The EuroCrypt of Christopher Lee
Blu ray – Region Free
Severin Films
1962-72
Starring Christopher Lee, Thorley Walters, Karin Dor
Cinematography by Ernst W. Kalinke, Angelo Baistrocchi
Directed by Terence Fisher, Harald Reinl
While Hammer Studios depended on bosoms and blood to rejuvenate a listless horror industry, their new contract player had some high octane ideas of his own. His name was Christopher Lee and though the hulking actor towered above the crew and co-stars, he proved shockingly agile as the newborn creature in 1957’s The Curse of Frankenstein. No matter how hospitable or well-tailored, his Dracula was a clear and present danger—fleet of foot and supernaturally strong. And in 1959’s The Mummy, he turned the slow-moving immortal into an Olympian killing machine, outpacing his victims like an undead Usain Bolt.
Making the scene just as the sixties were racing into view, Lee’s express lane monsters ignored musty gothic...
Blu ray – Region Free
Severin Films
1962-72
Starring Christopher Lee, Thorley Walters, Karin Dor
Cinematography by Ernst W. Kalinke, Angelo Baistrocchi
Directed by Terence Fisher, Harald Reinl
While Hammer Studios depended on bosoms and blood to rejuvenate a listless horror industry, their new contract player had some high octane ideas of his own. His name was Christopher Lee and though the hulking actor towered above the crew and co-stars, he proved shockingly agile as the newborn creature in 1957’s The Curse of Frankenstein. No matter how hospitable or well-tailored, his Dracula was a clear and present danger—fleet of foot and supernaturally strong. And in 1959’s The Mummy, he turned the slow-moving immortal into an Olympian killing machine, outpacing his victims like an undead Usain Bolt.
Making the scene just as the sixties were racing into view, Lee’s express lane monsters ignored musty gothic...
- 7/10/2021
- by Charlie Largent
- Trailers from Hell
Rumble Fish
Blu-ray
Criterion
1940 / B&W / 1:85 / Street Date April 25, 2017
Starring: Matt Dillon, Mickey Rourke, Diane Lane.
Cinematography: Stephen Burum
Film Editor: Barry Malkin
Written by S.E. Hinton and Francis Ford Coppola
Produced by Francis Ford Coppola
Directed by Francis Ford Coppola
Rumble Fish, Francis Ford Coppola’s Young Adult tone poem, unspools in a black and white never-never land of sullen teens, pool tables and pompadours. It may take a moment for the audience to suss out that we’re not in the Eisenhower era with Chuck Berry, Marilyn Monroe and the Cold War but squarely in Reagan’s domain of MTV, Madonna and the Cold War.
Set in a destitute Oklahoma town with the ghost of The Last Picture Show whistling through its empty streets, Matt Dillon plays Rusty, an inveterate gang-banger growing up in the shadow of his older brother played by Mickey Rourke, a reformed juvenile...
Blu-ray
Criterion
1940 / B&W / 1:85 / Street Date April 25, 2017
Starring: Matt Dillon, Mickey Rourke, Diane Lane.
Cinematography: Stephen Burum
Film Editor: Barry Malkin
Written by S.E. Hinton and Francis Ford Coppola
Produced by Francis Ford Coppola
Directed by Francis Ford Coppola
Rumble Fish, Francis Ford Coppola’s Young Adult tone poem, unspools in a black and white never-never land of sullen teens, pool tables and pompadours. It may take a moment for the audience to suss out that we’re not in the Eisenhower era with Chuck Berry, Marilyn Monroe and the Cold War but squarely in Reagan’s domain of MTV, Madonna and the Cold War.
Set in a destitute Oklahoma town with the ghost of The Last Picture Show whistling through its empty streets, Matt Dillon plays Rusty, an inveterate gang-banger growing up in the shadow of his older brother played by Mickey Rourke, a reformed juvenile...
- 4/25/2017
- by Charlie Largent
- Trailers from Hell
“the first film rated V for violence”
“Positively the most horrifying film ever made”
“Guaranteed to upset your stomach”
This is how you market a film, folks. All of the above (and more) is found on the poster for Michael Armstrong’s Mark of the Devil (1970), a particularly nasty bit of Witchploitation that surprisingly manages to shine a provocative light on religious hysteria and hypocrisy.
This German production was released in North America by Hallmark Releasing (not the greeting card company, but a film distributor that released another bastion of good tidings, Last House on the Left) in April of ’72, and myriad distributors in various parts of Europe early ’70. Reviews were decidedly mixed, but the box office was huge, especially for a grimy exploitative horror film that happily wallows in its own depravity. I’m inclined to agree with audiences here – while not a lot of fun, Mark of the Devil...
“Positively the most horrifying film ever made”
“Guaranteed to upset your stomach”
This is how you market a film, folks. All of the above (and more) is found on the poster for Michael Armstrong’s Mark of the Devil (1970), a particularly nasty bit of Witchploitation that surprisingly manages to shine a provocative light on religious hysteria and hypocrisy.
This German production was released in North America by Hallmark Releasing (not the greeting card company, but a film distributor that released another bastion of good tidings, Last House on the Left) in April of ’72, and myriad distributors in various parts of Europe early ’70. Reviews were decidedly mixed, but the box office was huge, especially for a grimy exploitative horror film that happily wallows in its own depravity. I’m inclined to agree with audiences here – while not a lot of fun, Mark of the Devil...
- 3/5/2016
- by Scott Drebit
- DailyDead
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.