Ji.hlava Intl. Documentary Film Festival has unveiled the program for its 27th edition, which will take place in the Czech city of Jihlava between Oct. 24-29. The festival will showcase 357 films in both competitive and non-competitive sections, with 115 world premieres, 22 international premieres and 17 European premieres.
This year’s program touches on themes of artificial intelligence and new technologies, the changing planetary climate, migration, transformation of the democratic system and society, as well as the search for new paths to freedom and happiness.
Festival director Marek Hovorka says of the concept of this year’s edition: “The world in which we live is rapidly changing, and this year’s Ji.hlava brings images of these transformations. The films in the program are thematically and formally very diverse, allowing us to recognize and contemplate the world’s transformation.”
Works related to the theme of this year’s Ji.hlava include Sophie Compton...
This year’s program touches on themes of artificial intelligence and new technologies, the changing planetary climate, migration, transformation of the democratic system and society, as well as the search for new paths to freedom and happiness.
Festival director Marek Hovorka says of the concept of this year’s edition: “The world in which we live is rapidly changing, and this year’s Ji.hlava brings images of these transformations. The films in the program are thematically and formally very diverse, allowing us to recognize and contemplate the world’s transformation.”
Works related to the theme of this year’s Ji.hlava include Sophie Compton...
- 10/13/2023
- by Rafa Sales Ross
- Variety Film + TV
Something of his sad freedom
As he rode the tumbril
Should come to me, driving,
Saying the names
Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.
Out here in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.
—Seamus Heaney, The Tollund Man
It ended, like all journeys do, in Solitude, a long way from any cinema. Solitude—or rather Zolitūde, in Latvian—is a suburb of Riga, four miles as the crow flies from the fancy Scandi-Gothic-Art Nouveau city centre; six miles on foot if the pedestrian avoids diversions. But by the time I reached Solitude on that cold December Saturday afternoon, however, my inadvertent divagations must have pushed the total to the ten-mile mark. I'd looked at maps prior to departing from my hotel, of course but deliberately didn't bring one along (not a fan); I don't...
As he rode the tumbril
Should come to me, driving,
Saying the names
Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.
Out here in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.
—Seamus Heaney, The Tollund Man
It ended, like all journeys do, in Solitude, a long way from any cinema. Solitude—or rather Zolitūde, in Latvian—is a suburb of Riga, four miles as the crow flies from the fancy Scandi-Gothic-Art Nouveau city centre; six miles on foot if the pedestrian avoids diversions. But by the time I reached Solitude on that cold December Saturday afternoon, however, my inadvertent divagations must have pushed the total to the ten-mile mark. I'd looked at maps prior to departing from my hotel, of course but deliberately didn't bring one along (not a fan); I don't...
- 1/4/2015
- by Neil Young
- MUBI
It’s lucky 13 — as in 13th annual edition — for Switzerland’s Lausanne Underground Film Festival, an epic celebration of cinematic weirdness, violence, filth and everything else that makes life worth living. The wild debauchery runs October 15-19.
The fest opens on Oct. 15 with the feature film debut by Leah Meyerhoff, I Believe in Unicorns, which tells the story of a troubled teenage girl who runs away with an aggressive older boy.
Other new films include the misanthropic comedy Buzzard by Joel Potrykus; the deep woods psychological thriller Mother Nature by Johan Liedgren; the complex Japanese drama Kept by Maki Mizui; and more.
Luff this year is really stuffed with great retrospectives beginning with a tribute to Beth B, who has been churning out controversial, thought-provoking flicks since the New York No Wave era to know. There will be screenings of her classic films, such as The Offenders and Salvation!, and her latest documentary,...
The fest opens on Oct. 15 with the feature film debut by Leah Meyerhoff, I Believe in Unicorns, which tells the story of a troubled teenage girl who runs away with an aggressive older boy.
Other new films include the misanthropic comedy Buzzard by Joel Potrykus; the deep woods psychological thriller Mother Nature by Johan Liedgren; the complex Japanese drama Kept by Maki Mizui; and more.
Luff this year is really stuffed with great retrospectives beginning with a tribute to Beth B, who has been churning out controversial, thought-provoking flicks since the New York No Wave era to know. There will be screenings of her classic films, such as The Offenders and Salvation!, and her latest documentary,...
- 10/10/2014
- by Mike Everleth
- Underground Film Journal
It’s the 50th anniversary of the Ann Arbor Film Festival and they’re preparing an all-out blowout on March 27 to April 1 to celebrate! The fest is crammed to the gills with the latest and greatest in experimental and avant-garde film, in addition to a celebration of classic work from Ann Arbors past.
Filmmaker Bruce Baillie was there at the first Aaff — and numerous times since. He’s back this year with a major retrospective of his entire career that spans three separate programs. Baillie, who’ll be in attendance of course, will present a brand-new restored version of his epic pseudo-Western Quick Billy, plus screenings of his classic short movies such as Castro Street, Yellow Horse, Quixote, To Parsifal and more.
There’s also a program dedicated to the films of the late Robert Nelson, including Bleu Shut and Special Warning, as well as sprinklings of underground classics throughout...
Filmmaker Bruce Baillie was there at the first Aaff — and numerous times since. He’s back this year with a major retrospective of his entire career that spans three separate programs. Baillie, who’ll be in attendance of course, will present a brand-new restored version of his epic pseudo-Western Quick Billy, plus screenings of his classic short movies such as Castro Street, Yellow Horse, Quixote, To Parsifal and more.
There’s also a program dedicated to the films of the late Robert Nelson, including Bleu Shut and Special Warning, as well as sprinklings of underground classics throughout...
- 3/7/2012
- by Mike Everleth
- Underground Film Journal
The 14th annual Antimatter Film Festival in Vancouver, BC, Canada is an epic 9-day event of expanded cinema performances, feature-length documentaries an a ton of experimental short films and festivals.
There are seven feature documentaries screening including Marie Losier‘s hit The Ballad of Genesis & Lady Jaye, a profile of the pandrogenous entity, Breyer P-Orridge; and Chris Metzler & Lev Kalman’s popular Everyday Sunshine: The Story of Fishbone, about the legendary ska punk band. Plus, there’s Adele Horne’s And Again and more.
On the expanded cinema front, Antimatter welcomes retrospectives of Kerry Laitala, who will be presenting a selection of her 3D light and motion experiments; and Roger Beebe will screen a series of multi-projector performances.
As for the short films, the real highlight of the fest is a screening of Jaimz Asmundson‘s trippy and powerful The Magus, a fictional/documentary hybrid of his father’s Satanic painting process.
There are seven feature documentaries screening including Marie Losier‘s hit The Ballad of Genesis & Lady Jaye, a profile of the pandrogenous entity, Breyer P-Orridge; and Chris Metzler & Lev Kalman’s popular Everyday Sunshine: The Story of Fishbone, about the legendary ska punk band. Plus, there’s Adele Horne’s And Again and more.
On the expanded cinema front, Antimatter welcomes retrospectives of Kerry Laitala, who will be presenting a selection of her 3D light and motion experiments; and Roger Beebe will screen a series of multi-projector performances.
As for the short films, the real highlight of the fest is a screening of Jaimz Asmundson‘s trippy and powerful The Magus, a fictional/documentary hybrid of his father’s Satanic painting process.
- 10/12/2011
- by Mike Everleth
- Underground Film Journal
It’s lucky 13 for the Antimatter Film Festival in Victoria, BC. That is, their 13th annual fest is all set to run on Oct 8-16. That’s nine mind-blowing nights of experimental short films, live film performances and culture-shattering documentaries.
The fest kicks off on the 8th with a 16mm screening of Sergei Eisenstein’s classic silent film Battleship Potemkin that will be accompanied by a live soundtrack by DJ-son Bitter Herbs [Jason Flower]. The people’s revolution never sounded so funky! Then, the fest concludes on the 16th with the event “Uzos [Underwater Zombies from Outer Space]” and will feature performances by Ryan Beattie, Atomic Vaudeville, Slut Revolver, Wes Borg and more.
Smooshed between those two events will be the debut feature film by acclaimed ethnographic filmmaker Ben Russell, Let Each One Go Where They May, which documents the amazing recreation of a bold escape made by slaves. Other feature length documentaries screening are: Teen Routines,...
The fest kicks off on the 8th with a 16mm screening of Sergei Eisenstein’s classic silent film Battleship Potemkin that will be accompanied by a live soundtrack by DJ-son Bitter Herbs [Jason Flower]. The people’s revolution never sounded so funky! Then, the fest concludes on the 16th with the event “Uzos [Underwater Zombies from Outer Space]” and will feature performances by Ryan Beattie, Atomic Vaudeville, Slut Revolver, Wes Borg and more.
Smooshed between those two events will be the debut feature film by acclaimed ethnographic filmmaker Ben Russell, Let Each One Go Where They May, which documents the amazing recreation of a bold escape made by slaves. Other feature length documentaries screening are: Teen Routines,...
- 10/4/2010
- by Mike Everleth
- Underground Film Journal
The 16th annual Bradford International Film Festival, which will run March 18-28, is a total celebration of all forms of cinema, from classic films to modern world cinema to a tribute to Cinerama and more. But, most excitingly, is a bombastic collection of some of the best, most exciting underground films being made today.
From Bad Lit’s perspective, the most thrilling screening of the entire 10-day affair is the new film by British filmmaker Peter Whitehead, Terrorism Considered as One of the Fine Arts. In the U.S., Whitehead is a “lost” filmmaker from the underground’s heyday in the ’60s, being left out of most histories of the underground movement. Whitehead directed several influential films, including Wholly Communion and The Fall, before dropping out of filmmaking in the mid-’70s.
Film historian Jack Sargeant wrote extensively about and interviewed Whitehead for his wonderful book on Beat cinema, Naked Lens.
From Bad Lit’s perspective, the most thrilling screening of the entire 10-day affair is the new film by British filmmaker Peter Whitehead, Terrorism Considered as One of the Fine Arts. In the U.S., Whitehead is a “lost” filmmaker from the underground’s heyday in the ’60s, being left out of most histories of the underground movement. Whitehead directed several influential films, including Wholly Communion and The Fall, before dropping out of filmmaking in the mid-’70s.
Film historian Jack Sargeant wrote extensively about and interviewed Whitehead for his wonderful book on Beat cinema, Naked Lens.
- 3/5/2010
- by Mike Everleth
- Underground Film Journal
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