Peter Greenaway studied as a painter and worked for 15 years as a film editor for the Central Office of Information, the U.K. government’s marketing and communications agency, so it’s no surprise that his early films tend to prioritize visual and structural elements over their slender narratives. In fact, the earliest of his films often have no narrative at all. Intervals, from 1969, consists of footage of Venetian backstreets and alleyways accompanied by various sound sources (including stray snatches of Vivaldi) that lend each interval its own distinct tenor. This short also introduces an abiding Greenaway obsession: the abecedarian sequence (here a disembodied voice can be heard rattling off their ABCs in Italian).
Bucolic and beautifully shot, 1973’s H Is for House carries Greenaway’s preoccupation with alphabetical lists even further. Narrator Colin Cantlie, who provides voiceover work for four subsequent Greenaway films, articulates a series of increasingly improbable items...
Bucolic and beautifully shot, 1973’s H Is for House carries Greenaway’s preoccupation with alphabetical lists even further. Narrator Colin Cantlie, who provides voiceover work for four subsequent Greenaway films, articulates a series of increasingly improbable items...
- 7/13/2023
- by Budd Wilkins
- Slant Magazine
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