In my first review for the slapstick chronicles of silly villager Ah Niu (Ye Feng) and his Big Uncle (Wang Sha), we unpack the terror of living in a city ravaged by progress, alongside the guilt of desiring to partake in its consumerist pleasures. We learn an unspoken ‘truth' that for Ah Niu, the childlike icon of innocence, to remain a good person, he must remain poor. Lo and behold, the third of “The Crazy Bumpkins” series: “Big Times for the Crazy Bumpkins” (1976), sees a bag of money and jewels accidentally falling into Ah Niu's lap, making him actually rich. After 2 iterations of largely repeated gags, John Lo Mar's moral reflections on life in the new city enters a new curve, coming to a head in “Crazy Bumpkins in Singapore” (1976). Though this narrative shift is likely practical, it also ironically reveals the films' contradiction, as a marketed Shaw Brothers' product criticizing consumerist culture.
- 2/10/2024
- by Renee Ng
- AsianMoviePulse
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