The Three Caballeros
Directed by Norman Ferguson
Written by Homer Brightmen, Ernest Terrazas, Ted Sears, Bil Peet, Ralph Wright, Elmer Plummer, Roy Williams, William Cottrell, Del Connell, and James Bodrero
Is objectivity possible in analyzing art? Is there a way to define what is and isn’t successful, what is and isn’t good, in a work of creative blood, sweat, and tears? Is there a way to completely divorce yourself from the subjective, from the past, when watching a film, for example? Maybe I’m biting off more than I can chew here, especially since I ask all of these questions in reference to The Three Caballeros, of all things, but after our podcast, I began to consider these ideas anew. While I found the film slight if somewhat charming, I was compelled to ponder the idea of subjectivity versus objectivity thanks to our guest, Jeff Heimbuch, who spoke...
Directed by Norman Ferguson
Written by Homer Brightmen, Ernest Terrazas, Ted Sears, Bil Peet, Ralph Wright, Elmer Plummer, Roy Williams, William Cottrell, Del Connell, and James Bodrero
Is objectivity possible in analyzing art? Is there a way to define what is and isn’t successful, what is and isn’t good, in a work of creative blood, sweat, and tears? Is there a way to completely divorce yourself from the subjective, from the past, when watching a film, for example? Maybe I’m biting off more than I can chew here, especially since I ask all of these questions in reference to The Three Caballeros, of all things, but after our podcast, I began to consider these ideas anew. While I found the film slight if somewhat charming, I was compelled to ponder the idea of subjectivity versus objectivity thanks to our guest, Jeff Heimbuch, who spoke...
- 8/11/2012
- by Josh Spiegel
- SoundOnSight
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