss
Steadicam Operators: Jerome Fauci, Jacques Jouffret SOC
2nd Unit DP: Mike Benson SOC
2nd Unit Camera Operator: Ron Veto
Aerial Unit DP: David B. Nowell ASC
Gaffer: Jeffrey Murrell
Senior Digital Film Colorist: Mike Bellamy
Camera: Arriflex 435 (35mm Eastman EXR 200T 5293/Kodak Vision 500T 5279)
AR: 2.35:1 (Common-Top Super 35mm)
Budget: 49 Million USD
Budget AFI (2021): 74.5 Million USD
Attribute: Camera Systems by Clairmont - DirectorRidley ScottStarsJosh HartnettEwan McGregorTom SizemoreThe story of 160 elite U.S. soldiers who dropped into Mogadishu in October 1993 to capture two top lieutenants of a renegade warlord, but found themselves in a desperate battle with a large force of heavily armed Somalis.Director: Ridley Scott
Screenwriter: Ken Nolan
Producer: Jerry Bruckheimer
Executive Producers: Simon West, Mike Stetson, Chad Oman
Executive Producer/Unit Production Manager: Branko Lustig
Cinematographer: Slawomir Idziak AIC
Production Designer: Arthur Max
Film Editor: Pietro Scalia ACE
Composer: Hans Zimmer
Costume Designers: Sammy Sheldon, David Murphy
Music Supervisors: Kathy Nelson, Bob Badami
Associate Producer/1st Ass't Director: Terry Needham
Associate Producers: Harry Humphries, Pat Sandston
Dedicated to: Elizabeth Jean Scott
Unit Production Manager: Pamela Hochschartner
2nd Assistant Director: Darin Rivetti
2nd Unit Director: Alexander Witt ASC
2nd Unit 1st Ass't Director: Adam Somner
Additional Unit Director: Nicholas Livesey
Production SFX Supervisor/Morocco Unit Prosthetics Effects Supervisor: Neil Corbould
A-Camera/Steadicam Operator: Daniele Massaccesi
B-Camera Operator: Martin Kenzie BSC
Aerial Unit DoP: John Marzano
Associate Film Editor: Wesley Sewell
Post-Production Supervisor: Teresa Kelly
Production VFX Supervisor: Tim Burke
Production VFX Producer: Emma Norton
1st Assistant A-Camera: Tony Rivetti
2nd Assistant A-Camera: Fionn Comerford
2nd 2nd Ass't Director: Basil Bryant Grillo
SFX Test Technician: Malcolm Crash Corbould
Aerial Unit Coordinators: Marc Wolff, David Paris
Aerial Unit Cameraman: Michael Kelem
Consultant: Mark Bowden
Music Contractor: Sandy DeCrescent
2nd Unit Camera Operator: Ronald Hersey
2nd Unit Steadicam Operator: Zoran Mikincic
2nd Unit Action Vehicle Coordinator: Waldron LaMora
Morocco Unit Production Manager: Jamal Souissi
Morocco Unit SFX Coordinator: Carol McAulay
Morocco Unit Ass't SFX Supervisor: Paul Corbould
Morocco Unit SFX Floor Supervisor: Andrew Williams
Morocco Unit SFX Workshop Supervisor: David Brighton
Morocco Unit SFX Lead Senior Technician: Ian Corbould
Morocco Unit Prosthetics Ass't Supervisor: John Schoonraad
Morocco Unit Prosthetics Workshop Supervisors: Cliff Wallace, David Hunter
Mill Film Executive VFX Producer: Robin Shenfield
Mill Film Digital VFX Supervisor: Simon Stanley-Clamp
Mill Film CG Supervisor: Laurent Hugueniot
Mill Film VFX Production Supervisor: Susi Roper
Mill Film VFX Coordinator: Laya Armian
Asylum VFX Supervisors: Nathan McGuinness, David MV Jones
Asylum Executive VFX Producers: Blondel Aidoo, Emma McGuinness
Asylum VFX Producer: Lindsay Burnett
Asylum CG Producer: Jeff Werner
Asylum Inferno Artists: Phil Brennan, Jeff Olm
Telecine Colorist: Stefan Sonnenfeld ASC
Filming Dates: 3 March 2001 - July 2001
Cameras: Arriflex 35-III, 435 ES, Moviecam Compact & SL (35mm Eastman EXR 50D 5245/100T 5248/Kodak Vision 250D 5246/320T 5277/500T 5279)
Lenses: Zeiss Ultra Primes & Angenieux HR Zooms
AR: 2.39:1 (Super 35mm)
Budget: 92 Million USD
Budget AFI (2021): 144.4 Million USD
Printed on: Kodak Vision Premier 2393
Music Production Services Provided by: Media Ventures, Santa Monica, CA
Visual Effects Provided by: Mill Film & Asylum
Telecine Finish Provided by: Company 3
Attribute: Camera Systems, Grip & Electrical Equipment Provided by Arri/Munich - DirectorRob CohenStarsVin DieselAsia ArgentoMarton CsokasThe US government recruits extreme sports athlete Xander Cage to infiltrate a Russian criminal ring, which is plotting the destruction of the world.Director: Rob Cohen
Director/Cinematographer (Lake Tahoe Unit): Lawrence "Larry" Blanford ASC
Writer: Rich Wilkes
Producer: Neal Moritz
Unit Production Manager (LA Unit)/Executive Producer: Arne Schmidt
Executive Producers: Todd Garner, Joe Roth, Vin Diesel
Cinematographer: Dean Semler ASC ACS
Production Designer: Gavin Bocquet
Film Editors: Chris Lebenzon ACE, Joel Negron ACE, Paul Rubell ACE
Composer/Conductor: Randy Edelman
Music Supervisor: Kathy Nelson
Production VFX Supervisor: Joel Hynek
Costume Designer: Sanja Milkovic Hays
Unit Production Manager: Debra James
1st Assistant Director: George Parra
2nd Assistant Director: Lars P. Winther
Stunt Coordinator: Lance Gilbert, Pavel Cajzl
Stunt Coordinator/2nd Unit Director/DoP: M. James Arnett
Aerial Unit Coordinator: Cliff Fleming
Ass't Stunt Coordinator: Scott Waugh
Fight Choreographer: Clint Cadinha
Aerial Unit Stunt Coordinator/Stunt Double for Vin Diesel: Harry O'Connor
Aerial Unit Pilot: Craig Hosking
Executive in Charge of Production: Charles Newirth
Supervising Art Director: Jonathan Lee
Art Director: Phil Harvey
Set Decorator: Hilton Rosemarin
Unit Manager: Jana Hrbkova
A-Camera/Steadicam Operator: Mark O'Kane
B-Camera Operator: Richard Merryman ACS
C-Camera Operator: Milan Chadima
1st Assistant A-Camera: Tony Rivetti
Aerial Unit Camera Operator: Phil Pastuhov
Camera Loader: Ingrid Semler
Chef Lighting Technician: Jim Gilson
Ass't Chief Lighting Technician: Joseph Martens
Rigging Gaffer: John Martens
Production SFX Supervisor: John Frazier
SFX Set Coordinator: Jim Schwalm
Production SFX Coordinator: Stan Parks
Art Director (Czech Republic): Jindrich Koci
Prop Master: CJ Maguire
Weapons Coordinator: Michael Papac
2nd 2nd Ass't Director: William Purple
1st Ass't Director (Czech Republic): Jan Mensik
2nd Ass't Director (Czech Republic): Martina Gotthansova
3rd Ass't Director (Czech Republic): Jakub Dvorak
Picture Car Coordinator (Czech Republic): Jiri Fleischer
Military Consultant/Jet Unit Aerial Coordinator: David M. Kennedy
Military Consultant: Jared Chandler
Post-Production Supervisor: Isabel Henderson
Add'l Film Editor: Jason King
1st Assistant Editor: Jonathan Chinball
Production VFX Editor: Ken Blackwell
Apprentice Film Editor: Marc Pattavina
Post-Production Coordinator: Trish Hadley
Music Contractor: Sandy DeCrescent
LA Unit Production Supervisor: Peter Tobyansen
LA Unit Supervising Art Director: Brad Ricker
LA Unit Art Director: Bruce Robert Hill
LA Unit Set Decorator: Chris Spellman
LA Unit Set Designers: A. Todd Holland, Luke Freeborn, Joshua Lusby, Dean Wolcott
LA Unit Graphic Designer: Martin T. Charles
LA Unit Picture Car Coordinator: Michael Ralph Price
2nd Unit Director/Director of Photography: Alexander Witt ASC
Unit Manager (2nd Unit): Jasmina Torbati
2nd Unit 1st Ass't Directors: Oldrich Mach, Darin Rivetti, Richard Graysmark
2nd Unit 2nd Ass't Director: Emma Horton
2nd Unit 2nd 2nd Ass't Directors: Mark Taylor, Petr Nemecek
2nd Unit Stunt Coordinator: Duzan Hyska
2nd Unit DoP: Don McCuaig ASC CSC
2nd Unit A-Camera Operator: Ken Fisher
2nd Unit B-Camera Operator/Add'l DoP: Ronald Hersey
2nd Unit B-Camera/Steadicam Operator: Brian Nordheim
2nd Unit C-Camera Operator: Clive Jackson
2nd Unit D-Camera Operator: Klaus Fuxjäger
2nd Unit Add'l Camera Operator: Bud Kremp
2nd Unit VistaVision Camera Operator: Michael Evans
2nd Unit Libra Head Operator: Chad L. Rivetti
2nd Unit Costume Supervisor: Lindsey Pugh
2nd Unit 3rd Ass't Director: Philip Seeger
2nd Unit SFX Coordinator: Dan Cangemi
2nd Unit Picture Car Coordinator: Jan Klinke
Lake Tahoe Unit 1st AD: D. Scott Easton
Lake Tahoe Unit Camera Operator: Tom Day
Lake Tahoe Unit 1st Ass't Cam: Scott C. Smith
Lake Tahoe Unit 2nd AC: Christos Moisides
Lake Tahoe Unit Aerial Camera Operator/DoP: Steve Howell
Digital Domain Associate VFX Supervisor: Matthew Butler
Digital Domain VFX Producer: Kelly L'Estrange
Digital Domain CG Supervisor: Sean Andrew Faden
Digital Domain Compositing Supervisor: Claas Henke
Digital Domain Character Animation Supervisor: Bradley Parker
Digital Domain Digital Production Manager: Lisa K. Spence
Digital Domain CG FX Animation TD: John Michael Courte
Digital Domain Lead CG FX Animator: Rob Stauffer
Digital Domain Avalanche Development Lead: Alan Kapler
Digital Domain CG FX Animator: Ryo Sakaguchi
Digital Domain Lead Character Animator: Dave Hodgins
Digital Domain Lead Character TD: Darren Hendler
Digital Domain Character Animator: Dan Fowler
Digital Domain Lead CG Modeler & Lighter: Melanie Okamura
Digital Domain Lead 3D Integrationists: Swen Gillberg, Scott Edelstein
Digital Domain 3D Integration Compositor: Christopher Otto Gallagher
Digital Domain Technical Director: Paul George Palop
Digital Domain Lead Digital Compositors: Bryan Grill, Marc D. Rienzo, Jodi Campanaro, David Stern
Digital Domain Lead Digital Painter: Shannan Burkley
Digital Domain Digital Painter: John Patrick Hurt
Digital Domain Digital Rotoscope/Paint Lead: Joanne Ladolcetta
Digital Domain Software Developers: Doug Roble, Bill Spitzak
Digital Domain VFX Editor: Debra Wolff
Digital Domain Ass't VFX Editor: Linda Renaud
Digital Domain Digital Imaging Supervisor: Jeffrey Kalmus
Digital Domain VFX Production Coordinator: Bernardo Jauregui
Digital Domain DFX 3D Coordinator: Cary Green
Digital Domain DFX 2D Coordinators: Brian Peyatt, Christine Globke
Digital Domain Integration Coordinator: Geoffrey Baumann
Digital Domain CG Coordinator: Suzanne Buirgy
Digital Domain Walk-Through Coordinator: Brady Doyle
Digital Domain VFX Unit DoP: Erik Nash
Digital Domain Miniature Supervisor: Alan Faucher
Digital Domain Supervising Mechanical Engineer: Scott Salsa
Digital Domain Miniature Photography Manager: Luke Scully
Digital Domain Miniature Crew Chief: Greg Bryant
Digital Domain Electronics Engineer: John Higbie
Digital Domain FX Unit Gaffer: Tony Anderson
Digital Domain VFX Accountant: Bekki Misiorowski
Digital Domain VFX Production Assistant: Tom Core
Digital Domain VFX Executive Producer: Nancy Bernstein
Illusion Arts Special VFX Supervisors: Syd Dutton, Bill Taylor ASC
Illusion Arts Matte Painting Supervisor: Michael J. Wassel
Illusion Arts Compositing Supervisor: David S. Williams Jr
Illusion Arts Animation Supervisor: Fumi Mashimo
Illusion Arts VFX Producer: Catherine Sudolcan
GMFX VFX Supervisor: Gray Marshall ASC
GMFX Digital VFX Producer: Albert Mason
Digiscope VFX Supervisor: Brad Kuehn
Digiscope Executive FX Producer: Mary Stuart Welch
Digiscope VFX Producer: Keiko Koyama
Asylum Title Sequence Designers: Nathan McGuinness, Robert Dawson
UCO Computer Animation Supervisor: Justin Owen
UCO Creative Supervisor: Simon Staines
UCO Computer Animation Coordinator: Sara-Jane Valentine
UCO Project Manager: Adrian Spanna
UCO Art Director: John Hill
UCO Senior Technician: Steve Watson
UCO Technicians: Rhys Owen, Mario Spanna
EFilm Executives in Charge of Production: Joe Matza, Bob Eicholz
EFilm Technical Supervisor: Bill Feightner
Digital Color Timer: Steve Bowen
2nd Digital Colorist: Mike Bellamy
EFilm Digital Mastering Producer: Carole Cowley
EFilm Digital Mastering Advisor: Michael D. Kafner
EFilm Operations Manager: Chris Edwards
DI Editor: Amy Thompkins
DI Ass't Editor: Dawn Llewellyn
Digital Colorist Assistants: Ben Estrada, Chris Taft
Filming Dates: 26 November 2001 - March 2002
Cameras: Arriflex 435, Panaflex Lightweight, Platinum, Panastar & VistaVision (35mm Kodak Vision 500T 5279)
Lenses: Panavision Primo Anamorphic Primes & C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)(8-Perf VistaVision: 2nd Unit VFX Plates)
Budget: 70 Million USD
Budget AFI (2020): 101.2 Million USD
Printed on: Kodak Vision Premier 2393
Special Visual Effects & Digital Animation Provided by: Digital Domain
Additional Special Visual Effects Provided by: Illusion Arts & Gray Matter FX
Additional Digital Compositing Provided by: Digiscope
Title Sequence Designed by: Asylum
Digital Mastering Provided by: EFilm
Attribute: Filmed in Panavision - DirectorPaul Thomas AndersonStarsAdam SandlerEmily WatsonPhilip Seymour HoffmanSocially frustrated Barry Egan calls a phone-sex line to curb his loneliness. Little does he know it will land him in deep trouble and will jeopardize his burgeoning romance with the mysterious Lena.Director, Writer & Producer: Paul Thomas Anderson
Producer: Joanne Seller
Producer/Unit Production Manager: Daniel Lupi
Cinematographer/'A' Operator: Robert Elswit ASC
Production Designer: William Arnold
Film Editor: Leslie Jones ACE
Costume Designer: Mark Bridges
Artwork Designer: Jeremy Blake
Composer: Jon Brion
Casting Director: Cassandra Kulukundis
First Assistant Director: Adam Druxman
Second Assistant Director: James Moran
Associate Producer/On-Set Supervisor: Daniel P. Collins
Chief Lighting Technician: David Lee
Key Grips: Benny Beaird, Frank A. Montesanto
Production Sound Mixer: Ronald Judkins
Script Supervisor: Valeria Migliassi Collins
Production Supervisor: Eileen Malyszko
Prod. Supervisor, Hawaii & Utah: Will Weiske
Production Accountant: Kelly A. Snyder
Production Coordinator: Nancy Reid
Supervising Location Manager: Larry Ring
Production Art Director: Sue Chan
Prod. Set Decorators: Jay R. Hart, Lori A. Noyes
A Camera / Steadicam Operator: David Crone
B Camera Operator / First AC: Maricella Ramirez
A First Assistant Camera: William Coss
A Additional First Assistant Camera: Karl Linde
A Second Assistant Camera: Scott Goodrich
A Camera Additional Operator: Jeffrey Norvet
B / Steadicam Additional Operator: Bob Gorelick
A Camera /Steadicam Loader: Michelle Morgan
B Camera /Steadicam Loader: Jeff Griffith
Assist. Chief Lighting Technician: Nate Hathaway
Rigging Gaffer: Richard Hartley
Rigging Best Boy Electric: Dave Tutotkey
Rigging Electric: Keith Richard Hartley
Dolly Grip: Jeffrey Sherman Kunnel
Rigging Key Grip: Rick Harris
Rigging Best Boy Grip: Richard C. Crompton
Boom Operator: Robert Jackson
Set Mother: Kat Craig
Sound Utility Technician: Peggy A. Names
Video Assist: Alfred Ainsworth Jr
Supervising Prop Master: Tim Wiles
Assistant Prop Master: Chuck Askerneese
Post Production Supervisor: Mark Graziano
Additional Film Editor: Fred Raskin ACE
Avid First Assistant: Christopher L. Marino
First AEs: Sandra Montiel, Ladd Lanford
Second Assistant Editor: Lara Khachooni
Third Assistant Editor: Marie Gaerlan
Production Music Editor: Jonathan Karp
Re-Recording Mixer / Sound Design Consultant: Gary Rydstrom
Re-Recording Mixer: Michael Semanick
Production Sound Designer: Chris Scarabosio
Supervising Sound Editor: Phil Benson
Prod. Special Effects Supervisor: John Carlucci
Prod. Special Effects Coordinators: Jeff Jarvis, Lou Carlucci
Prod. Special Effects Foreman: Kenneth Clark
Prod. SFX Technics: David Sterner, Marvin Felton, Andrew Sebok
Costume Supervisor: Eden Coblenz
Key Costumer: Linda S. Cormany
Department Head - Makeup: Tina Roesler Kerwin
Key Makeup Artist: Peggy Nichols
Department Head - Hair: Kelvin R. Trahan
Key Hair Stylist: Trish Almeida
Hair & Makeup Stylist, Adam Sandler: Ann Pala
First Assistant Accountant: Steve Butensky
Second Assistant Accountant: Jennifer Clark
Payroll Accountant: Cecilia Escobar
Assistant PCs: Demelza Cronin, Maru Hernandez
Production Secretary: Joe Biggins
Art Department Coordinator: Holiday Landa
Art department Graphic Artist: Doreen S. Austria
Set Dressing Buyer: Mick Cummings
On-Set Dresser: Martin Milligan
Clearance Coordinator: Jodi Tripi
Still Photographer: Bruce Birmelin
Assistant to P.T. Anderson: Aaron Tichenor
Assistants to Adam Sandler: Jonathan Loughran, J.D. Donurama
Stand-In for Adam Sandler: Matt Woodward
Stand-In for Emily Watson: Kat Jensen
Stand-In for Luiz Guzman: Luis Rittenhouse
2nd Second Assistant Director: Sonia Bhalla
Key Set Production Assistant: Michael Phillips
Set PAs: Jamie Feldman, Lisa Michele McTigue
Assistant Unit Coordinator: J.L. Krueger
Unit Assistant: Harlem F. Logan
Production Assistant: Corey Sklov
Art Dept. Production Assistant: Kevin Goldblum
Picture Vehicle Coordinator: Martin J. Osborne
Casting Associate: John Barba
Security Coordinator: Andrew G. Padilla Jr
Mix Technician, Sound Dept.: Brandon Proctor
Dialogue Editors: Jonathan Null, Ewa Sztompke-Oarkfield
Foley Editors: Shannon Mills, Andrea Gard
First Assistant Sound Editor: Jennifer F. Barin
Foley Recordists: Frank Rinella, Pepe Merel
ILM Sr. Visual Effects Supervisor: Tim Alexander
ILM Senior Visual Effects Producer: Camille Geier
ILM Digital Paint Lead: Jiri Jacknowitz
ILM Paint & Roto Lead: David Sullivan
ILM Technician Team Lead: Lloyd Hess
ILM Senior Executive Manager: Jim Morris
Music Score Consultant: Thomas Pasatieri
Head of Music Preparation: Julian Bratolyubov
Orchestra Recordist & Mixer: Dennis S. Sands
Orchestra Contractor: Debbie Datz-Pyle
Score Recordist: Greg Dennen
Scoring Technician: Ryan Robinson
Production Projectionist: Tom Ajar
Motion Graphics Supervisor: Jayson Whitmore
Dailies Supervisor: Dan Wesselman
Production Color Timers: Phil Hetos, Lee Wimer
Location Manager, Hawaii Crew: Stuart Spangler
Additional Makeup Artist, Hawaii Crew: Liz Dahl
Additional Hair Stylist, Hawaii Crew: Debra Rego
Best Boy Electric, Hawaii Crew: Dean Des Jarlais
Best Boy Grip, Hawaii Crew: Vance Gage
Assistant LM, Hawaii Crew: Jim Triplett
Set Dresser, Hawaii Crew: Richard P. Romer
Stunt Coordinators: Allan Graf, Steve Kelso
Revolution Studios President: Joe Roth
Exec. in Charge of Production: Charles Newirth
Abbey Road Consultant: Simon Rhodes
SPE Transfer Supervisor (Criterion Remaster): James Owsley
MVF Colorist (Criterion Remaster): Gregg Garvin
Filming Dates: 1 February 2001 - 19 March 2001
Camera: Panaflex Platinum (35mm Kodak Vision 500T 5279, Fuji Super F-125T 8532, F-250T 8552 & F-500T 8572)
Lenses: Panavision® Primo AL Primes, ALZ11 48-550mm Zoom, C- & E-Series AL Primes
AR: 2.39:1 (Anamorphic)
Budget: 25 Million USD
Budget AFI (2021): 36.5 Million USD
Shot & Printed on: Fuji & Kodak Motion Picture Film
Post Production Sound Services Provided by: Skywalker Sound
Special Visual Effects & Opticals by: Industrial Light & Magic + Pacific Title
Criterion Remaster & Color Timing Supervised by: Sony Pictures Entertainment
2016 Criterion Remaster & Color Timing by: Modern VideoFilm
Attribute: Filmed in Panavision® - DirectorWayne WangStarsJennifer LopezRalph FiennesNatasha RichardsonA Senatorial candidate falls for a hotel maid, thinking she is a socialite, when he sees her trying on a wealthy woman's dress.Director: Wayne Wang
Composer: Alan Silvestri
Cinematographer: Karl Walter Lindenlaub ASC BVK
Film Editor: Craig McKay
Production Designer: Jane Musky
Costume Designer: Albert Wolsky
Producer/2nd Unit Director: Paul Schiff
Senior SFX Coordinator: JC Brotherhood
Stunt Coordinator: Gary Tacon
Camera/Steadicam Operator: Colin Anderson SOC
2nd Unit DP: Tony C. Jannelli
2nd Unit Camera Operator: Douglas Pellegrino
Aerial Unit Wescam Operator: John Trapman
Music Contractor: Sandy DeCrescent
Music Supervisor: Randall Poster
Score Coordinator: David Bifano
Score Mixer/Recordist: Steve Kempster
Filming Dates: 27 April 2002 - 6 June 2002
Cameras: Panaflex XL & Millennium (35mm Kodak/Fuji)
Lenses: Panavision C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 65 Million USD
Budget AFI (2021): 97.2 Million USD
Printed on: Kodak Vision 2383
Anecdote: Filmed in Panavision - DirectorJonathan LiebesmanStarsChaney KleyEmma Caulfield FordAntony BurrowsA vengeful spirit has taken the form of the Tooth Fairy to exact vengeance on the town that lynched her 150 years earlier. Her only opposition is the only child, now grown up, who has survived her before.Director: Jonathan Liebesman
Composer: Brian Tyler
Cinematographer: Dan Laustsen ASC DFF
Cinematographer (Prologue & End Titles): Juan Ruiz Anchia ASC
Cinematographer, AP: Stephen Windon ASC ACS
Film Editors: Steve Mirkovich ACE, Tim Alverson ACE
Production Designer: George Liddle
Set Decorator: Rebecca Cohen
Costume Designers: Judy Bunn, Anna Borghesi, Shane Phillips, Jane Summers-Eve
Storyboard Artist: Stefan Dechant
Senior SFX Supervisor: Brian Pearce
Senior SFX Coordinator: Aaron Beaucaire
Tooth Fairy Designer: Stan Winston
Art Department Supervisor: Lindsay MacGowan
VFX Designer: Grant Freckelton
Senior VFX Supervisors: Richard R. Hoover, Belinda Bennetts
VFX Supervisors: Brandon England, Doug Spilatro
VFX Supervisor (Add'l Effects): Dan Schmit
Senior VFX Producer: Victoria Alonso
Executive VFX Producer: Debbie Denise
VFX Executive Producer: Murray Pope
Stunt Coordinator: Grant Ruehland
Ass't Stunt Coordinator: Greg Stuart
Camera/Steadicam Operator: Harry Panagiotidis
2nd Unit DP: Martin Turner
2nd Unit B-Camera Operator: Jay Torta
Camera: Panaflex Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 2.35:1 (Super 35mm)
Budget: 11 Million USD
Budget AFI (2021): 16 Million USD
Visual Effects Provided by: Sony Pictures Imageworks
Creature Design Provided by: Stan Winston Studio - DirectorAntoine FuquaStarsBruce WillisCole HauserMonica BellucciA Special-Ops commander leads his team into the Nigerian jungle in order to rescue a doctor who will only join them if they agree to save 70 refugees too.Director: Antoine Fuqua
Executive Producer: Joe Roth
Cinematographer: Mauro Fiore ASC
Cinematographer (Add'l Photography)/C-Camera Operator: Keith Solomon
Cinematographer (Aerial & 2nd Units): Lawrence "Larry" Blanford ASC
Production Designer: Naomi Shohan
Film Editor: Conrad Buff IV ACE
Film Editor (Ext'd Version): Christopher Holmes
Costume Designer: Marlene Stewart
Composer: Hans Zimmer
Composer (Vocals): Lisa Gerrard
Add'l Composer: Steve Jablonsky
Musician (Guitars & Kalimbas)/Add'l Composer: Heitor Pereira
Stunt Coordinator/2nd Unit Director: Phil Neilson
Stunt Co-Coordinator: Keith Woulard
Ass't Stunt Coordinator: Anderson Martin
Co-Producer/Unit Production Manager: Steven P. Saeta
Key 1st Ass't Director: KC Hodenfield
Key 2nd Ass't Director: Jeff Okabayashi
Associate Producer: Heidi Fugeman Lindelof
Action Coordinator: Gary Robert
Art Director: David Lazan
Set Decorator: Larry Dias
A-Camera Operator: Kirk Gardner
B-Camera Operator: Maurice Keith McGuire SOC
Aerial Unit Helicopter Pilot: Alan Purwin
Aerial Unit Wescam Technician: Steven J. Winslow
Production SFX Supervisor: John Frazier
Production Coordinator: Mitch Bell
Gaffer/Chief Lighting Technician: Michael Bauman
Video Operator/Add'l Cinematographer: Dan Moore
Senior SFX Foreman: Jim Schwalm
Firearms Instructor: Justin Rodgers Hall
Supervising Music Editor: Bob Badami
Production VFX Supervisor: Scott Farrar ASC
Aerial Effects Supervisor: Earl Wiggins
ILM VFX Supervisor: Roger Guyett
ILM VFX Producer: Denise Ream
ILM CG Supervisors: Russell Earl, Eddie Pasquarello
ILM Lead Digital Artist: Dean Yurke
ILM Senior Animator: Paul Kavanagh
ILM VFX Coordinators: David M. Gray, Dale Taylor
ILM Digital Color Timing Supervisor: Bruce Vecchitto
ILM General Manager/President: Jim Morris
PTAS Add'l VFX Supervisor: David Sosalla
PTAS Add'l Digital VFX Coordinator: James D. Tittle
PTAS Add'l VFX Producer: Joe Gareri
Home Video Colorist: Stefan Sonnenfeld ASC
Filming Dates: February 2002 - October 2002
Camera: Panaflex Platinum (35mm Kodak Vision 250D 5246)
Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 100.5 Million USD
Budget AFI (2021): 147 Million USD
Home Video Master Provided by: Company 3
Special Visual Effects Provided by: Industrial Light & Magic
Additional Digital Effects Provided by: Pacific Title & Arts Studio
Attribute: Filmed in Panavision - DirectorPeter SegalStarsJack NicholsonAdam SandlerMarisa TomeiDave Buznik is a businessman who is wrongly sentenced to an anger management program, where he meets an aggressive instructor.Director: Peter Segal
Composer: Teddy Castellucci
Cinematographer: Donald McAlpine ASC ACS
Film Editor: Jeff Gourson
Production Designer: Alan Au
Costume Designer: Ellen Lutter
Co-Producer/Unit Production Manager: Allegra Clegg
Executive in Charge of Production: Charles Newirth
NY 2nd Unit Director/Director of Photography: Hiro Narita ASC
Senior SFX Supervisor: Clay Pinney
NY Unit SFX Coordinator: Steven Kirshoff
Senior VFX Supervisor: Sheena Duggal
VFX Supervisor: Jonathan Rothbart
Orphanage Associate VFX Supervisor: Kevin Baillie
Senior CG Supervisor: Rob Bredow
Executive VFX Producers: Debbie Denise, Marc Sadeghi
SPI VFX Digital Producer: Dawn Guinta
Orphanage VFX Producer: Luke O'Byrne
Orphanage VFX Associate Producer: Arin Finger
Stunt Coordinator: Andy Armstrong
Camera Operator: Paul C. Babin
B-Camera Operator: Michael Scott
Steadicam Operator: Bob Gorelick
NY Unit B-Camera Operator: Bruce MacCallum
NY Unit Steadicam Operator: Kyle Rudolph
Score Engineer: Dennis S. Sands
Filming Dates: 1 April 2002 - 6 July 2002
Camera: Panaflex Platinum (35mm)
Lenses: Panavision Primo Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Budget: 75 Million USD
Budget AFI (2021): 109.7 Million USD
Printed on: Kodak Vision 2383
Visual Effects Provided by: Sony Pictures Imageworks
Additional Visual Effects Provided by: The Orphanage + Pacific Title & Arts Studio
Attribute: Filmed in Panavision - DirectorSteve CarrStarsEddie MurphyJeff GarlinAnjelica HustonTwo men named Charlie Hinton and Phil Ryerson get laid off and have to become stay-at-home fathers when they can't find jobs. This inspires them to open their own day care center.Director: Steve Carr
Costume Designer: Ruth E. Carter
Co-Producer: Jack Brodsky
Composer/Conductor: David Newman
Scoring Consultant: Krystyna Newman
Film Editor: Christopher Greenbury ACE
Production Designer/2nd Unit Director: Garreth Stover
Cinematographer: Steven Poster ASC
Executive Producer: Joe Roth
Producer: John Davis
Writer: Geoff Rodkey
Unit Production Manager: Stephen Lim
1st Assistant Director: Donald L. Sparks
2nd Assistant Director: Dieter H. Busch
Special Appearance: Cheap Trick
Stunt Coordinator: Manny Perry
Associate Producer: Rufus Gifford
Art Director: Chris Cornwell
Set Decorators: Maggie Martin, Chris L. Spellman
Prop Master: Trish Gallaher Glenn
Production Office Coordinator: Alison Wilke
A-Camera Operator: Michael Scott
B-Camera/Steadicam Operator: Gregory W. Smith
1st Assistant A-Camera: Norman Parker
1st assistant B-Camera: John Scott
2nd Assistant A-Camera: Larissa Supplitt
2nd Assistant B-Camera: Cheli Clayton Samaras
1st Assistant Editors: Matthew Cassel, Sam Seig
Executive in Charge of Production: Charles Newirth
Post-Production Supervisor: Jim Conrads
Supervising Sound Editor: John Joseph
Chief Lighting Technician: Elan Yaari
Ass't Chief Lighting Technicians: Cameron Smith, Richard J. Lee Jr
Rigging Gaffer: Thomas G. Nead
Key Rigging Grip: Michael S. McGuire
Production SFX Coordinator: Larz Anderson
Production SFX Technicians: John B. Hagey, Mark Lilienthal, David Simmons
Location Manager: Scott Alan Logan
Key Ass't Location Manager: Brian Bird
Ass't Production Office Coordinator: Kerri Smeltzer
Set Designers: Louisa Bonnie, Barbara Mesney, Natalie Richards, Dawn Snyder
Graphic Designer: Melissa Mollo
Storyboard Artists: Marc Vena, Trevor Goring
Ass't Prop Master: Bryan D. Garofolo
2nd 2nd Ass't Directors: Marisa Ferrey, Evan L. Gilner
Children's Drawings Designer: Bria L. Murphy
Picture Car Coordinator: Wayne Roberts
2nd Unit DoP: John 'Yiannis' Samaras
2nd Ass't Camera (Add'l Photography): Keith Ogier
Add'l Music Editor: JJ George
Music Contractor: Sandy DeCrescent
Main Title Designer: Cey Adams
Pacific Title VFX Producer: Ladd Lanford
Pacific Title VFX Supervisor: Mark Freund
Pacific Title Digital VFX Coordinator: James D. Tittle
PVP VFX Supervisor: David D. Johnson
CFE DFX Supervisor: Mark Dornfield
CFE DFX Producer: Susan Shin George
CFE Green Screen Unit Photographer: Mark Sawicki
Negative Format: 35mm Kodak Vision 500T 5279
AR: 1.85:1 (Spherical)
Budget: 60 Million USD
Budget AFI (2021): 87.7 Million USD
Opticals & Digital Effects Provided by: Pacific Title & Custom Film Effects
Visual Effects Provided by: Pacific Vision Productions - DirectorRon SheltonStarsHarrison FordJosh HartnettIsaiah WashingtonTwo LAPD detectives who moonlight in other fields investigate the murder of an up-and-coming rap group.Director: Ron Shelton
Composer: Alex Wurman
Cinematographer: Barry Peterson
Film Editor: Paul Seydor
Production Designer: Jim Bissell
Costume Designer: Bernie Pollack
Co-Producer/Unit Production Manager: Allegra Clegg
2nd Unit 1st Ass't Director (Add'l 2nd Unit): David Sardi
2nd Unit 2nd Ass't Director (Add'l 2nd Unit): Richard Oswald
Executive Producer/2nd Unit Director: David V. Lester
2nd 2nd Ass't Director/2nd Unit Director: Brent Stanton
2nd Unit DP: Paul Hughen ASC
2nd Unit Director/Director of Photography (Add'l 2nd Unit): Alexander Witt ASC
Senior SFX Coordinator: Ken Pepiot
SFX Technician: Elia P. Popov
Senior VFX Supervisor: Carey Villegas
SPI CG Supervisor: Layne Friedman
SPI Digital Matte Painter: Robert Stromberg
SPI VFX Producer: David Taritero
Stunt Coordinator: Jeff Dashnaw
Stunts/2nd Unit Stunt Coordinator: Thomas J. Huff
2nd Unit Stunt Coordinator (Add'l 2nd Unit): M. James Arnett
Stunts: Thomas Robinson Harper, JJ Dashnaw
Camera/Steadicam Operator: Kirk Gardner
B-Camera Operator: Maurice Keith McGuire SOC
2nd Unit Camera Operators: David Gasperic, Michael J. Walker
2nd Unit Camera Operators (Add'l 2nd Unit): Robert Steadman, Ken Fisher
Aerial Unit DP: David B. Nowell ASC
Aerial Unit Camera Operator: Hans Bjerno ASC
1st Assistant B-Camera: Brad Peterman
Add'l Film Editors: Patrick Flannery, Clay Rawlins
Music Supervisor: Kathy Nelson
Filming Dates: 19 August 2002 - 14 December 2002, January 2003 - April 2003 (Add'l Photography)
Cameras: Panaflex XL & Platinum (35mm Eastman EXR 50D 5245/Kodak Vision 250D 5246/500T 5279)
Lenses: Panavision Primo Anamorphic Primes, C- & E-Series Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Budget: 75 Million USD
Budget AFI (2021): 109.7 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Animation Provided by: Sony Pictures Imageworks Inc.
Attribute: Filmed in Panavision - DirectorMichael TollinStarsCuba Gooding Jr.Ed HarrisDebra WingerThe story of a high school coach and the developmentally challenged man who he took under his wing.Director: Michael Tollin
Composer/Conductor/Orchestrator: James Horner
Cinematographer: Don Burgess ASC
Film Editors: Chris Lebenzon ACE, Harvey Rosenstock
Production Designer: Clay Griffith
Costume Designer: Denise Wingate
Senior SFX Coordinator: Thomas Kittle
Camera Operator: Patrick O'Brien
A-Camera/Steadicam Operator: Robert Presley SOC
Key Grip: Michael J. Coo
1st Assistant A-Camera: Zoran Veselic
Add'l Film Editor: Joel Negron ACE
DI Colorist: Michael Eaves
Music Contractor: Sandy DeCrescent
Filming Dates: 14 October 2002 - December 2002
Cameras: Panaflex XL, Millennium & Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 35 Million USD
Budget AFI (2021): 51.6 Million USD
Printed on: Kodak Vision 2383
Attribute: Filmed with Panavision Cameras and Lenses - DirectorRon HowardStarsTommy Lee JonesCate BlanchettEvan Rachel WoodIn 1885 New Mexico, a frontier medicine woman forms an uneasy alliance with her estranged father when her daughter is kidnapped by an Apache brujo.Director: Ron Howard
Composer/Conductor/Orchestrator/Score Producer: James Horner
Cinematographer: Salvatore Totino ASC AIC
Film Editors: Daniel P. Hanley ACE, Mike Hill ACE
Art Director: Guy Barnes
Set Decorator: Wendy Ozols-Barnes
Costume Designer: Julie Weiss
Associate Producer/Unit Production Manager: Kathleen McGill
Executive in Charge of Production: Charles Newirth
Executive Producer/2nd Unit Director: Todd Hallowell
Senior SFX Supervisor: James L. Roberts
Key Sculptor: Robert Clark
Senior VFX Supervisor: Joel Hynek
VFX Plate Supervisor: Kelly Port
Senior VFX Producer: Julian Levi
Digital Domain VFX Producer: Todd Isroelit
Digital Domain VFX Executive Producer: Nancy Bernstein
Stunt Coordinator: Walter Scott
A-Camera/Steadicam Operator: Will Arnot
A-Camera Operator/Additional DP: Jesse Green
2nd Unit DP: Keith Peterman
2nd Unit 1st Ass't B-Camera: Chuck Whelan
2nd Unit Gaffer/Chief Lighting Technician: Jeffrey Murrell
Aerial Unit SpaceCam Operator: Steve Koster
Orchestra Contractor: Sandy DeCrescent
Filming Dates: 10 February 2003 - June 2003
Cameras: Arricam LT & ST (35mm Eastman EXR 100T 5248/Kodak Vision 250D 5246/Vision2 500T 5218)
Lenses: Cooke S4 Primes
AR: 2.39:1 (Super 35mm)
Budget: 60 Million USD
Budget AFI (2021): 88.59 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Digital Animation Provided by: Digital Domain
Attribute: Camera Equipment Provided by Arri Rental - DirectorMike NewellStarsJulia RobertsKirsten DunstJulia StilesA free-thinking art professor teaches conservative 1950s Wellesley girls to question their traditional social roles.Director: Mike Newell
Composer: Rachel Portman
Cinematographer: Anastas N. Michos ASC GSC
Film Editor: Mick Audsley
Production Designer: Jane Musky
Costume Designer: Michael Dennison
Executive in Charge of Production: Charles Newirth
2nd Unit Director: Paul Schiff
Senior VFX Supervisor: Randall Balsmeyer
2nd Unit DP: Daniel Moder
Camera Operators: Paul Masterson, Susan Starr
Steadicam Operators: Stephen Consentino, Kyle Rudolph
Cameras: Panaflex GII & Platinum (35mm)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Attribute: Filmed with Panavision Cameras and Lenses - DirectorP.J. HoganStarsJeremy SumpterJason IsaacsOlivia WilliamsThe Darling family children receive a visit from Peter Pan, who takes them to Never Never Land where an ongoing war with the evil Pirate Captain Hook is taking place.Director/Co-Writer: PJ Hogan
Producers: Douglas Wick, Lucy Fisher
Producer/Unit Production Manager: Patrick McCormack
Executive Producer: Mohamed Al Fayed
Dedicated to: Dodi Al Fayed
Unit Production Manager (LA Unit)/Co-Executive Producer: Charles Newirth
Cinematographer: Donald McAlpine ASC ACS
Cinematographers (ILM Miniatures): Carl Miller, Martin Rosenberg, Pat Sweeney
Production Designer: Roger Ford
Ass't Production Designer: Elaine Kusmishko
Film Editors: Michael Kahn ACE, Garth Craven
Composer: James Newton Howard
Production VFX Supervisor: Scott Farrar ASC
Costume Designer: Janet Patterson
Associate Producer/Production VFX Producer: Ellen M. Somers
Unit Production Manager: Jennifer Cornwell
1st Assistant Directors: Carolynne Cunningham, Simon Warnock
2nd Assistant Directors: Marc Ashton, Julie Burton
Supervising Stunt Coordinator/2nd Unit Director: Conrad E. Palmisano
AU Unit Stunt Coordinator: Ric Anderson
1st Unit Stunt Coordinator: Bernard Ledger
Gymnastic Trainer: Svetla Krasteva-Foley
Fencing Master: Gary Worsfield
Fight Coordinator: Bradley James Allan
Co-Producer: Stephen Jones
ILM Senior Animation Supervisor: Jenn Emberly
ILM Senior VFX Producer: Dana Friedman
Supervising Art Director: Richard Hobbs
Art Director: Michelle McGahey
Set Decorator: Kerrie Brown
Add'l Film Editor: Paul Rubell ACE
Sound Designer/Supervising Sound Mixer: Gary Rydstrom
Supervising Sound Mixers: Tom Johnson, Rick Kline
A-Camera Operator: David Williamson
1st Assistant A-Camera: Matt Toll
2nd Assistant A-Camera: Matt Windon
B-Camera/Steadicam Operator: Mark Goellnicht
Add'l Steadicam Operator: Philip M. Cross
Chief Lighting Technician: Steven Mathis
Production SFX Supervisor: Clayton M. Pinney
Ass't SFX Supervisor: Tony Centonze
Production SFX Coordinator: Bruce Bright
SFX On-Set Supervisor: Rob Heggie
SFX Workshop Supervisor: Peter Exton
SFX Gag Supervisor: Arthur Spink Jr
Supervising VFX Editor: Samuel Craven
Ass't AVID Editor: James Herbert
Apprentice Film Editor: John P. Husky
Ass't VFX Editor: Cheryl Potter
Visual Consultants: Iain McCaig, Brian Froud
3rd Assistant Director: Darwin Brooks
4th Assistant Director: Mark Bishop
2nd Unit Director: Shirley Barrett
2nd Unit DoP: Martin McGrath
2nd Unit 1st Ass't Director: Ian Kenny
2nd Unit 2nd Ass't Director: Tony Edwards
2nd Unit Add'l DoP: Ian Thorburn
2nd Unit Camera Operator: Andrew Conder
2nd Unit 1st Ass't A-Camera: Maggie McClymony
2nd Unit 1st Ass't B-Camera: David Cordell
2nd Unit Gaffer: Stewart Sorby
2nd Unit SFX Supervisor: Dan Oliver
LA Unit Production Supervisor: Peter Tobyansen
LA Unit 1st Ass't Director: Alan Curtiss
LA Unit 2nd Ass't Director: Basti Van Der Woude
LA Unit A-Camera Operator: Neal Norton
LA Unit 1st Ass't Camera: Patrick McArdle
Orchestrator: Conrad Pope
Music Contractor: Sandy DeCrescent
VFX Production Manager: Keith Foston
Production VFX Coordinators: Suzanne Evans-Booth, Laura LeFaivre
VFX Production Assistant: Sarah Jane Walsh
Pre-Visualization Supervisor: David Dozoretz
ILM Add'l VFX Supervisor: Eric Brevig
ILM VFX Art Director: Alexander Laurant
ILM VFX Associate Producer: Julie D'Antoni
ILM VFX Executive Producer: Judith Weaver
ILM CG Supervisors: Kevin Barnhill, Steve Braggs
ILM Compositing Supervisors: Jon Alexander, Patrick Tubach
ILM CG Sequence Supervisors: Amelia Chenoweth, Lindy De Quattro, Indira Guerrieri, David Hisanaga
ILM Compositing Sequence Supervisors: Stella Bogh, Stephen Kennedy, Kimberly Lashbrook, Francois Lambert, Siobhan Lo, Tony Mercer, Jeff Sutherland
ILM Miniatures Supervisor: Brian Gernand
ILM Associate Animation Supervisor: Peter Daulton
ILM Digital Model Supervisor: Ken Bryan
ILM Creature Development Supervisor: Michelle Dean
ILM Viewpaint Supervisor: Ron Woodall
ILM Sabre Compositing Supervisor: Mark Casey
ILM Digital Matte Supervisor: Jonathan Harb
ILM On-Set VFX Data Capture Supervisor: Joel Aron
ILM Add'l Plate Supervisor: Barry Armour
ILM VFX Editor: Michael Gleason
ILM Color Timing Supervisor: Bruce Vecchitto
ILM Lead Matchmover: Selwyn Eddy III
ILM Sabre Compositor: Sebastien Moreau
ILM Digital Matte Artist: Richard Bluff
ILM Lead Creature TD: Scott Jones
ILM Digital Matte Painters: Yanick Dusseault, Giles Hancock, Pamela Hobbs, Joshua Ong
ILM Creature TDs: Jae Hong, Sunny Lee
ILM Production Coordinators: Lori Arnold, Paula Nederman
ILM Stage Production Manager: Bill Tlusty
ILM Concert Artists: Sang Lee, Wayne Lo, Aaron McBride, Claudia Mullaly
ILM Plate Coordinator: Margaret Lynch
ILM Stage Coordinator: Stephen Riera
ILM Digital Plate Restorationists: Chris Pinto, Ivy Williams
ILM R&D Supervisor: Philip Hubbard
ILM VFX Production Assistants: Brian Barlettani, Ryan Mayeda
ILM Ass't Editor: James Milton
ILM General Manager: Jim Morris
ILM Executive VFX Producer: Chrissie England
Digital Domain VFX Supervisor: Mark O. Forker
Digital Domain VFX Producer: Kristina Reed
Digital Domain CG Supervisor: Brad Parker
Digital Domain Compositing Supervisor: Claas Henke
Digital Domain Digital Production Manager: Suzanne Buirgy
Digital Domain Technical Development Lead: Darren Hendler
Digital Domain Lead Character Animator: Andrew Hall
Digital Domain Lead CG FX Animator: Peter Plevritis
Digital Domain Lead CG Set Extensionist: Marcus Stokes
Digital Domain Lead 3D Integrationist: David Niednagel
Digital Domain CG Set Extension Color & Lighting TD: Hanzhi Tang
Digital Domain Lead Technical Compositor: Sean Devereaux
Digital Domain Digital Compositors: Joel Behrens, Joe Farrell, Lou Pecora, Marc D. Rienzo
Digital Domain VFX Editor: Heather J. Morrison
Digital Domain Color Grader: Celine Jackson
Digital Domain VFX Production Coordinators: Shad Davis, Brenda E. Gaz
Digital Domain DFX Coordinators: Mark Fletcher, Steve Griffith, Maxine Jurgens
Digital Domain Digital Rotoscope/Paint Lead: Shannon Wiggins
Digital Domain Ass't DFX Coordinator: Cat Thelia
Digital Domain Technical Assistant: John P. McMullen
Digital Domain VFX Assistant: Bekki Misiorowski
Digital Domain VFX Production Assistant: Niki Yoblonski
Digital Domain VFX Executive Producer: Nancy Bernstein
SPI VFX Supervisor: Mark Stetson
SPI Senior VFX Producer: Cari Thomas
SPI Executive VFX Producer: Debbie Denise
SPI CG Supervisor: Rob Engle
SPI Animation Supervisor: Pepe Valencia
SPI VFX Digital Production Manager: Eric Scott
SPI VFX Coordinator: Eric Withee
SPI Senior Art Directors: Marzette Bonar, Michael Scheffe
SPI FX Technical Directors: Todd Boyce, Sean Cunningham, Zsolt Krajcsik, Bill LeBarge
SPI Texture Painter: Steven Eric Giesler
SPI Sword Look Development Supervisor: Mark Hall
SPI VFX Editor: Kristopher Kasper
SPI Ass't VFX Editor: James D. Kirkpatrick
SPI Negative Handler: Boyd Steer
SPI Lead Production Services Technician: Kevin Kitchen
SPI Add'l Matte Painter: Michael Lloyd
SPI Interactive Compositing Coordinator: Jason Anderson
SPI IC Department Manager: Dawn Guinta
SPI VFX Accountant: Robb Miller
SPI Digital Color Timer: Paul McGhee
SPI VFX Production Assistant: Chris Antonini
SPI VP of Production Services: C. Marie Davis
SPI Lead Scanning Technician: Chris Arreola
SPI Digital Production Manager: Rachael Phillips
SPI VFX Executive Producer: Jenny Fulle
SPI Film Recording Technician: Shallamar Poole
SPI Digital Production Coordinator: Jill Lopez
SPI Motion Control Technician: Matt Sloan
SPI Production Administrator: Tom Hershey
SPI Digital VFX Producer: Stan Szymanski
SPI General Manager: Tim Sarnoff
Pixel Playground VFX Supervisor/Compositor: Don Lee
Pixel Playground CG Artist: David Bryant
JCCW Creative Supervisor & Designer: John Cox
JCCW Lead Sculptor: David Renn
JCCW Sculptor: Stuart Rowsell
JCCW Crocodile Mechanical Designer: Trevor Tighe
JCCW Animatronic Designer: Greg McKee
JCCW Electronics Designer: Andrew Goodall
R!OT VFX Art Director: Michele Moen
R!OT VFX Supervisor: Kenneth Nakada
R!OT VFX Producer: Carole Cowley
R!OT VP of Visual Effects: Andrea D'Amico
R!OT VFX Production Manager: Jaime Norman
R!OT VFX Lead Coordinator: Elaine Essex Thompson
R!OT Composite Supervisor: Stefano Trivelli
R!OT Apprentice Matte Painter: Vanessa Cheung
R!OT 3D Modeler: Shuichi Suzuki
R!OT AVID Editor: Mitchell Glaser
R!OT VFX Film Editor: Tommy Dorsett
R!OT Data Management I/O Supervisor: Vincent Lavares
R!OT Digital Color Timer: Greg Kimble
Miniatures Unit DoP: David Hardberger
Miniatures Unit MOCON Operator: Michael Kelly
Miniatures Unit Gaffer: Mark Jefferies
DI Colorist: Steven J. Scott ASC
Digital Colorist Assistant: Ntana Key
DI Producer: Michael Kennedy
Filming Dates: 17 September 2002 - 5 May 2003
Cameras: Arriflex 435, Panaflex XL & Platinum (35mm Kodak Vision 500T 5279/Expression 500T 5284)
Lenses: Panavision Primo Anamorphic Primes & C-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 100-130 Million USD
Budget AFI (2021): 148.3-192.8 Million USD
Printed on: Kodak Vision 2383
Post-Production Sound Services Provided by: Skywalker Sound
Special Visual Effects & Digital Animation Provided by: Industrial Light & Magic, Digital Domain + Sony Pictures Imageworks
Additional Composites Provided by: Pixel Playground
Parrot & Crocodile Animatronics Provided by: John Cox's Creature Workshop
Mermaid Prosthetics Provided by: Weta Workshop
Visual Effects Provided by: R!OT
Additional Visual Effects Provided by: Pacific Title & Arts Studio
Attribute: Filmed in Panavision - DirectorGuillermo del ToroStarsRon PerlmanDoug JonesSelma BlairA demon raised from infancy after being conjured by and rescued from the Nazis, grows up to become a defender against the forces of darkness.Director, Co-Writer & Fight Choreographer: Guillermo Del Toro
Screen Story Writer: Peter Briggs
Visual Consultant & Co-Exec Producer: Michael Mignola
Producer: Mike Richardson
Cinematographer: Guillermo Navarro ASC AMC
Cinematographer (FIIFE): Christopher Warren
Production Designer: Stephen Scott
Film Editor: Peter Amundson ACE
Composer & Score Producer: Marco Beltrami
Exec Producer/Unit Prod Manager: Pat Palmer
Hellboy Makeup Consultant: Rick Baker
Costume Designer: Wendy Partridge
Unit Production Manager: Michelle Weller
1st Assistant Director: J. Michael Haynie
Production Manager: Dita Moers Strouhal
2nd Assistant Director: Mark Taylor
Production VFX Supervisor: Edward Irastorza
Stunt Coordinator: Monty Simons
Fight Choreographers: Jeff Ward, Thomas Elliott, Ladislav Beran
Production Consultant: Petr Keller
Supervising Art Director: Simon Lamont
Art Directors: Marco Bittner Rosser, Peter Francis, James Hambidge
Lead Set Decorator: Hilton Rosemarin
Set Decorator: Simon Wakefield
Prop Masters: Michael Lindsay, Jiri Zucek
A-Camera Operators: Joaquin Manchado, Martin Grosup
1st Assistant A-Camera: Juan Leiva
2nd Assistant A-Camera: Dan Balcer
B-Camera/Steadicam Operator: Jaromir Sedina
1st Assistant B-Camera: Timothy Kane
Production SFX Supervisors: Nick Allder, David Beavis
SFX Floor Supervisors: Kevin Draycott, Jiri vater
SFX Workshop Supervisor: Jem Lovett
SFX Engineering Supervisor: Jeff Clifford
SFX Senior Technicians: Paul Dimmer, Ian Thompson, Melvyn Pearson
Sup Location Managers: Ilt Jones, Jarda Vaculik
Ass't Location Managers: Adam Fuchs, Marketa Makova
Unit Managers: Mirka Taylor, Emre Sonmez
2nd 2nd Ass't Director: Andy Howard
3rd Assistant Directors: Richard Goodwin, Roman Janecka, Philip Lee Seeger, Sergio Simenovic
Picture Vehicle Coordinator: Stepan Janecek
Post-Production Supervisor: Jim Conrads
Co-Visual Effects Producer: Mark Russell
Associate Film Editor: Jana Gold Carson
Associate VFX Producer: Dave Van Dyke
Exec in Charge Of Production: Charles Newirth
VFX Reference Supervisor: Ondrej Kubicek
Production VFX Editors: Joseph Carson, Dirk Westervelt ACE
1st Assistant Editor: Laura Rindler
1st Ass't VFX Editor: W. Kale Thorton
2nd Assistant Editor: Christy Richmond
Apprentice Film Editors: Sean Palmer, Marketa Tom
Editorial Production Assistants: Sheredia Norris, Jarda Dvorak
VFX Production Assistant: Eric Faith
Production VFX Surveyors: Martin Cerny, Michal Veverka
Music Supervisors: Peter Afterman, Margaret Yen
Score Orchestrator & Conductor: Pete Anthony
Score Producer: Buck Sanders
Image Force Design & Art Director: Karin Fong
Image Force Producer: Keith Bryant
Image Force Production Coordinator: Troy Miller
Digital Color Timer: Mike Eaves
Digital Colorist Finishing Assistant: Jack Lewars
DI Finishing Producer: Lorene Simpson
EFilm Finishing Prod Supervisor: Josh Haynie
Tippett Studio Senior VFX Supervisor: Blair Clark
Tippett Studio VFX Producer: Alessandra De Souza
Tippett Studio VFX Art Director: Joel Friesch
Tippett Studio Animation Sup: Todd Labonte
Tippett Studio CG Sup: William Todd Stinson
Tippett Studio VFX Digital Manager: Tim De Pala
Tippett Studio Lead CG Modeler: Sven Jensen
Tippett Studio Lead FX Animator: Demetrius Leal
Tippett Studio Lead Character Set-Up Sup: Paul Thuriot
Tippett Studio Digital Imaging Sup: Matthew Tomlinson
Tippett Studio Film I/O Sup: Nathan Abbot
Tippett Studio Digital Film I/O Man.: Vicki Wong
Tippett Studio VFX Editor: Sarah Schubert
Tippett St Digital Color Corrector: Adam Gerardin
Tippett Studio Data Wrangler: Deborah Thomas
Tippett St Exec VFX Producers: Jules Roman, Alonzo Ruvalcaba
Orphanage Senior VFX Supervisor: Jon Rothbart
Orphanage Exec VFX Producers: Marc Sadeghi, Luke O'Byrne
Orphanage Senior VFX Producer: Velvy Appleton
Orphanage CG Supervisor: Kevin Baillie
Orphanage Digital Environments Sup: Brian Flora
Orphanage Comp Supervisor: Jance Allen
Orphanage Animation Sup: Mauricio Baiocchi
Orphanage Creature Supervisor: Dave Grossman
Orphanage R&P Supervisor: Aaron Rhodes
Orphanage Matchmove Supervisor: Tim Dobbert
Orphanage Seq. Supervisors: Ryan Tudhope, Matthew Hendershot
Orphanage VFX Associate Producer: Arin Finger
Orphanage VFX Editor: Carl Walters
Orphanage VFX 1st Ass't Editor: Jenni Nelson
Eden FX VFX Supervisor: John Gross
Eden FX VFX Producer: Stephen W. Pugh
Eden FX VFX Coordinator: Michael Tuinstra
Eden FX VFX Exec Producer: Mark Miller
Eden FX Lead Digital Artist: John M. Teska
Eden FX Dailies Wrangler: Alex Cherry
Café FX VFX Supervisor: Everett Burrell
Café FX VFX Producer: Vicki Galloway Weimer
Café FX VFX Associate Producer: Phillip Moses
Café FX Executive Producer: Jeff Barnes
Café FX Facility FX Supervisor: David Ebner
Café FX Fire FX Lead Animator: Scott Gordon
Café FX Animation Sup: Domenic Di Giorgio
Café FX VFX Editor: Desi R. Ortiz
HimAnI VFX Supervisor: Kevin Kutchaver
HimAnI CGI FX Lead: John Gibbons
HimAnI Comp Supervisor: Philip Carbonaro
Hatch Lead Matte Painter: Deak Ferrand
Hatch VFX Producer: Rebecca Ramsey
Hatch Matte Painter: Dominic Daigle
Hatch Miniatures Supervisor: Jim Towler
Hatch Executive VFX Producer: Cheryl Bainum
TPC VFX Consultant: Todd Vaziri
BBD Creative Supervisor: Kent De Maine
BBD VFX Supervisor: Will Robbins
BBD VFX Producer: Karin Levinson
BBD Compositor: Max Harris
BBD Technical Lead: Eric Berger
FIIFE VFX Supervisor: Gene Warren Jr
FIIFE Model Supervisor: Gene Warren III
FIIFE VFX Producer: Leslie Huntley
FIIFE Digital Supervisor: Laurel Klick
FIIFE Miniature Unit Gaffer: Ralph Flores Jr
Cinovation Prosthetics Coordinator: Bill Sturgeon
Cinovation Project Coordinator: Heidi Holicker
Cinovation Mechanical Tech & Puppeteer: Chad Waters
Cinovation Mechanical Technician: Jeanne Vosloo
Spec Mo Creature/Makeup FX Sup: Mike Elizalde
Spec Mo Production Supervisor: Brian Walsh
Spec Mo Art Supervisors: Steve Wang, Norman Cabrera, Jose Fernandez
Spec Mo Animatronic Supervisor: Mark Setrakian
Spec Mo Mold Dept. Supervisor: Brent Baker
Spec Mo Foam Supervisor: Roland Blancaflor
DDT Prosthetic Makeup & Props Supervisors: David Marti, Montse Ribi
Filming Dates: 4 March 2003 - August 2003
Cameras: Arriflex 435 ES & Moviecam Compact (35mm Kodak Vision2 500T 5218 & Vision 250D 5246)
Lenses: Zeiss Ultra Primes & Variable Primes
AR: 1.85:1 (Spherical)
Budget: 60-66 Million USD
Budget AFI (2022): 90.1-99.1 Million USD
Printed on: Kodak Vision 2383
Post-Production Sound Services, Score Recording & Mixing Provided by: Skywalker Sound
Main Title Sequences Designed & Produced by: Imaginary Forces
Additional Digital Optical Effects Provided by: CIS Hollywood & The Pit Crew
Digital Stunts & Creature Effects Provided by: Tippett Studio
Special Visual Effects Designed & Produced by: The Orphanage, Eden FX, Café FX, HimAnI Productions, Black Box Digital & Fantasy II Film Effects
Matte Paintings Provided by: Hatch
Prosthetic Makeup, Props & Animatronic Effects Designed by: Cinovation, Spectral Motion & DDT Efectos Especiales
Shot on: Kodak Motion Picture Film
Attribute: Camera Equipment Provided by Arri Rental - DirectorGary WinickStarsJennifer GarnerMark RuffaloJudy GreerUnpopular schoolgirl Jenna Rink makes an unusual wish on her birthday. Miraculously, her wish comes true and the 13-year-old Jenna wakes up the next day as a 30-year-old woman.Director: Gary Winick
Cinematographer: Don Burgess ASC
Production Designer: Garreth Stover
Camera Operator: Patrick O'Brien
Composer: Theodore Shapiro
Film Editor: Susan Littleberg
Costume Designer: Susie DeSanto
Unit Production Manager: Allegra Clegg
Executive in Charge Of Production: Charles Newirth
Camera(s): Panaflex XL, Millennium & Platinum (35mm)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorKeenen Ivory WayansStarsMarlon WayansShawn WayansBusy PhilippsTwo disgraced FBI agents go way undercover in an effort to protect hotel heiresses the Wilson sisters from a kidnapping plot.Director: Keenen Ivory Wayans
Cinematographer: Steven Bernstein ASC
Production Designer: Paul Peters
2nd Unit DP: Philip Linzey
A-Camera Operator: Vern Nobles Jr
B-Camera/Steadicam Operators: Steven N. Moore, Tim Spencer
C-Camera Operator: Andrew D. Wilson
VFX Supervisor: Murray Barber
Composer: Teddy Castellucci
Score Mixer: Dennis S. Sands
Film Editor: Jeff Gourson
Additional Film Editor: Tom Costain
Cameras: Moviecam Compact & Panaflex Platinum (35mm)
AR: 1.85:1 (Spherical 4-Perf 35mm) - DirectorJoe RothStarsTim AllenJamie Lee CurtisDan AykroydWith their daughter, Blair, away in Peru, Luther and Nora Krank decide to skip Christmas all together until she decides to come home, causing an uproar when they have to celebrate it at the last minute.Director: Joe Roth
Casting Director: Margery Simkin
Costume Designer: Susie DeSanto
Co-Producer / Unit PM: Allegra Clegg
Music Supervisor: Little Steven
Composer: John Debney
Film Editor: Nick Moore
Production Designer: Garreth Stover
Cinematographer: Don Burgess ASC
EP, Revolution Studios: Charles Newirth
Executive Producer: Bruce A. Block
Producer & Screenwriter: Chris Columbus
Producers: Mark Radcliffe, Michael Barnathan
First Assistant Director / AP: Alan B. Curtiss
Second Assistant Director: David Bernstein
Stunt Coordinator: Ernie Orsatti
Supervising Art Director: Christopher Mohr
Supervising Set Decorator: Karen O'Hara
Supervising Prop Master: Kirk Corwin
Script Supervisor: Luca Kouimelis
Production Supervisor: Daren Hicks
Production Accountant: Cheryl A. Stone
Supervising Location Manager: Liz Matthews
Supervising Sound Mixers: Michael Minkler, Myron Nettinga
"A" Camera / Steadicam Operator: Chris Squires
First Assistant "A" Camera: Zoran Veselic
Second Assistant "A" Camera: Steven Cueva
"B" Camera Operator: Patrick O'Brien
First Assistant "B" Camera: Donal Steinberg
Second Assistant "B" Camera: Matthew Moriarty
Panaflex Camera Loader: Mark Gilmer
Costume Supervisor: Deborah A. Hall
Assistant Costume Designer: Vikki Barrett
Key Costumer: Susan Kistler
Makeup Artist/Department Head: Hallie D'Amore
Key Makeup Artist: Kenneth Schoenfeld
Hairstylist / Department Head: Joy Zapata
Key Hairstylist: Toni-Ann Walker
Chief Lighting Technician: Steve C. McGee
Assistant Chief Lighting Technician: Edward Cox
Dimmer Operator: Craig Campbell
Rigging Gaffer; Bradley Thomas Emmons III
Fixtures Foreman: Richard Maldonado
Key Grip: J. Patrick Daily
Best Boy Grip: Nina Moscal
Rigging Key Grip: Michael McGuire
Rigging Best Boy Grip: Will Ambrose
Production Sound Mixer: Willie Burton CAS
Video Assist: Bradford S. Ralston
Supervising Special Effects Coordinator: Allen L. Hall
Prod. Special Effects Coordinator: Andrew Weder
Special Effects Foremen: Jeff Khachadoorian, Jeff Ogg
Shop Foreman, Special Effects: James Reedy
Pyro Tech, Special Effects: Frank L. Toro
Key Welder, Special Effects: Carlos M. Rodriguez
Prod. Special Effects Technician: Matthew Hall
Special Effects Water Truck: Kenny La Cross
First Assistant Accountant: Michael R. Kern
Payroll Accountant: Michael Dorner
Unit Publicist: Michael Singer
Still Photographer: Zade Rosenthal
2nd Second Assistant Director: Jody Spilkoman
Assistant ADs: Martha Johnston, Harry E. Otto
Set Designers: Gae Buckley, Bruce Robert Hill, Patricia Klawonn, Barbara Mesney, Theo Sharps
Storyboard Artists: John Coven, Mark A. Moretti
Illustrator: Benjamin A. Procter
Graphic Designer: Kim Lincoln
Art Department Coordinator: Al Lewis
Assistant Prop Masters: Andrew Seigel, Jeffrey Snyder
Set Dressing Buyer: Katherine Lucas
Christmas Designer: Kathy Ball
Gang Boss, Set Decoration: Kenneth Turek
On-Set Dresser: Peter N. Griffith
Casting Associates: Liz Lang Fedrick, Susan Paley Abramson
Transportation Coordinator: Joel Marrow
Transportation Captain: Randy Cantor
Transportation Co-Captain: Rodney Bennett
Transportation Office Coordinator: Carrie Marrow
Post Production Supervisor: Gail Laskowski
1st Assistant Editor: Mike Jackson
Production Visual Effects Editor: Clark Campbell
Second Assistant Editor: Julian Andraus
First Apprentice Editor: Petra Demas
Second Apprentice Editor: John P. Husky
Editorial Production Assistant: Zack Roth
Supervising Sound Editor: Darren King
Production ADR Editor: Craig Henighan
Supervising Foley Editor: Dan Yale
Production Foley Editor: Hari Ryatt
1st Assistant Sound Editor: Joe Schultz
2nd Assistant Sound Editor: Eric Klein
Production Foley Assistant: Anna Malkin
Production ADR Mixer: Gregory Steele
Supervising Music Editor: Lisa Jaime
Prod. Music Editors: Jeff Carson, Jim Harrison
Score Orchestrators: Brad Dechter, Mike Watts, Frank Bennett, Jeff Atmajian, Don Nemitz
Score Mixer: Shawn Murphy
Orchestra Contractor: Sandy DeCrescent
EFILM Digital Color Timer: Steven J. Scott ASC
EFILM DI Producer: Michael Kennedy
EFILM Color Timer: Jim Passon
EFILM Negative Cutter: Mo Henry
SPI Sr. Visual Effects Supervisor: Sheena Duggal
SPI Senior Visual Effects Producer: Daniel Kuehn
SPI Visual FX Executive Producer: Debbie Denise
SPI Sr. CG Supervisors: Jake Morrison, Ken Hahn
SPI IAC Production Manager: Dawn Guinta
SPI Visual Effects Editor: Kevin J. Jolly
SPI Lead Compositor: Christian Boudman
SPI Art Director: Michael Scheffe
SPI MPs: Ivo Horvat, David Bleich, Eric McLean
SPI Character TD: Aaron Campbell
SPI Texture Painter: David Palmer
SPI Visual Effects Coordinator: Bernard Jauregui
SPI IAC Coordinator: Jason Anderson
SPI Visual Effects Assistant Editor: Annie Mahlik
SPI Production Assistant: Christopher Blasko
SPI Research Assistant: Christopher Hebert
SPI Lead Production Services Tech: J.C. Cornwell
SPI SED Manager: Alberto Velez
SPI Sr. Systems Engineer: Jean-Francois Panisset
SPI Systems Engineer: Hector Barrera
SPI Senior Video Engineer: Olin Kimberly
SPI Video Editor: Ray Wong
SPI Lead Film Recording Tech: Derrick Quarles
SPI Lead Scanning Technician: Chris Arreola
SPI Digital Color Timer: Paul McGhee
SPI Production Accountant: Jackie Szymanski
SPI Digital PM Lead: Rachael Phillips
SPI DCG Management Lead: Lauren Littleton
SPI Manager, Production Services: Nate Eriksen
SPI Editorial Coordinator: Nikki Bell
SPI Negative Cutter: Boyd Steer
SPI President: Tim Sarnoff
SPI Executive V.P., Production / EP: Jenny Fulle
SPI Senior VP, Operations: Thomas Hershey
SPI SVP & Chief Tech Officer: George H. Joblove
SPI Business & Legal Affairs Exec: Jennifer Kuo
SPI SVP, Digital Production: Stan Szymanski
SPI VP, Animation: Barry Weiss
Dedicated to: Alan King
Cameras: Panaflex XL, Millennium & Platinum (35mm Kodak Vision 200T 5274 & Vision2 500T 5218)
Lenses: Panavision® Primo AL Primes & C-Series AL Primes
AR: 2.39:1 (Anamorphic)
Budget: 60 Million USD
Budget AFI (2022): 94.5 Million USD
Printed on: Kodak Vision 2383
Main Title Designed by: Picture Mill
Digital Intermediate, Motion Picture Laboratory Services & Color by: EFILM, Laser Pacific & Deluxe®
Special Visual Effects & Animation by: Sony Pictures Imageworks
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision® - DirectorBrian LevantStarsIce CubeNia LongAleisha AllenTo impress a foxy divorcee, ladies' man Nick offers to take her kids on an extended road trip, unaware of the torture he's in for.Director: Brian Levant
Producer: Ice Cube
Costume Designer: Gersha Phillips
Composer/Conductor/Orchestrator: David Newman
Scoring Consultant: Krystyna Newman
Film Editor: Lawrence Jordan
Production Designer: Stephen Lineweaver
Cinematographer: Thomas Ackerman ASC
Co-Writers: Steven Gary Banks, Claudia Grazioso
Screenwriters: J. David Stein, David N. Weiss
Stunt Driver/Stunt Coordinator: Dean Choe
Stunt Coordinator (USA): Eddie L. Watkins
Stunt Double for Ice Cube: Keith Woulard
Unit Production Manager: Jim Rowe
1st Assistant Director: Donald L. Sparks
Key 2nd Ass't Director: David K. Arnold
Art Director: Kelvin Humenny
Set Decorator: Johanne Hubert
Prop Master: Ellen Freund
A-Camera/Steadicam Operator: Jim Van Dijk
B-Camera Operators: Neil Seale, Trig Singer
Add'l Camera Operator: Glen Dickson
1st Assistant A-Camera: Larry Portmann
2nd Assistant A-Camera: Harold Bernard
Aerial Unit DoP: Douglas Holgate
Chief Lighting Technician: Stuart Haggerty
Ass't Chief Lighting Technician: Niall Fraser
Rigging Gaffer: John-David Hutchison
Production SFX Coordinator: Joel Whist
Production SFX Foreman: Dan Cervin
Location Manager: Bruce L. Brownstein
Production Coordinator: Eva Morgan
Set Designer: Allan Galjada
2nd Assistant Director: Eddy Santos
3rd Assistant Director: Gary Hawes
Picture Car Coordinator: Rick Rasmussen
2nd Unit Director: Glenn Randall Jr
2nd Unit 1st Ass't Director: Greg Zenon
2nd Unit 2nd Ass't Director: Kathy Houghton
2nd Unit DoPs: Don McQuaig ASC CSC, Randal Platt
2nd Unit A-Camera Operator: Kenneth Hewlett
2nd Unit B-Camera Operator: Richard McNeal
2nd Unit C-Camera Operator: Keith Thomson
2nd Unit Aerial DoP: AJ Vesak
2nd Unit Chief Lighting Technician: Bill Dawson
2nd Unit SFX Coordinator: Stewart Bradley
2nd Unit SFX Technician: Stephen Hepworth
2nd Unit Ass't Location Manager: Linda Yip
2nd Unit Stunt Coordinator: JJ Makaro
Executive in Charge of Production: Charles Newirth
Post-Production Supervisor: Erica Frauman
1st Assistant Editor: Dawn M. Gerrior
Production VFX Editor: Wilt Henderson
2nd Ass't Editor (Vancouver): Melody Gehrman-Cook
Apprentice Film Editor: Stephen Shapiro
Orchestra Contractor: Sandy DeCrescent
Digital Color Timer: Michael Eaves
DI Producer: Terra Bliss
Ass't Digital Colorist: Chris Jensen
ILM Senior VFX Supervisor: Stefan Fangmeier
JHCS Senior VFX Supervisor: Stephen Coren
Image Engine On-Set VFX Supervisor: Robin Hackl
Associate VFX Producer: Bret Nelson
ILM Senior Animation Supervisor: Hal Hickel
ILM Senior VFX Producer: Jeff Olson
ILM CG Supervisor: Kevin Barnhill
ILM Lead Animator: Marc Chu
ILM Lead Digital Modeler: Ken Bryan
ILM Lead Viewpaint Artist: Terry Molatore
ILM Associate VFX Producer: Julie Creighton
ILM Color Timing Supervisor: Bruce Vecchitto
ILM VFX Editor: Michael Gleason
ILM Lead 3D Camera Matchmover: Terry Chostner
ILM Creature Development Artist: Eric Wong
ILM VFX Production Coordinator: Ryan Mayeda
ILM Still Photographer: David Owen
ILM Video Engineering Supervisor: Michael Morgan
ILM Ass't VFX Editor: James Milton
ILM Film Recording Engineer: Darren Jones
ILM Technical Assistant: Carrie Wolberg
ILM President: Jim Morris
JHCS CG Supervisor: Jesh Krishna Murthy
JHCS VFX Producer: Nick Drew
JHCS VFX Coordinator: Penny Hayler
JHCS Animator: Aysha Madina
JHCS Lead Character TD: Gavin Baxter
JHCS Performance Animation TDs: Jeff Christie, Michael Babcock
JHCS Texture Painter: Arnaud Mayet
JHCS Composite Supervisor: Aaron Barclay
JHCS Matchmove/Camera Supervisor: Simon Payne
JHCS Senior Systems Administrator: Peter Guyan
JHCS Render Manager: Jorj Aleem
JHCS VFX Editor: Collette Nunes
CFE VFX Supervisor: Mark Dornfeld
CFE VFX Producer: Michael Ferrone
CFE Digital Editorial Supervisor: Adam Gass
CFE Digital VFX Supervisor: Laurie Powers
CFE Data Wrangler: David Smithson
CFE IO Supervisor: Ryan Beadle
Café FX DFX Supervisor: David Ebner
Café FX DFX Producer: Jonathan Stone
Café FX Lead DFX Artist: Jim Arthurs
Café FX Roto Artists: Toby Newell, Joe Hoback
Café FX DFX Coordinator: Philip Moses
Café FX Executive VFX Producer: Vicki Weimer
Café FX Production Executive: Jeff Barnes
Radium Compositors: Scott Rader, Ali Laventhol
Radium Matte Painter: Darin Hilton
Radium Roto Artists: Jackie Cooper, Mike Plescia
Radium VFX Producer: Tom Ford
Filming Dates: 17 November 2003 - 22 February 2004
Cameras: Arriflex 35-III & Panaflex Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Budget: 32 Million USD
Budget AFI (2021): 44.1 Million USD
Special Visual Effects, Digital Opticals, Titles & Performance Animation by: Industrial Light & Magic, Jim Henson's Creature Shop, Image Engine, Custom Film Effects, Café FX + Radium
Attribute: Filmed with Panavision Cameras and Lenses - DirectorStephen HerekStarsTommy Lee JonesChristina MilianKelli GarnerA Texas Ranger must protect a group of cheerleaders who have witnessed a murder.Director: Stephen Herek
Cinematographer: Peter Menzies Jr ASC ACS
Production Designer: Nelson Coates
Stunt Coordinator/2nd Unit Director: Allan Graf
2nd Unit DP: Robert LaBonge
Camera Operators: Ian Ellis, Todd McMullen
A-Camera/Steadicam Operator: David Emmerichs
B-Camera/Additional Steadicam Operator: Gary L. Camp
Additional B-Camera Operator: Heather Page
2nd Unit Assistant Director/Unit Production Manager: John G. Scotti
VFX Supervisor: William Mesa
Composer: David Newman
Film Editors: Chris Lebenzon ACE, Joel Negron ACE
Additional Film Editor: Roger Bondelli
Costume Designer: Betsy Heimann
Camera: Panaflex XL (35mm)
Lenses: Panavision Primo Anamorphic Primes & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Anecdote: Filmed in Panavision - DirectorLee TamahoriStarsIce CubeSamuel L. JacksonWillem DafoeDarius Stone, a new agent in the xXx program, is sent to Washington, D.C. to stop a coup attempt against the President of the United States.Director: Lee Tamahori
Costume Designer: Sanja Milkovic Hays
Production VFX Supervisor: Scott Farrar ASC
Composer/Score Producer: Marco Beltrami
Add'l Guitar Player: Tom Morello
Conductor/Orchestrator: Pete Anthony
Film Editors: Mark Goldblatt ACE, Steven Rosenblum ACE, Todd E. Miller
Production Designer: Gavin Bocquet
Cinematographer: David Tattersall BSC
Executive Producers: Rob Cohen, Todd Garner, Joe Roth
Producer: Neal H. Moritz
Producer/Unit Production Manager: Arne L. Schmidt
Writer: Simon Kinberg
Unit Production Manager: Debra James
1st Assistant Director: J. Michael Haynie
2nd Assistant Director: Steve Battaglia
Stunt Coordinator: RA Rondell
Ass't Stunt Coordinator: Mike Gunther
Marine Coordinator: Ricou Browning
Ass't Marine Coordinator: Kelly Browning
Fight Coordinator: Marcus Young
2nd Unit Stunt Coordinator: Freddie Hice
Stunt Double for Ice Cube: Keith Woulard
Stunts: Robert Alonzo, Hank Amos, JJ Dashnaw, Brad Martin, Casey O'Neill, JJ Perry, Tim Rigby, Mic Rodgers, Chad Stahelski, Tim Trella
Supervising Art Director: Mark Mansbridge
Art Director: Brad Ricker
Set Decorator: Hilton Rosemarin
Prop Master: CJ Maguire
Post-Production Supervisor: Isabel Henderson
Production Coordinator: Lisa Swain
Location Manager: James R. Lin
A-Camera/Steadicam Operator: Chris Squires
1st Assistant A-Camera: Zoran Veselic
2nd Assistant A-Camera: Steven Cueva
B-Camera Operator: Patrick B. O'Brien
1st Assistant B-Camera: Donal Steinberg
2nd Assistant B-Camera: Matt Moriarty
Aerial Unit DoP: Phil Pastuhov
Chief Lighting Technician: H. Mark Vuille
Ass't Chief Lighting Technician: Michael O'Melia
Production SFX Supervisor: John Frazier
Production SFX Coordinator: Jim Schwalm
Production SFX Foreman: David Amborn
Production SFX Auditor: Katrissa Peterson
Set Designers: Kristen Davis, Mark Hitchler, Lawrence A. Hubbs
Junior Set Designer: Robert Johnson
Ass't Art Directors: Nick Navarro, Luke Freeborn
3D Artist: Aaron Haye
Previsualization Supervisor/POV Senior VFX Supervisor: David Dozoretz
Model Maker: Dan Engle
Armorer: Michael Papac
Ass't Armorers: Robert Sica, Nicholas M. Papac
2nd 2nd Ass't Director: Kristina M. Peterson
Technical Advisors: Dave Kennedy, Harry Humphries, Paul Lipscomb
Aerial Unit Helicopter Pilot: Cliff Fleming
Transportation Picture Car Coordinator: Steven Mann
1st Assistant Editors: Yvonne Valdez, Cynthia Thornton
Production VFX Editor: Steven C. Ansell
Ass't VFX Editor: Mark Phillips
Apprentice Film Editors: Brinton Smith, John P. Husky
Sound Design Editor: Harry Cohen
Supervising Music Editor: Alex Gibson
Music Editor: Bill Abbott
Score Orchestrator: Marcus Trumpp
Score Producer: Buck Sanders
Score Mixer: Dennis S. Sands
Music Contractor: Sandy DeCrescent
Digital Color Timer: Mike Eaves
DI Producer: Lorene Simpson
DI Editor: Amy Pawlowski
PTAS Title Designer: Bruce Schluter
ILM Senior VFX Producers: Stephanie Hornish, Gretchen Libby
ILM VFX Associate Supervisor: Samir Hoon
ILM CG Supervisor: Lindy De Quattro
ILM Compositing Supervisor: Greg Maloney
ILM Inferno Supervisor: Sebastien Moreau
ILM Digital Matte Supervisor: Susumo Yukuhiro
ILM VFX Animation Supervisor: James Tooley
ILM Digital Model Supervisor: Russell Paul
ILM Creature Model Supervisor: Michael Koperwas
ILM CG Layout Supervisor: Marla Newall
ILM Digital Paint & Roto Supervisor: Patrick Jarvis
ILM VFX Art Director: David Nakabayashi
ILM VFX Editor: David Tanaka
ILM Technical Director: Mohen Leo
ILM Compositors: Jon Alexander, Jeffrey Doran, Aidan Fraser, Siobhan Lo, Bruce Vecchitto
ILM Inferno Artists: Mark Casey, Sam Edwards, Greg Gilmore, Don Greenberg, Orin Green, Adam Howard, Mark Loso, Kevin May, Rita Zimmerman
ILM Digital Matte Artists: Nicholas Blake, Pamela Hobbs, Vanessa Cheung, Giles Hancock, Kevin Page, Joshua Ong, Simon Wicker, Barry Williams, Scott Wirtz
ILM Lead Technical Animator: Jeff White
ILM Digital Simulation Artists: Tim Brakensick, Hiromi Ono
ILM VFX Location Coordinator: Wayne Billheimer
ILM VFX Coordinator: Paula Nederman
ILM Location Matchmover: John Whisnant
ILM Ass't Technical Directors: Marshall Candland, Andrew Russell
ILM VFX Unit DoP: Martin Rosenberg ASC
ILM Practical Model Supervisor: Michael Lynch
ILM Practical FX Supervisor: Geoffrey Heron
ILM Stage Production Manager: Jenny Head Appleton
ILM FX Unit Ass't A-Cam Op: Philip Bowen
ILM FX Unit Ass't B-Cam Op: Robert Hill
ILM VFX Production Assistants: Erin Dusseault O'Connor, Ryan Wiederkehr, Amy Spanner, Kristopher Wright
ILM R&D Supervisors: Rod G. Bogart, John Horn
ILM Post-Production Supervisor: Maria Brill
ILM Video Engineering Supervisor: Dan Large
ILM CG Resource Assistant: Anthony Randolph
ILM VFX Executive Producer: Judith Weaver
ILM General Manager: Jim Morris
POV VFX Producer: Gillian Libbert
POV VFX Supervisor: Marc-Andre Guindon
PTAS VFX Supervisor: Mark Freund
PTAS VFX Producer: Ladd Lanford
PTAS VFX Coordinator: Phillip Hoffman
PTAS CG Supervisor: Joe Francis
PTAS Digital Compositor: Corinne Bogdanowicz
Hydraulx VFX Supervisors: Greg Strause, Colin Strause
Hydraulx Lead Compositor: Erik Liles
Hydraulx VFX Producer: Michael Tony Meagher
Hydraulx VFX Coordinator: Katie Eyster
Hydraulx Compositor: Scott Kinsey
2nd Unit Director: Geoff Murphy
2nd Unit Production Supervisor: Deb Schwab
2nd Unit 1st Ass't Director: Michael Green
2nd Unit 2nd Ass't Director: Kent Genlinzer
2nd Unit DoP: Philip C. Pfeiffer
2nd Unit Camera Operator: Don Reddy
2nd Unit 1st Ass't A-Camera: Tim Philo
2nd Unit 2nd Ass't A-Camera: Giselle Brewton
2nd Unit 1st Ass't B-Camera: Charles Katz
2nd Unit 2nd Ass't B-Camera: Gabriel Pfeiffer
2nd Unit Chief Lighting Technician: Andy Ryan
2nd Unit Best Boy Electrician: Andrew Dorowsky
2nd Unit Rigging Gaffer: Frank Dorowsky
2nd Unit Rigging Best Boy: Scott Keys
2nd Unit Key Grip: Anthony T. Marra II
2nd Unit Best Boy Grip: Michael J. Fahey
2nd Unit Dolly Grip: Stephen Scott Drinon
2nd Unit Rigging Key Grip: Gary Kangrga
2nd Unit Rigging Best Boy: Matthew B. Marden
2nd Unit SFX Supervisor: Dan Cangemi
2nd Unit Location Manager: Caleb Duffy
2nd Unit Prop Master: Bryan Duff
2nd Unit Armorer: Vincent Flaherty
Art Director (Baltimore/DC Crew): Stella Vaccaro
Location Manager (Baltimore/DC Crew): Peggy Pridemore
Filming Dates: Mid-2004 - Early-2005
Cameras: Arriflex 435, Panaflex XL2 Millennium & Genesis (35mm Kodak Vision2 500T 5218)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Super 35mm)(HD Video: Some Shots)
Budget: 113 Million USD
Budget AFI (2020): 150.59 Million USD
Post-Production Sound Services & Score Recorded at: Skywalker Sound
Special Visual Effects & Animation Provided By: Industrial Light & Magic + Persistence of Vision
Title Sequence Design & Additional Visual Effects Provided by: Pacific Title & Arts Studio, Hydraulx + Tweak Films
Attribute: Filmed with Panavision Cameras and Lenses - DirectorLasse HallströmStarsJennifer LopezRobert RedfordMorgan FreemanDesperate to provide care for her daughter, down-on-her-luck Jean moves in with her father in-law from whom she is estranged. Through time, they learn to forgive each other and heal old wounds.Director: Lasse Hallstrom
Cinematographer: Oliver Stapleton
Production Designer: David Gropman
Stunt Coordinator/2nd Unit Director: Danny Virtue
2nd Unit Camera Operator/Director of Photography: Roger Vernon CSC
Camera & Steadicam Operator/Additional 2nd Unit DP: Douglas Schwartz
Aerial Unit Camera Operator/Director of Photography: Ron Goodman
Additional 2nd Unit Camera Operator: Michael C. Blundell
Composer: Deborah Lurie
Film Editor: Andrew Mondshein ACE
Costume Designer: Tish Monaghan
Camera: Moviecam Compact (35mm)
Lenses: 2.35 Research Anamorphic Primes
AR: 2.35:1 (Anamorphic) - DirectorJane AndersonStarsJulianne MooreWoody HarrelsonLaura DernIn order to support her ten children, Evelyn Ryan enters a commercial jingle-writing contest.Director: Jane Anderson
Cinematographer: Jonathan Freeman
Production Designer: Edward T. McAvoy
A-Camera/Steadicam Operator: François Daignault
B-Camera Operator: Mark Willis
Aerial Camera/Wescam Operator: Clyde Miller
VFX Supervisor: Sheena Duggal
Composer: John Frizzell
Film Editor: Robert Dalva ACE
Costume Designer: Hala Bahmet
Camera: Moviecam Compact (35mm)
Lenses: Spherical
AR: 1.85:1 (Spherical)
Anecdote: Camera Systems by Clairmont - DirectorChris ColumbusStarsTaye DiggsWilson Jermaine HerediaRosario DawsonIn New York City's gritty East Village, a group of bohemians strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic.Director & Producer: Chris Columbus
Producers: Robert De Niro, Jane Rosenthal
Screenwriter: Stephen Chbosky
Cinematographer: Stephen Goldblatt ASC BSC
Cinematographers-16mm Street Scenes: Justin Charles Foster, Eddie Rosenstein
Production Designer: Howard Cummings
Additional Unit DoP: Zachary Shedd
Camera Operator: Lou Weinart
B Camera/Steadicam Operator: Will Arnot
Production VFX Supervisor: Scott Farrar ASC
ILM Senior Visual FX Supervisor: Roger Guyett
ILM Add'l Supervisor & Inferno Lead: Mark Casey
Film Editor: Richard Pearson ACE
Additional Film Editor: Sean Thompson
Supervising DI Colorist: Steven J. Scott
Costume Designer: Aggie Rodgers
Exec in Charge of Production: Charles Newirth
Filming Dates: 14 March 2005 - 27 June 2005
Cameras: Arricam LT, Panaflex Platinum & Panastar II (35mm Kodak Vision2 250D 5205 & 500T 5218)
Lenses: Panavision Primo Spherical Primes & Lightweight Zooms
AR: 2.39:1 (Super 35mm)
Budget: 40 Million USD
Budget AFI (2022): 59.8 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Digital Opticals by: Industrial Light & Magic + Pacific Title & Art Studio - DirectorJoe RothStarsJulianne MooreSamuel L. JacksonEdie FalcoA black police detective must solve a strange case of a kidnapped boy and deal with a big racial protest.Director: Joe Roth
Cinematographer: Anastas N. Michos ASC GSC
Production Designer: David Wasco
2nd Unit Director: Charles Newirth
2nd Unit DP: Craig Haagensen
Aerial DP: Hans Bjerno ASC
A-Camera Operator: Daniel Moder
Steadicam Operator: Jerry Holway
Composer: James Newton Howard
Film Editor: Nick Moore
Costume Designers: Michelle Matland, Ann Roth
Camera: Panaflex Platinum (35mm)
Lenses: Panavision Primo Spherical Primes
AR: 2.35:1 (Super 35mm)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorDennis DuganStarsDavid SpadeJon HederRob SchneiderA trio of guys try and make up for missed opportunities in childhood by forming a three-player baseball team to compete against standard children's Little League squads.Director: Dennis Dugan
Cinematographer: Thomas E. Ackerman ASC
Production Designer: Perry Andelin Blake
2nd Unit DP: Stephen Andrich
Associate DP: Sebastian Jungwirth
A-Camera/Steadicam Operator: Harry K. Garvin
Animatronic Robot FX: Stan Winston
Composer: Waddy Watchel
Film Editor: Peck Prior
Costume Designer: Mary Jane Fort
Unit Production Manager: Allegra Clegg
Camera(s): Arriflex 435, Panaflex XL2, XL & Platinum (35mm)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Spherical)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorFrank CoraciStarsAdam SandlerKate BeckinsaleChristopher WalkenA workaholic architect finds a universal remote that allows him to fast-forward and rewind to different parts of his life. Complications arise when the remote starts to overrule his choices.Director: Frank Coraci
Composer: Rupert Gregson-Williams
Add'l Composer: Clay Duncan
Composer (Unused Music): Alan Silvestri
Conductor: Blake Neely
Music Consultant: Betsy Hammer
Cinematographer: Dean Semler ASC ACS
Cinematographer (NY Unit): Jack N. Green ASC
Film Editor: Jeff Gourson
Production Designer: Perry Andelin Blake
Art Director: Alan Au
Costume Designer: Ellen Lutter
Special Makeup Effects Supervisor: Rick Baker
Executive in Charge of Production: Charles Newirth
Production VFX Designer/2nd Unit Director: Jim Rygiel
Production SFX Coordinator: John C. Hartigan
Production VFX Consultant: Carey Villegas
Lola VFX Facial Anatomy Consultant: Andrew Frankel
Production VFX Supervisor: Peter Travers
Lola VFX Supervisor: Edson Williams
SPI VFX Plate Unit Coordinator: Chris Antonini
Lola VFX Coordinator: Ryan Zuttermeister
Lola VFX Lead Inferno Artist: Greg Strause
VFX Executive Producer: Guy Botham
SPI VFX Producer: David Taritero
SPI VFX Executive Producer: Debbie Denise
SPI VFX Plate Unit Producer: Christian Henjal
Lola VFX Producer: Thomas Nittmann
Stunt Coordinator/Adam Sandler Stunt Double: Paul Eliopoulos
Stunts: JJ Perry
A-Camera Operator: Ian Fox
B-Camera Operator: Richard Merryman ACS
1st Assistant A-Camera: Tony Rivetti
2nd Assistant A-Camera: Chad Rivetti
NY Unit B-Camera Operator: Michael Green
NY Unit Chief Lighting Technician: Petr Hilnomaz
Aerial Unit DP: Phil Pastuhov
Add'l Film Editor: Tamara McDonough
Color Timer: Michael Hatzer ASC
Orchestra Contractor: Sandy DeCrescent
Picture Cars Consultant: Cyril O'Neil
Filming Dates: Late-2005 - Early-2006
Camera: Panavision Genesis (HDCAM SR)[1080p/24]
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (3-Perf Super 35mm)
Budget: 82.5 Million USD
Budget AFI (2021): 110.1 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Animation by: Sony Pictures Imageworks + Lola VFX
Attribute: Filmed in Panavision (as Panavision Genesis) - DirectorSylvester StalloneStarsSylvester StalloneAntonio TarverMilo VentimigliaThirty years after the ring of the first bell, Rocky Balboa comes out of retirement and dons his gloves for his final fight against the reigning heavyweight champ Mason 'The Line' Dixon.Director-Writer-Boxing Choreographer: Sylvester Stallone
Exec Producers: Robert Chartoff, Irwin Winkler
Costume Designer: Gretchen Patch
Composer: Bill Conti
Film Editor: Sean Albertson ACE
Production Designer: Franco-Giacomo Carbone
Cinematographer: Clark Mathis ASC
Co-Producer: Guy Riedel
2nd Unit Director - LV Unit & Producer: Charles Winkler
Producers: Bill Chartoff, Dave Winkler, Kev King
Stunt Coordinator: Mark De Alessandro
Boxing Technical Advisor: Rob Sale
Unit Production Manager: Udi Nedivi
1st Assistant Director: Rip Murray
2nd Assistant Director: Christina Fong
Art Directors: Michael Atwell, Jesse Rosenthal
Set Decorator: Robert Greenfield
Supervising Property Master: Kent H. Johnson
Additional Film Editor: Paul Harb
Sup. Sound Mixers: Steve Maslow, Tateum Kohut
Supervising Sound Editor: Chic Ciccolini III
Exec in Charge of Production: Charles Newirth
Production Coordinator: Kelly Moran-Brown
Production Assistant: Tali Lipa
Loc. Managers: Patricia Taggart, Paul Schreiber
"A" Camera Operator: Daniel Turrett
"B" Camera-Steadicam Operator: John S. Moyer
"B" Camera Operator: James Maxtone-Green
1st Assistant "A" Camera: Brian Osmond
2nd Assistant "A" Camera: Nathan Wilson
1st Assists "B" Cam: Tim Metivier, Rod Calarco
2nd Assists "B" Cam: Leon S. Sanginiti Jr, Neal Morrell
"A" Camera Loader: Daniel Sariano
"B" Camera Loader: Colette Gabriel
Chief Lighting Technician: Lawrence Wallace III
Assist Chief Lighting Technician: Jason Santelli
Rigging Gaffer: Adam Chambers
Production Special FX Coordinator: John Hartigan
Production SPFX Technician: Michael Frechette
2nd Assistant Art Director: Jonah Markowitz
Storyboard Artists: Luis Russo, Marc A. Vena
Philadelphia Casting: Diane Heery CSA
Philadelphia Casting Associate: Jason Loftus
Picture Car Coordinator: Jim Moores
Post Production Supervisor: Carey Len Smith
1st Assistant Editor: Seth Clark
2nd Assistant Editors: Evan Schiff, Bob Drwila
1st Apprentice Editor: David Matusek
3rd Editorial Assistant: Julia Grove
PTAS Visual Effects Supervisor: Mark Freund
PTAS Visual Effects Producer: Ladd Lanford
PTAS Associate VFX Producer: Emily Fenster
PTAS Visual Effects Coordinator: Phillip Hoffman
PTAS Digital Opt. Coordinator: John Campuzano
PTAS DI Colorist: Paul Bronkar
PTAS DI Producer: Cindy Bond
PTAS DI Colorist Assistant: Jerimiah Morey
PTAS DI Editor: Kate Crossley
PTAS DI Coordinator: Lisa Markou
LV Unit Location Manager: Kim Houser-Amaral
LV Unit "D" Camera Op: Michael J. Walker SOC
LV Unit Rigging Gaffer: Hal Groshon
Look FX Visual Effects Producer: Mark Driscoll
Look FX Visual Effects Supervisor: Henrik Fett
Look FX Digital Supervisor: Derek Bird
Look FX Visual Effects Coordinator: Jenny Foster
Look FX Digital Editor: Clay Sparks
Blur Studio Visual FX Supervisor: David Stinnett
Blur Studio Animation Supervisor: Derron Ross
Blur Studio Visual Effects Producer: Al Shier
Special Thanks: Muhammed Ali
Filming Dates: 6 December 2005 - 31 January 2006
Cameras: Arricam LT, ST & Photo-Sonics 4ER (35mm Kodak Vision2 Expression 500T 5229, 250D 5205 & 500T 5218 + HD Video)
Lenses: Arri Master Primes
AR: 1.85:1 (Spherical)
Budget: 24 Million USD
Budget AFI (2022): 34.7 Million USD
Opticals, Visual Effects, Digital Intermediate & Titles Provided by: Pacific Title & Art Studio + Look FX
Digital Animated Computer Fight Created by: Blur Studio
Shot on: Kodak Motion Picture Film
Attribute: Filmed with CLAIRMONT® Cameras & Lenses - DirectorJames FoleyStarsHalle BerryBruce WillisGiovanni RibisiA journalist goes undercover to ferret out businessman Harrison Hill as her childhood friend's killer. Posing as one of his temps, she enters into a game of online cat-and-mouse.Director: James Foley
Cinematographer: Anastas N. Michos ASC GSC
Production Designer: Bill Groom
Camera Operator: Patrick Capone
B-Camera/Steadicam Operator: Will Arnot
VFX Supervisor: John J. Budion
Composer: Antonio Pinto
Film Editor: Christopher Tellefsen
Costume Designer: Renée Kalfus
Camera: Panaflex Platinum (35mm)
Lenses: Panavision Primo Spherical Primes
AR: 2.35:1 (Super 35mm)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorLee TamahoriStarsNicolas CageJulianne MooreJessica BielA Las Vegas magician who can see into the future is pursued by FBI agents seeking to use his abilities to prevent a nuclear terrorist attack.Director: Lee Tamahori
Composer: Mark Isham
Cinematographer: David Tattersall BSC
Film Editor: Christian Wagner
Production Designer: William Sandell
Supervising Art Director: Mark W. Mansbridge
Art Director: Kevin Ishioka
Costume Designer: Sanja Milkovic Hays
Associate Producer/Unit Production Manager: Debra James
Senior SFX Supervisor: Clay Pinney
SFX Supervisor/Coordinator: Baz Karbouriz
SFX Shop Supervisor: Hans Metz
Senior VFX Supervisor: John E. Sullivan
VFX Supervisor: Amit Dhawal
Digiscope VFX Supervisor: Dion Hatch
Digiscope DFX Supervisor: Brennan Prevatt
LOOK! VFX Supervisor: Anthony 'Max' Ivins
Tweak Films VFX Supervisor: Scott Liedtka
Pixel Magic VFX Supervisor: Raymond McIntyre Jr
Digital Dream VFX Supervisor: Jerry Pooler
Digital Dream DFX Supervisor: Marco ReCuay
PTAS VFX Supervisor: David Sosalla
Senior VFX Producer: David B. Moulder
Digiscope VFX Producer: Mary Stuart
Supervising Stunt Coordinator: RA Rondell
Stunt Double/Stunt Coordinator: Eddie Yansick
Stunts/Stunt Coordinator/Fight Coordinator: David Leitch
Stunts: Chad Stahelski, Damon Caro, Tim Connolly, Mike Gunther, Heidi Moneymaker, JJ Perry, Tim Rigby
Stunts/Stunt Double: Terry Notary
Utility Stunts: Casey O'Neill
Stunt Performers: Robert Alonzo, James M. Churchman
Stunt Double: Hank Amos
Fight Choreographer: Scott Grossman
Camera Operator: Andres Porras
A-Camera Operator: Philippe Carr-Forster
B-Camera/Steadicam Operator: Gregory W. Smith
C-Camera Operator: Patrick B. O'Brien
Chief Lighting Technician: Jeffrey Murrell
Aerial Unit DP: Hans Bjerno ASC
VFX Unit DP: Dennis McHugh
1st Assistant A-Camera: Zoran Veselic
Add'l 1st Ass't Camera: Nino Neuboeck
Add'l 2nd Ass't Camera: James Goldman
Associate Film Editor: Leigh Folsom Boyd ACE
Digital Film Colorist: John Persichetti
Orchestra Contractor: Sandy DeCrescent
Music Librarian: Mark Graham
Picture Car Coordinator: John Armstrong
Cameras: Panaflex XL2 & Genesis (35mm Kodak Vision2 500T 5218 & HDCAM SR)
Lenses: Panavision Primo Spherical Primes
AR: 2.35:1 (3-Perf/4-Perf Super 35mm)
Budget: 70-78.1 Million USD
Budget AFI (2021): 90.8-102.3 Million USD
Printed on: Kodak Vision 2383
Attribute: Filmed with Panavision Cameras and Lenses - DirectorJulie TaymorStarsEvan Rachel WoodJim SturgessJoe AndersonThe music of The Beatles and the Vietnam War form the backdrop for the romance between an upper-class American girl and a poor Liverpudlian artist.Director: Julie Taymor
Cinematographer: Bruno Delbonnel ASC
Production Designer: Mark Friedberg
Underwater DP: Pete Romano ASC
Steadicam Operator: Will Arnot
VFX Supervisor: Peter Crosman
Composer: Elliot Goldenthal
Film Editor: Françoise Bonnet
Costume Designer: Albert Wolsky
Camera(s): Arricam LT, ST, Panaflex XL2 & Platinum (35mm)
Lenses: Panavision Primo Spherical Primes
AR: 2.39:1 (Super 35mm)
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorJay RussellStarsEmily WatsonDavid MorrisseyAlex EtelA lonely boy discovers a mysterious egg that hatches a sea creature of Scottish legend.Director: Jay Russell
Composer/Orchestrator: James Newton Howard
Cinematographer: Oliver Stapleton BSC
Film Editor: Mark Warner
Production Designer: Tony Burrough
Supervising Art Director/Set Decorator: Dan Hennah
UK Unit Art Director: John Hill
Costume Designer: John Bloomfield
2nd Unit Director: John Mahaffie
2nd Unit 2nd Ass't Director: Darren Mackie
Senior SFX Supervisor: Steve Ingram
Scotland Unit SFX Supervisor: David Harris
Weta Workshop Supervisor: Richard Taylor
On-Set SFX Coordinator: Karl Chisholm
2nd Unit On-Set SFX Coordinator: Darian Lumsden
Senior SFX Technician: Graham Hills
Weta Workshop Creature Effects Art Director: Gino Acevedo
VFX Consultant: Tamara Watts Kent
Weta Visual Creative Consultant: Christian Rivers
Senior VFX Supervisor: Huseyin Caner
Weta Senior VFX Supervisor: Joe Letteri
Weta Massive VFX Supervisor: Jon Allitt
Weta VFX Supervisors: Stephen Rosenbaum, Erik Winquest
Weta On-Set VFX Surveyor: Stan Alley
Weta On-Set VFX Survey Supervisor: Alex Kramer
Effects Animator/Weta 3D Lighting Technical Director: Jason Lazaroff
Weta Senior Animators: James Bennett, Alex Burt
Weta Senior Compositors: Colin Alway, Phillip Leonhardt
Weta Senior Lighting VFX Technical Director: Sam Bui
Weta VFX Technical Director: Jose Burgos
Senior VFX Producer: Libby Hazell
Weta VFX Producer: Kevin L. Sherwood
Weta VFX Executive Producer: Eileen Moran
Stunt Coordinator: Augie Davis
Ass't Stunt Coordinator: Tim Wong
A-Camera/Steadicam Operator: Peter McCaffrey
B-Camera Operator/Additional DP: Rob Marsh
2nd Unit A-Camera Operator: Cameron McLean
2nd Unit B-Camera Operator: Ian McCarroll
Scotland Unit Camera Operator: Martin Layton
Aerial Unit DP: Jeremy Braben
Underwater Unit Camera Operator: Manning Tillman
Weta VFX Unit Camera Supervisor: Lee Bramwell
Weta VFX Digital Colorist: Joerg W. Bungert
Weta Senior On-Set VFX Reference DP: Matt Mueller
Blue Screen VFX Elements Unit DP: Richard Bluck
Blue Screen VFX Elements Unit Underwater Camera Operator: Murray Milne
DI Colorist: David Hollingsworth
Music Copyist: Mark Graham
Vehicle Coordinator: Guy Bostock
Picture Car Coordinator: Jaffray Sinclair
Scotland Unit Picture Car Coordinator: Steve Royfee
Filming Dates: 8 May 2006 - 4 September 2006
Cameras: Arricam LT & Moviecam Compact (35mm Kodak Vision2 200T 521)
Lenses: Cooke S4 Primes, CXX Zoom & Angenieux Optimo Zooms
AR: 2.35:1 (Super 35mm)
Budget: 40 Million USD
Budget AFI (2021): 52.4 Million USD
Visual Effects & Creature Animation Provided by: Weta Digital
Creature Scannable Maquettes & Puppets Provided by: Weta Workshop
Score Recorded & Mixed at: Abbey Road Studios - DirectorD.J. CarusoStarsVin DieselDonnie YenDeepika PadukoneXander Cage is left for dead after an incident, though he secretly returns to action for a new, tough assignment with his handler Augustus Gibbons.Director: DJ Caruso
Composer/Conductor: Brian Tyler
Composer: Robert Lydecker
Costume Designer: Kim Tillman
Film Editors: Jim Page ACE, Vince Filippone
Production Designer: Jon Billington
Cinematographer: Russell Carpenter ASC
Executive Producer/Unit Production Manager: Ric Kidney
Producers: Joe Roth, Vin Diesel
Writer: F. Scott Frazier
Co-Producer: Marla Levine
Associate Producer/Unit Production Manager: Lyn Lucibello-Brancatella
1st Assistant Director: James Freitag
2nd Assistant Director: Tyler Delben
2nd Unit Director: Dan Bradley
Supervising Stunt Coordinator: Bobby Brown
Stunt Coordinators: Troy Robinson, Scott Rogers, Layton Morrison
Stunt Coordinators (2nd Unit): Chris O'Hara, Patrick Mark
Fight Coordinators: Jeremy Marinas, Jon Valera, Tim Connolly, Danny Hernandez, Jason Gosbee
Production VFX Supervisors: Jasen Jaz Nannini, Bjorn Mayer
Production VFX Producer: Julia Neighly
Supervising Art Director: Brandt Gordon
Set Decorator: Shane Vieau
A-Camera Operator: Angelo Colavecchia
1st Assistant A-Camera: Dean Stinchcombe
2nd Assistant A-Camera: Adam Tupper
B-Camera Operator: Mike Carella
B-Camera Operator (Main & 2nd Units): Keith Murphy
1st Assistant B-Camera: Andy Jekabsons
2nd Assistant B-Camera: Dana Rutledge
Film Loader: Steve Dalcin
Digital Imaging Technician: Jasper Vrakking
Chief Lighting Technician: Michael Galbraith
Ass't Chief Lighting Technician: Phil Witfield
Production SFX Coordinator: Laird McMurray
Production SFX Designer: Jim McFall
SFX Ass't Designer: Cameron Goldie
SFX Motion Control Operator: Sean Snell
Location Manager: Marty Dejczak
Prop Master: Chris Geggie
Ass't Prop Master: Kevin Lise
Sniper & Gun Trainer: Maurizio Cascapera
Head Armorer: Charles Taylor
Armorers: Mike Catenacci, Graham Humphrey, David Jakobs
Ass't Set Decorator: Jeffrey Melvin
Post-Production Supervisor: Gail Laskowski
Production VFX Editor: Chris Marino
LA Unit 1st Ass't Editor: Jennifer Stellema
1st Assistant Editor: Dawn Stoliar
2nd Assistant Editor: Micah Wolf
Ass't Film Editor: Quentin Holmes
Post-Production Assistant: Brendan Caruso
Editorial Production Assistant: Paul Doyle
3D Production Coordinator: Chance Tanner
3D Ass't Editors: Petra Demas, Sarah Lucky
3D Data Manager: Matt Brooks
3D Production Assistant: Jaylen Singleton
Production Coordinator: Sabine Graham
3rd Assistant Directors: Missy Dingham, Craig Seltz
4th Assistant Director: Chris Feltis
Art Directors: Aleks Marinkovich, Colin Woods
Set Designers: Karl Crosby, Matt Middleton, Brad Milburn, Sorin Popescu
Graphic Designers: David Best, John Moran
3D Concept Artist: Michael Meyers
Concept Artist: Henry Fong
VFX Coordinator (Los Angeles): Nick Bernardi
Production VFX Artists: Jorje Jaramillo, Patrick Reilly
VFX Coordinator (Toronto): Amanda Campbell
VFX I/O Coordinator: Josh Carlton
VFX Data Wranglers: Derek Lang, Alex Morin
Digital Media Executive: Thyrale Thai
Product Placement/Clearances: Mara McSweeney
Stunt Administrator: Marcela Krylova
Supervising Score Music Editor: Joe Lisanti
Music Editors: Kevin McKeever, Kyle Clausen, Matthew Llewellyn
Picture Vehicle Coordinator: Bill Boyd
Unit Production Manager (2nd Unit): Greg Denny
2nd Unit 1st Ass't Directors: Frank Capra III, Grant Lucibello
2nd Unit 3rd Ass't Director: Adam "Bucky" Bocknek
Add'l 2nd Unit Director: Jan Hrebejk
2nd Unit DoP: David Emmerichs SOC
2nd Unit A-Camera Operator: Ian Anderson
2nd Unit C-Camera Operator: Jason Viera
2nd Unit 1st Ass't A-Camera: Russell Bowie
2nd Unit 2nd Ass't A-Camera: Eric Pinsonneault
2nd Unit 1st Ass't B-Camera: Jonathan Holmes
2nd Unit 2nd Ass't B-Camera: Jonathan Janisse
2nd Unit 1st Ass't C-Camera: David McKane
2nd Unit 2nd Ass't C-Camera: Stephan Maia
2nd Unit Digital Image Technician: Chris Dover
2nd Unit Video Assist Supervisor: Ron Schlueter
2nd Unit Drone Camera Operator: Zack Haskell
2nd Unit 2nd Drone Pilot/Visual Observer: Daniel Tartre
2nd Unit Chief Lighting Technician: Jim Westinbrink
2nd Unit Ass't Chief Lighting Technician: Robert Hicks
2nd Unit Prop Master: Michael Huschka
DR 2nd Unit Key 2nd Ass't Directors: John Labrucherie, Tim Fitzgerald, Crystal Munson
DR Unit Production Manager: Che Castellanos
DR Unit Manager (2nd Unit): Ivan Herrera
DR Unit Camera Operator: Cuco De La Pena
DR Unit Digital Image Technician: Juan Carlos Marchena
DR Unit Chief Lighting Technician: Nelson Rojas
DR Unit Prop Master: Hector Ramos
DR Unit SFX Supervisor: Peter Chesney Sr
DR Unit SFX Foreman: Mark Banich
DR Unit SFX Coordinator: Peter Chesney Jr
DR Unit SFX Administrator: Bonnie Chesney
DR Unit 1st Ass't Director: Jose Gomez
DR 2nd Unit 1st Ass't Director: David Pagan
DR Unit 2nd Ass't Director: Maria Victoria Hernandez
DR 2nd Unit 2nd Ass't Director: Carlos Cuervo
DR Unit Art Coordinator: Carmen Ruiz
DR 2nd Unit Art Coordinator: Ivanna Bolonetto
DR 2nd Unit Production Coordinators: Jaime Frias, Carolina Suazo
DR Unit Cable Cam/Ski Consultant: Mike Brown
DR Unit Cable Cam/Ski Consultant/Operator: Zac Ramras
DR Unit Aerial Pilot: Cliff Fleming
DR Unit Aerial DoP: Steve Koster
DR Unit Underwater DoPs: Pete Zuccarini, Don King
DR Unit Picture Vehicle Coordinator: Eric Lopez
Pixomondo VFX Supervisor: Bojan Zoric
Pixomondo QC Supervisor: Malte Sarnes
Pixomondo Division VFX Supervisors: Thilo Ewers, Sven Martin
Pixomondo VFX Producer: Paul King
Pixomondo Division VFX Producers: Nina Goldner, Sabrina Christoforidis
Pixomondo Division VFX Executive Producers: Christoph Malessa
Pixomondo VFX Coordinators: Alex Morin, Valeria Rocha Moreno, Jason Pereira
Pixomondo Division VFX Coordinators: Jonas Ulrich, Annelie Dangel
Pixomondo Division VFX Editors (I/O): Rene Mertens, Timur Yesilifiz
Pixomondo CG Supervisor: Fausto Tejeda, Piet Hohl
Pixomondo Lead Asset Artist: Khaled Pamir
Pixomondo Riggers: Adam Fok, Jiwon Lee
Pixomondo Lead FX Artist: Bahador Mehrpouya
Pixomondo Matte Painting Supervisor: Mujia Liao
Pixomondo Heads of IT: David Fix, Florian Jackl
Pixomondo Systems Administrator: Bradley Cormack
Pixomondo Pipeline TDs: Sebastian Kral, Johannes Pink
Pixomondo Maya Technical Director: Daniel Kuntz
Pixomondo Human Resources Manager: Jennifer Wells
MPC VFX Supervisor: Kevin Hahn
MPC VFX Producer: Cecilia Marin
MPC 2D Supervisor: Nick Whiteley
MPC CG Supervisor: Ken Beauchamp
MPC Animation Supervisor: David Crispino
MPC Asset Supervisor: Chris Antoniou
MPC VFX Production Manager: Alex Carr
MPC VFX Production Coordinator: Richard Romero
MPC VFX Production Assistant: Jessica Oh
MPC VFX Editors: Rachel Erdos, Nathan Van Horn
MPC Global Head of Production: Rachel Matchlett
MPC Executive VFX Producers: Christian Robertson, Kelly L'Estrange
MPC Head of CG: Adriano Rinaldi
MPC General Manager: Jenny Rodgers
RSP VFX Supervisor: Adam Paschke
RSP VFX Producer: Ian Cope
RSP CG Supervisor: Hubert Maston
RSP 2D Supervisor: Anthony Smith
RSP Heads pf Department: Damian Doennig, Noah Vice, Shane Aherne
RSP Production Manager: Mark Story
RSP Production Coordinators: Paul Taylor, Nicole Nonis, Ashleigh White
RSP Pipeline Supervisor: Paris Downes
Crafty Apes VFX Producer: Jason Sanford
Crafty Apes VFX Supervisor: Robin Graham
Crafty Apes VFX Coordinator: Adam Pere
Lola VFX Supervisor: Jeremiah Sweeney
Lola VFX Compositing Supervisor: Edson Williams
Lola VFX Producers: Thomas Nittmann, Max Leonard
Lola VFX Coordinator: Anwei Chen
Lola VFX Matte Painters: Rob Olsson, Sun Lee
Vitality VFX Executive Producers: Guy Botham, Andy Fowler
Vitality VFX Supervisor: Loeng Wong-Savun
Vitality VFX Producer: David Yrisarri
Vitality VFX Coordinator: Joyce Au
Vitality VFX Editor: Diego Manssur
Mr. X VFX Supervisor: Eric Robinson
Mr. X VFX Producer: Luke Groves
Mr. X VFX Production Manager: Danni Henderson, Samantha Banack
Mr. X CG Supervisor: Trey Harrell
Mr. X Compositing Supervisor: Jeremy Johnson
Stereo D Senior Stereoscopic Supervisor: Aisling Harbert-Phillips
Stereo D Stereo Producer: Steven Crowe
Stereo D Stereo Production Supervisor: James Toth
Stereo D Depth Supervisor: Roy Vincent Mann
Stereo D Stereo Supervisor: Ryan Hirsh
Stereo D Stereo Compositing Supervisor: Russell Resendez McCoy
Stereo D Senior Finaling Supervisor: Brian Schultz
Stereo D Stereoscopic Roto Supervisor: Daniel Schrepf
Stereo D Line Producers: Chris Treichel, Krishna Prasad
Stereo D Asset Producer: Michael Anders
Stereo D Post-Production Manager: Derek N. Prusak
Stereo D Stereo Editor: Reginald Harber Jr
Stereo D VFX Compositor: Scott Mitchell
CO3 EP-Sr Finishing Colorist: Stefan Sonnenfeld ASC
Finishing Producer: Elizabeth Hitt
Finishing Editor: Joe Ken
Finishing Technologist: Mike Chiado
Color Finishing Assistant: John Tripp
Digital Finishing Restorationist: Megan Shepherd
Filming Dates: February 2, 2016 - May 20, 2016
Cameras: Alexa Mini & XT Plus (3.4K ARRIRAW)
Lenses: Panavision Primo Spherical Primes, Super Speed MKII Spherical Primes & 90mm Macro
AR: 2.39:1 (Super 35mm)
Budget: 85 Million USD
Visual Effects & Animation Provided by: Lola VFX, Moving Picture Company, Pixomondo, Mr. X, Rising Sun Pictures & Vitality VFX
3D Conversion Provided by: Stereo D
Color & Finish Provided by: Company 3
Attribute: Filmed with Panavision + Arri Cameras & Lenses