The 26th San Francisco Silent Film Festival was another joyous gathering of silent cinema fans, historians, scholars, and all stripes of movie buffs. Launched in 1995, the festival has grown from a single-day event to—excluding two years of Covid shutdowns—an annual, five-day celebration. It’s about the movies, of course, and this year Sfsff presented 20 features and seven shorts. But it’s also about the silent movie experience. All shows were accompanied by live music, from solo piano to small combos to a 10-piece mini-orchestra for the closing-night event, playing both archival music and original scores, many composed for the screenings.
Allan Dwan’s The Iron Mask, from 1929, opened the festival with a bittersweet farewell to the silents. The film, the swashbuckling final silent feature to star Douglas Fairbanks, has added resonance for Sfsff audiences because of the legacy of the Castro Theatre, the festival’s home for its entire 26 years.
Allan Dwan’s The Iron Mask, from 1929, opened the festival with a bittersweet farewell to the silents. The film, the swashbuckling final silent feature to star Douglas Fairbanks, has added resonance for Sfsff audiences because of the legacy of the Castro Theatre, the festival’s home for its entire 26 years.
- 7/24/2023
- by Sean Axmaker
- Slant Magazine
Kit Hesketh-Harvey, the musician, composer and screenwriter, has died suddenly aged 65.
The multi-talented entertainer, who performed for King Charles, enjoyed a prolific career that included writing the screenplay for director James Ivory’s 1987 film Maurice, starring a young Hugh Grant in one of his first onscreen roles.
His agent told The Independent he died unexpectedly but peacefully, while listening to Radio 3 and preparing for a Kit & McConnel show.
He was the brother of Sarah Sands, journalist and former editor of the Evening Standard. His death comes as a double blow to the family during an ongoing search for Ms Sands’s former husband, British actor Julian Sands, who went missing two weeks ago while hiking in southern California.
Ms Sands spoke of the shock over her brother’s death. She told The Independent: “Kit was dazzling – clever, original, funny, kind. The last time I saw him he was busy mapping...
The multi-talented entertainer, who performed for King Charles, enjoyed a prolific career that included writing the screenplay for director James Ivory’s 1987 film Maurice, starring a young Hugh Grant in one of his first onscreen roles.
His agent told The Independent he died unexpectedly but peacefully, while listening to Radio 3 and preparing for a Kit & McConnel show.
He was the brother of Sarah Sands, journalist and former editor of the Evening Standard. His death comes as a double blow to the family during an ongoing search for Ms Sands’s former husband, British actor Julian Sands, who went missing two weeks ago while hiking in southern California.
Ms Sands spoke of the shock over her brother’s death. She told The Independent: “Kit was dazzling – clever, original, funny, kind. The last time I saw him he was busy mapping...
- 2/1/2023
- by Roisin O'Connor
- The Independent - Music
Kit Hesketh-Harvey, the musician, composer and screenwriter, has died suddenly aged 65.
The multi-talented entertainer, who performed for King Charles, enjoyed a prolific career that included writing the screenplay for director James Ivory’s 1987 film Maurice, starring a young Hugh Grant in one of his first onscreen roles.
His agent told The Independent he died unexpectedly but peacefully, while listening to Radio 3 and preparing for a Kit & McConnel show.
He was the brother of Sarah Sands, journalist and former editor of the Evening Standard. His death comes as a double blow to the family during an ongoing search for Ms Sands’s former husband, British actor Julian Sands, who went missing two weeks ago while hiking in southern California.
Ms Sands spoke of the shock over her brother’s death. She told The Independent: “Kit was dazzling – clever, original, funny, kind. The last time I saw him he was busy mapping...
The multi-talented entertainer, who performed for King Charles, enjoyed a prolific career that included writing the screenplay for director James Ivory’s 1987 film Maurice, starring a young Hugh Grant in one of his first onscreen roles.
His agent told The Independent he died unexpectedly but peacefully, while listening to Radio 3 and preparing for a Kit & McConnel show.
He was the brother of Sarah Sands, journalist and former editor of the Evening Standard. His death comes as a double blow to the family during an ongoing search for Ms Sands’s former husband, British actor Julian Sands, who went missing two weeks ago while hiking in southern California.
Ms Sands spoke of the shock over her brother’s death. She told The Independent: “Kit was dazzling – clever, original, funny, kind. The last time I saw him he was busy mapping...
- 2/1/2023
- by Roisin O'Connor
- The Independent - Film
'The Merry Widow' with Maurice Chevalier, Jeanette MacDonald and Minna Gombell under the direction of Ernst Lubitsch. Ernst Lubitsch movies: 'The Merry Widow,' 'Ninotchka' (See previous post: “Ernst Lubitsch Best Films: Passé Subtle 'Touch' in Age of Sledgehammer Filmmaking.”) Initially a project for Ramon Novarro – who for quite some time aspired to become an opera singer and who had a pleasant singing voice – The Merry Widow ultimately starred Maurice Chevalier, the hammiest film performer this side of Bob Hope, Jim Carrey, Adam Sandler – the list goes on and on. Generally speaking, “hammy” isn't my idea of effective film acting. For that reason, I usually find Chevalier a major handicap to his movies, especially during the early talkie era; he upsets their dramatic (or comedic) balance much like Jack Nicholson in Martin Scorsese's The Departed or Jerry Lewis in anything (excepting Scorsese's The King of Comedy...
- 1/31/2016
- by Andre Soares
- Alt Film Guide
It takes so long for the Metropolitan Opera’s new production of The Merry Widow to warm up that it barely reaches the temperature of day-old bathwater before the final dose of foam. How could Franz Lehár’s weightless meringue of charm, wistfulness, melody, and dance yield a performance so clotted and dense? How could so much onstage talent work so hard and produce so little? Why does a gig at the Met discombobulate so many confident directors? Susan Stroman, the genius of Contact, has strewn the stage with such sad mysteries. The answers may lie partly in insufficient rehearsal, misjudged chemistry, or a rigid operatic schedule that doesn’t permit previews or midcourse adjustments. But one glaring cause of this show’s dysfunction is its miscast star. Throughout her career, Renée Fleming has often glided around the lyric stage in a bubble of self-absorption so shiny and seamless that...
- 1/9/2015
- by Justin Davidson
- Vulture
NBC has found Peter Pan Live's Mrs. Darling. Five-time Tony nominee Kelli O'Hara has been tapped to play the wife to George Darling and the mother to Wendy, John and Michael, the network announced Tuesday. O'Hara earned five Tony nominations in the past three years for her work in The Bridges of Madison County, Nice Work If You Can Get It, South Pacific, The Pajama Game and The Light in the Piazza. She next makes her opera debut on Dec. 31 at New York's Metropolitan Opera co-starring in Franz Lehar's The Merry Widow. She joins a cast that includes
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- 9/9/2014
- by Lesley Goldberg
- The Hollywood Reporter - Movie News
"Nobody's really captured the quality of a film festival," observed musician/composer Neil Brand, "You're doing something that's pleasurable, but then the fatigue sets in..." It's true—a celluloid feast like Il Cinema Ritrovato in Bologna is a particular case, too, since so many of the films are rarities. It's like being a cake specialist and suddenly somebody offers you fifty magnificent cakes of unique recipe but says "You have to eat them all in an hour or I'll take them away and you'll never see them again." You plunge in, and even when nausea starts to replace pleasure you can't bring yourself to stop...
Cinephiles like to grumble, and the venues of Bologna attract a certain amount of criticism (one has a bar which runs between the front row and the screen, cutting the subtitles in half; air conditioning is switched on and off at random; and then there's...
Cinephiles like to grumble, and the venues of Bologna attract a certain amount of criticism (one has a bar which runs between the front row and the screen, cutting the subtitles in half; air conditioning is switched on and off at random; and then there's...
- 7/7/2014
- by David Cairns
- MUBI
Marta Eggerth: Operetta and film star — a sort of Jeanette MacDonald of Central European cinema — dead at 101 Marta Eggerth, an international star in film and stage operettas who frequently performed opposite husband Jan Kiepura, died on December 26, 2013, at her home in Rye, New York. The Budapest-born Eggerth had turned 101 last April 17. (Photo: Marta Eggerth ca. 1935.) Although best known for her roles in stage musicals such as the Max Reinhardt-directed 1927 Hamburg production of Die Fledermaus, and various incarnations of Franz Lehár’s The Merry Widow, Marta Eggerth was featured in nearly 40 films. The vast majority of those were produced in Austria and Germany in the 1930s, as the Nazis ascended to power. Marta Eggerth films Marta Eggerth films, which frequently made use of her coloratura soprano voice, include Max Neufeld’s drama Eine Nacht im Grandhotel ("A Night at the Grand Hotel," 1931); the Victor Janson-directed musicals Once There Was a Waltz...
- 12/31/2013
- by Andre Soares
- Alt Film Guide
Viennese operetta and film star of the 30s who fled to America after the Anschluss
Between the two world wars, during the so-called "silver age" of Viennese operetta, the coloratura soprano Marta Eggerth, who has died aged 101, reigned supreme on stage and, above all, on screen. In the films of the 1930s, the blonde, wide-eyed beauty's bright bell-like tones and charming personality provided a welcome relief from ruinous inflation, world depression and the approaching sound of Nazi jackboots.
The leading operetta composers of the day, Franz Lehár, Emmerich Kálmán, Oscar Straus, Robert Stolz and Paul Abraham, all wrote songs for her films. However, by 1938, after the Anschluss, with the exception of Lehár, all of them, being Jewish, had fled Vienna for the Us. Eggerth and her husband, Jan Kiepura, the celebrated Polish tenor, who both had Jewish mothers, also left Austria for America, where they continued their singing careers.
Hitler loved Viennese operetta,...
Between the two world wars, during the so-called "silver age" of Viennese operetta, the coloratura soprano Marta Eggerth, who has died aged 101, reigned supreme on stage and, above all, on screen. In the films of the 1930s, the blonde, wide-eyed beauty's bright bell-like tones and charming personality provided a welcome relief from ruinous inflation, world depression and the approaching sound of Nazi jackboots.
The leading operetta composers of the day, Franz Lehár, Emmerich Kálmán, Oscar Straus, Robert Stolz and Paul Abraham, all wrote songs for her films. However, by 1938, after the Anschluss, with the exception of Lehár, all of them, being Jewish, had fled Vienna for the Us. Eggerth and her husband, Jan Kiepura, the celebrated Polish tenor, who both had Jewish mothers, also left Austria for America, where they continued their singing careers.
Hitler loved Viennese operetta,...
- 12/31/2013
- by Ronald Bergan
- The Guardian - Film News
Musical theatre star known as 'the champagne soprano'
Lizbeth Webb, one of the great forgotten stars of British musical theatre in the 1940s and 1950s, has died aged 86. Known as "the champagne soprano", she was the first to sing one of the BBC's most requested songs of all time, This Is My Lovely Day, written for her by Vivian Ellis and AP Herbert and included in their musical comedy Bless the Bride (1947).
Starting out during the second world war as a teenage singer with dance bands – she worked later with such conductors as Mantovani, Geraldo, Max Jaffa and Vilém Tauský – Webb was discovered by the bandleader Jack Payne and turned into a West End star by the impresario Charles B Cochran in 1946. Over the next 10 years she made her mark as a soprano of great range (often singing in two different registers), vibrancy and vivacity. She was dark, petite and...
Lizbeth Webb, one of the great forgotten stars of British musical theatre in the 1940s and 1950s, has died aged 86. Known as "the champagne soprano", she was the first to sing one of the BBC's most requested songs of all time, This Is My Lovely Day, written for her by Vivian Ellis and AP Herbert and included in their musical comedy Bless the Bride (1947).
Starting out during the second world war as a teenage singer with dance bands – she worked later with such conductors as Mantovani, Geraldo, Max Jaffa and Vilém Tauský – Webb was discovered by the bandleader Jack Payne and turned into a West End star by the impresario Charles B Cochran in 1946. Over the next 10 years she made her mark as a soprano of great range (often singing in two different registers), vibrancy and vivacity. She was dark, petite and...
- 1/27/2013
- by Michael Coveney
- The Guardian - Film News
Singer, dancer and theatrical agent who represented Elizabeth Taylor and Richard Burton
Bernard Hunter, who has died aged 92, was a precocious young performer, a popular singer and dancer, and, later, a theatre agent who represented many stars in Britain and the Us, including Richard Burton, Elizabeth Taylor and Olivia de Havilland. He continued to represent clients into his late 80s. Hunter's approachable good looks and air of a casual boulevardier seemed to attract consistent good luck.
Born in London, Hunter described his childhood in Islington as full of "maniacal happiness". Asked what his father did, he was apt to quip affectionately: "As little as possible." His father was in fact devoted to horses and the racetrack. Through gambling, he lost the money that was supposed to be for his son's education. However, at 16, Hunter won a singing competition at a local cinema. The prize was an appearance in a week's variety at the Winter Gardens,...
Bernard Hunter, who has died aged 92, was a precocious young performer, a popular singer and dancer, and, later, a theatre agent who represented many stars in Britain and the Us, including Richard Burton, Elizabeth Taylor and Olivia de Havilland. He continued to represent clients into his late 80s. Hunter's approachable good looks and air of a casual boulevardier seemed to attract consistent good luck.
Born in London, Hunter described his childhood in Islington as full of "maniacal happiness". Asked what his father did, he was apt to quip affectionately: "As little as possible." His father was in fact devoted to horses and the racetrack. Through gambling, he lost the money that was supposed to be for his son's education. However, at 16, Hunter won a singing competition at a local cinema. The prize was an appearance in a week's variety at the Winter Gardens,...
- 10/7/2012
- by Dennis Barker
- The Guardian - Film News
Berlin -- Dutch-born entertainer Johannes Heesters, who made his name performing in Adolf Hitler's Germany and was dogged later in his long career by controversy over his Nazi-era past, died Saturday, his agent said. He was 108.
The tenor Heesters made his debut on the big stage at the Volksoper in Vienna, Austria in 1934. His career took off in Berlin where, starting in 1935 – two years after the Nazis took power – he became a crowd favorite at the Komische Oper and Admiralspalast.
He gained fame by appearing in films such as "Die Leuchter des Kaisers" ("The Emperor's Candlesticks") and "Das Hofkonzert" ("The Court Concert").
Despite his popularity in the Third Reich, Heesters was never accused of being a propagandist or anything other than an artist willing to perform for the Nazis, and the Allies allowed him to continue his career after the war, when he took Austrian citizenship.
Heesters died early Saturday...
The tenor Heesters made his debut on the big stage at the Volksoper in Vienna, Austria in 1934. His career took off in Berlin where, starting in 1935 – two years after the Nazis took power – he became a crowd favorite at the Komische Oper and Admiralspalast.
He gained fame by appearing in films such as "Die Leuchter des Kaisers" ("The Emperor's Candlesticks") and "Das Hofkonzert" ("The Court Concert").
Despite his popularity in the Third Reich, Heesters was never accused of being a propagandist or anything other than an artist willing to perform for the Nazis, and the Allies allowed him to continue his career after the war, when he took Austrian citizenship.
Heesters died early Saturday...
- 12/25/2011
- by AP
- Huffington Post
The Merry Widow (1934) Direction: Ernst Lubitsch Cast: Maurice Chevalier, Jeanette MacDonald, Edward Everett Horton, Una Merkel, George Barbier, Minna Gombell, Sterling Holloway Screenplay: Ernest Vajda and Samson Raphaelson; from Franz Lehár's operetta Oscar Movies Highly Recommended Jeanette MacDonald, Maurice Chevalier, The Merry Widow The Merry Widow is neither one of Ernst Lubitsch's most discussed nor best-liked films. Film critics and historians generally tend to focus on a couple of his early, pre-Code Paramount talkies, One Hour with You (co-directed with George Cukor) and Trouble in Paradise, and his later comedies Ninotchka and To Be or Not to Be. But that's the critics' and historians' fault. For the visually and aurally arresting The Merry Widow is a superlative musical, boasting sumptuous sets (production design by Cedric Gibbons), exquisite black-and-white cinematography (Oliver T. Marsh), and a magnificently staged ballroom-dancing sequence that should impress even those who couldn't care less about...
- 3/26/2011
- by Andre Soares
- Alt Film Guide
Elegant star of Us TV series from the 1950s onwards
For any regular television viewer in the 1960s and 70s, the elegant actor Gene Barry, who has died aged 90, was inescapable. Most prominent was his portrayal of the Los Angeles police captain Amos Burke in 81 episodes of Burke's Law (1963-66). No ordinary cop, Burke was an immaculately dressed, jet-setting millionaire bachelor who left his Beverly Hills mansion in a chauffeur-driven Rolls-Royce to investigate a murder. Barry as Burke, a wisecracking, sophisticated ladies' man, was the nearest thing on TV to Cary Grant.
Each episode – bursting with Hollywood guest stars, one of whom was revealed as a murderer – allowed Burke to deliver an aphorism such as "never drink martinis with beautiful suspects: Burke's Law", or "never ask a question unless you already know the answer. Burke's Law".
Before playing Burke, Barry had triumphed in the western TV series Bat Masterson (1958-...
For any regular television viewer in the 1960s and 70s, the elegant actor Gene Barry, who has died aged 90, was inescapable. Most prominent was his portrayal of the Los Angeles police captain Amos Burke in 81 episodes of Burke's Law (1963-66). No ordinary cop, Burke was an immaculately dressed, jet-setting millionaire bachelor who left his Beverly Hills mansion in a chauffeur-driven Rolls-Royce to investigate a murder. Barry as Burke, a wisecracking, sophisticated ladies' man, was the nearest thing on TV to Cary Grant.
Each episode – bursting with Hollywood guest stars, one of whom was revealed as a murderer – allowed Burke to deliver an aphorism such as "never drink martinis with beautiful suspects: Burke's Law", or "never ask a question unless you already know the answer. Burke's Law".
Before playing Burke, Barry had triumphed in the western TV series Bat Masterson (1958-...
- 1/21/2010
- by Ronald Bergan
- The Guardian - Film News
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