Beyonce's 'Texas Hold 'Em' Has Fans Wondering If She Sampled a Cartoon Theme Song, Composer Responds
Beyonce‘s “Texas Hold ‘Em” is invoking a specific sense of nostalgia in fans of a certain age.
The single, which the pop icon surprise dropped during the 2024 Super Bowl, is currently the No. 1 song on the Billboard Hot 100. However, it’s going viral on social media for a different reason.
Fans on TikTok are circulating the country anthem and comparing it to the theme song for the popular children’s television series Franklin. They’re noting some similarities that have fans wondering if it was purposeful.
Is it a sample? The composer responsible for the original song replied to the viral question.
Read more about Beyonce’s sample questions…
Bruce Cockburn spoke to People about the comparisons.
“The rhythmic feel is similar to my theme song for the Franklin TV series, but to my ears that’s where the similarity stops. ‘Texas Hold ‘Em’ is her song, and I wish her success with it,...
The single, which the pop icon surprise dropped during the 2024 Super Bowl, is currently the No. 1 song on the Billboard Hot 100. However, it’s going viral on social media for a different reason.
Fans on TikTok are circulating the country anthem and comparing it to the theme song for the popular children’s television series Franklin. They’re noting some similarities that have fans wondering if it was purposeful.
Is it a sample? The composer responsible for the original song replied to the viral question.
Read more about Beyonce’s sample questions…
Bruce Cockburn spoke to People about the comparisons.
“The rhythmic feel is similar to my theme song for the Franklin TV series, but to my ears that’s where the similarity stops. ‘Texas Hold ‘Em’ is her song, and I wish her success with it,...
- 3/1/2024
- by Just Jared
- Just Jared
Over the decades, a diverse array of musicians sat in with the Grateful Dead — everyone from Bob Dylan and Neil Young to Ornette Coleman and Daryl Hall and John Oates found themselves on the same stage with the band, attempting to fit in as best they could. But even in light of that list, Clarence Clemons remains one of their more surprising jam pals.
When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in...
When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in...
- 3/10/2020
- by David Browne
- Rollingstone.com
Goin’ Down the Road
Written by William Fruet and Donald Shebib
Directed by Donald Shebib
Canada, 1970
Donald Shebib’s landmark 1970 drama Goin’ Down the Road was a watershed moment in Canadian national cinema, in part because it proved that there could be one. The very notion of a Canadian national cinema was relatively new when the film was released. Though the National Film Board (Nfb) was establish in the late 1930s, it was only in the 1950s that its focus shifted from war-effort propaganda to a very specific form of national soul-searching, wondering aloud who we were and what our place in the world was. The collective attempt at pinpointing Canada’s national identity would reach a fever pitch with the Centennial just around the corner, but ended up yielding precious few concrete answers (though it wasn’t for lack of trying, as Nfb-produced works like Helicopter Canada, commissioned specifically for Canada’s 100th birthday,...
Written by William Fruet and Donald Shebib
Directed by Donald Shebib
Canada, 1970
Donald Shebib’s landmark 1970 drama Goin’ Down the Road was a watershed moment in Canadian national cinema, in part because it proved that there could be one. The very notion of a Canadian national cinema was relatively new when the film was released. Though the National Film Board (Nfb) was establish in the late 1930s, it was only in the 1950s that its focus shifted from war-effort propaganda to a very specific form of national soul-searching, wondering aloud who we were and what our place in the world was. The collective attempt at pinpointing Canada’s national identity would reach a fever pitch with the Centennial just around the corner, but ended up yielding precious few concrete answers (though it wasn’t for lack of trying, as Nfb-produced works like Helicopter Canada, commissioned specifically for Canada’s 100th birthday,...
- 4/7/2015
- by Derek Godin
- SoundOnSight
When news broke early this morning that East Coast singer Rita MacNeil had died at age 68, tributes came pouring in from far and wide.
And while kind words from rockers like Joel Plaskett and the drunken rascals in the "Trailer Park Boys" may have outwardly seemed peculiar considering MacNeil was a pleasant country/folk from an entirely different generation, what people don't realize is that she helped out many, many musicians and artists over the years.
MacNeil's variety show "Rita And Friends" ran on CBC from 1994-1997 and showcased a diverse range of musical acts.
We tracked down a number of videos from the show featuring the likes of Blue Rodeo, Rusty, Sloan and Ashley MacIsaac and threw in some videos of her notable duets with the likes of Barenaked Ladies and Bruce Cockburn as well as an East Coast Music Awards tribute for good measure.
Click below to watch the videos.
And while kind words from rockers like Joel Plaskett and the drunken rascals in the "Trailer Park Boys" may have outwardly seemed peculiar considering MacNeil was a pleasant country/folk from an entirely different generation, what people don't realize is that she helped out many, many musicians and artists over the years.
MacNeil's variety show "Rita And Friends" ran on CBC from 1994-1997 and showcased a diverse range of musical acts.
We tracked down a number of videos from the show featuring the likes of Blue Rodeo, Rusty, Sloan and Ashley MacIsaac and threw in some videos of her notable duets with the likes of Barenaked Ladies and Bruce Cockburn as well as an East Coast Music Awards tribute for good measure.
Click below to watch the videos.
- 4/17/2013
- by HuffPost Canada Music
- Huffington Post
The 12th annual Whistler Film Festival , attracted more A-list talent and more deal-makers than previous years. The respected British stage and film actor Daniel Radcliffe discussed his upcoming films (Kill Your Darlings, The F Word, Horns) and return to London’s west stage during a special Spotlight on Daniel Radcliffe hosted by George Stroumboulopoulos.
Actor and screenwriter Rashida Jones was recognized for her talents in front and behind the camera with Wff’s Trailblazer Award For Acting and Scriptwriting. Writer and actor Will McCormack was also in attendance for the screening of Celeste and Jesse Forever, which he co-wrote and acts in. Both Jones and McCormack, who were among Variety’S 10 Screenwriter To Watch class in 2011, also received Variety’S One To Watch honor, which was announced at the festival.
Variety’s Steven Gaydos presented Melissa Rosenberg with the publication’s Billion Dollar Screenwriter Award for her impressive accomplishments with the Twilight Saga films. Five out of Variety’S 10 Screenwriters To Watch were in Whistler to receive recognition: Katie Dippold (The Heat); Patrick Aison (Wunderkind); Reid Carolin (Magic Mike); Scott Rothman (Draft Day); and Ted Melfi (St Vincent De Van Nuys).
Other stars gracing the Wff red carpet included James Cromwell (Still), Gil Bellows (Mad Ship), Rachelle Lefevre (Borsos juror and actress in Omerta which screened at Wff), musician Bruce Cockburn (featured in Bruce Cockburn Pacing The Cage), Kristanna Loken (Love Orchard), Caroline Dhavernas (Mars Et Avril), Helen Shaver (Borsos juror), Liane Balaban (Borsos juror), Katherine Isabelle (American Mary), and Emily Hampshire (My Awkward Sexual Adventure).
The Wff Audience Award went Sean Garrity’s My Awkward Sexual Adventure, which was one of eight contenders in the Borsos Competition for Best Canadian Feature. The Wff Audience Award runner up went to Hit ‘N Strum, Kirk Caouette’s charming Vancouver street movie which was presented in the new Discoveries program. The Wff Audience Award is a non-cash prize presented to the highest-rated film as voted by the audience.
“This year marks yet another milestone for us. We have been embraced by China, adopted by Variety, and partnered with Bell Media, and we surpassed all expectations in terms of our targets. We have 12 years of experience behind us, and we have several promising initiatives on the horizon,” commented Wff Founder and Executive Director Shauna Hardy Mishaw. “Not only have we become a desired place for filmmakers to present their films, we have become an essential place for the industry to meet and do business with both established and emerging filmmakers, and that is what makes Whistler a filmmakers’ festival. I can honestly say with my hand on my heart that this was the best fest yet!”
The Wff Programming Team under the direction of Director of Programming Paul Gratton assembled a program that was broader and more eclectic than in years past. New strands included American Indies, Discoveries, Late Night TerrorFest and Gkids Animation Showcase. Certain films from these strands, such as Vancouver-made American Mary, the French animated film The Painting, It'S A Disaster and Bruce Cockbrun Pacing The Cage created major buzz and word-of-mouth amongst festival-goers. Canadian films were prominently featured throughout the fest with a number of World Premieres such as Mad Ship, the closing night film The Sheepdogs Have At It and the World Documentary winner Status Quo?. Over all, the festival had something for everyone.
"In what was hoped to be a transformative year for Wff, audiences and critics alike seem to have responded extremely well to such innovations as repeat screenings, press and industry screenings, new programming strands and the very successful China Canada Gateway for Film Script Competition,” says Paul Gratton, Wff’s Director of Programming. “Business was done, audiences were enthusiastic and the many celebrities that graced our presence, from Daniel Radcliffe and Rashida Jones to Bruce Cockburn and James Cromwell, all gave us very positive feedback on the warm Whistler welcome they received. We are all looking forward to building on this year’s momentum and an even greater Wff in 2013.”
Whistler Film Festival screenings were organized in 9 categories: Borsos Competition for Best Canadian Feature; World Documentary; World Now; Mountain Culture; and ShortWork as well as the newly added American Indies; Discoveries, Late Night TerrorFest and Gkids Animation Showcase. Five Special Presentation screenings and a Programmer’s Surprise, Samsara, rounded out this year’s diverse lineup.
Several of the feature films were at or near capacity and included Still, My Awkward Sexual Adventure, Bruce Cockburn Pacing The Cage, Love, Marilyn, Bird Co Media, Anna Karenina, American Mary, The Movie Out Here, Karakara, Hit ’N Strum, The Mountain Runners, and Few Words. Total attendance, including industry insiders, was at 9,964 attendees, a 20% increase over 2011 (8,270 in 2011), including 556 delegates (a 10% increase compared to 506 in 2011). Box office was up 37% over 2011.
The Whistler Film Festival celebrated its 12th edition as one of Canada's leading festivals from November 28 to December 2. It showcased 78 films consisting of 44 features and 34 shorts on five screens in four theatres over five amazing days including 6 World Premieres, 1 North American Premiere, 8 Canadian Premieres, 5 English Canadian Premieres, 15 Western Canadian Premieres, 4 British Columbian Premieres, and 3 Whistler Premieres. 51 percent of the films presented were Canadian. Films from 18 countries were screened: Canada, UK, USA, France, China, India, Iran, Japan, Netherlands, Mexico, Norway, Spain, Vietnam, Slovakia, Colombia, Poland, Palestine and Australia.
The Festival continued to support cinematic excellence and awarded up to $31,500 in cash prizes and commissions. Picture Day, by first time feature director Kate Melville, won the coveted $15,000 Borsos Competition for Best Canadian Feature. The$1,000 Canadian ShortWork Award went to Requiem For Romance, directed by Jonathan Ng. The $500 ShortWork Student Award went to Plating by Sfu student Jon Thomas. The Mppia Short Film Award was won by Jon Ornoy for True Love Waits. Presented by Mppia and British Columbia Film + Media, the award consists of a $15,000 cash award plus up to $100,000 in production services.
Whistler Film Festival announced three Canadian film projects that will move into development with Chinese production financing. There were several other deal discussions that began at the Festival both with China and other international investors.
With a focus on the changing media landscape and designed to facilitate international alliances and financial partnerships, the Whistler Summit, Wff’s industry forum, focused on filmmaking in the digital age presenting 15 interactive sessions that addressed a range of issues affecting the film, television and digital media industry. Sessions were complimented by networking opportunities including one-on-one meetings, roundtable information sessions and receptions.
Overall, the industry Summit was at 82% capacity. In addition to the scheduled meetings that took place during the Summit, there was again a notable increase in unscheduled meetings that took place outside of scheduled blocks proving the festival remains an important place for the industry to meet and do business. Industry guests came from the USA and Canada to participate, and delegate representation was from the USA, China, UK, Norway, Japan, Korea and Canada.
A team of 143 volunteers contributed over 1500 hours of time to support the festival’s success.
For information, go to whistlerfilmfestival.com
The Whistler Film Festival is supported by Telefilm Canada, the Province of British Columbia, the Resort Municipality of Whistler and Tourism Whistler, and is sponsored by Bell Media, Variety, the Directors Guild of Canada - British Columbia, American Airlines, Sorel, Kokanee, Zoom Audio Visual Networks, Christie Digital, Glacier Media Group, Whistler Blackcomb and the Westin Resort & Spa Whistler.
The Whistler Film Festival Society (Wffs) is a cultural charitable organization dedicated to furthering the art of film by providing programs that focus on the discovery, development and promotion of new talent culminating with a must attend festival for artists, the industry and audiences in Whistler. Wffs produces one of Canada’s leading film festivals and plays a leadership role in offering professional and project development programs for filmmakers.
Whistler is Canada’s premier, year-round destination located in the spectacular Coast Mountains of British Columbia, and just two hours north of Vancouver. Consistently ranked the number one mountain resort in North America, Whistler features two majestic mountains, epic skiing and snowboarding conditions, four championship golf courses, more than 200 shops, 90 restaurants and bars, accommodations galore, hiking trails, spas and arguably the best mountain bike park in the world. In short, Whistler has everything you will ever need to have the time of your life - and so much more.
Actor and screenwriter Rashida Jones was recognized for her talents in front and behind the camera with Wff’s Trailblazer Award For Acting and Scriptwriting. Writer and actor Will McCormack was also in attendance for the screening of Celeste and Jesse Forever, which he co-wrote and acts in. Both Jones and McCormack, who were among Variety’S 10 Screenwriter To Watch class in 2011, also received Variety’S One To Watch honor, which was announced at the festival.
Variety’s Steven Gaydos presented Melissa Rosenberg with the publication’s Billion Dollar Screenwriter Award for her impressive accomplishments with the Twilight Saga films. Five out of Variety’S 10 Screenwriters To Watch were in Whistler to receive recognition: Katie Dippold (The Heat); Patrick Aison (Wunderkind); Reid Carolin (Magic Mike); Scott Rothman (Draft Day); and Ted Melfi (St Vincent De Van Nuys).
Other stars gracing the Wff red carpet included James Cromwell (Still), Gil Bellows (Mad Ship), Rachelle Lefevre (Borsos juror and actress in Omerta which screened at Wff), musician Bruce Cockburn (featured in Bruce Cockburn Pacing The Cage), Kristanna Loken (Love Orchard), Caroline Dhavernas (Mars Et Avril), Helen Shaver (Borsos juror), Liane Balaban (Borsos juror), Katherine Isabelle (American Mary), and Emily Hampshire (My Awkward Sexual Adventure).
The Wff Audience Award went Sean Garrity’s My Awkward Sexual Adventure, which was one of eight contenders in the Borsos Competition for Best Canadian Feature. The Wff Audience Award runner up went to Hit ‘N Strum, Kirk Caouette’s charming Vancouver street movie which was presented in the new Discoveries program. The Wff Audience Award is a non-cash prize presented to the highest-rated film as voted by the audience.
“This year marks yet another milestone for us. We have been embraced by China, adopted by Variety, and partnered with Bell Media, and we surpassed all expectations in terms of our targets. We have 12 years of experience behind us, and we have several promising initiatives on the horizon,” commented Wff Founder and Executive Director Shauna Hardy Mishaw. “Not only have we become a desired place for filmmakers to present their films, we have become an essential place for the industry to meet and do business with both established and emerging filmmakers, and that is what makes Whistler a filmmakers’ festival. I can honestly say with my hand on my heart that this was the best fest yet!”
The Wff Programming Team under the direction of Director of Programming Paul Gratton assembled a program that was broader and more eclectic than in years past. New strands included American Indies, Discoveries, Late Night TerrorFest and Gkids Animation Showcase. Certain films from these strands, such as Vancouver-made American Mary, the French animated film The Painting, It'S A Disaster and Bruce Cockbrun Pacing The Cage created major buzz and word-of-mouth amongst festival-goers. Canadian films were prominently featured throughout the fest with a number of World Premieres such as Mad Ship, the closing night film The Sheepdogs Have At It and the World Documentary winner Status Quo?. Over all, the festival had something for everyone.
"In what was hoped to be a transformative year for Wff, audiences and critics alike seem to have responded extremely well to such innovations as repeat screenings, press and industry screenings, new programming strands and the very successful China Canada Gateway for Film Script Competition,” says Paul Gratton, Wff’s Director of Programming. “Business was done, audiences were enthusiastic and the many celebrities that graced our presence, from Daniel Radcliffe and Rashida Jones to Bruce Cockburn and James Cromwell, all gave us very positive feedback on the warm Whistler welcome they received. We are all looking forward to building on this year’s momentum and an even greater Wff in 2013.”
Whistler Film Festival screenings were organized in 9 categories: Borsos Competition for Best Canadian Feature; World Documentary; World Now; Mountain Culture; and ShortWork as well as the newly added American Indies; Discoveries, Late Night TerrorFest and Gkids Animation Showcase. Five Special Presentation screenings and a Programmer’s Surprise, Samsara, rounded out this year’s diverse lineup.
Several of the feature films were at or near capacity and included Still, My Awkward Sexual Adventure, Bruce Cockburn Pacing The Cage, Love, Marilyn, Bird Co Media, Anna Karenina, American Mary, The Movie Out Here, Karakara, Hit ’N Strum, The Mountain Runners, and Few Words. Total attendance, including industry insiders, was at 9,964 attendees, a 20% increase over 2011 (8,270 in 2011), including 556 delegates (a 10% increase compared to 506 in 2011). Box office was up 37% over 2011.
The Whistler Film Festival celebrated its 12th edition as one of Canada's leading festivals from November 28 to December 2. It showcased 78 films consisting of 44 features and 34 shorts on five screens in four theatres over five amazing days including 6 World Premieres, 1 North American Premiere, 8 Canadian Premieres, 5 English Canadian Premieres, 15 Western Canadian Premieres, 4 British Columbian Premieres, and 3 Whistler Premieres. 51 percent of the films presented were Canadian. Films from 18 countries were screened: Canada, UK, USA, France, China, India, Iran, Japan, Netherlands, Mexico, Norway, Spain, Vietnam, Slovakia, Colombia, Poland, Palestine and Australia.
The Festival continued to support cinematic excellence and awarded up to $31,500 in cash prizes and commissions. Picture Day, by first time feature director Kate Melville, won the coveted $15,000 Borsos Competition for Best Canadian Feature. The$1,000 Canadian ShortWork Award went to Requiem For Romance, directed by Jonathan Ng. The $500 ShortWork Student Award went to Plating by Sfu student Jon Thomas. The Mppia Short Film Award was won by Jon Ornoy for True Love Waits. Presented by Mppia and British Columbia Film + Media, the award consists of a $15,000 cash award plus up to $100,000 in production services.
Whistler Film Festival announced three Canadian film projects that will move into development with Chinese production financing. There were several other deal discussions that began at the Festival both with China and other international investors.
With a focus on the changing media landscape and designed to facilitate international alliances and financial partnerships, the Whistler Summit, Wff’s industry forum, focused on filmmaking in the digital age presenting 15 interactive sessions that addressed a range of issues affecting the film, television and digital media industry. Sessions were complimented by networking opportunities including one-on-one meetings, roundtable information sessions and receptions.
Overall, the industry Summit was at 82% capacity. In addition to the scheduled meetings that took place during the Summit, there was again a notable increase in unscheduled meetings that took place outside of scheduled blocks proving the festival remains an important place for the industry to meet and do business. Industry guests came from the USA and Canada to participate, and delegate representation was from the USA, China, UK, Norway, Japan, Korea and Canada.
A team of 143 volunteers contributed over 1500 hours of time to support the festival’s success.
For information, go to whistlerfilmfestival.com
The Whistler Film Festival is supported by Telefilm Canada, the Province of British Columbia, the Resort Municipality of Whistler and Tourism Whistler, and is sponsored by Bell Media, Variety, the Directors Guild of Canada - British Columbia, American Airlines, Sorel, Kokanee, Zoom Audio Visual Networks, Christie Digital, Glacier Media Group, Whistler Blackcomb and the Westin Resort & Spa Whistler.
The Whistler Film Festival Society (Wffs) is a cultural charitable organization dedicated to furthering the art of film by providing programs that focus on the discovery, development and promotion of new talent culminating with a must attend festival for artists, the industry and audiences in Whistler. Wffs produces one of Canada’s leading film festivals and plays a leadership role in offering professional and project development programs for filmmakers.
Whistler is Canada’s premier, year-round destination located in the spectacular Coast Mountains of British Columbia, and just two hours north of Vancouver. Consistently ranked the number one mountain resort in North America, Whistler features two majestic mountains, epic skiing and snowboarding conditions, four championship golf courses, more than 200 shops, 90 restaurants and bars, accommodations galore, hiking trails, spas and arguably the best mountain bike park in the world. In short, Whistler has everything you will ever need to have the time of your life - and so much more.
- 12/6/2012
- by Peter Belsito
- Sydney's Buzz
Adele's reign at No. 1 may come to a halt next week as March 8 brings new releases from a number of potential spoilers, including Avril Lavigne's "Goodbye Lullaby," R.E.M's "Collapse Into Now" and the fifth volume of tunes from "Glee." There are other strong new releases from Lupe Fiasco, Raekwon and Exene Cervenka. Exene Cervenka, “The Excitement of Maybe” (Bloodshot): X frontwoman’s new solo album includes first single, the horn-laden (!?!?!) “Already in Love.” Not very punk, you say? We say Cervenka has earned the right to do whatever she wants. Catch her at SXSW if you can. Bruce Cockburn, “Small...
- 3/7/2011
- Hitfix
Singer-songwriter Bruce Cockburn has been one of music’s most consistent recording artists since releasing his first album in 1970. Over the past 40 years, Cockburn has released 29 albums, with plans to make that an even 30 in 2011. On March 1, the Canadian great will release his Small Source of Comfort, his first studio album since 2006, via True North Records. On top of that, Cockburn will launch a North American tour later that month in support of new album. See the full list of dates below....
- 1/27/2011
- Pastemagazine.com
In honor of Canada Day, we are republishing this post -- Ranylt's first on the site -- from Canada Day 2007.
July 1 is Canada Day, so while my compatriots are busy painting themselves red and perfecting their Maenadic howls in time for tonight's fireworks, I've been tasked with offering up a list of ten nifty Canadian films that are mostly off the radar outside of this country (and I throw my arms around you in delight if you're a foreigner who's actually seen any of these--French kisses for anyone who appreciates them, to boot).
Many readers seem familiar with Atom Egoyan's The Sweet Hereafter and Denys Arcand's The Decline of the American Empire. And David Cronenberg's body of work needs no introduction thanks to The Fly, Naked Lunch, Scanners, Crash (the other Crash!) and Videodrome. As unnatural as it is to omit Egoyan, Arcand and Cronenberg from a Canadian film overview,...
July 1 is Canada Day, so while my compatriots are busy painting themselves red and perfecting their Maenadic howls in time for tonight's fireworks, I've been tasked with offering up a list of ten nifty Canadian films that are mostly off the radar outside of this country (and I throw my arms around you in delight if you're a foreigner who's actually seen any of these--French kisses for anyone who appreciates them, to boot).
Many readers seem familiar with Atom Egoyan's The Sweet Hereafter and Denys Arcand's The Decline of the American Empire. And David Cronenberg's body of work needs no introduction thanks to The Fly, Naked Lunch, Scanners, Crash (the other Crash!) and Videodrome. As unnatural as it is to omit Egoyan, Arcand and Cronenberg from a Canadian film overview,...
- 7/1/2010
- by Dustin Rowles
From Mvd comes the new DVD release, Marty Balin - Live At The Boston Esplanade, a rare 2008 solo performance by the 'Rock & Roll Hall of Fame' inductee, founding member of The Jefferson Airplane and key personality of the 'San Francisco sound' that also launched The Grateful Dead, Quicksilver Messenger Service, Steve Miller Band and Janis Joplin. Balin's first solo effort was recorded June 14, 2008 at the Hatch Shell in Boston, featuring tracks "Volunteers", "3/5ths of a Mile In Ten Seconds", "White Rabbit", "Somebody To Love" (with Didi Stewart on vocals), a new version of "Somebody To Love", "Today", "Summer Of Love" and Balin's Jefferson Starship hits "Miracles", "Count On Me", "Runaway", his 1980 solo hit "Hearts" and a cover of Canadian folk artist Bruce Cockburn's "Rocket Launcher". Also included is interview footage with original Jefferson Airplane lead singer Signe Anderson and rock journalists Jeff Tamarkin and Craig Fenton. Other points of...
- 9/15/2009
- HollywoodNorthReport.com
I tend to go in for really arcane Christmas music like Bruce Cockburn covering a 17th century Huron Indian carol or The Fleshtones doing up the holiday garage-rock style. But my wife and daughters like the traditional schlock, including Johnny Mathis singing "It's a Marshmallow World in December," perhaps the most revolting holiday recording ever. So we've (okay, I've) had to compromise, which is exactly what I've done the past few years. Faced with familial revolt and the prospect of decorating the Christmas tree by myself, something had to give.
Here are some suggestions on what does not (and does) work that may come in handy in the near future.
Here are some suggestions on what does not (and does) work that may come in handy in the near future.
- 12/4/2008
- Pastemagazine.com
TORONTO -- Veteran Canadian music talent manager Bernie Finkelstein said Tuesday that he will step back from day-to-day control of True North Records, a label he formed in 1969.
The shift into the corporate slow lane follows the sale of an undisclosed "strategic investment" in True North by Finkelstein to rival record label Linus Entertainment.
Finkelstein said he will remain with True North as chairman and consultant, but management of the company will shift to Linus Entertainment CEO Geoff Kulawick.
"It's been a long, interesting and fulfilling road starting and building True North these past 38 years, but all things must change," Finkelstein said.
The talent roster at True North includes Bruce Cockburn, Murray McLauchlan, Blackie & the Rodeo Kings and Rough Trade.
Both True North and Linus -- whose talent roster includes Gordon Lightfoot, Ron Sexsmith, Alannah Myles and Ashley MacIsaac -- are distributed in Canada by Universal Music.
Finkelstein, 62, cut his teeth in the Canadian music industry as manager of Toronto rock groups the Paupers and Kensington Market during the late 1960s.
The shift into the corporate slow lane follows the sale of an undisclosed "strategic investment" in True North by Finkelstein to rival record label Linus Entertainment.
Finkelstein said he will remain with True North as chairman and consultant, but management of the company will shift to Linus Entertainment CEO Geoff Kulawick.
"It's been a long, interesting and fulfilling road starting and building True North these past 38 years, but all things must change," Finkelstein said.
The talent roster at True North includes Bruce Cockburn, Murray McLauchlan, Blackie & the Rodeo Kings and Rough Trade.
Both True North and Linus -- whose talent roster includes Gordon Lightfoot, Ron Sexsmith, Alannah Myles and Ashley MacIsaac -- are distributed in Canada by Universal Music.
Finkelstein, 62, cut his teeth in the Canadian music industry as manager of Toronto rock groups the Paupers and Kensington Market during the late 1960s.
- 12/19/2007
- The Hollywood Reporter - Movie News
TORONTO -- Veteran Canadian singer-songwriter Bruce Cockburn ("If I Had a Rocket Launcher", "Call It Democracy") is to receive the first-ever humanitarian award from the Canadian Academy of Recording Arts and Sciences at the upcoming Juno Awards. CARAS on Thursday said Cockburn will receive the honor at Canada's music awards in Halifax, Nova Scotia, on March 31 for his environmental and humanitarian activism. "We are honored to celebrate Mr. Cockburn and his contribution to the improvement of the human condition," CARAS president Melanie Berry said in a statement.
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