Director Maggie Gyllenhaal is bringing the iconic Bride of Frankenstein back to life for upcoming feature film The Bride!, and we’ve got two first look images for you this morning.
The Bride! will release in theaters on October 3, 2025. Meet Christian Bale’s Frankenstein’s Monster above, along with a first look at Jessie Buckley as the titular Bride below.
The upcoming film “sees a lonely Frankenstein travel to 1930s Chicago to seek the aide of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.”
The Bride! will also star Penelope Cruz, Peter Sarsgaard, and Annette Bening (Nyad).
In the original 1935 film from director James Whale, “After recovering from injuries sustained in the mob...
The Bride! will release in theaters on October 3, 2025. Meet Christian Bale’s Frankenstein’s Monster above, along with a first look at Jessie Buckley as the titular Bride below.
The upcoming film “sees a lonely Frankenstein travel to 1930s Chicago to seek the aide of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.”
The Bride! will also star Penelope Cruz, Peter Sarsgaard, and Annette Bening (Nyad).
In the original 1935 film from director James Whale, “After recovering from injuries sustained in the mob...
- 4/4/2024
- by John Squires
- bloody-disgusting.com
Director Maggie Gyllenhaal is bringing the Bride of Frankenstein back to life for upcoming feature film The Bride!, and Deadline reports that Julianne Hough has signed on.
The Bride! will release in theaters on October 3, 2025.
The upcoming film “sees a lonely Frankenstein travel to 1930s Chicago to seek the aide of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.”
The Bride! will star Penelope Cruz as the titular Bride of Frankenstein, with Christian Bale as Frankenstein, and Peter Sarsgaard as a detective. Jessie Buckley (Men, I’m Thinking of Ending Things) also stars alongside Annette Bening (Nyad).
In the original 1935 film from director James Whale, “After recovering from injuries sustained in the mob...
The Bride! will release in theaters on October 3, 2025.
The upcoming film “sees a lonely Frankenstein travel to 1930s Chicago to seek the aide of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.”
The Bride! will star Penelope Cruz as the titular Bride of Frankenstein, with Christian Bale as Frankenstein, and Peter Sarsgaard as a detective. Jessie Buckley (Men, I’m Thinking of Ending Things) also stars alongside Annette Bening (Nyad).
In the original 1935 film from director James Whale, “After recovering from injuries sustained in the mob...
- 3/27/2024
- by John Squires
- bloody-disgusting.com
A new take on the classic tale of The Bride of Frankenstein is headed our way from director Maggie Gyllenhaal, her upcoming genre movie simply titled The Bride!.
The Bride! will release in theaters on October 3, 2025.
We recently learned that The Bride! will star Penelope Cruz as the titular Bride, with Christian Bale as Frankenstein, and Peter Sarsgaard as a detective.
Jessie Buckley (Men, I’m Thinking of Ending Things) also stars.
In the original 1935 film from director James Whale, “After recovering from injuries sustained in the mob attack upon himself and his creation, Dr. Frankenstein (Colin Clive) falls under the control of his former mentor, Dr. Pretorius (Ernest Thesiger), who insists the now-chastened doctor resume his experiments in creating new life. Meanwhile, the Monster (Boris Karloff) remains on the run from those who wish to destroy him without understanding that his intentions are generally good despite his lack of socialization and self-control.
The Bride! will release in theaters on October 3, 2025.
We recently learned that The Bride! will star Penelope Cruz as the titular Bride, with Christian Bale as Frankenstein, and Peter Sarsgaard as a detective.
Jessie Buckley (Men, I’m Thinking of Ending Things) also stars.
In the original 1935 film from director James Whale, “After recovering from injuries sustained in the mob attack upon himself and his creation, Dr. Frankenstein (Colin Clive) falls under the control of his former mentor, Dr. Pretorius (Ernest Thesiger), who insists the now-chastened doctor resume his experiments in creating new life. Meanwhile, the Monster (Boris Karloff) remains on the run from those who wish to destroy him without understanding that his intentions are generally good despite his lack of socialization and self-control.
- 3/12/2024
- by John Squires
- bloody-disgusting.com
There are a lot of "Frankenstein" movies. There's even one in theaters right now: "Lisa Frankenstein," a fun 80s-set horror-comedy-romance brew (read /Film's review here).
One could even say the story of "Frankenstein" birthed the horror genre as we know it today, both in literature (thanks to Mary Shelley's "Modern Prometheus") and in film. James Whale's 1931 "Frankenstein," arriving on the heels of "Dracula," cemented the age of Universal Horror and proved that monsters could be crowd-pleasers.
Countless sequels and remakes later, everyone knows the basics of the story. Dr. Frankenstein (first name usually Victor) sets out to create life in a reanimated corpse. The result is a Creature, unpleasant to the eye, and soon Frankenstein experiences the wrath of his Monster. Was Frankenstein's Monster born destructive or made that way by his creator rejecting him? Interpretations differ, but the message endures: don't play God (or become a parent...
One could even say the story of "Frankenstein" birthed the horror genre as we know it today, both in literature (thanks to Mary Shelley's "Modern Prometheus") and in film. James Whale's 1931 "Frankenstein," arriving on the heels of "Dracula," cemented the age of Universal Horror and proved that monsters could be crowd-pleasers.
Countless sequels and remakes later, everyone knows the basics of the story. Dr. Frankenstein (first name usually Victor) sets out to create life in a reanimated corpse. The result is a Creature, unpleasant to the eye, and soon Frankenstein experiences the wrath of his Monster. Was Frankenstein's Monster born destructive or made that way by his creator rejecting him? Interpretations differ, but the message endures: don't play God (or become a parent...
- 2/18/2024
- by Devin Meenan
- Slash Film
Earlier this week, a new listing indicated that director Maggie Gyllenhaal was gearing up to begin production on a Bride of Frankenstein feature tentatively titled The Bride. The currently untitled Frankenstein lore movie, now confirmed under Warner Bros., is not only now official, per Deadline, but Annette Bening has joined the cast.
Bening adds to a cast that includes star Jessie Buckley, Penelope Cruz as the Bride, Christian Bale as Frankenstein, Peter Sarsgaard as a detective.
In the untitled Bride of Frankenstein film, “A lonely Frankenstein travels to 1930s Chicago to seek the aide of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.”
This confirms a period-set feature that will center around Frankenstein’s quest for love.
Bening adds to a cast that includes star Jessie Buckley, Penelope Cruz as the Bride, Christian Bale as Frankenstein, Peter Sarsgaard as a detective.
In the untitled Bride of Frankenstein film, “A lonely Frankenstein travels to 1930s Chicago to seek the aide of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.”
This confirms a period-set feature that will center around Frankenstein’s quest for love.
- 1/12/2024
- by Meagan Navarro
- bloody-disgusting.com
While Guillermo del Toro is hard at work on his new Frankenstein adaptation, director Maggie Gyllenhaal appears to be gearing up to begin production on The Bride, a Bride of Frankenstein update, according to the Production List.
The listing confirms previous reports that The Bride will star Penelope Cruz as the Bride, Christian Bale as Frankenstein, and Peter Sarsgaard as a detective.
It doesn’t include plot details, however, beyond “a horror thriller, about the Bride of Frankenstein.” So, it remains unclear whether The Bride will be a more faithful period horror remake or a give a contemporary spin on the classic horror movie.
In the original 1935 film from director James Whale, “After recovering from injuries sustained in the mob attack upon himself and his creation, Dr. Frankenstein (Colin Clive) falls under the control of his former mentor, Dr. Pretorius (Ernest Thesiger), who insists the now-chastened doctor resume his experiments in creating new life.
The listing confirms previous reports that The Bride will star Penelope Cruz as the Bride, Christian Bale as Frankenstein, and Peter Sarsgaard as a detective.
It doesn’t include plot details, however, beyond “a horror thriller, about the Bride of Frankenstein.” So, it remains unclear whether The Bride will be a more faithful period horror remake or a give a contemporary spin on the classic horror movie.
In the original 1935 film from director James Whale, “After recovering from injuries sustained in the mob attack upon himself and his creation, Dr. Frankenstein (Colin Clive) falls under the control of his former mentor, Dr. Pretorius (Ernest Thesiger), who insists the now-chastened doctor resume his experiments in creating new life.
- 1/11/2024
- by Meagan Navarro
- bloody-disgusting.com
Like most movies, The Invisible Man travelled a long and winding road to the silver screen, and perhaps longer and more winding than most. As biographer James Curtis put it in his book James Whale: A New World of Gods and Monsters, “The gestation of The Invisible Man was the lengthiest and most convoluted of all of James Whale’s films. It involved four directors, nine writers, six treatments, and ten separate screenplays—all for a film that emerged very much in harmony with the book on which it was based.” It was first suggested as a possible follow-up to Dracula (1931), perhaps as a vehicle for new star Bela Lugosi, but was dropped in favor of Frankenstein (1931) due to the complicated special effects it would require. After Frankenstein was an even bigger success, both director James Whale and star Boris Karloff were immediately attached to The Invisible Man and several...
- 12/21/2023
- by Brian Keiper
- bloody-disgusting.com
How did I find monsters? My father.
It was around Halloween 1956, the same week of Elvis Presley’s second appearance on Ed Sullivan.
My parents often let me stay up and watch late movies. Adventure stuff mainly: Tarzan, tiger hunters, Roy Rogers, Gene Autry. Earlier that year, the first monster I met was King Kong, when my father introduced me to him late one night.
One evening a couple of weeks later, my father said, “I have something special for you tonight.” It was James Whale’s 1931 Frankenstein.
My mother wasn’t happy.
It was around Halloween 1956, the same week of Elvis Presley’s second appearance on Ed Sullivan.
My parents often let me stay up and watch late movies. Adventure stuff mainly: Tarzan, tiger hunters, Roy Rogers, Gene Autry. Earlier that year, the first monster I met was King Kong, when my father introduced me to him late one night.
One evening a couple of weeks later, my father said, “I have something special for you tonight.” It was James Whale’s 1931 Frankenstein.
My mother wasn’t happy.
- 10/31/2023
- by Mikal Gilmore
- Rollingstone.com
While Renfield brought Universal Classic Monster Dracula into the present earlier this year, Netflix reportedly aims to tackle a Bride of Frankenstein remake, The Bride, with Maggie Gyllenhaal as director.
As first reported by World of Reel, the news comes from Production Weekly, which cites Penelope Cruz as the Bride, Christian Bale as Frankenstein, and Peter Sarsgaard among the cast.
In the original 1935 film from director James Whale, “After recovering from injuries sustained in the mob attack upon himself and his creation, Dr. Frankenstein (Colin Clive) falls under the control of his former mentor, Dr. Pretorius (Ernest Thesiger), who insists the now-chastened doctor resume his experiments in creating new life. Meanwhile, the Monster (Boris Karloff) remains on the run from those who wish to destroy him without understanding that his intentions are generally good despite his lack of socialization and self-control.”
The listing doesn’t include plot details, however, so...
As first reported by World of Reel, the news comes from Production Weekly, which cites Penelope Cruz as the Bride, Christian Bale as Frankenstein, and Peter Sarsgaard among the cast.
In the original 1935 film from director James Whale, “After recovering from injuries sustained in the mob attack upon himself and his creation, Dr. Frankenstein (Colin Clive) falls under the control of his former mentor, Dr. Pretorius (Ernest Thesiger), who insists the now-chastened doctor resume his experiments in creating new life. Meanwhile, the Monster (Boris Karloff) remains on the run from those who wish to destroy him without understanding that his intentions are generally good despite his lack of socialization and self-control.”
The listing doesn’t include plot details, however, so...
- 8/3/2023
- by Meagan Navarro
- bloody-disgusting.com
Netflix has announced that Maggie Gyllenhaal, the Oscar-nominated actress and director of The Lost Daughter, will helm a remake of the classic horror film Bride of Frankenstein, titled The Bride. The film will star Christian Bale and Peter Sarsgaard as the creators of the titular character, who will be played by an unknown actress.
The Bride is based on the 1935 film directed by James Whale, which was a sequel to the 1931 film Frankenstein, both adapted from Mary Shelley’s novel. The original film followed the mad scientist Dr. Henry Frankenstein (Colin Clive) and his mentor Dr. Septimus Pretorius (Ernest Thesiger) as they attempt to create a female companion for the Monster (Boris Karloff), who escapes and seeks friendship in the world.
Christian Bale Maggie Gyllenhal
The Bride will be a “horror thriller” that will explore the themes of “identity, love, and creation” in a modern setting. The film is expected...
The Bride is based on the 1935 film directed by James Whale, which was a sequel to the 1931 film Frankenstein, both adapted from Mary Shelley’s novel. The original film followed the mad scientist Dr. Henry Frankenstein (Colin Clive) and his mentor Dr. Septimus Pretorius (Ernest Thesiger) as they attempt to create a female companion for the Monster (Boris Karloff), who escapes and seeks friendship in the world.
Christian Bale Maggie Gyllenhal
The Bride will be a “horror thriller” that will explore the themes of “identity, love, and creation” in a modern setting. The film is expected...
- 8/3/2023
- by amalprasadappu
- https://thecinemanews.online/wp-content/uploads/2023/07/IMG_4649
Mary Shelley's book "Frankenstein" has received countless movie and television adaptations over the years. The iconic novel, which was originally published in 1818, follows a mad scientist named Victor Frankenstein who, after losing his mother to scarlet fever, is determined to defy nature and learn how to bring the dead back to life. Although he successfully creates a humanoid creature by using pieces from various corpses, Victor comes to regret his experiment once he loses control of the creature, who kills his loved ones.
If you're a horror fan who's itching to see a modern take on this classic story, you'll love Bomani J. Story's film "The Angry Black Girl and Her Monster." The movie, which hit theaters on June 9, stars Laya DeLeon Hayes as Vicaria, a 17-year-old genius who embarks on a mission to bring her brother back to life after losing him to gun violence.
Since "The Angry Black Girl and Her Monster...
If you're a horror fan who's itching to see a modern take on this classic story, you'll love Bomani J. Story's film "The Angry Black Girl and Her Monster." The movie, which hit theaters on June 9, stars Laya DeLeon Hayes as Vicaria, a 17-year-old genius who embarks on a mission to bring her brother back to life after losing him to gun violence.
Since "The Angry Black Girl and Her Monster...
- 7/18/2023
- by Michele Mendez
- Popsugar.com
Sequels are practically as old as cinema, with the very first thought to be The Fall of a Nation (1916), a cheapie knockoff/follow-up to the incredibly racist The Birth of a Nation from a year earlier. Ever since Hollywood has been keen to cash-in on sequels and ongoing sagas. Before the term “movie franchise” was even a glint in a studio executive’s eye, MGM was churning out high-quality Thin Man movies at MGM throughout the 1930s and ‘40s while Universal was introducing us to both Dracula’s Daughter (1936) and Son of Frankenstein (1939). One must wonder why the studio never got those two crazy kids together.
And yet, while sequels have been around forever, they’ve generally been seen as lesser-than until recently. By their nature, sequels are derivative, and there have been many filmmakers who were all too happy to embrace sameness while filling their working hours before and after lunch.
And yet, while sequels have been around forever, they’ve generally been seen as lesser-than until recently. By their nature, sequels are derivative, and there have been many filmmakers who were all too happy to embrace sameness while filling their working hours before and after lunch.
- 6/6/2023
- by David Crow
- Den of Geek
Boris Karloff: The Man Behind The Monster director Thomas Hamilton on his upcoming series Horror Icons on interviewing Roger Corman: “He not only worked with Vincent Price, he worked with Peter Lorre, Basil Rathbone, Lon Chaney.” Photo: Thomas Hamilton
Vincent Price, Peter Lorre, Basil Rathbone, Conrad Veidt, Maria Ouspenskaya, George Zukor, Paul Wegener, Emil Jannings, Brigitte Helm, Gale Sondergaard, Gloria Holden, Claude Rains, Fay Wray, Duane Jones, Max Schreck, Boris Karloff, Colin Clive, Lon Chaney Sr., Lon Chaney Jr, Fw Murnau’s Faust and Nosferatu, Arthur Lubin’s Phantom of the Opera, Rowland V. Lee’s Son of Frankenstein, George Waggner’s The Wolf Man, James Whale’s The Invisible Man, Lambert Hillyer’s Dracula’s Daughter, Robert Wiene’s The Cabinet of Dr. Caligari, Paul Wegener and Henrik Galeen’s The Golem, Hanns Heinz Ewers and Stellan Rye’s The Student Of Prague, and George Romero’s Night Of The Living Dead...
Vincent Price, Peter Lorre, Basil Rathbone, Conrad Veidt, Maria Ouspenskaya, George Zukor, Paul Wegener, Emil Jannings, Brigitte Helm, Gale Sondergaard, Gloria Holden, Claude Rains, Fay Wray, Duane Jones, Max Schreck, Boris Karloff, Colin Clive, Lon Chaney Sr., Lon Chaney Jr, Fw Murnau’s Faust and Nosferatu, Arthur Lubin’s Phantom of the Opera, Rowland V. Lee’s Son of Frankenstein, George Waggner’s The Wolf Man, James Whale’s The Invisible Man, Lambert Hillyer’s Dracula’s Daughter, Robert Wiene’s The Cabinet of Dr. Caligari, Paul Wegener and Henrik Galeen’s The Golem, Hanns Heinz Ewers and Stellan Rye’s The Student Of Prague, and George Romero’s Night Of The Living Dead...
- 4/1/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
No film of the Hays Code era revels in its own perversity quite like Mad Love (1935). Mad science, body horror, insanity, obsession, executions, gaslighting, sadomasochism—it’s all here and presented with unparalleled excellence of craft. Though it may seem tame compared to pre-Code fare like Dr. Jekyll and Mr. Hyde (1931), Freaks, and Island of Lost Souls (both 1932), it manages to just barely sneak its lurid subject matter by the censors under a layer of dark humor, exceptional cinematography, and a masterful performance by Peter Lorre in his first American film.
After Dracula proved to be a huge success for Universal, other Hollywood studios became eager to get in on the horror game, though many of these studios felt the genre was beneath them. Metro Goldwyn Mayer was considered the most prestigious of the golden-age studios, famous for its big budget musicals, epic spectaculars, and boasting “more stars than there are in the heavens.
After Dracula proved to be a huge success for Universal, other Hollywood studios became eager to get in on the horror game, though many of these studios felt the genre was beneath them. Metro Goldwyn Mayer was considered the most prestigious of the golden-age studios, famous for its big budget musicals, epic spectaculars, and boasting “more stars than there are in the heavens.
- 2/15/2023
- by Brian Keiper
- bloody-disgusting.com
If you were paying attention to James Gunn and Peter Safran's presentation about the future of DC superhero movies, you may have noticed that something sounded familiar.
No, it's not the fact that we're getting new versions of movies we've already seen before, like Superman and Batman and Swamp Thing. And no, we're not even talking about how it's yet another series of gigantic promises about an interconnected universe in a modern pop culture environment that eats almost all of those up and spits them out.
In addition to all the tantalizing, puzzling, and just plain weird news about the future of DC superhero movies, there was also a curious choice for a title. This first chapter of Gunn and Safran's interconnected universe will be called "Gods and Monsters," and that's a very specific title with a very specific history connected to it.
A history that goes all the way back to,...
No, it's not the fact that we're getting new versions of movies we've already seen before, like Superman and Batman and Swamp Thing. And no, we're not even talking about how it's yet another series of gigantic promises about an interconnected universe in a modern pop culture environment that eats almost all of those up and spits them out.
In addition to all the tantalizing, puzzling, and just plain weird news about the future of DC superhero movies, there was also a curious choice for a title. This first chapter of Gunn and Safran's interconnected universe will be called "Gods and Monsters," and that's a very specific title with a very specific history connected to it.
A history that goes all the way back to,...
- 2/2/2023
- by William Bibbiani
- Slash Film
When people picture Count Dracula and Frankenstein's Monster, they think of the classic versions played by Bela Lugosi and Boris Karloff. Lugosi's suave, mysterious, and authentically European Dracula has informed all subsequent portrayals while Karloff's lumbering, green-skinned monster has eclipsed Mary Shelley's original description of the Creature in her novel.
The actors (and their respective characters) headlined many of Universal Pictures' classic horror monster movies. It all began in 1931, when Todd Browning's "Dracula" debuted in February and James Whale's "Frankenstein" followed in November. In another world, that year's fruits could've been all Lugosi's: Universal producer Carl Laemmle Jr. wanted to capitalize on the success of "Dracula" and have Lugosi play Frankenstein's Monster too. He thought Lugosi could be the "new Lon Chaney" — the "man of a thousand faces" — but the actor was reluctant to take up the offer.
"The Immortal Count: The Life and Films of Bela...
The actors (and their respective characters) headlined many of Universal Pictures' classic horror monster movies. It all began in 1931, when Todd Browning's "Dracula" debuted in February and James Whale's "Frankenstein" followed in November. In another world, that year's fruits could've been all Lugosi's: Universal producer Carl Laemmle Jr. wanted to capitalize on the success of "Dracula" and have Lugosi play Frankenstein's Monster too. He thought Lugosi could be the "new Lon Chaney" — the "man of a thousand faces" — but the actor was reluctant to take up the offer.
"The Immortal Count: The Life and Films of Bela...
- 1/8/2023
- by Devin Meenan
- Slash Film
Although Universal had struck on big hits with "The Hunchback of Notre Dame" in 1923 and "The Phantom of the Opera" in 1925, studio honcho Carl Laemmle, Sr. was no fan of the horror genre. It was his monster-obsessed son, Carl Laemmle, Jr., that encouraged the studio to adapt the then-popular stage production of "Dracula" to film. The movie, released in 1931 and directed by Tod Browning, was stagey and nightmarish, and it deeply burned itself into the collective unconscious. Bela Lugosi, as Dracula, taught the world how vampires behave.
"Dracula" was one of Universal's biggest hits, and Carl Jr. knew that multiple more monster projects could be instantly pushed into the pipeline. The 1930s saw the release of "Frankenstein," "Dracula's Daughter," "The Invisible Man," "Bride of Frankenstein," "The Black Cat," "The Invisible Ray," "Werewolf of London," "The Raven," and scads of others. Horror became the studio's niche.
The wave of popular horror films at Universal,...
"Dracula" was one of Universal's biggest hits, and Carl Jr. knew that multiple more monster projects could be instantly pushed into the pipeline. The 1930s saw the release of "Frankenstein," "Dracula's Daughter," "The Invisible Man," "Bride of Frankenstein," "The Black Cat," "The Invisible Ray," "Werewolf of London," "The Raven," and scads of others. Horror became the studio's niche.
The wave of popular horror films at Universal,...
- 11/11/2022
- by Witney Seibold
- Slash Film
After the success of Dracula in early 1931, several studios large and small rushed into production on their own macabre features. With the early thirties being the depths of the Great Depression, these studios were eager to make films on low budgets that could turn large profits. As has continued to be the case even to this day, horror films were the prime candidate. Besides Universal, the studio with one of the strongest track records in the genre during this time was Paramount. Dr. Jekyll and Mr. Hyde (1931) had been a financial and critical success, winning its star Frederic March an Academy Award for his dual role. The studio decided to return to the well of literature for its follow-up, adapting H.G. Wells’ The Island of Dr. Moreau into Island of Lost Souls (1932), which remains an important and effective example of early science fiction/horror.
The film stars Charles Laughton as Dr.
The film stars Charles Laughton as Dr.
- 8/18/2022
- by Brian Keiper
- bloody-disgusting.com
Boris Karloff made a career-defining choice when he agreed to play the Creature in Universal's "Frankenstein" (1931). Directed by James Whale, the classic horror movie was a massive hit. Karloff, playing an unspeaking, almost child-like version of Frankenstein's monster, terrified audiences, and he went on to become one of the most beloved actors from the classic horror era.
"Frankenstein" wasn't the first movie adaptation of Shelley's novel — there are two lost "Frankenstein" silent movies — and it certainly wasn't the last. It was, however, arguably the most influential — with the Creature's design, the laboratory effects, and Colin Clive's mad scientist look still being icons in popular...
The post Why Universal's Frankenstein Was Censored Years After Release appeared first on /Film.
"Frankenstein" wasn't the first movie adaptation of Shelley's novel — there are two lost "Frankenstein" silent movies — and it certainly wasn't the last. It was, however, arguably the most influential — with the Creature's design, the laboratory effects, and Colin Clive's mad scientist look still being icons in popular...
The post Why Universal's Frankenstein Was Censored Years After Release appeared first on /Film.
- 6/13/2022
- by Sarah Milner
- Slash Film
Writer/director Guillermo del Toro discusses a few of his favorite movies with Josh and Joe.
Show Notes:
Movies Referenced In This Episode
Nightmare Alley (2021)
Nightmare Alley (1947) – Stuart Gordon’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Drive My Car (2021)
Wicked Woman (1953) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairing
Guillermo del Toro’s Pinocchio (2022)
Modern Times (1936)
City Lights (1931)
The Great Dictator (1940)
2001: A Space Odyssey (1968) – John Landis’s trailer commentary, Dennis Cozzalio’s review, Dennis Cozzalio’s Muriel Awards capsule review
Vertigo (1958) – Dan Ireland’s trailer commentary, Brian Trenchard-Smith’s review
The Man Who Would Be King (1975) – Josh Olson’s trailer commentary
Lawrence Of Arabia (1962)
The Young And The Damned (1950)
Gone With The Wind (1939)
The Golem (1920) – Glenn Erickson’s Blu-ray review
Sunrise: A Song Of Two Humans (1927)
Alucarda (1977)
Greed (1924) – Dennis Cozzalio’s Muriel Awards capsule review
Taxi Driver (1976) – Rod Lurie’s trailer commentary
District 9 (2009) – John Sayles...
Show Notes:
Movies Referenced In This Episode
Nightmare Alley (2021)
Nightmare Alley (1947) – Stuart Gordon’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
Drive My Car (2021)
Wicked Woman (1953) – Josh Olson’s trailer commentary, Randy Fuller’s wine pairing
Guillermo del Toro’s Pinocchio (2022)
Modern Times (1936)
City Lights (1931)
The Great Dictator (1940)
2001: A Space Odyssey (1968) – John Landis’s trailer commentary, Dennis Cozzalio’s review, Dennis Cozzalio’s Muriel Awards capsule review
Vertigo (1958) – Dan Ireland’s trailer commentary, Brian Trenchard-Smith’s review
The Man Who Would Be King (1975) – Josh Olson’s trailer commentary
Lawrence Of Arabia (1962)
The Young And The Damned (1950)
Gone With The Wind (1939)
The Golem (1920) – Glenn Erickson’s Blu-ray review
Sunrise: A Song Of Two Humans (1927)
Alucarda (1977)
Greed (1924) – Dennis Cozzalio’s Muriel Awards capsule review
Taxi Driver (1976) – Rod Lurie’s trailer commentary
District 9 (2009) – John Sayles...
- 1/25/2022
- by Kris Millsap
- Trailers from Hell
What a Halloween treat! Karl Freund stopped directing after this classic, which is a shame — it’s German expressionism’s most exciting foray into classic Hollywood horror of the ’30s. Peter Lorre is incredible as Dr. Gogol, making himself as creepy and repulsive as possible while retaining a giddy audience sympathy. It’s Grand Guignol all the way — macabre, funny and irresistible. The screenplay toys with uncomfortable Body Horror and psychological weirdness; Colin Clive must contend with becoming the recipient of murderous hands. Frances Drake is the beauty that drives Dr. Gogol mad, and comedian Edward Brophy is a highlight in a non-comedic scene. “I have conquered science. Why can I not conquer love?!”
Mad Love
Blu-ray
Warner Archive Collection
1935 / B&w / 1:37 Academy / 68 (86) min. / Available at Amazon.com / Street Date October 19, 2021 / 21.99
Starring: Peter Lorre, Frances Drake, Colin Clive, Ted Healy, Sara Haden, Edward Brophy, Henry Kolker, Keye Luke, May Beatty, Billy Gilbert,...
Mad Love
Blu-ray
Warner Archive Collection
1935 / B&w / 1:37 Academy / 68 (86) min. / Available at Amazon.com / Street Date October 19, 2021 / 21.99
Starring: Peter Lorre, Frances Drake, Colin Clive, Ted Healy, Sara Haden, Edward Brophy, Henry Kolker, Keye Luke, May Beatty, Billy Gilbert,...
- 10/26/2021
- by Glenn Erickson
- Trailers from Hell
Mary Shelley’s 1818 novel inspired this 1931 collaboration between James Whale and Boris Karloff, a gothic tour de force that changed the course of motion pictures. Colin Clive plays Henry Frankenstein, the over-zealous monster-maker, and Karloff is his tragic creation—manufactured from a dozen different body parts but with a lonely soul all his own. Mae Clarke is Frankenstein’s beleaguered bride and bent-backed Dwight Frye plays the doctor’s cruel assistant—he suffers a ghoulish if fitting fate. Jack Pierce designed Karloff’s legendary make-up.
The post Frankenstein appeared first on Trailers From Hell.
The post Frankenstein appeared first on Trailers From Hell.
- 10/25/2021
- by Charlie Largent
- Trailers from Hell
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Celebrate Nine Decades Of Your Favorite Monsters On 4K For The Very First Time In Collectible Packaging
Available On 4K, Blu-ray™ And Digital On October 5, 2021
From Universal Pictures Home Entertainment
Synopsis: From the era of silent movies through present day, Universal Pictures has been regarded as the home of the monsters. Universal Classic Monsters Icons of Horror Collection showcases four of the most iconic monsters in motion picture history including Dracula, Frankenstein, The Invisible Man and The Wolf Man. Starring Bela Lugosi, Boris Karloff, Lon Chaney Jr. and Claude Rains in the roles that they made famous, these original films set the standard for a new horror genre with revolutionary makeup, mood-altering cinematography and groundbreaking special effects.
Classic Monster Films Included:
Dracula (90th Anniversary) Frankenstein (90th Anniversary) The Invisible Man The Wolf Man (80th Anniversary)
Hours Of Bonus Content, Including:
The Road to...
Celebrate Nine Decades Of Your Favorite Monsters On 4K For The Very First Time In Collectible Packaging
Available On 4K, Blu-ray™ And Digital On October 5, 2021
From Universal Pictures Home Entertainment
Synopsis: From the era of silent movies through present day, Universal Pictures has been regarded as the home of the monsters. Universal Classic Monsters Icons of Horror Collection showcases four of the most iconic monsters in motion picture history including Dracula, Frankenstein, The Invisible Man and The Wolf Man. Starring Bela Lugosi, Boris Karloff, Lon Chaney Jr. and Claude Rains in the roles that they made famous, these original films set the standard for a new horror genre with revolutionary makeup, mood-altering cinematography and groundbreaking special effects.
Classic Monster Films Included:
Dracula (90th Anniversary) Frankenstein (90th Anniversary) The Invisible Man The Wolf Man (80th Anniversary)
Hours Of Bonus Content, Including:
The Road to...
- 10/21/2021
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
The grimacing Count, the inspired Dr. Frankenstein, the megalomanic Dr. Griffin and the unlucky Larry Talbot make the jump to 4K courtesy of Universal. We’ve seen what 4k Ultra-hd can do for new movies, and selected older features that can benefit from the quality boost if they’re remastered well. Uni monster fans are presently scrutinizing the web for expert opinions on this disc; CineSavant tries to explain what he sees as simply as possible: are the format versions different? Is the new one an improvement? We certainly have no doubts about the movies, which if anything look better than ever. Each Universal classic comes with acres of accumulated fine-quality extras.
Universal Classic Monsters Icons of Horror Collection
4K Ultra-hd + Blu-ray + Digital
Dracula, Drácula, Frankenstein, The Invisible Man, The Wolf Man
Universal Pictures Home Entertainment
1931-1941 / B&w / 1:37 Academy / 4 complete films / Street Date October 5, 2021 /
Starring: Bela Lugosi, Helen Chandler,...
Universal Classic Monsters Icons of Horror Collection
4K Ultra-hd + Blu-ray + Digital
Dracula, Drácula, Frankenstein, The Invisible Man, The Wolf Man
Universal Pictures Home Entertainment
1931-1941 / B&w / 1:37 Academy / 4 complete films / Street Date October 5, 2021 /
Starring: Bela Lugosi, Helen Chandler,...
- 10/12/2021
- by Glenn Erickson
- Trailers from Hell
“I have conquered science! Why can’t I conquer love?”
Peter Lorre in Mad Love (1935) will be available no Blu-ray October 19th from Warner Archive
In his American feature-film debut, Peter Lorre turns in one of his creepiest performances as a renowned plastic surgeon whose sadistic obsession with an actress drives him over the edge of sanity.
Dr. Gogol (Lorre) is in love with Yvonne Orlac (Frances Drake), an actress whose appearance in a Grand Guignol-like horror theater has mesmerized him. She quits the theater to travel with her concert pianist husband, Stephen (Colin Clive), enraging Gogol. But when Stephen’s hands are crushed in a train accident, Yvonne turns to Gogol as a last resort. Motivated by sadistic intentions, Gogol secretly replaces Stephen’s hands with those of a guillotined murderer, hoping that the operation will send Yvonne rushing into his arms as the murderer’s hands take on a life of their own.
Peter Lorre in Mad Love (1935) will be available no Blu-ray October 19th from Warner Archive
In his American feature-film debut, Peter Lorre turns in one of his creepiest performances as a renowned plastic surgeon whose sadistic obsession with an actress drives him over the edge of sanity.
Dr. Gogol (Lorre) is in love with Yvonne Orlac (Frances Drake), an actress whose appearance in a Grand Guignol-like horror theater has mesmerized him. She quits the theater to travel with her concert pianist husband, Stephen (Colin Clive), enraging Gogol. But when Stephen’s hands are crushed in a train accident, Yvonne turns to Gogol as a last resort. Motivated by sadistic intentions, Gogol secretly replaces Stephen’s hands with those of a guillotined murderer, hoping that the operation will send Yvonne rushing into his arms as the murderer’s hands take on a life of their own.
- 9/27/2021
- by Tom Stockman
- WeAreMovieGeeks.com
“The spider spinning his web for the unwary fly… The blood is the life, Mr. Renfield.”
Celebrate Nine Decades Of Your Favorite Monsters On 4K For The Very First Time In Collectible Packaging. Available On 4K, Blu-ray And Digital On October 5th
From the era of silent movies through present day, Universal Pictures has been regarded as the home of the monsters. Universal Classic Monsters Icons of Horror Collection showcases four of the most iconic monsters in motion picture history including Dracula, Frankenstein, The Invisible Man and The Wolf Man. Starring Bela Lugosi, Boris Karloff, Lon Chaney Jr. and Claude Rains in the roles that they made famous, these original films set the standard for a new horror genre with revolutionary makeup, mood-altering cinematography and groundbreaking special effects.
Classic Monster Films Included:
Dracula (90th Anniversary)Frankenstein (90th Anniversary)The Invisible ManThe Wolf Man (80th Anniversary)
Hours Of Bonus Content, Including:...
Celebrate Nine Decades Of Your Favorite Monsters On 4K For The Very First Time In Collectible Packaging. Available On 4K, Blu-ray And Digital On October 5th
From the era of silent movies through present day, Universal Pictures has been regarded as the home of the monsters. Universal Classic Monsters Icons of Horror Collection showcases four of the most iconic monsters in motion picture history including Dracula, Frankenstein, The Invisible Man and The Wolf Man. Starring Bela Lugosi, Boris Karloff, Lon Chaney Jr. and Claude Rains in the roles that they made famous, these original films set the standard for a new horror genre with revolutionary makeup, mood-altering cinematography and groundbreaking special effects.
Classic Monster Films Included:
Dracula (90th Anniversary)Frankenstein (90th Anniversary)The Invisible ManThe Wolf Man (80th Anniversary)
Hours Of Bonus Content, Including:...
- 8/3/2021
- by Tom Stockman
- WeAreMovieGeeks.com
‘Unabashed, unfettered romanticism’ runs wild in Frank Borzage’s golden-age masterpiece of a runaway wife and the crazy Frenchman who pursues her. Long lost to awful, ragged 16mm prints, the newly restored gem will dazzle fans of delirious love stories, where the right people get together despite distance, time, and the interference of jealous husbands, misunderstandings, accusations of murder and natural disasters. All the above figure in this mini-epic, yet the movie never seems like a genre mash-up. Jean Arthur skips the squeaky line deliveries, Charles Boyer drops the gloom act, Colin Clive is more frightening than in his horror movies and Leo Carillo steals the show with one of the most endearing characters of the 1930s.
History is Made at Night
Blu-ray
The Criterion Collection 1072
1937 / B&w / 1:37 Academy / 97 min. / available through The Criterion Collection / Street Date April 13, 2021 / 39.95
Starring: Charles Boyer, Jean Arthur, Leo Carrillo, Colin Clive, Ivan Lebedeff,...
History is Made at Night
Blu-ray
The Criterion Collection 1072
1937 / B&w / 1:37 Academy / 97 min. / available through The Criterion Collection / Street Date April 13, 2021 / 39.95
Starring: Charles Boyer, Jean Arthur, Leo Carrillo, Colin Clive, Ivan Lebedeff,...
- 5/18/2021
- by Glenn Erickson
- Trailers from Hell
The Kiss Before the Mirror
Blu ray
Kino Lorber
1933 / 1.33:1 / 69 min.
Starring Nancy Carroll, Frank Morgan, Gloria Stuart
Cinematography by Karl Freund
Directed by James Whale
James Whale’s The Kiss Before the Mirror opens on familiar terrain for the director of Frankenstein—a moon-lit backroad littered with crooked trees and clutching branches. A figure tip-toes out of the darkness toward her destination—not a mad scientist’s castle but a swanky post-modern bungalow where her lover waits. The woman catches the moonlight quite well, thank you—she’s played by an incandescent Gloria Stuart and she has just escaped her husband for a rendezvous with a self-impressed roué played by the blankly handsome Walter Pidgeon. The two engage in pre-sex small talk that is so coy, so ear-grating, that it’s clear Whale is preparing them (and the audience) for some awful comeuppance.
Produced in 1933, The Kiss Before the...
Blu ray
Kino Lorber
1933 / 1.33:1 / 69 min.
Starring Nancy Carroll, Frank Morgan, Gloria Stuart
Cinematography by Karl Freund
Directed by James Whale
James Whale’s The Kiss Before the Mirror opens on familiar terrain for the director of Frankenstein—a moon-lit backroad littered with crooked trees and clutching branches. A figure tip-toes out of the darkness toward her destination—not a mad scientist’s castle but a swanky post-modern bungalow where her lover waits. The woman catches the moonlight quite well, thank you—she’s played by an incandescent Gloria Stuart and she has just escaped her husband for a rendezvous with a self-impressed roué played by the blankly handsome Walter Pidgeon. The two engage in pre-sex small talk that is so coy, so ear-grating, that it’s clear Whale is preparing them (and the audience) for some awful comeuppance.
Produced in 1933, The Kiss Before the...
- 1/23/2021
- by Charlie Largent
- Trailers from Hell
This January, NBCUniversal is offering fans the chance to dive into some of Universal Pictures’ most gruesome classic films ever made on one of the world’s biggest horror YouTube channels, ‘Fear: The Home of Horror.’
Starting January 15th 2021 horror fans will have the opportunity to scare away the January blues and take a step back in time to watch an incredible array of classic re-mastered cult films for Free including Dracula (1931), Frankenstein (1931), The Mummy (1932), The Invisible Man (1933), The Wolf Man (1941), Bride of Frankenstein (1935) and Abbott and Costello Meet Frankenstein (1948).
Each film will premiere individually and be available to watch for seven days on the Fear: The Home of Horror YouTube channel. Additionally, during each film’s premiere week, fans will have the opportunity to add these films to their digital collection at a discounted price, allowing them to watch whenever they want, for as many times as they want!
Starting January 15th 2021 horror fans will have the opportunity to scare away the January blues and take a step back in time to watch an incredible array of classic re-mastered cult films for Free including Dracula (1931), Frankenstein (1931), The Mummy (1932), The Invisible Man (1933), The Wolf Man (1941), Bride of Frankenstein (1935) and Abbott and Costello Meet Frankenstein (1948).
Each film will premiere individually and be available to watch for seven days on the Fear: The Home of Horror YouTube channel. Additionally, during each film’s premiere week, fans will have the opportunity to add these films to their digital collection at a discounted price, allowing them to watch whenever they want, for as many times as they want!
- 1/6/2021
- by Phil Wheat
- Nerdly
Universal Pictures’ dubious attempt to remake Bride of Frankenstein as part of the “Dark Universe” might be dead, but the concept of reimagining the idea of a reanimated “Bride” in the 21st century leads on—with Scarlett Johansson as the lead, no less. The news came late Thursday when A24 and Apple TV+ announced Johansson would star in The Bride, a modern reworking of one of the most potent ideas in Mary Shelley’s Frankenstein novel.
The new film, which will be directed by Sebastián Lelo, reimagines the story of the Bride’s creation as less the attempt to build a “Monster’s Mate”—as she is credited in the 1935 Bride of Frankenstein movie—and more a parable about a woman finding a sense of self-realization in the modern world. It’s so modern in fact that her creator will be a wealthy tech CEO who has fastened a lady...
The new film, which will be directed by Sebastián Lelo, reimagines the story of the Bride’s creation as less the attempt to build a “Monster’s Mate”—as she is credited in the 1935 Bride of Frankenstein movie—and more a parable about a woman finding a sense of self-realization in the modern world. It’s so modern in fact that her creator will be a wealthy tech CEO who has fastened a lady...
- 10/23/2020
- by David Crow
- Den of Geek
“The brain you stole, Fritz. Think of it. The brain of a dead man waiting to live again in a body I made with my own hands!”
The Original Frankenstein (1931) screens Sunday Night October 11th at the Sky View Drive-in in Lichtfield, Il. (1500 Historic Old Route 66) This is part of the Sky View’s ‘Throwback Sundays’. The second Sunday of the month, they screen a classic movie. Admission is only $7 (free for kids under 5). The movie starts at 7pm. The Sky View’s site can be found Here.
The classic and definitive monster/horror film of all time, director James Whale’s Frankenstein (1931) is the screen version of Mary Shelley’s Gothic 1818 nightmarish novel of the same name. The film was produced by Carl Laemmle Jr. for Universal Pictures, the same year that Dracula, another classic horror film, was produced within the same studio – both films helped to save the beleaguered Universal.
The Original Frankenstein (1931) screens Sunday Night October 11th at the Sky View Drive-in in Lichtfield, Il. (1500 Historic Old Route 66) This is part of the Sky View’s ‘Throwback Sundays’. The second Sunday of the month, they screen a classic movie. Admission is only $7 (free for kids under 5). The movie starts at 7pm. The Sky View’s site can be found Here.
The classic and definitive monster/horror film of all time, director James Whale’s Frankenstein (1931) is the screen version of Mary Shelley’s Gothic 1818 nightmarish novel of the same name. The film was produced by Carl Laemmle Jr. for Universal Pictures, the same year that Dracula, another classic horror film, was produced within the same studio – both films helped to save the beleaguered Universal.
- 10/5/2020
- by Tom Stockman
- WeAreMovieGeeks.com
“Look! It’s moving. It’s alive. It’s alive… It’s alive, it’s moving, it’s alive, it’s alive, it’s alive, it’s alive, It’S Alive!”
The ‘Grave Tales’ Horror film series continues at Webster University Thursday January 31st with a screening of the groundbreaking horror classic Frankenstein (1931) starring Boris Karloff. The screening will be at Webster University’s Moore Auditorium (470 East Lockwood). The movie starts at 7:30. A Facebook invite for the event can be found Here. Look for more coverage of the ‘Grave Tales’ Horror film series here at We Are Movie Geeks in the coming weeks.
Dr. Henry Frankenstein, played by Colin Clive, and his assistant Fritz, portrayed by Dwight Frye, stalk the graveyards at night. They dig up the fresh corpses of the recently deceased in order to fulfill a mad scientist’s dream. They seek to give life to a dead,...
The ‘Grave Tales’ Horror film series continues at Webster University Thursday January 31st with a screening of the groundbreaking horror classic Frankenstein (1931) starring Boris Karloff. The screening will be at Webster University’s Moore Auditorium (470 East Lockwood). The movie starts at 7:30. A Facebook invite for the event can be found Here. Look for more coverage of the ‘Grave Tales’ Horror film series here at We Are Movie Geeks in the coming weeks.
Dr. Henry Frankenstein, played by Colin Clive, and his assistant Fritz, portrayed by Dwight Frye, stalk the graveyards at night. They dig up the fresh corpses of the recently deceased in order to fulfill a mad scientist’s dream. They seek to give life to a dead,...
- 1/27/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Tony Sokol Nov 21, 2018
The Grateful Dead documentary Long Strange Trip is the band's memento mori.
Death is fun. As long as we remember nothing about us will be remembered in the eternity. Death is also very accommodating, if we don't stop for it, it stops for us. It's an immortal uber driver that doesn't care about a rating because there is only one destination. Long Strange Trip, the Grateful Dead documentary that first arrived on Amazon Prime and is now available on Blu-ray, rides shotgun with death on the tour bus. Casey Jones hasn't even glanced at the speedometer.
The Grateful Dead wasn't just a band, it was a family. Some deaths weren't fun, and there is little gratitude for taking away key players. Pigpen McKernan died in 1973 at the age of 27, Brent Mydland's gruesome death, and Garcia’s death from a heart attack at age 53 in 1995. Long Strange Trip,...
The Grateful Dead documentary Long Strange Trip is the band's memento mori.
Death is fun. As long as we remember nothing about us will be remembered in the eternity. Death is also very accommodating, if we don't stop for it, it stops for us. It's an immortal uber driver that doesn't care about a rating because there is only one destination. Long Strange Trip, the Grateful Dead documentary that first arrived on Amazon Prime and is now available on Blu-ray, rides shotgun with death on the tour bus. Casey Jones hasn't even glanced at the speedometer.
The Grateful Dead wasn't just a band, it was a family. Some deaths weren't fun, and there is little gratitude for taking away key players. Pigpen McKernan died in 1973 at the age of 27, Brent Mydland's gruesome death, and Garcia’s death from a heart attack at age 53 in 1995. Long Strange Trip,...
- 11/20/2018
- Den of Geek
Hammer Film Productions ran itself on a loose set of commandments that had to be followed in all of their horror pictures. They obviously made more than that, often combing the fertile grounds of science fiction, sword-and-sandal affairs, and even the rare bank robbery, but their legacy is horror, and in those films you were going to see certain things. You could expect Peter Cushing or Christopher Lee (maybe both) duking it out in suave Gothic mansions or the quaint decor of a vampire’s crypt. You were going to see blood, sometimes lots of it, and women were going to wear beautiful, low-cut dresses that mostly existed to sing the praises of God-given cleavage. These were B-pictures, often trashy and always pulp, but behind the camera and in the heart of these movies is the single greatest output of house-style scares this side of Val Lewton’s cabal of...
- 6/5/2018
- by The Film Stage
- The Film Stage
“We belong…Dead!”
Please join Washington University’s Film and Media Studies and the Center for the Humanities as they celebrate the 200th anniversary of Mary Shelley’s Frankenstein with a free screening of Bride of Frankenstein (1935) and Young Frankenstein (1974). The event takes place at Brown Hall, Room 100, Washington University in St. Louis Friday October 20th, 2017 at 7.00 pm. This is a Free event and there will be free popcorn and soda there as well.
Two hundred years have passed since Mary Shelley, the British novelist and dramatist, published her novel Frankenstein. Since that moment, her creation has not only caused a big impact in the literary world, but also in cinema, an art that was not even alive when the monster was born. In celebration of Frankenstein’s upcoming birthday, Film and Media Studies and the Center for the Humanities at Washington University in St. Louis is organizing a free...
Please join Washington University’s Film and Media Studies and the Center for the Humanities as they celebrate the 200th anniversary of Mary Shelley’s Frankenstein with a free screening of Bride of Frankenstein (1935) and Young Frankenstein (1974). The event takes place at Brown Hall, Room 100, Washington University in St. Louis Friday October 20th, 2017 at 7.00 pm. This is a Free event and there will be free popcorn and soda there as well.
Two hundred years have passed since Mary Shelley, the British novelist and dramatist, published her novel Frankenstein. Since that moment, her creation has not only caused a big impact in the literary world, but also in cinema, an art that was not even alive when the monster was born. In celebration of Frankenstein’s upcoming birthday, Film and Media Studies and the Center for the Humanities at Washington University in St. Louis is organizing a free...
- 10/10/2017
- by Tom Stockman
- WeAreMovieGeeks.com
Re-Animator
Blu-ray
Arrow
1985 / 1:85 / Street Date August 8, 2017
Starring: Jeffrey Combs, Barbara Crampton
Cinematography: Mac Ahlberg
Film Editor: Lee Percy
Written by Stuart Gordon, Dennis Paoli, William Norris
Produced by Brian Yuzna
Music: Richard Band
Directed by Stuart Gordon
Released in 1985, Stuart Gordon’s Re-Animator remains the grandest of Grand Guignols, a viscerally entertaining comedy that is just grindhouse enough for fans of Blood Feast and arthouse enough for connoisseurs of Francis Bacon’s more grisly canvases.
Originally scripted for Chicago’s Organic Theater Company by Gordon and co-writers Dennis Paoli and William Norris, Re-Animator was based on H. P. Lovecraft’s short story, Herbert West – Re-Animator, first published in 1922. Set in the blandly generic college town of Arkham, Massachusetts, the action revolves in and around the classrooms of stately Miskatonic University’s medical school and the sterilized atmosphere of the academy’s dank morgue evoked so well by Mac Ahlberg’s lush cinematography.
Blu-ray
Arrow
1985 / 1:85 / Street Date August 8, 2017
Starring: Jeffrey Combs, Barbara Crampton
Cinematography: Mac Ahlberg
Film Editor: Lee Percy
Written by Stuart Gordon, Dennis Paoli, William Norris
Produced by Brian Yuzna
Music: Richard Band
Directed by Stuart Gordon
Released in 1985, Stuart Gordon’s Re-Animator remains the grandest of Grand Guignols, a viscerally entertaining comedy that is just grindhouse enough for fans of Blood Feast and arthouse enough for connoisseurs of Francis Bacon’s more grisly canvases.
Originally scripted for Chicago’s Organic Theater Company by Gordon and co-writers Dennis Paoli and William Norris, Re-Animator was based on H. P. Lovecraft’s short story, Herbert West – Re-Animator, first published in 1922. Set in the blandly generic college town of Arkham, Massachusetts, the action revolves in and around the classrooms of stately Miskatonic University’s medical school and the sterilized atmosphere of the academy’s dank morgue evoked so well by Mac Ahlberg’s lush cinematography.
- 8/8/2017
- by Charlie Largent
- Trailers from Hell
Ronald Colman: Turner Classic Movies' Star of the Month in two major 1930s classics Updated: Turner Classic Movies' July 2017 Star of the Month is Ronald Colman, one of the finest performers of the studio era. On Thursday night, TCM presented five Colman star vehicles that should be popping up again in the not-too-distant future: A Tale of Two Cities, The Prisoner of Zenda, Kismet, Lucky Partners, and My Life with Caroline. The first two movies are among not only Colman's best, but also among Hollywood's best during its so-called Golden Age. Based on Charles Dickens' classic novel, Jack Conway's Academy Award-nominated A Tale of Two Cities (1936) is a rare Hollywood production indeed: it manages to effectively condense its sprawling source, it boasts first-rate production values, and it features a phenomenal central performance. Ah, it also shows its star without his trademark mustache – about as famous at the time as Clark Gable's. Perhaps...
- 7/21/2017
- by Andre Soares
- Alt Film Guide
Considering everything that's been happening on the planet in the last several months, you'd have thought we're already in November or December – of 2117. But no. It's only June. 2017. And in some parts of the world, that's the month of brides, fathers, graduates, gays, and climate change denial. Beginning this evening, Thursday, June 1, Turner Classic Movies will be focusing on one of these June groups: Lgbt people, specifically those in the American film industry. Following the presentation of about 10 movies featuring Frank Morgan, who would have turned 127 years old today, TCM will set its cinematic sights on the likes of William Haines, James Whale, George Cukor, Mitchell Leisen, Dorothy Arzner, Patsy Kelly, and Ramon Novarro. In addition to, whether or not intentionally, Claudette Colbert, Colin Clive, Katharine Hepburn, Douglass Montgomery (a.k.a. Kent Douglass), Marjorie Main, and Billie Burke, among others. But this is ridiculous! Why should TCM present a...
- 6/2/2017
- by Andre Soares
- Alt Film Guide
The 2016 blu ray release of the Frankenstein and Wolf Man Legacy Collections was a moment of celebration for movie and monster lovers everywhere, bringing together all the golden age appearances of Frankenstein’s misbegotten creation and Larry Talbot’s hairy alter-ego. Universal Studios treated those dusty creature features to luminous restorations; from Bride of Frankenstein to She Wolf of London, these essential artifacts never looked less than impeccable and, at times, even ravishing. Colin Clive’s frenzied declaration, “It’s Alive!”, never felt more appropriate.
Now Universal has turned their attention to their other legendary franchise players, Dracula, the sharp-dressed but undead ladies’ man and Im-ho-tep, the cursed Egyptian priest who loved not wisely but too well.
Dracula: Complete Legacy Collection
Blu-ray
Universal Studios Home Entertainment
1931, ’36, ’43, ’44, ’45, ’48 / 449 min. / B&W / 1:33 / Street Date May 16, 2017
Starring: Actors: Bela Lugosi, Lon Chaney Jr. , Boris Karloff, Bud Abbott, Lou Costello
Cinematography: Karl Freund,...
Now Universal has turned their attention to their other legendary franchise players, Dracula, the sharp-dressed but undead ladies’ man and Im-ho-tep, the cursed Egyptian priest who loved not wisely but too well.
Dracula: Complete Legacy Collection
Blu-ray
Universal Studios Home Entertainment
1931, ’36, ’43, ’44, ’45, ’48 / 449 min. / B&W / 1:33 / Street Date May 16, 2017
Starring: Actors: Bela Lugosi, Lon Chaney Jr. , Boris Karloff, Bud Abbott, Lou Costello
Cinematography: Karl Freund,...
- 5/29/2017
- by Charlie Largent
- Trailers from Hell
Yesterday, amid a crush of sweaty people desperate for last-minute props, I visited a local Halloween superstore with my daughter, looking for a Pikachu mask. Well, there wasn’t much to choose from in the Cute Kid Division. But this particular hall of Halloween hell definitely had the adult sensibility covered. Of course there were the usual skimpy or otherwise outrageous costumes for purchase —ladies, you can dress up like a sexy Kim Kardashian-esque vampire out for a night of Hollywood clubbing, and gents, how about impressing all the sexy Kim Kardashian vampires at your party by dressing up like a walking, talking matched set of cock and balls! It’s been a while since I’ve shopped for fake tools of terror, but it seems there’s been a real advance in sophistication in the market for “Leatherface-approved” (I swear) chainsaws with moving parts and authentic revving noises,...
- 10/30/2016
- by Dennis Cozzalio
- Trailers from Hell
You have to give credit to Dwight Frye, the underappreciated character actor who created the role of the hunchback Fritz, who aided Colin Clive’s Victor Frankenstein in the 1931 Universal adaptation of Mary Shelley’s classic novel. In further Universal installments, the assistant was renamed Ygor and Frye was replaced with Bela Lugosi – but it is Frye’s portrayal that gave the world the stock character forever known to all as Igor.
In the re-envisioned world portrayed in Victor Frankenstein (James McAvoy), Igor is given an upgrade from simple lab assistant to brilliant physician and Frye has morphed into Daniel Radcliffe. Young Victor is actually still in med school as we meet out characters and it is Igor who proves to the brains behind the, ahem, operation.
Max Landis uses both Shelley’s novel and the Universal series of films as guideposts but charts a fresh, if not wholly original tale.
In the re-envisioned world portrayed in Victor Frankenstein (James McAvoy), Igor is given an upgrade from simple lab assistant to brilliant physician and Frye has morphed into Daniel Radcliffe. Young Victor is actually still in med school as we meet out characters and it is Igor who proves to the brains behind the, ahem, operation.
Max Landis uses both Shelley’s novel and the Universal series of films as guideposts but charts a fresh, if not wholly original tale.
- 3/17/2016
- by Robert Greenberger
- Comicmix.com
The Frankenstein Monster is arguably the greatest monster in all fiction. There have been a few genuinely excellent films made about him, but all too many of them are pretty bad. While the latest attempt in Victor Frankenstein falls flat, Cinelinx looks at the film history of Frankenstein to see which of them worked and which of them didn’t.
The Frankenstein Monster was the invention of 18 year old Mary Shelly (wife of poet Percy Shelly) who was vacationing in Switzerland with her husband, their close friend Lord Byron and John Polidori. Incessant rain left them housebound and reading ghost stories to each other. This led to a challenge from Byron, daring them all to create the scariest story ever told. Mary Shelly seemed outclassed by her literary companions until she heard legends of a crazy scientist named Conrad Dipple who performed illegal experiments using parts of dead bodies and electricity.
The Frankenstein Monster was the invention of 18 year old Mary Shelly (wife of poet Percy Shelly) who was vacationing in Switzerland with her husband, their close friend Lord Byron and John Polidori. Incessant rain left them housebound and reading ghost stories to each other. This led to a challenge from Byron, daring them all to create the scariest story ever told. Mary Shelly seemed outclassed by her literary companions until she heard legends of a crazy scientist named Conrad Dipple who performed illegal experiments using parts of dead bodies and electricity.
- 11/28/2015
- by feeds@cinelinx.com (Rob Young)
- Cinelinx
By Cate Marquis
James McAvoy and Daniel Radcliffe star in Victor Frankenstein, a kind of origin story/re-imagining of classic monster story told from Igor’s point-of-view.
Medical student Victor Frankenstein (McAvoy) is visiting a circus in Victorian London in search of animal body parts for his secret experiments, when a beautiful trapeze artist (Jessica Brown Findley) falls from her perch. The doctor rushes to assist but she is already being aided by the circus’ self-taught doctor, a hunch-back clown (Radcliffe). Impressed by the nameless clown’s skill and knowledge of anatomy, Frankenstein helps him escape the circus and takes him back to his laboratory, where he treats his physical problems. Given the name of Victor’s missing roommate, Igor Straussman, Frankenstein offers him friendship, a place to stay, an extensive library and a chance to help in his effort to create life.
The film is a mash-up of Mary Shelley’s 1818 novel,...
James McAvoy and Daniel Radcliffe star in Victor Frankenstein, a kind of origin story/re-imagining of classic monster story told from Igor’s point-of-view.
Medical student Victor Frankenstein (McAvoy) is visiting a circus in Victorian London in search of animal body parts for his secret experiments, when a beautiful trapeze artist (Jessica Brown Findley) falls from her perch. The doctor rushes to assist but she is already being aided by the circus’ self-taught doctor, a hunch-back clown (Radcliffe). Impressed by the nameless clown’s skill and knowledge of anatomy, Frankenstein helps him escape the circus and takes him back to his laboratory, where he treats his physical problems. Given the name of Victor’s missing roommate, Igor Straussman, Frankenstein offers him friendship, a place to stay, an extensive library and a chance to help in his effort to create life.
The film is a mash-up of Mary Shelley’s 1818 novel,...
- 11/25/2015
- by Movie Geeks
- WeAreMovieGeeks.com
Article by Jim Batts, Dana Jung, and Tom Stockman
No other actor in the long history of horror has been so closely identified with the genre as Boris Karloff, yet he was as famous for his gentle heart and kindness as he was for his screen persona. William Henry Pratt was born on November 23, 1887, in Camberwell, London, England. He studied at London University in anticipation of a diplomatic career; however, he moved to Canada in 1909 and joined a theater company where he was bit by the acting bug. It was there that he adopted the stage name of “Boris Karloff.” He toured back and forth across the USA for over ten years in a variety of low-budget Theater shows and eventually ended up in Hollywood. Needing cash to support himself, Karloff landed roles in silent films making his on-screen debut in Chapter 2 of the 1919 serial The Masked Rider. His big...
No other actor in the long history of horror has been so closely identified with the genre as Boris Karloff, yet he was as famous for his gentle heart and kindness as he was for his screen persona. William Henry Pratt was born on November 23, 1887, in Camberwell, London, England. He studied at London University in anticipation of a diplomatic career; however, he moved to Canada in 1909 and joined a theater company where he was bit by the acting bug. It was there that he adopted the stage name of “Boris Karloff.” He toured back and forth across the USA for over ten years in a variety of low-budget Theater shows and eventually ended up in Hollywood. Needing cash to support himself, Karloff landed roles in silent films making his on-screen debut in Chapter 2 of the 1919 serial The Masked Rider. His big...
- 11/23/2015
- by Movie Geeks
- WeAreMovieGeeks.com
Constance Cummings in 'Night After Night.' Constance Cummings: Working with Frank Capra and Mae West (See previous post: “Constance Cummings: Actress Went from Harold Lloyd to Eugene O'Neill.”) Back at Columbia, Harry Cohn didn't do a very good job at making Constance Cummings feel important. By the end of 1932, Columbia and its sweet ingenue found themselves in court, fighting bitterly over stipulations in her contract. According to the actress and lawyer's daughter, Columbia had failed to notify her that they were picking up her option. Therefore, she was a free agent, able to offer her services wherever she pleased. Harry Cohn felt otherwise, claiming that his contract player had waived such a notice. The battle would spill over into 1933. On the positive side, in addition to Movie Crazy 1932 provided Cummings with three other notable Hollywood movies: Washington Merry-Go-Round, American Madness, and Night After Night. 'Washington Merry-Go-Round...
- 11/5/2015
- by Andre Soares
- Alt Film Guide
–
20. The Innocents
Directed by Jack Clayton
Written by William Archibald and Truman Capote
UK, 1961
Genre: Hauntings
The Innocents, which was co-written by Truman Capote, is the first of many screen adaptations of The Turn of the Screw. If you’ve never heard of it, don’t feel bad because most people haven’t – but The Innocents deserves its rightful spot on any list of great horror films. Here is one of the few films where the ghost story takes place mostly in daylight, and the lush photography, which earned cinematographer Freddie Francis one of his two Oscar wins, is simply stunning. Meanwhile, director Jack Clayton and Francis made great use of long, steady shots, which suggest corruption is lurking everywhere inside the grand estate. The Innocents also features three amazing performances; the first two come courtesy of child actors Pamela Franklin (The Legend of Hell House), and Martin Stephens (Village of the Damned...
20. The Innocents
Directed by Jack Clayton
Written by William Archibald and Truman Capote
UK, 1961
Genre: Hauntings
The Innocents, which was co-written by Truman Capote, is the first of many screen adaptations of The Turn of the Screw. If you’ve never heard of it, don’t feel bad because most people haven’t – but The Innocents deserves its rightful spot on any list of great horror films. Here is one of the few films where the ghost story takes place mostly in daylight, and the lush photography, which earned cinematographer Freddie Francis one of his two Oscar wins, is simply stunning. Meanwhile, director Jack Clayton and Francis made great use of long, steady shots, which suggest corruption is lurking everywhere inside the grand estate. The Innocents also features three amazing performances; the first two come courtesy of child actors Pamela Franklin (The Legend of Hell House), and Martin Stephens (Village of the Damned...
- 10/31/2015
- by Ricky Fernandes
- SoundOnSight
The Daughter of Frankenstein’s Monster Will Be Among Us for Halloween!
A double feature of two Universal classics will be upon Los Angeles on Mischief Night. James Whale’s 1935 film The Bride of Frankenstein, the sequel to the 1931 film Frankenstein which he also directed, stars Boris Karloff, Colin Clive and Elsa Lanchester and will be shown at the Ahrya Fine Arts Theater. The highly-lauded follow-up ...
Hnn | Horrornews.net - Official News Site...
A double feature of two Universal classics will be upon Los Angeles on Mischief Night. James Whale’s 1935 film The Bride of Frankenstein, the sequel to the 1931 film Frankenstein which he also directed, stars Boris Karloff, Colin Clive and Elsa Lanchester and will be shown at the Ahrya Fine Arts Theater. The highly-lauded follow-up ...
Hnn | Horrornews.net - Official News Site...
- 10/20/2015
- by Jonathan Stryker
- Horror News
'Jurassic World' velociraptor kicks Iron Man ass at worldwide box office. 'Jurassic World' officially surpasses 'The Avengers' at worldwide box office Directed by Colin Trevorrow; starring Chris Pratt, Bryce Dallas Howard, and Vincent D'Onofrio; and co-executive-produced by Steven Spielberg, Jurassic World has officially become the third biggest worldwide box office hit in history. The Jurassic Park sequel – or reboot, as it's basically the same story with a slightly different twist – has surpassed Marvel's Joss Whedon-directed all-star superhero flick The Avengers, which broke box office records back in 2012. Of course, "officially" just ain't what it used to be – like, in the days before The Fall. So you wisely ask, "But which movie has actually sold the most tickets?" After all, that's the true measure of a film's popularity. Well, that's a tough one to answer without the studios providing accurate, precise numbers. And that's not about to happen. It always...
- 7/26/2015
- by Zac Gille
- Alt Film Guide
Earlier this week, we gave you details on first wave of special experiences and events taking place at the 2015 Stanley Film Festival. We now have details on their impressive slate of features, short films, and additional special events, including screenings of The Final Girls, Deathgasm, Stung, The Invitation, and We Are Still Here.
We're teaming up with the festival for live coverage and special opportunities for Daily Dead readers, so be sure to check back all month for contests, features, and more.
"April 2, 2014 (Denver, Co) - The Stanley Film Festival (Sff) produced by the Denver Film Society (Dfs) and presented by Chiller, announced today its Closing Night film, Festival lineup and the 2015 Master of Horror. The Festival will close out with The Final Girls. The film, directed by Todd Strauss-Schulson, is the story of a young woman grieving the loss of her mother, a famous scream queen from the 1980s,...
We're teaming up with the festival for live coverage and special opportunities for Daily Dead readers, so be sure to check back all month for contests, features, and more.
"April 2, 2014 (Denver, Co) - The Stanley Film Festival (Sff) produced by the Denver Film Society (Dfs) and presented by Chiller, announced today its Closing Night film, Festival lineup and the 2015 Master of Horror. The Festival will close out with The Final Girls. The film, directed by Todd Strauss-Schulson, is the story of a young woman grieving the loss of her mother, a famous scream queen from the 1980s,...
- 4/2/2015
- by Jonathan James
- DailyDead
Don Kaye Jan 13, 2020
Universal's Son of Frankenstein capped off the first great movie trilogy after the first two great James Whale movies.
On Jan. 13, 1939, Universal Pictures released Son of Frankenstein, the follow-up to 1931’s Frankenstein and 1935’s Bride of Frankenstein. Bride itself was an unprecedented event: the first major sequel to a horror film, it not only continued the story established in the first movie but expanded upon it with more characters and an even richer storyline. Sequels were considered for a long time by studios as quick cash grabs, usually done on the cheap and often lacking the qualities that made the original film a success. The idea of a sequel continuing the story, with the same kind of production values, storytelling, and craft, was almost unheard of when director James Whale made Bride; a third film created with the same care hardly seemed possible.
And yet Son of Frankenstein...
Universal's Son of Frankenstein capped off the first great movie trilogy after the first two great James Whale movies.
On Jan. 13, 1939, Universal Pictures released Son of Frankenstein, the follow-up to 1931’s Frankenstein and 1935’s Bride of Frankenstein. Bride itself was an unprecedented event: the first major sequel to a horror film, it not only continued the story established in the first movie but expanded upon it with more characters and an even richer storyline. Sequels were considered for a long time by studios as quick cash grabs, usually done on the cheap and often lacking the qualities that made the original film a success. The idea of a sequel continuing the story, with the same kind of production values, storytelling, and craft, was almost unheard of when director James Whale made Bride; a third film created with the same care hardly seemed possible.
And yet Son of Frankenstein...
- 1/13/2015
- Den of Geek
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