Exclusive: Latin Grammy winner and actress Alejandra Guzman (Una familia con suerte), Laura Leon (Dos mujeres un camino) and Cristián de la Fuente (Amor bravio) have joined the season 2 cast of Pantaya’s hit Spanish-language scripted series El Juego de Las Llaves (The Game of Keys). Also joining the ensemble cast are Barbara Lopez Michelle Rodriguez and Gustavo Egelhaaf. El Juego de las Llaves streams on Pantaya, a Lionsgate and Hemisphere Media Group joint venture, in the U.S. and Puerto Rico and internationally via Amazon Prime Video.
El Juego de las Llaves is a provocative half-hour Spanish-language scripted series that follows four long-lasting couples and friends who decide to swing, and are left to face the impact of their decisions in the comedic aftermath. The all-star cast includes Maite Perroni, Sebastián Zurita, Marimar Vega, Horacio Pancheri,...
El Juego de las Llaves is a provocative half-hour Spanish-language scripted series that follows four long-lasting couples and friends who decide to swing, and are left to face the impact of their decisions in the comedic aftermath. The all-star cast includes Maite Perroni, Sebastián Zurita, Marimar Vega, Horacio Pancheri,...
- 11/23/2020
- by Denise Petski
- Deadline Film + TV
In today’s film news roundup, Disney announces key promotions in film marketing, Film Independent announces more than two dozen grants and Alamo Drafthouse will celebrate the VHS format.
Marketing Promotions
Walt Disney Studios has promoted Ryan Stankevich and Martha Morrison to the posts of senior vice president of marketing.
Studio marketing president Asad Ayaz made the announcement Tuesday. Stankevich will focus on titles from Marvel Studios and Lucasfilm, while Morrison will oversee titles from Walt Disney Animation Studios and Pixar Animation Studios.
They will also handle Disney’s other live action film projects and lead global campaigns and strategy for Disney’s entire theatrical slate.
“This is a truly amazing team and I’m so proud of the work we’ve done together over the past several years,” said Ayaz in a statement. “Martha and Ryan are talented and fearless leaders who will set a bold course for our film campaigns,...
Marketing Promotions
Walt Disney Studios has promoted Ryan Stankevich and Martha Morrison to the posts of senior vice president of marketing.
Studio marketing president Asad Ayaz made the announcement Tuesday. Stankevich will focus on titles from Marvel Studios and Lucasfilm, while Morrison will oversee titles from Walt Disney Animation Studios and Pixar Animation Studios.
They will also handle Disney’s other live action film projects and lead global campaigns and strategy for Disney’s entire theatrical slate.
“This is a truly amazing team and I’m so proud of the work we’ve done together over the past several years,” said Ayaz in a statement. “Martha and Ryan are talented and fearless leaders who will set a bold course for our film campaigns,...
- 9/19/2018
- by Dave McNary
- Variety Film + TV
Cannes — Four Cannes 57th Critics’ Week shorts, sourced from the Morelia Festival – “Vuelve a mi ,” “Under the Sun,” “In Deep Water” and “Land of Waters, Sea of Mermaids” – highlighted Wednesday the seemingly bottomless well of young talent emerging in Mexico.
In a tradition which runs back to 2005, titles were chosen by Cannes Critics’ Week from a vast spread of fiction, animation and documentary shorts screened every year at Morelia, around 45 in 2017: a rich and ranging panoply, recording Morelia’s origins as a short film festival, which still marks it apart from other big Mexican film events.
Distinguished producer Roberto Fiesco (“David”) and director David Pablos (Un Certain Regard screener “The Chosen Ones”) both had early shorts playing at Morelia. Director Elisa Miller (“El placer es mío”) went straight from winning Morelia with “Watching It Rain” to winning a Palme d’Or at Cannes. The Morelia Festival shorts showcase remains...
In a tradition which runs back to 2005, titles were chosen by Cannes Critics’ Week from a vast spread of fiction, animation and documentary shorts screened every year at Morelia, around 45 in 2017: a rich and ranging panoply, recording Morelia’s origins as a short film festival, which still marks it apart from other big Mexican film events.
Distinguished producer Roberto Fiesco (“David”) and director David Pablos (Un Certain Regard screener “The Chosen Ones”) both had early shorts playing at Morelia. Director Elisa Miller (“El placer es mío”) went straight from winning Morelia with “Watching It Rain” to winning a Palme d’Or at Cannes. The Morelia Festival shorts showcase remains...
- 5/17/2018
- by John Hopewell and Jamie Lang
- Variety Film + TV
Parvez Sharma’s pilgrimmage to Mecca shot on an iPhone picked up a prize as the Lgbt festival in Los Angeles came to a close on Sunday night.
2015 Outfest ran from July 9-19 and closed with François Ozon’s The New Girlfriend.
Audience Awards
Dramatic Feature
Fourth Man Out, dir Andrew Nackman
Documentary Feature
The Glamour And The Squalor, dir Marq Evans
First Us Dramatic Feature
Those People, dir Joey Kuhn
Documentary Short
A Place In The Middle, dir Dean Hamer
Dramatic Short
The Letter, dir Angeles Cruz
Grand Jury Awards
Citations appear below as formulated by the juries
Documentary Feature Special Recognition
For Excellence in Filmmaking we award a Special Jury mention to Tchindas, a masterfully crafted intimate portrait of the courageous Cape Verdian trans community
Documentary Feature Winner
We award Best Documentary Feature to A Sinner In Mecca for gay filmmaker Parvez Sharma’s daring iPhone journey of acceptance into the heart of Islam.
Actor...
2015 Outfest ran from July 9-19 and closed with François Ozon’s The New Girlfriend.
Audience Awards
Dramatic Feature
Fourth Man Out, dir Andrew Nackman
Documentary Feature
The Glamour And The Squalor, dir Marq Evans
First Us Dramatic Feature
Those People, dir Joey Kuhn
Documentary Short
A Place In The Middle, dir Dean Hamer
Dramatic Short
The Letter, dir Angeles Cruz
Grand Jury Awards
Citations appear below as formulated by the juries
Documentary Feature Special Recognition
For Excellence in Filmmaking we award a Special Jury mention to Tchindas, a masterfully crafted intimate portrait of the courageous Cape Verdian trans community
Documentary Feature Winner
We award Best Documentary Feature to A Sinner In Mecca for gay filmmaker Parvez Sharma’s daring iPhone journey of acceptance into the heart of Islam.
Actor...
- 7/19/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
The International Film Festival of Cartagena de Indias, Colombia's most important film event, announced the winners for its 55th edition. The top prize in the narrative competition went to Guatemala's "Ixcanul" by Jairo Bustamante, which after its triumph in Berlin has become a festival hit. However, the Brazilian feature "White Out, Black In"(Branco Sai, Preto Fica) took home both the Special Jury Prize and the Fipresci Award, becoming the big winner at the festival. Notable Colombian winners include documentaries "Letter to a Shadow" and "Tea Time" (also honored in Miami) and narrative feature "The Silence of the River." Here is the full list of winners.
Official Fiction Competition
Jury Members
Michael Fitzgerald- Malgorzata Szumowska - Cao Guimaraes
Best Film: "Ixcanul" by Jayro Bustamante (Guatemala) - Wins Cine Colombia Award that includes $15.000 - Isa: Film Factory Entertainment
Special Jury Prize: "Branco Sai, Preto Fica" (White Out, Black In) by Adirley Queirós (Brazil) - PC: Cinco Da Norte Serviços AudiovisuaisBest Director: Hector Galvez for "Nn" (Peru, Colombia, Germany, France) - Isa: Habanero
The International Federation of Film Critics Award - Fipresci
Jury Members
Ivonete Pinto - Michael Pattison - Roger Alan Koza
Best Film: "Branco Sai, Preto Fica" (White Out, Black In) by Adirley Queirós (Brazil)Colombian Cinema Official Competition
Jury Members
Mirsad Purivatra - Gerwin Tamsma - Juan Carlos Arciniegas
Best Film: "El Silencio del Rio" (The Silence of the River) by Carlos Tribiño (Colombia, Uruguay, France) - Wins Cinecolor Award that includes Usd $11.000 in deliveries and the Lci Seguros Award, which consists of a 50% discount on the insurance purchase for production up to Us$50,000. -Isa: Habanero Films
Special Jury Prize: "Carta a Una Sombra" (Letter to a Shadow) by Daniela Abad and Miguel Salazar(Colombia) - PC: Producciones la Esperanza
Best Director: Roberto Flores Prieto for "Ruido Rosa" (Pink Noise) - Wins Hangar Films Award that includes Usd $30.000 in film equipment for the production of his next film. - PC: Kymera Producciones
Additional Awards
Club Colombia Audience Award: "Carta a Una Sombra" (Letter to a Shadow) by Daniela Abad and Miguel Salazar (Colombia) - Wins Usd $15.000
Official Documentary Competition
Jury Members
Sergio Wolf - Ally Derks - Meredith Brody
Best Film: "La Once" (Tea Time) by Maite Alberdi (Chile, U.S.) - Wins Cinecolor Award that includes Usd $13.000 in digital post-production services - Isa: Cat & Docs
Special Jury Prize: "Tu y Yo" (You and Me) by Natalia Cabral and Oriol Estrada (Dominican Republic) - PC: Faula Films
Gems
Jury Members
Jorge Sanchez Sosa - Nicolas Morales Thomas - Ciro Guerra
Best Film: "Hermosa Juventud" (Beautiful Youth) by Jaime Rosales (Spain, France) - Wins Rcn Award for promotional purposes during its release in Colombia, valued at Usd $50.000. - Isa: Ndm
Special Jury Prize: "El Hombre de las Multitudes" (The Man of the Crowd) by Marcelo Gomes and Cao Guimaraes (Brazil) Isa: FIGa Films
Special Mention: "Timbuktu" by Abderrahmane Sissako (Mauritania, France) - Isa: Le Pacte/U.S. Dist: Cohen Media Group
Official Shorts Competition
Jury Members
Joel del Rio - Roberto Fiesco - Andres Parra
Best Short Film: "Se Venden Conejos" (Rabbits for Sale) by Esteban Giraldo (Colombia) - Wins a professional Sony camera and Usd $3.000 from Cinecolor in digital post-production services for the director's next project.
Special Mention: "Completo" by Iván Gaona (Colombia)
New Creators
Jury Members
Maite Alberdi - Franco Lolli - Jorge Forero
Best Short Film: "En Busca del Aire" (Searching for Air) by Mauricio Rojas Maldonado (Antioquia University) - Wins a professional Sony camera; and GoPro HERO4 camera from Revista Shock.Special Mention: "La Ruta de Julita" (Julita's Route) by Omar Eduardo Ospina (Magdalena University) - Wins a scholarship to study film production at the Bucaramanga University.
Special Mention: "Estepario" by Ángela Duque (Sabana University) - Wins a scholarship to study sound recording and design at Bucaramanga University.
Official Fiction Competition
Jury Members
Michael Fitzgerald- Malgorzata Szumowska - Cao Guimaraes
Best Film: "Ixcanul" by Jayro Bustamante (Guatemala) - Wins Cine Colombia Award that includes $15.000 - Isa: Film Factory Entertainment
Special Jury Prize: "Branco Sai, Preto Fica" (White Out, Black In) by Adirley Queirós (Brazil) - PC: Cinco Da Norte Serviços AudiovisuaisBest Director: Hector Galvez for "Nn" (Peru, Colombia, Germany, France) - Isa: Habanero
The International Federation of Film Critics Award - Fipresci
Jury Members
Ivonete Pinto - Michael Pattison - Roger Alan Koza
Best Film: "Branco Sai, Preto Fica" (White Out, Black In) by Adirley Queirós (Brazil)Colombian Cinema Official Competition
Jury Members
Mirsad Purivatra - Gerwin Tamsma - Juan Carlos Arciniegas
Best Film: "El Silencio del Rio" (The Silence of the River) by Carlos Tribiño (Colombia, Uruguay, France) - Wins Cinecolor Award that includes Usd $11.000 in deliveries and the Lci Seguros Award, which consists of a 50% discount on the insurance purchase for production up to Us$50,000. -Isa: Habanero Films
Special Jury Prize: "Carta a Una Sombra" (Letter to a Shadow) by Daniela Abad and Miguel Salazar(Colombia) - PC: Producciones la Esperanza
Best Director: Roberto Flores Prieto for "Ruido Rosa" (Pink Noise) - Wins Hangar Films Award that includes Usd $30.000 in film equipment for the production of his next film. - PC: Kymera Producciones
Additional Awards
Club Colombia Audience Award: "Carta a Una Sombra" (Letter to a Shadow) by Daniela Abad and Miguel Salazar (Colombia) - Wins Usd $15.000
Official Documentary Competition
Jury Members
Sergio Wolf - Ally Derks - Meredith Brody
Best Film: "La Once" (Tea Time) by Maite Alberdi (Chile, U.S.) - Wins Cinecolor Award that includes Usd $13.000 in digital post-production services - Isa: Cat & Docs
Special Jury Prize: "Tu y Yo" (You and Me) by Natalia Cabral and Oriol Estrada (Dominican Republic) - PC: Faula Films
Gems
Jury Members
Jorge Sanchez Sosa - Nicolas Morales Thomas - Ciro Guerra
Best Film: "Hermosa Juventud" (Beautiful Youth) by Jaime Rosales (Spain, France) - Wins Rcn Award for promotional purposes during its release in Colombia, valued at Usd $50.000. - Isa: Ndm
Special Jury Prize: "El Hombre de las Multitudes" (The Man of the Crowd) by Marcelo Gomes and Cao Guimaraes (Brazil) Isa: FIGa Films
Special Mention: "Timbuktu" by Abderrahmane Sissako (Mauritania, France) - Isa: Le Pacte/U.S. Dist: Cohen Media Group
Official Shorts Competition
Jury Members
Joel del Rio - Roberto Fiesco - Andres Parra
Best Short Film: "Se Venden Conejos" (Rabbits for Sale) by Esteban Giraldo (Colombia) - Wins a professional Sony camera and Usd $3.000 from Cinecolor in digital post-production services for the director's next project.
Special Mention: "Completo" by Iván Gaona (Colombia)
New Creators
Jury Members
Maite Alberdi - Franco Lolli - Jorge Forero
Best Short Film: "En Busca del Aire" (Searching for Air) by Mauricio Rojas Maldonado (Antioquia University) - Wins a professional Sony camera; and GoPro HERO4 camera from Revista Shock.Special Mention: "La Ruta de Julita" (Julita's Route) by Omar Eduardo Ospina (Magdalena University) - Wins a scholarship to study film production at the Bucaramanga University.
Special Mention: "Estepario" by Ángela Duque (Sabana University) - Wins a scholarship to study sound recording and design at Bucaramanga University.
- 3/26/2015
- by Sydney Levine
- Sydney's Buzz
Italian sales agency secures deals in Berlin
At Berlin’s European Film Market (Efm), The Open Reel has sold rights for Roberto Caston’s The Silly Ones And The Stupid Ones to Uruguay (Cineteca Uruguaya), Poland (Manana, for theatrical release) and Italy (MyMovies). The drama premiered at the 2014 San Sebastian Film Festival.
For the Us and UK, Tla Releasing has taken all rights to Jonathan Taieb’s Stand.
TV Polska has acquired theatrical rights for Damien Manivel’s A Young Poet and Lex Sidon’s Grand Street.
French distributor Optimale secured all rights to Julian Hernandez’s I Am Happiness On Earth.
Czech Platform Doc Alliance has acquired Roberto Fiesco’s Quebranto and Tiago Leao’s Longing Nights.
New titles will be represented as international sales by The Open Reel: Fullboy, a documentary directed by Martin Farina; Jess & James directed by Santiago Giralt; and Julian Hernandez’s Young Man at the Bar Masturbating with Rage and Nerve...
At Berlin’s European Film Market (Efm), The Open Reel has sold rights for Roberto Caston’s The Silly Ones And The Stupid Ones to Uruguay (Cineteca Uruguaya), Poland (Manana, for theatrical release) and Italy (MyMovies). The drama premiered at the 2014 San Sebastian Film Festival.
For the Us and UK, Tla Releasing has taken all rights to Jonathan Taieb’s Stand.
TV Polska has acquired theatrical rights for Damien Manivel’s A Young Poet and Lex Sidon’s Grand Street.
French distributor Optimale secured all rights to Julian Hernandez’s I Am Happiness On Earth.
Czech Platform Doc Alliance has acquired Roberto Fiesco’s Quebranto and Tiago Leao’s Longing Nights.
New titles will be represented as international sales by The Open Reel: Fullboy, a documentary directed by Martin Farina; Jess & James directed by Santiago Giralt; and Julian Hernandez’s Young Man at the Bar Masturbating with Rage and Nerve...
- 2/12/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Today I am writing from Cartagena, Colombia where I attended Ficci, the Festival Internacional de Cine de Cartagena de Indias.
This former colonial jewel in the crown of Spain offers a huge array of delights, film-wise, art-wise, food-wise and people-wise. Gorgeous arts and gorgeous people, sweet, polite and proud. As much as I love Havana, Cartagena is how Havana should look.
And as much as I loved Careyes where I was last week, the art and artisanal scope here is so wide; from the Colombian painter and sculptor, Botero to indigenous palm weaving – décor for homes (not cheap!), bags, designer clothing, linen and rubies.
Aside from films, my big discoveries of the day are Ruby Rumie, a Colombian artist who spends much of her time here in her studio in the Getsemaní section of town and in Chile. Coincidentally (again) Gary Meyer (Telluride Film Festival) and his wife Cathy who are here with Gary on the Documentary Competition Jury (I just left them in Careyas!) also just discovered her as well. The other artist, Olga Amaral, works in indigenous styles of weaving and textile production and now is favoring gold leaf displays of woven wall tapestries. Stunning. Both are available at the Nh Gallery, a place I just happened to wander into as I was walking from the theater to my equally stunning hotel Casa Pestagua.
The courteous and helpful people here are a proud mix of white, brown and black. They say the blacks will never follow the orders of a white. They say the blood of slaves is embedded in the wall fortifications of the city. The Inquisition here was very powerful, and they say the Jews (Conversos) coming in the conquistadors’ ships went to settle Medellín and the Catholics to Bogotá. Cartagena was the last city to be free of the Spanish crown and as such, it was extremely conservative.
It would take days to visit all the museums throughout the city. The Art Biennale is now in many of them (free entry) including the Museum of the Inquisition with its torture machines. The Museum of Gold with pre-Colombian gold artworks is astounding. All the gold of Latin America (and emeralds, diamonds and silver) went from here in the Spanish galleons back to Spain until the city declared its independence in 1811. We in the North know this history but from a different perspective. Eduardo Galeano’s Open Veins of Latin America and Gonzalo Arijon’s documentary Eyes Wide Open, an update of Galeano’s ideas are good starting points for understanding this part of the world. Eye opening indeed!
The beauty of the city and its people is matched by the food. There is great food here here and some very haute cuisine restaurants. Ceviches of many kinds, new sweet fruits like the pitaya and the drink mixing limeade and coconut milk delight the palate. The festival invites enough but not too many industry folks so it can host lunches and dinners in wonderful venues along with cocktail hours where we can all meet and talk. Talk among us is of food and film, film and food…even of food film festivals that are cropping up from Berlin, San Sebastian, here and in Northern California…stay tuned.
The Colombian government is aware of the need for the public to rediscover their own stories and to this end all the festival screenings are free, and all are packed Sro. The government also supports filmmakers with a deliberate, well-planned and well executed strategy to increase production and create an infrastructure.
Colombian films’ biggest challenge is to increase their share of their rapidly growing domestic market, worth $182.3 million in box office in 2012. One way forward is international co-production, where Bam (Bogotá Audiovisual Market) July 14-18, 2014 plays a large role. There is a mini version of this here (Encuentros Cartagena), centering on French and Colombian co-production, but not limited to that, with guests like George Goldenstern from Cinefondation (Cannes), producer/ international sales agent Marie-Pierre Masia and and the ever present Thierry Lenouvel of Cine-Sud whose film Tierra en la lengua aka Dust on the Tongue won the Best Picture Award in Competition. Vincenzo Bugno of World Cinema Fund of the Berlinale is always here too as is Jose Maria Riba on the Jury of the Competition and programmer for San Sebastian and Directors Fortnight. Also on the jury are Wendy Mitchel and Pawel Pawlikowski whose film Ida (Isa: Portobello Film Sales) is playing (outside of the Competition). A look at the winning competition films shows the strength of co-productions today.
Best Picture: Dust on the Tongue of Ruben Mendoza (Colombia) Colombia Film of $15,000. Special Jury Prize: The Third Side of the River (La tercera orilla) which premiered in Competition at the Berlinale, by Celina Murga (Argentina, Netherlands, Germany) (Isa: The Match Factory) Best Director: Alejandro Fernández Almendras for To kill a man (Matar a un hombre) which premiered in Sundance (Chile, France). Film Factory is selling international rights and Film Movement has U.S. It also won the Fipresci or International Critics’ Award. Best Actor: Fernando Bacilio by El Mudo (Peru, Mexico, France), Urban Distribution International is the sales agent.
Cinema in Colombia continues its steep ascent in the international production world. The reasons, according to Bugno, lie in “new political decisions, funding structures, and the developing of a new producing environment that also has to do with new emerging young talent.”
A visit to the festival headquarters proves the point of the extensive government support of film not only for its own sake, but for the sake of all the people, dispossessed, abused, Lgbt, children and women. It is a beautiful sight to see such support, and the people seem to reciprocate; I hear more praise than complaints about the government and everyone seems cautiously optimistic, aware of its current position vis à vis what has thankfully become recent history with the guerillas who had been waging war with the government for the past 40 years and the current elections and competing points of view between the former President Uribe and the current President Juan Manuel Santos.
Aecid , Association Espagnola de Cooperacon Internacional para el Desarrollo (The Spanish Association for International Cooperation for Development), a festival sponsor supports social cohesion, equality of genders, construction of peace, respect for cultural diversity and the reduction of poverty.
Currently in Colombia, national cinema holds a 10% share of the Colombian market and 8% of the box office. In 2012, 213 films were produced in Colombia, a huge increase since 2009 when 19 were produced according to Ocal, the Observotario del Cine f nCl [sic]. In 2012, 23 of the 213 domestic films were released theatrically, a tremendous increase from the 6 Colombian films released in the year 2000. [1],[2] This number surpasses every record in Colombia’s film history
This 10 day spectacular film festival gives free entry to all at 8 theaters and, proving the point that people love the movies, every single screening is packed solid, Sro. More than 135 films come from 27 countries. 48 daily screenings include 14 open air screenings in great locations. There are 40 world premieres and 26 Latin American premieres.
150 invited guests included Abbas Kiarostami, Clive Owen, Alejandro Gonzales Inarritu, Pavel Pawlikowsky with his film Ida, John Sayles with whom I had an interesting talk about U.S. current distribution and of Return of Seacaucus Seven and Sunshine State. The screening of his film Go For Sisters has received an enthusiastic response from the audiences.
Since 2013, coproductions between the U.S. and Colombia with variations on the theme are on the rise. With its 40% cash rebate, Colombia is proving to be a great place to make movies.
Colombians such as Simon Brand are making English language genre films such as this year’s festival debuting Default (Isa: Wild Bunch). For budgets under Us$1 million, action, thrillers and horror genres can cross borders, and can recoup costs and even profit.
The reverse is also notable. Four films screening here are Colombian films made by Americans. The winner to three prizes here for Best Director, Best Documentary and the Audience Prize, Marmato by Marc Grieco was workshopped twice at Sundance where it premiered this January 2014. It is represented internationally by Ro*co and its U.S. representative is Ben Weiss at Paradigm. The other three remarkable debut films are Mambo Cool by Chris Gude,Manos Sucias by Josef Wladyka (a Japanese-Polish American) and Parador Hungaro by Patrick Alexander and Aseneth Suarez Ruiz. Look for upcoming interviews with these four directors who came to Colombia and, because of their experiences here, decided to make these exceptional movies. My next blog will be interviews with each of these films’ directors.
Secundaria , the first film I saw here was not shot here although it too was directed by an American who made 21 trips to Cuba to make it. Documenting the high school ballet training and competitions held by Cuba’s world famous National Ballet School -- Watch the trailer here -- it was not only beautiful but it magically captured the ever-present economic issues of Cuba. I can’t wait to see Primaria about the grade school of the Nbs.
Director and coproducer Mary Jane Doherty has been an Associate Professor of Film at Boston University since 1990. Proud of her lineage as a student of iconic documentarian Ricky Leacock, she developed B.U.’s Narrative Documentary Program: a novel approach to non-fiction storytelling using the building blocks of fiction film. Lyda Kuth , the coproducer, is founding board member and executive director of the Lef Foundation, which supports independent filmmakers through the Lef Moving Image Fund. In 2005, she established Nadita Productions and was producer/director on her first feature documentary, Love and Other Anxieties.
A cocktail party is given daily at the festival where we can all meet up. It was there I met Gail Gendler VP of Acquisitions for AMC/ Sundance Channel Global (international not domestic) and Gus
Dinner one night was with the jury for Nuevos Creadores (New Creators). Cynthia Garcia Calvo, Editor in Chief of LatamCinema.com, a Latino equivalent to Indiewire.com out of Chile and Argentina and I spoke of possible ways to cooperate. The third member of the jury, Javier Mejia, director of Colombia’s best film of 2008 Apocalypsur also has a documentary here, Duni, about a Chilean filmmaker who left Chile during the dictatorship and came to Colombia where he made political films in Medellin but never discussed his reasons for coming or even his Chilean roots. How happy I was that I had seen and enjoyed the films of the third jury member, Daniel Vega, who with his brother Diego made The Mute aka El Mudo (Isa: Urban Media) which played in Toronto and San Sebastian and his earlier film October, both dark comedies or perhaps dramadies dealing with subjective realities in unique environs of Peru we have never seen. He promised to help me with the Peru chapter of my upcoming book. Peru is in the lower middle of countries which support filmmaking. Their film fund is a rather laid back affair administered by the Ministry of Culture who receives money from the Ministry of Finance when they “get around to it”.
Jury for New Creators: Javier Mejía, Cynthia García Calvo and Diego Vega,displaying the winner for the Best Short Film: Alen Natalia Imery (Universidad del Valle) who won a Sony video camera, 2,000, 000 pesos of in kind services from Shock Magazin, and a scholarship for graduate Project Management and Film Production at the Autonomous University of Bucaramanga
Second prize went to The murmur of the earth Alejandro Daza (National University) - Win a Sony camera, and a Fellowship for Graduate Record Audio and Sound Design of the Autonomous University of Bucaramanga.
Other winners are:
Official Colombian Film Competition
Jurors: David Melo - Alissa Simon - Daniela Michel
Best Film: Marmato by Mark Grieco (Colombia, USA) Winner of the I.Sat Award for $30K and the Cinecolor Award for $11k in deliveries
Special Jury Prize: Mateo by María Gamboa
Best Director: Rubén Mendoza for Dust on the Tongue (Tierra en la lengua). Winner of Hangar Films Award for $30K in film equipment to produce his next film.
Additional Awards
Audience Award Colombia: Marmato by Mark Grieco (Colombia, USA). Winner of $15K
Official Documentary Competition
Jurors: Gary Meyer- Luis Ospina - Laurie Collyer
Best Film: Marmato by Mark Grieco (Colombia, USA). Winner of the Cinecolor Award for $13Kin post-production services.
Special Jury Prize: What Now? Remind Me (E Agora? Lembra-me) by Joaquim Pinto (Portugal)
Best Director: Justin Webster for I Will Be Murdered (Seré asesinado) (Spain, Denmark, U.K.)
Official Short Film Competition
JurorsOswaldo Osorio -Pacho Bottia - Denis de la Roca
Best Short Film: Statues (Estatuas) by Roberto Fiesco (Mexico). Winner of a professional Sony camera and $3K from Cinecolor in post-production services for his next project.
Special Jury Prize: About a Month (Pouco Mais de um Mês) by André Novais Oliveira (Brazil)
Best Director: Manuel Camacho Bustillo for Blackout chapter 4 "A Call to Neverland" (Blackout capítulo 4 "Una llamada a Neverland") (Mexico). Winner of a Sony photographic camera.
Gems
Jurors: Mauricio Reina - Manuel Kalmanowitz - Sofia Gomez Gonzalez
Best Film: Like Father, Like Son by Hirokazu Koreeda (Japan). Winner of the Rcn Award for $50 to promote the release of the film in Colombia.
Special Jury Prize: Ilo Ilo by Anthony Chen (Singapore)
[1] http://www.cinelatinoamericano.org/ocal/cifras.aspx
[2] http://www.mincultura.gov.co/areas/cinematografia/estadisticas-del-sector/Documents/Anuario%202012.p...
This former colonial jewel in the crown of Spain offers a huge array of delights, film-wise, art-wise, food-wise and people-wise. Gorgeous arts and gorgeous people, sweet, polite and proud. As much as I love Havana, Cartagena is how Havana should look.
And as much as I loved Careyes where I was last week, the art and artisanal scope here is so wide; from the Colombian painter and sculptor, Botero to indigenous palm weaving – décor for homes (not cheap!), bags, designer clothing, linen and rubies.
Aside from films, my big discoveries of the day are Ruby Rumie, a Colombian artist who spends much of her time here in her studio in the Getsemaní section of town and in Chile. Coincidentally (again) Gary Meyer (Telluride Film Festival) and his wife Cathy who are here with Gary on the Documentary Competition Jury (I just left them in Careyas!) also just discovered her as well. The other artist, Olga Amaral, works in indigenous styles of weaving and textile production and now is favoring gold leaf displays of woven wall tapestries. Stunning. Both are available at the Nh Gallery, a place I just happened to wander into as I was walking from the theater to my equally stunning hotel Casa Pestagua.
The courteous and helpful people here are a proud mix of white, brown and black. They say the blacks will never follow the orders of a white. They say the blood of slaves is embedded in the wall fortifications of the city. The Inquisition here was very powerful, and they say the Jews (Conversos) coming in the conquistadors’ ships went to settle Medellín and the Catholics to Bogotá. Cartagena was the last city to be free of the Spanish crown and as such, it was extremely conservative.
It would take days to visit all the museums throughout the city. The Art Biennale is now in many of them (free entry) including the Museum of the Inquisition with its torture machines. The Museum of Gold with pre-Colombian gold artworks is astounding. All the gold of Latin America (and emeralds, diamonds and silver) went from here in the Spanish galleons back to Spain until the city declared its independence in 1811. We in the North know this history but from a different perspective. Eduardo Galeano’s Open Veins of Latin America and Gonzalo Arijon’s documentary Eyes Wide Open, an update of Galeano’s ideas are good starting points for understanding this part of the world. Eye opening indeed!
The beauty of the city and its people is matched by the food. There is great food here here and some very haute cuisine restaurants. Ceviches of many kinds, new sweet fruits like the pitaya and the drink mixing limeade and coconut milk delight the palate. The festival invites enough but not too many industry folks so it can host lunches and dinners in wonderful venues along with cocktail hours where we can all meet and talk. Talk among us is of food and film, film and food…even of food film festivals that are cropping up from Berlin, San Sebastian, here and in Northern California…stay tuned.
The Colombian government is aware of the need for the public to rediscover their own stories and to this end all the festival screenings are free, and all are packed Sro. The government also supports filmmakers with a deliberate, well-planned and well executed strategy to increase production and create an infrastructure.
Colombian films’ biggest challenge is to increase their share of their rapidly growing domestic market, worth $182.3 million in box office in 2012. One way forward is international co-production, where Bam (Bogotá Audiovisual Market) July 14-18, 2014 plays a large role. There is a mini version of this here (Encuentros Cartagena), centering on French and Colombian co-production, but not limited to that, with guests like George Goldenstern from Cinefondation (Cannes), producer/ international sales agent Marie-Pierre Masia and and the ever present Thierry Lenouvel of Cine-Sud whose film Tierra en la lengua aka Dust on the Tongue won the Best Picture Award in Competition. Vincenzo Bugno of World Cinema Fund of the Berlinale is always here too as is Jose Maria Riba on the Jury of the Competition and programmer for San Sebastian and Directors Fortnight. Also on the jury are Wendy Mitchel and Pawel Pawlikowski whose film Ida (Isa: Portobello Film Sales) is playing (outside of the Competition). A look at the winning competition films shows the strength of co-productions today.
Best Picture: Dust on the Tongue of Ruben Mendoza (Colombia) Colombia Film of $15,000. Special Jury Prize: The Third Side of the River (La tercera orilla) which premiered in Competition at the Berlinale, by Celina Murga (Argentina, Netherlands, Germany) (Isa: The Match Factory) Best Director: Alejandro Fernández Almendras for To kill a man (Matar a un hombre) which premiered in Sundance (Chile, France). Film Factory is selling international rights and Film Movement has U.S. It also won the Fipresci or International Critics’ Award. Best Actor: Fernando Bacilio by El Mudo (Peru, Mexico, France), Urban Distribution International is the sales agent.
Cinema in Colombia continues its steep ascent in the international production world. The reasons, according to Bugno, lie in “new political decisions, funding structures, and the developing of a new producing environment that also has to do with new emerging young talent.”
A visit to the festival headquarters proves the point of the extensive government support of film not only for its own sake, but for the sake of all the people, dispossessed, abused, Lgbt, children and women. It is a beautiful sight to see such support, and the people seem to reciprocate; I hear more praise than complaints about the government and everyone seems cautiously optimistic, aware of its current position vis à vis what has thankfully become recent history with the guerillas who had been waging war with the government for the past 40 years and the current elections and competing points of view between the former President Uribe and the current President Juan Manuel Santos.
Aecid , Association Espagnola de Cooperacon Internacional para el Desarrollo (The Spanish Association for International Cooperation for Development), a festival sponsor supports social cohesion, equality of genders, construction of peace, respect for cultural diversity and the reduction of poverty.
Currently in Colombia, national cinema holds a 10% share of the Colombian market and 8% of the box office. In 2012, 213 films were produced in Colombia, a huge increase since 2009 when 19 were produced according to Ocal, the Observotario del Cine f nCl [sic]. In 2012, 23 of the 213 domestic films were released theatrically, a tremendous increase from the 6 Colombian films released in the year 2000. [1],[2] This number surpasses every record in Colombia’s film history
This 10 day spectacular film festival gives free entry to all at 8 theaters and, proving the point that people love the movies, every single screening is packed solid, Sro. More than 135 films come from 27 countries. 48 daily screenings include 14 open air screenings in great locations. There are 40 world premieres and 26 Latin American premieres.
150 invited guests included Abbas Kiarostami, Clive Owen, Alejandro Gonzales Inarritu, Pavel Pawlikowsky with his film Ida, John Sayles with whom I had an interesting talk about U.S. current distribution and of Return of Seacaucus Seven and Sunshine State. The screening of his film Go For Sisters has received an enthusiastic response from the audiences.
Since 2013, coproductions between the U.S. and Colombia with variations on the theme are on the rise. With its 40% cash rebate, Colombia is proving to be a great place to make movies.
Colombians such as Simon Brand are making English language genre films such as this year’s festival debuting Default (Isa: Wild Bunch). For budgets under Us$1 million, action, thrillers and horror genres can cross borders, and can recoup costs and even profit.
The reverse is also notable. Four films screening here are Colombian films made by Americans. The winner to three prizes here for Best Director, Best Documentary and the Audience Prize, Marmato by Marc Grieco was workshopped twice at Sundance where it premiered this January 2014. It is represented internationally by Ro*co and its U.S. representative is Ben Weiss at Paradigm. The other three remarkable debut films are Mambo Cool by Chris Gude,Manos Sucias by Josef Wladyka (a Japanese-Polish American) and Parador Hungaro by Patrick Alexander and Aseneth Suarez Ruiz. Look for upcoming interviews with these four directors who came to Colombia and, because of their experiences here, decided to make these exceptional movies. My next blog will be interviews with each of these films’ directors.
Secundaria , the first film I saw here was not shot here although it too was directed by an American who made 21 trips to Cuba to make it. Documenting the high school ballet training and competitions held by Cuba’s world famous National Ballet School -- Watch the trailer here -- it was not only beautiful but it magically captured the ever-present economic issues of Cuba. I can’t wait to see Primaria about the grade school of the Nbs.
Director and coproducer Mary Jane Doherty has been an Associate Professor of Film at Boston University since 1990. Proud of her lineage as a student of iconic documentarian Ricky Leacock, she developed B.U.’s Narrative Documentary Program: a novel approach to non-fiction storytelling using the building blocks of fiction film. Lyda Kuth , the coproducer, is founding board member and executive director of the Lef Foundation, which supports independent filmmakers through the Lef Moving Image Fund. In 2005, she established Nadita Productions and was producer/director on her first feature documentary, Love and Other Anxieties.
A cocktail party is given daily at the festival where we can all meet up. It was there I met Gail Gendler VP of Acquisitions for AMC/ Sundance Channel Global (international not domestic) and Gus
Dinner one night was with the jury for Nuevos Creadores (New Creators). Cynthia Garcia Calvo, Editor in Chief of LatamCinema.com, a Latino equivalent to Indiewire.com out of Chile and Argentina and I spoke of possible ways to cooperate. The third member of the jury, Javier Mejia, director of Colombia’s best film of 2008 Apocalypsur also has a documentary here, Duni, about a Chilean filmmaker who left Chile during the dictatorship and came to Colombia where he made political films in Medellin but never discussed his reasons for coming or even his Chilean roots. How happy I was that I had seen and enjoyed the films of the third jury member, Daniel Vega, who with his brother Diego made The Mute aka El Mudo (Isa: Urban Media) which played in Toronto and San Sebastian and his earlier film October, both dark comedies or perhaps dramadies dealing with subjective realities in unique environs of Peru we have never seen. He promised to help me with the Peru chapter of my upcoming book. Peru is in the lower middle of countries which support filmmaking. Their film fund is a rather laid back affair administered by the Ministry of Culture who receives money from the Ministry of Finance when they “get around to it”.
Jury for New Creators: Javier Mejía, Cynthia García Calvo and Diego Vega,displaying the winner for the Best Short Film: Alen Natalia Imery (Universidad del Valle) who won a Sony video camera, 2,000, 000 pesos of in kind services from Shock Magazin, and a scholarship for graduate Project Management and Film Production at the Autonomous University of Bucaramanga
Second prize went to The murmur of the earth Alejandro Daza (National University) - Win a Sony camera, and a Fellowship for Graduate Record Audio and Sound Design of the Autonomous University of Bucaramanga.
Other winners are:
Official Colombian Film Competition
Jurors: David Melo - Alissa Simon - Daniela Michel
Best Film: Marmato by Mark Grieco (Colombia, USA) Winner of the I.Sat Award for $30K and the Cinecolor Award for $11k in deliveries
Special Jury Prize: Mateo by María Gamboa
Best Director: Rubén Mendoza for Dust on the Tongue (Tierra en la lengua). Winner of Hangar Films Award for $30K in film equipment to produce his next film.
Additional Awards
Audience Award Colombia: Marmato by Mark Grieco (Colombia, USA). Winner of $15K
Official Documentary Competition
Jurors: Gary Meyer- Luis Ospina - Laurie Collyer
Best Film: Marmato by Mark Grieco (Colombia, USA). Winner of the Cinecolor Award for $13Kin post-production services.
Special Jury Prize: What Now? Remind Me (E Agora? Lembra-me) by Joaquim Pinto (Portugal)
Best Director: Justin Webster for I Will Be Murdered (Seré asesinado) (Spain, Denmark, U.K.)
Official Short Film Competition
JurorsOswaldo Osorio -Pacho Bottia - Denis de la Roca
Best Short Film: Statues (Estatuas) by Roberto Fiesco (Mexico). Winner of a professional Sony camera and $3K from Cinecolor in post-production services for his next project.
Special Jury Prize: About a Month (Pouco Mais de um Mês) by André Novais Oliveira (Brazil)
Best Director: Manuel Camacho Bustillo for Blackout chapter 4 "A Call to Neverland" (Blackout capítulo 4 "Una llamada a Neverland") (Mexico). Winner of a Sony photographic camera.
Gems
Jurors: Mauricio Reina - Manuel Kalmanowitz - Sofia Gomez Gonzalez
Best Film: Like Father, Like Son by Hirokazu Koreeda (Japan). Winner of the Rcn Award for $50 to promote the release of the film in Colombia.
Special Jury Prize: Ilo Ilo by Anthony Chen (Singapore)
[1] http://www.cinelatinoamericano.org/ocal/cifras.aspx
[2] http://www.mincultura.gov.co/areas/cinematografia/estadisticas-del-sector/Documents/Anuario%202012.p...
- 3/26/2014
- by Sydney Levine
- Sydney's Buzz
The 54th Edition of the Cartagena Film Festival has come to an end and the winners have been announced. The indisputable protagonists this year were Marmato by Mark Grieco, winning three awards, Rubén Mendoza's Dust on the Tongue, and the Chilean film To Kill a Man by Alejandro Fernández Almendras, with two awards each. Surely these three films and several other winners will become important works at other upcoming festivals since many of them have already done well at Sundance, Rotterdam, and Berlin.
Official Competition: Narrative Feature
Members of the Jury: Wendy Mitchell - Jose Maria Riba - Pawel Pawlikowski
Best Film: Dust on the Tongue (Tierra en la Lengua) by Rubén Mendoza (Colombia- Winner of $15K
Special Jury Prize: The Third Side of the River (La Tercera Orilla) by Celina Murga (Argentina, The Netherlands, Germany)
Best Director: Alejandro Fernández Almendras for To Kill a Man (Matar a un hombre) (Chile, France)
Best Actor: Fernando Bacilio for El Mudo (Peru, Mexico, France)
Fipresci
Members of the Jury: Carlos Heredero - Hiroaki Saitô - Michal Oleszczyk
Best Film: To Kill a Man by Alejandro Fernández Almendras (Chile, France)
Other Awards
Oclacc Award (Catholic Organization of Communications for Latin America and the Caribbean)
Special Mention: Mateo by María Gamboa (Colombia
Official Competition: Colombian Cinema
Members of the Jury: David Melo - Alissa Simon - Daniela Michel
Best Film: Marmato by Mark Grieco (Colombia, USA) Winner of the I.Sat Award for $30K and the Cinecolor Award for $11k in deliveries
Special Jury Prize: Mateo by María Gamboa
Best Director: Rubén Mendoza for Dust on the Tongue (Tierra en la lengua). Winner of Hangar Films Award for $30K in film equipment to produce his next film.
Additional Awards
Audience Award Colombia: Marmato by Mark Grieco (Colombia, USA). Winner of $15K
Official Competition: Documentary
Members of the Jury: Gary Meyer- Luis Ospina - Laurie Collyer
Best Film: Marmato by Mark Grieco (Colombia, USA). Winner of the Cinecolor Award for $13Kin post-production services.
Special Jury Prize: What Now? Remind Me (E Agora? Lembra-me) by Joaquim Pinto (Portugal)
Best Director: Justin Webster for I Will Be Murdered (Seré asesinado) (Spain, Denmark, U.K.)
Official Competition: Short Film
Members of the Jury: Oswaldo Osorio - Pacho Bottia - Denis de la Roca
Best Short Film: Statues (Estatuas) by Roberto Fiesco (Mexico). Winner of a professional Sony camera and $3K from Cinecolor in post-production services for his next project.
Special Jury Prize: About a Month (Pouco Mais de um Mês) by André Novais Oliveira (Brazil)
Best Director: Manuel Camacho Bustillo for Blackout chapter 4 "A Call to Neverland" (Blackout capítulo 4 "Una llamada a Neverland") (Mexico). Winner of a Sony photographic camera.
Gems
Members of the Jury:Mauricio Reina - Manuel Kalmanowitz - Sofia Gomez Gonzalez
Best Film: Like Father, Like Son by Hirokazu Koreeda (Japan). Winner of the Rcn Award for $50 to promote the release of the film in Colombia.
Special Jury Prize: Ilo Ilo by Anthony Chen (Singapore)
New Creators
Members of the Jury: Javier Mejía- Diego Vega - Cynthia García Calvo
Best Short Film: Alén by Natalia Imery (Universidad del Valle).
Runner-up: The Earth's Whisper (El murmullo de la tierra) by Alejandro Daza (Universidad Nacional)...
Official Competition: Narrative Feature
Members of the Jury: Wendy Mitchell - Jose Maria Riba - Pawel Pawlikowski
Best Film: Dust on the Tongue (Tierra en la Lengua) by Rubén Mendoza (Colombia- Winner of $15K
Special Jury Prize: The Third Side of the River (La Tercera Orilla) by Celina Murga (Argentina, The Netherlands, Germany)
Best Director: Alejandro Fernández Almendras for To Kill a Man (Matar a un hombre) (Chile, France)
Best Actor: Fernando Bacilio for El Mudo (Peru, Mexico, France)
Fipresci
Members of the Jury: Carlos Heredero - Hiroaki Saitô - Michal Oleszczyk
Best Film: To Kill a Man by Alejandro Fernández Almendras (Chile, France)
Other Awards
Oclacc Award (Catholic Organization of Communications for Latin America and the Caribbean)
Special Mention: Mateo by María Gamboa (Colombia
Official Competition: Colombian Cinema
Members of the Jury: David Melo - Alissa Simon - Daniela Michel
Best Film: Marmato by Mark Grieco (Colombia, USA) Winner of the I.Sat Award for $30K and the Cinecolor Award for $11k in deliveries
Special Jury Prize: Mateo by María Gamboa
Best Director: Rubén Mendoza for Dust on the Tongue (Tierra en la lengua). Winner of Hangar Films Award for $30K in film equipment to produce his next film.
Additional Awards
Audience Award Colombia: Marmato by Mark Grieco (Colombia, USA). Winner of $15K
Official Competition: Documentary
Members of the Jury: Gary Meyer- Luis Ospina - Laurie Collyer
Best Film: Marmato by Mark Grieco (Colombia, USA). Winner of the Cinecolor Award for $13Kin post-production services.
Special Jury Prize: What Now? Remind Me (E Agora? Lembra-me) by Joaquim Pinto (Portugal)
Best Director: Justin Webster for I Will Be Murdered (Seré asesinado) (Spain, Denmark, U.K.)
Official Competition: Short Film
Members of the Jury: Oswaldo Osorio - Pacho Bottia - Denis de la Roca
Best Short Film: Statues (Estatuas) by Roberto Fiesco (Mexico). Winner of a professional Sony camera and $3K from Cinecolor in post-production services for his next project.
Special Jury Prize: About a Month (Pouco Mais de um Mês) by André Novais Oliveira (Brazil)
Best Director: Manuel Camacho Bustillo for Blackout chapter 4 "A Call to Neverland" (Blackout capítulo 4 "Una llamada a Neverland") (Mexico). Winner of a Sony photographic camera.
Gems
Members of the Jury:Mauricio Reina - Manuel Kalmanowitz - Sofia Gomez Gonzalez
Best Film: Like Father, Like Son by Hirokazu Koreeda (Japan). Winner of the Rcn Award for $50 to promote the release of the film in Colombia.
Special Jury Prize: Ilo Ilo by Anthony Chen (Singapore)
New Creators
Members of the Jury: Javier Mejía- Diego Vega - Cynthia García Calvo
Best Short Film: Alén by Natalia Imery (Universidad del Valle).
Runner-up: The Earth's Whisper (El murmullo de la tierra) by Alejandro Daza (Universidad Nacional)...
- 3/22/2014
- by Sydney Levine
- Sydney's Buzz
Dust On The Tongue [pictured], Marmato, To Kill A Man take home prizes.
The 54th edition of the Cartagena Film Festival wrapped tonight in Colombia, with the festival’s main Latin American competition prize going to a local film, Ruben Mendoza’s Dust On The Tounge (Tierra En La Lengua). The award comes with $15,000.
The film blends fake documentary and fiction in the story of a crude, violent patriarch (Jairo Salcedo) who brings his cityslicker grandchildren to his ranch to help him die.
The jury gave its best director prize to Alejandro Fernández Almendras for To Kill A Man (Matar a un hombre), a Chilean dark dramatic thriller that also took home Cartagena’s Fipresci prize.
Best actor was Fernando Bacilio for The Mute (El Mudo) by Daniel and Diego Vega from Peru. The special jury prize went to Celina Murga’s The Third Side of the River (La tercera orilla) from Argentina.
Best documentary...
The 54th edition of the Cartagena Film Festival wrapped tonight in Colombia, with the festival’s main Latin American competition prize going to a local film, Ruben Mendoza’s Dust On The Tounge (Tierra En La Lengua). The award comes with $15,000.
The film blends fake documentary and fiction in the story of a crude, violent patriarch (Jairo Salcedo) who brings his cityslicker grandchildren to his ranch to help him die.
The jury gave its best director prize to Alejandro Fernández Almendras for To Kill A Man (Matar a un hombre), a Chilean dark dramatic thriller that also took home Cartagena’s Fipresci prize.
Best actor was Fernando Bacilio for The Mute (El Mudo) by Daniel and Diego Vega from Peru. The special jury prize went to Celina Murga’s The Third Side of the River (La tercera orilla) from Argentina.
Best documentary...
- 3/20/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
In order to promote the cinema and filmmaking talent of Mexico and Ibero-America, the Guadalajara International Film Festival (Ficg), the University of Guadalajara and the University of Guadalajara Foundation in the U.S. present Ficg in La, a selection of the most outstanding films of 2013's Ficg. Ficg in La will be held at the Egyptian Theater in Hollywood November 1-3, 2013.Featuring outstanding and award-winning titles from FICG28, which ran from March 1-9, 2013, Ficg in La will offer the premiere of other titles that have emerged in the world of cinema throughout the year to great critical acclaim. The aim of the festival is increasing access and visibility of Mexican and Latin American cinema in the U.S., facilitating the exchange of ideas through stories and issues of cultural and social relevance, creating a space for collaboration between filmmakers and strengthening relationships between the film industry in Mexico and the U.S.
Ficg in La includes film screenings followed by Q&As with filmmakers and talent, as well as galas and special award recognitions to Latin American and U.S. Latino artists. "It is an honor and a great responsibility to direct Ficg in La and to join the mission of the Guadalajara International Film Festival (Ficg) –which is close to its 30th anniversary – whose main purpose is to promote Mexican and Latin American cinema, expand the audience for these films, contribute to the careers of new filmmakers, and to serve as liaison between Latin American cinema and the international film industry " said Hebe Tabachnik, Director and Producer of Ficg in La, who since 2011 has collaborated as the Guest Programmer for the Maguey Award section, which focuses on films about sexual diversity.
Part of the significance in increasing the presence of Ficg in La is that the state of California has a concentration of 14 million Latinos, of which about 12 million are Mexican or Mexican-American. Of the nearly 5 million residing in metropolitan Los Angeles and Long Beach area, nearly half originate from the State of Jalisco, revealing a strong cultural connection between its capital, Guadalajara, and the city of Los Angeles. "Ficg in La is a gateway to Latin American cinema in Hollywood and also for Latino filmmakers to forge a relationship with the Guadalajara International Film Festival and claim it as their home,” said Ivan Trujillo, Festival Director of Ficg. Among the celebrities that have accompanied us in previous editions include: Edward James Olmos, Sergio Arau, Diana Bracho, Alfonso Arau, Kate del Castillo, Martha Higareda, Beto Cuevas, Everardo González, Emilio Maille, Dulce Maria, Carmen Salinas and Jay Hernandez.
Ficg in La 2013 marks the beginning of a joint venture with Ambulante, the nonprofit organization founded by Gael García Bernal, Diego Luna and Pablo Cruz, dedicated to supporting documentary filmmaking as an important tool for cultural and social transformation. Ambulante will present the Los Angeles premiere of the Mexican documentary Quebranto (Disrupt), directed by Roberto Fiesco, who received a Special Jury Award in the Ibero-American Competition and was the winner of ther Maguey Award (FICG28), and more recently the Premio Sebastiane Latino Award at the San Sebastian International Film Festival. Ambulante will receive a special recognition for its outstanding contribution to promoting documentaries and documentary filmmakers since 2005.
Finally, in light of recent events in Mexico, our work this year wouldn’t be complete if we didn’t join the efforts to assist the communities severely affected by the tropical storms. Ficg in La has decided to donate all ticket sale proceeds to help rebuild these communities in need. Ficg in La is presented by the Guadalajara International Film Festival, the University of Guadalajara, University of Guadalajara Foundation in the United States, and is supported by the Consulate General of Mexico in Los Angeles. Ficg’s institutional sponsors include Conaculta, the Mexican Film Institute (Imcine), the Government of the State of Jalisco, Cultura Udg, Channel 44, as well as the municipalities of Guadalajara and Zapopan.
Ficg in L.A. Film Lineup 2013
Guadalajara International Film Festival In Los Angeles -- Ficg in La has announced the program for its third annual edition in Los Angeles. The festival will take place in Los Angeles from November 1-3, 2013 at the Egyptian Theater. The 3 day festival will showcase outstanding and award-winning titles from FICG28, which was held earlier this year in Guadalajara.
The entire program can be found at: www.ficginla.com
The Opening Night Presentation (November 1, 2013) will be the Us Premiere of Francisco Franco’s Tercera Llamada (Last Call) and it will be screened following the Ficg in La Awards Presentation to actor Fernando Luján for achievement in his career including his work in Tercera Llamada, to journalist, film critic, and television presenter, Juan Carlos Arciniegas for his contributions to the Latin entertainment community’s presence in the media. The additional award recipients for career achievement are cinematographer Gabriel Beristain and composer Emilio Kauderer. The final award will be presented to the non-profit organization, Ambulante for its work supporting and promoting documentary film as a tool for social and cultural transformation. A Gala reception in the courtyard of the Egyptian Theater will follow the film screening.
The Closing Night Presentation (November 3, 2013) Besos de Azucar (Sugar Kisses) is the West Coast Premiere of Carlos Cuaron’s film. Ficg in La will be the Us premiere for Levantamiertos, Soy Mucho Mejor Que Vos (I'm Better Than You), Puerto Padre (Port Father) and El Santos Vs La Tetona Mendoza (El Santos Vs The Busty Mendoza). Las Mariposas de Sadourni (Sadourni's Butterflies), Quebranto, and 7 Cajas (7 Boxes) will all have their Los Angeles premieres at Ficg in La.
This year’s Ficg in La films are as follows:
Features
7 Cajas (7 Boxes) -Juan Carlos Maneglia, Tana Schémbori
Paraguay, 100 min
Besos De Azucar (Sugar Kisses) – Carlos Cuarón
Mexico, 87 min
El Santos Vs La Tetona Mendoza
(El Santos Vs The Busty Mendoza) -Andrés Couturier, Alejandro Lozano
Mexico, 96 min
Las Mariposas De Sadourni (Sadourni's Butterflies ) -Dario Nardi
Argentina, 94 min
Levantamuertos - Miguel Nuñez
Mexico/USA, 82 min
Puerto Padre (Port Father) - Gustavo Fallas
Costa Rica/Mexico, 86 min
Purgatorio - Rodrigo Reyes
Mexico, 80 min
Quebranto (Disrupted) - Roberto Fiesco
Mexico, 92 min
Soy Mucho Mejor Que Vos - (I'm Better Than You) – Che Sandoval
Chile, 85 min
Tercera Llamada (Last Call) -Francisco Franco
Mexico, 92 min
Workers -José Luis Valle
Mexico, 120 min
Shorts
Rigo Mora Award Winning Shorts
Mexico, 73 min
Tickets Available At: https://ficginla.eventbrite.com
Ticket Price
Opening Night Gala, Recognition Awards Ceremony & Reception - $ 30
Closing Night Gala and Regular Screenings - $ 9
Please call 661-724-0807 if you have any questions about how to purchase your ticket to Ficg in La.
The proceeds from ticket sales will be donated to flood victims in Mexico.
About Ficg in La
Ficg in La is a window into the world of contemporary Mexican and Ibero-American cinema and it is an extension of the Guadalajara International Film Festival. This year′s Ficg in La will take place at Hollywood′s historic Egyptian Theatre, right in the heart of the worldwide film and entertainment industry. The festival is designed for people to come and explore the diverse regional narratives of Mexican and Ibero-America cinema, and to help critically acclaimed films from these regions reach a wider audience. Los Angeles provides an essential backdrop for the showcase to take place because of its strong cultural ties to Latin American communities all across the globe. The festival is presented by the University of Guadalajara, the University of Guadalajara Foundation in USA and the Guadalajara International Film Festival.
This year’s sponsors of Ficg in La include Cultura Udg, LeaLA Spanish Book Fair in Los Angeles, Udg TV, The National Council for Culture and The Arts, and the Mexican Consulate General. In addition, this year, Ficg in La is partnering with local organizations and consulates who embrace independent film and the goals of Ficg in La. Those partners include Film Independent, Project Involve, Outfest, The Argentinian Consulate General, The Chilean Consulate General, and the Asociación de Egresados del la Universidad de Guadalajara in Los Angeles.
www.ficginla.com
Expected to attend this year’s festival are:
The Cast of Tercera Llamada – Opening Night Film –
Audience Award and Best Actress - Female Ensemble - Ficg 28
Irene Azuela, Fernando Luján, Mariana Treviño
Francisco Franco Director,
Laura Imperiale Producer
Comic book artists Trino (José Trinidad Camacho Orozco) and Jis (José Ignacio Solórzano)
The artists behind The Santos vs.'s Busty Mendoza based on the famous comic strip characters of the same name.
Carlos Cuarón - The Director of Sugar Kisses - Besos de Azúcar - Closing Night Film
About Ficg
The Guadalajara International Film Festival was founded by Guillermo del Toro and other Mexican filmmakers in 1986, and will celebrate its 29th edition March 21-29, 2014. Ficg is the lead film festival in Latin America. It is a forum for the training, education, and creative exchange among industry professionals, film critics, and film students from all over Ibero-America.
About the University of Guadalajara – Mexico
The University of Guadalajara is a member of the University Network in the State of Jalisco, and it is the second oldest university in Mexico. The University of Guadalajara is committed to the betterment of society through higher education. It supports scientific and technological research that makes important contributions to a sustainable and inclusive society, respecting cultural diversity and honoring the principles of social justice, democracy, coexistence, and prosperity for all. The University is renowned in Mexico and abroad as a leader in the transformation of society through innovative means of social development and dissemination of knowledge.
About the Foundation of the University of Guadalajara in the U.S.
The University of Guadalajara Foundation in the United States of America (Udg Foundation-usa) is an extension of Fundación Universidad de Guadalajara, A.C., and is made up of a number of prominent academic and social leaders. The Foundation works to attain private support from individuals, foundations and corporations in order to fulfill the mission and vision of the University of Guadalajara in Los Angeles. U.S. Udg Foundation seeks to improve the quality of life and social integration of migrants and Hispanic nationals by increasing their access to education and enhancing their sense of belonging and identification with their environment by developing their skills and capabilities through educational services and relevant social research.
About Ambulante
Ambulante A.C., a nonprofit organization founded in 2005 by Gael García Bernal, Diego Luna and Pablo Cruz, is dedicated to supporting and promoting documentary film as a tool for social and cultural transformation. Ambulante travels to places where documentary films and training are limited with the purpose of creating engaged, critical and well-informed audiences. Each year, a documentary film festival travels with the support of Canana, Cinepolis, and the Morelia International Film Festival, covering several states in Mexico for 3 months, with an international showcase of over 100 documentaries, some 120 special guests, at over 150 venues.
For more information call 310.951.9797 or visit www.ficginla.com
Facebook:
https://www.facebook.com/pages/Ficg-in-la/1427478980805851
Twitter:
https://twitter.com/FICGinLA
Media Contact
Kc Mancebo
Clamorhouse
310-614-6036
kcm[At]clamorhouse.com
press[At]ficginla.com
Hebe Tabachnik
310-951-9797
hebe[At]ficginla.com...
Ficg in La includes film screenings followed by Q&As with filmmakers and talent, as well as galas and special award recognitions to Latin American and U.S. Latino artists. "It is an honor and a great responsibility to direct Ficg in La and to join the mission of the Guadalajara International Film Festival (Ficg) –which is close to its 30th anniversary – whose main purpose is to promote Mexican and Latin American cinema, expand the audience for these films, contribute to the careers of new filmmakers, and to serve as liaison between Latin American cinema and the international film industry " said Hebe Tabachnik, Director and Producer of Ficg in La, who since 2011 has collaborated as the Guest Programmer for the Maguey Award section, which focuses on films about sexual diversity.
Part of the significance in increasing the presence of Ficg in La is that the state of California has a concentration of 14 million Latinos, of which about 12 million are Mexican or Mexican-American. Of the nearly 5 million residing in metropolitan Los Angeles and Long Beach area, nearly half originate from the State of Jalisco, revealing a strong cultural connection between its capital, Guadalajara, and the city of Los Angeles. "Ficg in La is a gateway to Latin American cinema in Hollywood and also for Latino filmmakers to forge a relationship with the Guadalajara International Film Festival and claim it as their home,” said Ivan Trujillo, Festival Director of Ficg. Among the celebrities that have accompanied us in previous editions include: Edward James Olmos, Sergio Arau, Diana Bracho, Alfonso Arau, Kate del Castillo, Martha Higareda, Beto Cuevas, Everardo González, Emilio Maille, Dulce Maria, Carmen Salinas and Jay Hernandez.
Ficg in La 2013 marks the beginning of a joint venture with Ambulante, the nonprofit organization founded by Gael García Bernal, Diego Luna and Pablo Cruz, dedicated to supporting documentary filmmaking as an important tool for cultural and social transformation. Ambulante will present the Los Angeles premiere of the Mexican documentary Quebranto (Disrupt), directed by Roberto Fiesco, who received a Special Jury Award in the Ibero-American Competition and was the winner of ther Maguey Award (FICG28), and more recently the Premio Sebastiane Latino Award at the San Sebastian International Film Festival. Ambulante will receive a special recognition for its outstanding contribution to promoting documentaries and documentary filmmakers since 2005.
Finally, in light of recent events in Mexico, our work this year wouldn’t be complete if we didn’t join the efforts to assist the communities severely affected by the tropical storms. Ficg in La has decided to donate all ticket sale proceeds to help rebuild these communities in need. Ficg in La is presented by the Guadalajara International Film Festival, the University of Guadalajara, University of Guadalajara Foundation in the United States, and is supported by the Consulate General of Mexico in Los Angeles. Ficg’s institutional sponsors include Conaculta, the Mexican Film Institute (Imcine), the Government of the State of Jalisco, Cultura Udg, Channel 44, as well as the municipalities of Guadalajara and Zapopan.
Ficg in L.A. Film Lineup 2013
Guadalajara International Film Festival In Los Angeles -- Ficg in La has announced the program for its third annual edition in Los Angeles. The festival will take place in Los Angeles from November 1-3, 2013 at the Egyptian Theater. The 3 day festival will showcase outstanding and award-winning titles from FICG28, which was held earlier this year in Guadalajara.
The entire program can be found at: www.ficginla.com
The Opening Night Presentation (November 1, 2013) will be the Us Premiere of Francisco Franco’s Tercera Llamada (Last Call) and it will be screened following the Ficg in La Awards Presentation to actor Fernando Luján for achievement in his career including his work in Tercera Llamada, to journalist, film critic, and television presenter, Juan Carlos Arciniegas for his contributions to the Latin entertainment community’s presence in the media. The additional award recipients for career achievement are cinematographer Gabriel Beristain and composer Emilio Kauderer. The final award will be presented to the non-profit organization, Ambulante for its work supporting and promoting documentary film as a tool for social and cultural transformation. A Gala reception in the courtyard of the Egyptian Theater will follow the film screening.
The Closing Night Presentation (November 3, 2013) Besos de Azucar (Sugar Kisses) is the West Coast Premiere of Carlos Cuaron’s film. Ficg in La will be the Us premiere for Levantamiertos, Soy Mucho Mejor Que Vos (I'm Better Than You), Puerto Padre (Port Father) and El Santos Vs La Tetona Mendoza (El Santos Vs The Busty Mendoza). Las Mariposas de Sadourni (Sadourni's Butterflies), Quebranto, and 7 Cajas (7 Boxes) will all have their Los Angeles premieres at Ficg in La.
This year’s Ficg in La films are as follows:
Features
7 Cajas (7 Boxes) -Juan Carlos Maneglia, Tana Schémbori
Paraguay, 100 min
Besos De Azucar (Sugar Kisses) – Carlos Cuarón
Mexico, 87 min
El Santos Vs La Tetona Mendoza
(El Santos Vs The Busty Mendoza) -Andrés Couturier, Alejandro Lozano
Mexico, 96 min
Las Mariposas De Sadourni (Sadourni's Butterflies ) -Dario Nardi
Argentina, 94 min
Levantamuertos - Miguel Nuñez
Mexico/USA, 82 min
Puerto Padre (Port Father) - Gustavo Fallas
Costa Rica/Mexico, 86 min
Purgatorio - Rodrigo Reyes
Mexico, 80 min
Quebranto (Disrupted) - Roberto Fiesco
Mexico, 92 min
Soy Mucho Mejor Que Vos - (I'm Better Than You) – Che Sandoval
Chile, 85 min
Tercera Llamada (Last Call) -Francisco Franco
Mexico, 92 min
Workers -José Luis Valle
Mexico, 120 min
Shorts
Rigo Mora Award Winning Shorts
Mexico, 73 min
Tickets Available At: https://ficginla.eventbrite.com
Ticket Price
Opening Night Gala, Recognition Awards Ceremony & Reception - $ 30
Closing Night Gala and Regular Screenings - $ 9
Please call 661-724-0807 if you have any questions about how to purchase your ticket to Ficg in La.
The proceeds from ticket sales will be donated to flood victims in Mexico.
About Ficg in La
Ficg in La is a window into the world of contemporary Mexican and Ibero-American cinema and it is an extension of the Guadalajara International Film Festival. This year′s Ficg in La will take place at Hollywood′s historic Egyptian Theatre, right in the heart of the worldwide film and entertainment industry. The festival is designed for people to come and explore the diverse regional narratives of Mexican and Ibero-America cinema, and to help critically acclaimed films from these regions reach a wider audience. Los Angeles provides an essential backdrop for the showcase to take place because of its strong cultural ties to Latin American communities all across the globe. The festival is presented by the University of Guadalajara, the University of Guadalajara Foundation in USA and the Guadalajara International Film Festival.
This year’s sponsors of Ficg in La include Cultura Udg, LeaLA Spanish Book Fair in Los Angeles, Udg TV, The National Council for Culture and The Arts, and the Mexican Consulate General. In addition, this year, Ficg in La is partnering with local organizations and consulates who embrace independent film and the goals of Ficg in La. Those partners include Film Independent, Project Involve, Outfest, The Argentinian Consulate General, The Chilean Consulate General, and the Asociación de Egresados del la Universidad de Guadalajara in Los Angeles.
www.ficginla.com
Expected to attend this year’s festival are:
The Cast of Tercera Llamada – Opening Night Film –
Audience Award and Best Actress - Female Ensemble - Ficg 28
Irene Azuela, Fernando Luján, Mariana Treviño
Francisco Franco Director,
Laura Imperiale Producer
Comic book artists Trino (José Trinidad Camacho Orozco) and Jis (José Ignacio Solórzano)
The artists behind The Santos vs.'s Busty Mendoza based on the famous comic strip characters of the same name.
Carlos Cuarón - The Director of Sugar Kisses - Besos de Azúcar - Closing Night Film
About Ficg
The Guadalajara International Film Festival was founded by Guillermo del Toro and other Mexican filmmakers in 1986, and will celebrate its 29th edition March 21-29, 2014. Ficg is the lead film festival in Latin America. It is a forum for the training, education, and creative exchange among industry professionals, film critics, and film students from all over Ibero-America.
About the University of Guadalajara – Mexico
The University of Guadalajara is a member of the University Network in the State of Jalisco, and it is the second oldest university in Mexico. The University of Guadalajara is committed to the betterment of society through higher education. It supports scientific and technological research that makes important contributions to a sustainable and inclusive society, respecting cultural diversity and honoring the principles of social justice, democracy, coexistence, and prosperity for all. The University is renowned in Mexico and abroad as a leader in the transformation of society through innovative means of social development and dissemination of knowledge.
About the Foundation of the University of Guadalajara in the U.S.
The University of Guadalajara Foundation in the United States of America (Udg Foundation-usa) is an extension of Fundación Universidad de Guadalajara, A.C., and is made up of a number of prominent academic and social leaders. The Foundation works to attain private support from individuals, foundations and corporations in order to fulfill the mission and vision of the University of Guadalajara in Los Angeles. U.S. Udg Foundation seeks to improve the quality of life and social integration of migrants and Hispanic nationals by increasing their access to education and enhancing their sense of belonging and identification with their environment by developing their skills and capabilities through educational services and relevant social research.
About Ambulante
Ambulante A.C., a nonprofit organization founded in 2005 by Gael García Bernal, Diego Luna and Pablo Cruz, is dedicated to supporting and promoting documentary film as a tool for social and cultural transformation. Ambulante travels to places where documentary films and training are limited with the purpose of creating engaged, critical and well-informed audiences. Each year, a documentary film festival travels with the support of Canana, Cinepolis, and the Morelia International Film Festival, covering several states in Mexico for 3 months, with an international showcase of over 100 documentaries, some 120 special guests, at over 150 venues.
For more information call 310.951.9797 or visit www.ficginla.com
Facebook:
https://www.facebook.com/pages/Ficg-in-la/1427478980805851
Twitter:
https://twitter.com/FICGinLA
Media Contact
Kc Mancebo
Clamorhouse
310-614-6036
kcm[At]clamorhouse.com
press[At]ficginla.com
Hebe Tabachnik
310-951-9797
hebe[At]ficginla.com...
- 10/28/2013
- by Peter Belsito
- Sydney's Buzz
Presenting its program in Los Angeles for the third consecutive year this November, the Guadalajara International Film Festival aims to highlight the best in Mexican and Latin American cinema and bring it closer to the vast Latino population in Southern California. Taking place at the Egyptian Theater in Hollywood, Ficg in L.A. will premier some of the most outstanding films that screened back at the festival earlier this year in Mexico and other Latino titles that have received critical acclaimed around the world.
By bringing the festival to Los Angeles the organizers hope the festival becomes not only a showcase but to facilitating the exchange of ideas through stories and issues of cultural and social relevance, creating a space for collaboration between filmmakers and strengthening relationships between the film industry in Mexico and the U.S.
Ficg in La includes film screenings followed by Q&As with filmmakers and talent, as well as galas and special award recognitions to Latin American and U.S. Latino artists.
"It is an honor and a great responsibility to direct Ficg in La and to join the mission of the Guadalajara Internaitonal Film Festival (Ficg) –which is close to its 30th anniversary – whose main purpose is to promote Mexican and Latin American cinema, expand the audience for these films, contribute to the careers of new filmmakers, and to serve as liaison between Latin American cinema and the international film industry " said Hebe Tabachnik, Director and Producer of Ficg in La
California is home to over 14 million Latinos, of which 12 million are Mexican or Mexican-American. Nearly 5 million of them resides in the Los Angeles metropolitan area, which makes the city an obvious choice for the organizers. "Ficg in La is a gateway to Latin American cinema in Hollywood and also for Latino filmmakers to forge a relationship with the Guadalajara International Film Festival and claim it as their home,” said Ivan Trujillo, Festival Director of Ficg
Ficg in La is presented by the Guadalajara International Film Festival, the University of Guadalajara, University of Guadalajara Foundation in the United States, and is supported by the Consulate General of Mexico in Los Angeles. Ficg’s institutional sponsors include Conaculta, the Mexican Film Institute (Imcine), the Government of the State of Jalisco, Cultura Udg, Channel 44, as well as the municipalities of Guadalajara and Zapopan.
One of the program's highlights is the presentation of the award-winning documentary Quebranto (Disrupt) by Roberto Fiesco, who received a Special Jury Award in the Ibero-American Competition and was the winner of ther Maguey Award (FICG28), and more recently the Premio Sebastiane Latino Award at the San Sebastian International Film Festival. The film was produced by Gael García Bernal, Diego Luna and Pablo Cruz' joint venture Ambulante, a nonprofit organization founded in 2005 and dedicated to supporting and promoting documentary film as a tool for social and cultural transformation
For more information on Ficg in L.A. visit Here
About Ficg
The Guadalajara International Film Festival was founded by Guillermo del Toro and other Mexican filmmakers in 1986, and will celebrate its 29th edition March 21-29, 2014.
Ficg is the lead film festival in Latin America. It is a forum for the training, education, and creative exchange among industry professionals, film critics, and film students from all over Ibero-America.
About the University of Guadalajara – Mexico
The University of Guadalajara is a member of the University Network in the State of Jalisco, and it is the second oldest university in Mexico. The University of Guadalajara is committed to the betterment of society through higher education. It supports scientific and technological research that makes important contributions to a sustainable and inclusive society, respecting cultural diversity and honoring the principles of social justice, democracy, coexistence, and prosperity for all. The University is renowned in Mexico and abroad as a leader in the transformation of society through innovative means of social development and dissemination of knowledge.
About the Foundation of the University of Guadalajara in the U.S.
The University of Guadalajara Foundation in the United States of America (Udg Foundation-usa) is an extension of Fundación Universidad de Guadalajara, A.C., and is made up of a number of prominent academic and social leaders. The Foundation works to attain private support from individuals, foundations and corporations in order to fulfill the mission and vision of the University of Guadalajara in Los Angeles.
U.S. Udg Foundation seeks to improve the quality of life and social integration of migrants and Hispanic nationals by increasing their access to education and enhancing their sense of belonging and identification with their environment by developing their skills and capabilities through educational services and relevant social research.
By bringing the festival to Los Angeles the organizers hope the festival becomes not only a showcase but to facilitating the exchange of ideas through stories and issues of cultural and social relevance, creating a space for collaboration between filmmakers and strengthening relationships between the film industry in Mexico and the U.S.
Ficg in La includes film screenings followed by Q&As with filmmakers and talent, as well as galas and special award recognitions to Latin American and U.S. Latino artists.
"It is an honor and a great responsibility to direct Ficg in La and to join the mission of the Guadalajara Internaitonal Film Festival (Ficg) –which is close to its 30th anniversary – whose main purpose is to promote Mexican and Latin American cinema, expand the audience for these films, contribute to the careers of new filmmakers, and to serve as liaison between Latin American cinema and the international film industry " said Hebe Tabachnik, Director and Producer of Ficg in La
California is home to over 14 million Latinos, of which 12 million are Mexican or Mexican-American. Nearly 5 million of them resides in the Los Angeles metropolitan area, which makes the city an obvious choice for the organizers. "Ficg in La is a gateway to Latin American cinema in Hollywood and also for Latino filmmakers to forge a relationship with the Guadalajara International Film Festival and claim it as their home,” said Ivan Trujillo, Festival Director of Ficg
Ficg in La is presented by the Guadalajara International Film Festival, the University of Guadalajara, University of Guadalajara Foundation in the United States, and is supported by the Consulate General of Mexico in Los Angeles. Ficg’s institutional sponsors include Conaculta, the Mexican Film Institute (Imcine), the Government of the State of Jalisco, Cultura Udg, Channel 44, as well as the municipalities of Guadalajara and Zapopan.
One of the program's highlights is the presentation of the award-winning documentary Quebranto (Disrupt) by Roberto Fiesco, who received a Special Jury Award in the Ibero-American Competition and was the winner of ther Maguey Award (FICG28), and more recently the Premio Sebastiane Latino Award at the San Sebastian International Film Festival. The film was produced by Gael García Bernal, Diego Luna and Pablo Cruz' joint venture Ambulante, a nonprofit organization founded in 2005 and dedicated to supporting and promoting documentary film as a tool for social and cultural transformation
For more information on Ficg in L.A. visit Here
About Ficg
The Guadalajara International Film Festival was founded by Guillermo del Toro and other Mexican filmmakers in 1986, and will celebrate its 29th edition March 21-29, 2014.
Ficg is the lead film festival in Latin America. It is a forum for the training, education, and creative exchange among industry professionals, film critics, and film students from all over Ibero-America.
About the University of Guadalajara – Mexico
The University of Guadalajara is a member of the University Network in the State of Jalisco, and it is the second oldest university in Mexico. The University of Guadalajara is committed to the betterment of society through higher education. It supports scientific and technological research that makes important contributions to a sustainable and inclusive society, respecting cultural diversity and honoring the principles of social justice, democracy, coexistence, and prosperity for all. The University is renowned in Mexico and abroad as a leader in the transformation of society through innovative means of social development and dissemination of knowledge.
About the Foundation of the University of Guadalajara in the U.S.
The University of Guadalajara Foundation in the United States of America (Udg Foundation-usa) is an extension of Fundación Universidad de Guadalajara, A.C., and is made up of a number of prominent academic and social leaders. The Foundation works to attain private support from individuals, foundations and corporations in order to fulfill the mission and vision of the University of Guadalajara in Los Angeles.
U.S. Udg Foundation seeks to improve the quality of life and social integration of migrants and Hispanic nationals by increasing their access to education and enhancing their sense of belonging and identification with their environment by developing their skills and capabilities through educational services and relevant social research.
- 10/23/2013
- by Carlos Aguilar
- Sydney's Buzz
WikiLeaks founder to judge films at the 21st Raindance Film Festival; 2013 line-up unveiled.Scroll down for full line-up of films
Julian Assange has joined the jury of the 21st Raindance Film Festival (Sept 25 - Oct 6), a London-based event that celebrates independent film in the UK and around the world.
The appointment is a controversial one. The Australian editor-in-chief and founder of WikiLeaks took refuge in the Ecuadorean embassy in London in June 2012 to avoid extradition to Sweden, where he is wanted for questioning about sexual assault allegations.
It is understood that he fears Sweden would extradite him to the Us, where he believes he is wanted in relation to WikiLeaks’ disclosure of a significant amount of classified Us military and diplomatic documents.
Commenting on Assange’s appointment, Raindance founder Elliot Grove said: “Every year Raindance invites interesting people to join our jury. In the past we have had musicians like Mick Jones, Marky Ramone and [link...
Julian Assange has joined the jury of the 21st Raindance Film Festival (Sept 25 - Oct 6), a London-based event that celebrates independent film in the UK and around the world.
The appointment is a controversial one. The Australian editor-in-chief and founder of WikiLeaks took refuge in the Ecuadorean embassy in London in June 2012 to avoid extradition to Sweden, where he is wanted for questioning about sexual assault allegations.
It is understood that he fears Sweden would extradite him to the Us, where he believes he is wanted in relation to WikiLeaks’ disclosure of a significant amount of classified Us military and diplomatic documents.
Commenting on Assange’s appointment, Raindance founder Elliot Grove said: “Every year Raindance invites interesting people to join our jury. In the past we have had musicians like Mick Jones, Marky Ramone and [link...
- 9/3/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
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