I never said to myself that I was going to do as Renoir did. But I discovered that Renoir never had a single hero, he had a group of characters that try to live together and my films have all been the same. They're about groups in which the so-called principal character becomes secondary in relation to a situation. If one looks at ultra-commercial American films, perhaps it'd be better to call them 'products' - they work from the presupposition of a person in danger who arrives at overcoming these dangers. For me, life isn't like that. It's together that one improves things, not alone. What one sees in these 'products' is that there's no other solution but to kill, crush and eliminate others so that the individual can triumph. That, for me, is philosophically impossible.