I was a failure and a success three times in Hollywood, I have even had troubles paying my rent. Three depressions were suddenly ended by three pictures, each of which boosted me higher than I had ever been. 'In Old Arizona' ended a two-year slump. 'The Cisco Kid' brought me back into public favor after a series of bad stories. And '42nd Street' revived me after 'The Cisco Kid' had worn off. Like most actors, I wanted to cling to juvenility to the bitter end. But after I had repeated '42nd Steet' several times, it occurred to me that actors, drugged by pride, can make first-class asses of themselves.