Nominations have been unveiled for the 48th edition of the Grierson Awards, the UK’s top documentary awards.
A total of 52 films are nominated across 14 categories. Of those, 21 were broadcast on BBC channel, while Netflix has nine nominations and Channel 4 has five. ITV and Al Jazeera have two apiece whilst nominations newcomer YouTube Originals joins Channel 5, National Geographic and Discovery with one each.
Tiger King is up for Best Entertaining Documentary alongside fellow Netflix title Love is Blind. Netflix’s Don’t F**k With Cats and The Devil Next Door are also both up for Best Documentary series.
The Best Cinema Documentary nominees are American Factory, which won the Oscar this year, alongside the Oscar nominated Honeyland and For Sama, with Midnight Family completing the field.
Full list of nominations:
Best Single Documentary – Domestic
The Family Secret
Anna Hall, Sally Ogden, Luke Rothery & Brian Woods for Candour Productions...
A total of 52 films are nominated across 14 categories. Of those, 21 were broadcast on BBC channel, while Netflix has nine nominations and Channel 4 has five. ITV and Al Jazeera have two apiece whilst nominations newcomer YouTube Originals joins Channel 5, National Geographic and Discovery with one each.
Tiger King is up for Best Entertaining Documentary alongside fellow Netflix title Love is Blind. Netflix’s Don’t F**k With Cats and The Devil Next Door are also both up for Best Documentary series.
The Best Cinema Documentary nominees are American Factory, which won the Oscar this year, alongside the Oscar nominated Honeyland and For Sama, with Midnight Family completing the field.
Full list of nominations:
Best Single Documentary – Domestic
The Family Secret
Anna Hall, Sally Ogden, Luke Rothery & Brian Woods for Candour Productions...
- 9/21/2020
- by Tom Grater
- Deadline Film + TV
Nominations for the 48th annual British Documentary Awards, known as the Griersons, include episode two of Netflix docuseries “Tiger King: Murder, Mayhem and Madness,” Waad Al-Kateab and Edward Watts’ Oscar-nominated and BAFTA-winning “For Sama,” and a best presenter nod for David Olusoga for “The Unwanted: The Secret Windrush Files.”
The awards are given by The Grierson Trust. Of the 52 nominated films, 21 were broadcast on BBC channels. Netflix has nine nominations and Channel 4 has five. ITV and Al Jazeera have two apiece while YouTube Originals, Channel 5, National Geographic and Discovery have one each.
Lorraine Heggessey, chair of The Grierson Trust, said: “This has been a difficult year for the production community and particularly for freelancers, so it’s more important than ever to recognize and celebrate the excellence of so many talented filmmakers, whether they are newcomers or established global names. These nominations demonstrate the relevance and versatility of documentaries,...
The awards are given by The Grierson Trust. Of the 52 nominated films, 21 were broadcast on BBC channels. Netflix has nine nominations and Channel 4 has five. ITV and Al Jazeera have two apiece while YouTube Originals, Channel 5, National Geographic and Discovery have one each.
Lorraine Heggessey, chair of The Grierson Trust, said: “This has been a difficult year for the production community and particularly for freelancers, so it’s more important than ever to recognize and celebrate the excellence of so many talented filmmakers, whether they are newcomers or established global names. These nominations demonstrate the relevance and versatility of documentaries,...
- 9/21/2020
- by Naman Ramachandran
- Variety Film + TV
British broadcaster Channel 4 is moving into natural history programming with an eight-part series on the Ol Pejeta Conservancy in Kenya as part of a slate of new shows for 2020.
Living Wild (working title), produced by Sky-owned Blast! Films, promises to take viewers on an intimate journey into the lives of a cast of wild animals, through the eyes of the 600-strong team of rangers and others who oversee them.
Each of the eight episodes charts the stories of various animals at the 90,000-acre Ol Pejeta, including male lions fighting to the death, and vets performing emergency surgery on an injured elephant.
Executive producer and Blast! CEO Edmund Coulthard said: “Everyone loves TV programs about animals in the wild — we’re excited to be creating a new kind of natural history show on what animals really get up to.”
Sarah Spencer is the executive producer alongside Coulthard, while Pip Banyard...
Living Wild (working title), produced by Sky-owned Blast! Films, promises to take viewers on an intimate journey into the lives of a cast of wild animals, through the eyes of the 600-strong team of rangers and others who oversee them.
Each of the eight episodes charts the stories of various animals at the 90,000-acre Ol Pejeta, including male lions fighting to the death, and vets performing emergency surgery on an injured elephant.
Executive producer and Blast! CEO Edmund Coulthard said: “Everyone loves TV programs about animals in the wild — we’re excited to be creating a new kind of natural history show on what animals really get up to.”
Sarah Spencer is the executive producer alongside Coulthard, while Pip Banyard...
- 1/14/2020
- by Jake Kanter
- Deadline Film + TV
Keep up with the always-hopping film festival world with our weekly Film Festival Roundup column. Check out last week’s Roundup right here.
Full Lineup Announcements
– “3-D Auteurs,” a 19-day, 34-film festival spotlighting stereoscopic movies by some of history’s most distinguished directors, will run at Film Forum November 11 – 29. The festival spans 3-D’s earliest days (including some turn-of-the-century films by pioneer Georges Méliès) to the present, and represents virtually every genre, including Westerns, Film Noir, and Science Fiction. Hollywood’s first big 3-D craze (sometimes called 3-D’s “golden era”), intended to offset the threat of television, came in the early 1950s, with such movies as Hitchcock’s “Dial M For Murder,” André De Toth’s “House of Wax” and Jack Arnold’s “Creature From the Black Lagoon” (all included in the series).
Hollywood produced roughly 50 movies in the process from 1952 to 1954, before fizzling out and being overtaken by...
Full Lineup Announcements
– “3-D Auteurs,” a 19-day, 34-film festival spotlighting stereoscopic movies by some of history’s most distinguished directors, will run at Film Forum November 11 – 29. The festival spans 3-D’s earliest days (including some turn-of-the-century films by pioneer Georges Méliès) to the present, and represents virtually every genre, including Westerns, Film Noir, and Science Fiction. Hollywood’s first big 3-D craze (sometimes called 3-D’s “golden era”), intended to offset the threat of television, came in the early 1950s, with such movies as Hitchcock’s “Dial M For Murder,” André De Toth’s “House of Wax” and Jack Arnold’s “Creature From the Black Lagoon” (all included in the series).
Hollywood produced roughly 50 movies in the process from 1952 to 1954, before fizzling out and being overtaken by...
- 10/20/2016
- by Kate Erbland
- Indiewire
Michael Sheen will host this year’s London Film Festival awards ceremony.
The juries for the 60th BFI London Film Festival (Oct 5-16) have been revealed.
Athina Rachel Tsangari, director of Chevalier - winner of best film at last year’s Lff and Greece’s Oscar entry this year – will preside over this year’s Official Competition.
That jury will also feature Belle star Gugu Mbatha-Raw, Suffragette writer Abi Morgan, Aferim! director Radu Jude, and Ilo Ilo director Anthony Chen.
They will oversee a line-up including Paul Verhoeven’s Elle, submitted by France to the 2017 Oscar race, Barry Jenkins’ Moonlight, François Ozon’s Frantz¸ Mohamed Diab’s Clash, and Benedict Andrews’ Una.
Frost/Nixon and The Queen star Michael Sheen will host this year’s awards ceremony at Banqueting House on Oct 15, where 12 Years A Slave director Steve McQueen will receive a BFI Fellowship award.
Elsewhere, Suffragette director Sarah Gavron will preside over the First Feature Competition...
The juries for the 60th BFI London Film Festival (Oct 5-16) have been revealed.
Athina Rachel Tsangari, director of Chevalier - winner of best film at last year’s Lff and Greece’s Oscar entry this year – will preside over this year’s Official Competition.
That jury will also feature Belle star Gugu Mbatha-Raw, Suffragette writer Abi Morgan, Aferim! director Radu Jude, and Ilo Ilo director Anthony Chen.
They will oversee a line-up including Paul Verhoeven’s Elle, submitted by France to the 2017 Oscar race, Barry Jenkins’ Moonlight, François Ozon’s Frantz¸ Mohamed Diab’s Clash, and Benedict Andrews’ Una.
Frost/Nixon and The Queen star Michael Sheen will host this year’s awards ceremony at Banqueting House on Oct 15, where 12 Years A Slave director Steve McQueen will receive a BFI Fellowship award.
Elsewhere, Suffragette director Sarah Gavron will preside over the First Feature Competition...
- 9/29/2016
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
Christopher Eccleston plays John Lennon in a single film charting his transition from Beatle John to enduring and enigmatic icon.
Spanning a period of wildly fluctuating fortunes for Lennon between 1967 and 1971, writer Robert Jones articulates the burden of genius, as well as issues of fatherhood and fame.
The unexpected death of Beatles' manager Brian Epstein in 1967 marked a turning point in Lennon's life. This film focuses on the turbulent and intense period of change that followed, and how John was haunted by his troubled childhood.
Made in high definition, Lennon Naked also reveals the impact of re-establishing contact with his long lost father, and the events that led John to shed everything both personally and creatively, including calling time on The Beatles.
Meeting Yoko Ono was the catalyst for this new era and the film explores the development of their extraordinary relationship, their growing disillusionment with Britain and what caused...
Spanning a period of wildly fluctuating fortunes for Lennon between 1967 and 1971, writer Robert Jones articulates the burden of genius, as well as issues of fatherhood and fame.
The unexpected death of Beatles' manager Brian Epstein in 1967 marked a turning point in Lennon's life. This film focuses on the turbulent and intense period of change that followed, and how John was haunted by his troubled childhood.
Made in high definition, Lennon Naked also reveals the impact of re-establishing contact with his long lost father, and the events that led John to shed everything both personally and creatively, including calling time on The Beatles.
Meeting Yoko Ono was the catalyst for this new era and the film explores the development of their extraordinary relationship, their growing disillusionment with Britain and what caused...
- 3/26/2010
- by noreply@blogger.com (Flicks News)
- FlicksNews.net
Film Review: Hunger
Cannes, Un Certain Regard
Turner Prize-winning artist Steve McQueen brings the key tenets required to win Britain's top honor for modern art to directing his first film, "Hunger", and so it is trite, grim and feebly provocative.
It tells of the last days of Bobby Sands, a Northern Irishman who died in 1981 in Belfast's hellish Maze Prison following a 66-day hunger strike. The film, which opened the Festival de Cannes' Un Certain Regard sidebar, combines scenes more suited to an art installation with static theatrical encounters and cliched flights of artistic fancy.
Violent, bleak and depressing, "Hunger" depicts lifelong Irish Republican Army fighter Sands (Michael Fassbender) as a martyr and may prosper where audiences are already inclined to that view, with prospects slim elsewhere.
No context is provided beyond the steely but patronizing words of British Prime Minister Margaret Thatcher and there is no mention of the nature of the violent crimes perpetrated by Sands and his fellow inmates. Convicted on charges involving armed attacks and arson, Sands demanded the rights of a prisoner of war, which included wearing civilian clothes and the receipt of gift parcels.
Lacking any new insights on the fateful paradox that one man's terrorist is another man's freedom fighter or that the imposition of punitive measures demeans all parties, the film adds nothing to the debate over broader issues involving such places as Guantanamo Bay and Abu Graib.
McQueen and co-scripter Enda Walsh break the film into four uneven parts, with first the introduction of a brutal prison guard (Stuart Graham) and his suburban home life, which is prosaic save for the constant threat of being bombed or shot.
A new prisoner (Brian Milligan) enters the cell of an entrenched convict (Liam McMahon) who teaches him the ways of IRA rebellion, which included smearing the walls with blood and feces, smuggling notes and small items using bodily orifices, and bracing for the malevolent treatment of the prison guards.
Attention then moves to Sands, with a 22-minute scene in which he relates his ideals and plans to a weary priest (Liam Cunningham). The remainder of the film, in which Fassbender demonstrates a commitment to the demands of the role beyond the call of duty, shows in great detail the gruesome effect on a man's body of completely rejecting nourishment. It's not a pretty sight.
Cast: Michael Fassbender, Liam Cunningham, Stuart Graham, Brian Milligan, Liam McMahon. Director: Steve McQueen. Screenwriters: Enda Walsh, Steve McQueen. Producer: Laura Hastings-Smith, Robin Glitch; Director of Photography: Sean Bobbitt. Production Designer: Tom McCullagh. Music: David Holmes, Leo Abrahams. Costume designers: Anushia Nieradzik. Editor: Joe Walker. Executive producers: Jan Younghusband, Peter Carlton, Linda James, Edmund Coulthard, Iain Canning.
Sales agent: Icon Entertainment International
No MPAA rating, running time 100 mins.
Cannes, Un Certain Regard
Turner Prize-winning artist Steve McQueen brings the key tenets required to win Britain's top honor for modern art to directing his first film, "Hunger", and so it is trite, grim and feebly provocative.
It tells of the last days of Bobby Sands, a Northern Irishman who died in 1981 in Belfast's hellish Maze Prison following a 66-day hunger strike. The film, which opened the Festival de Cannes' Un Certain Regard sidebar, combines scenes more suited to an art installation with static theatrical encounters and cliched flights of artistic fancy.
Violent, bleak and depressing, "Hunger" depicts lifelong Irish Republican Army fighter Sands (Michael Fassbender) as a martyr and may prosper where audiences are already inclined to that view, with prospects slim elsewhere.
No context is provided beyond the steely but patronizing words of British Prime Minister Margaret Thatcher and there is no mention of the nature of the violent crimes perpetrated by Sands and his fellow inmates. Convicted on charges involving armed attacks and arson, Sands demanded the rights of a prisoner of war, which included wearing civilian clothes and the receipt of gift parcels.
Lacking any new insights on the fateful paradox that one man's terrorist is another man's freedom fighter or that the imposition of punitive measures demeans all parties, the film adds nothing to the debate over broader issues involving such places as Guantanamo Bay and Abu Graib.
McQueen and co-scripter Enda Walsh break the film into four uneven parts, with first the introduction of a brutal prison guard (Stuart Graham) and his suburban home life, which is prosaic save for the constant threat of being bombed or shot.
A new prisoner (Brian Milligan) enters the cell of an entrenched convict (Liam McMahon) who teaches him the ways of IRA rebellion, which included smearing the walls with blood and feces, smuggling notes and small items using bodily orifices, and bracing for the malevolent treatment of the prison guards.
Attention then moves to Sands, with a 22-minute scene in which he relates his ideals and plans to a weary priest (Liam Cunningham). The remainder of the film, in which Fassbender demonstrates a commitment to the demands of the role beyond the call of duty, shows in great detail the gruesome effect on a man's body of completely rejecting nourishment. It's not a pretty sight.
Cast: Michael Fassbender, Liam Cunningham, Stuart Graham, Brian Milligan, Liam McMahon. Director: Steve McQueen. Screenwriters: Enda Walsh, Steve McQueen. Producer: Laura Hastings-Smith, Robin Glitch; Director of Photography: Sean Bobbitt. Production Designer: Tom McCullagh. Music: David Holmes, Leo Abrahams. Costume designers: Anushia Nieradzik. Editor: Joe Walker. Executive producers: Jan Younghusband, Peter Carlton, Linda James, Edmund Coulthard, Iain Canning.
Sales agent: Icon Entertainment International
No MPAA rating, running time 100 mins.
- 5/16/2008
- The Hollywood Reporter - Movie News
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