"Seven" wastes no time, introducing Detectives Somerset (Morgan Freeman) and Mills (Brad Pitt) to each other and the audience within five minutes. If the gruesome murder scene they investigate together isn't enough to establish a grim mood, then the opening titles are.
While it takes until the third act for the killer "John Doe" to appear, the title sequence gives viewers an early peak into his twisted mind. Kyle Cooper, the designer of the title sequence, has said, "I was really into horror movies when I was a kid, and I used to get frustrated when they'd hold back the monster to the very end."
A series of extreme close-ups, sometimes overlaid on top of each other, show gruesome pictures, the killer journaling and developing photographs, and destroying his own fingertips with a razor blade. Interspersed are credits, which were scratched onto a blackboard to ensure the typography was unclean.
While it takes until the third act for the killer "John Doe" to appear, the title sequence gives viewers an early peak into his twisted mind. Kyle Cooper, the designer of the title sequence, has said, "I was really into horror movies when I was a kid, and I used to get frustrated when they'd hold back the monster to the very end."
A series of extreme close-ups, sometimes overlaid on top of each other, show gruesome pictures, the killer journaling and developing photographs, and destroying his own fingertips with a razor blade. Interspersed are credits, which were scratched onto a blackboard to ensure the typography was unclean.
- 9/17/2022
- by Devin Meenan
- Slash Film
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