The Motion Picture Sound Editors has revealed the nominations for its 71st annual Golden Reel Awards in categories spanning feature film, television, animation, computer entertainment and student productions. “Oppenheimer,” “Barbie” and “Spider-Man: Across the Spider-Verse” are among the nominees.
“Oppenheimer,” a frontrunner in the Oscar race for best sound, led with three nominations including outstanding achievement in sound editing – feature dialogue/Adr and outstanding achievement in music editing – feature motion picture.
“Barbie,” “Spider-Man: Across the Spider-Verse,” “Maestro” and “Napoleon” were among the features with two nominations.
“It’s been a great year for entertainment sound,” said Mpse president David Barber. “We are so impressed with the creative excellence of sound artists across all media and from around the world. We extend our sincere congratulations to this year’s stellar nominees.”
The 71st Annual Mpse Golden Reel Awards will take place on March 3 at the Wilshire Ebell Theatre in Los Angeles.
“Oppenheimer,” a frontrunner in the Oscar race for best sound, led with three nominations including outstanding achievement in sound editing – feature dialogue/Adr and outstanding achievement in music editing – feature motion picture.
“Barbie,” “Spider-Man: Across the Spider-Verse,” “Maestro” and “Napoleon” were among the features with two nominations.
“It’s been a great year for entertainment sound,” said Mpse president David Barber. “We are so impressed with the creative excellence of sound artists across all media and from around the world. We extend our sincere congratulations to this year’s stellar nominees.”
The 71st Annual Mpse Golden Reel Awards will take place on March 3 at the Wilshire Ebell Theatre in Los Angeles.
- 1/16/2024
- by Jazz Tangcay
- Variety Film + TV
Sounds like the Cinema Audio Society has its nominees. Dune, No Time to Die, Spider-Man: No Way Home, The Power of the Dog and West Side Story will vie for the Live Action Motion Picture prize at the 58th Cas Awards.
The hardware will be doled out during the group’s in-person event on March 19 at the InterContinental Los Angeles Downtown.
The toons vying for the Animated Motion Picture award are Encanto, Luca, Raya and the Last Dragon, Sing 2 and The Mitchells vs. the Machines. The Documentary category race will be among Becoming Cousteau, Summer of Soul, The Velvet Underground, Tina and Val.
Four-time Oscar nominee Ridley Scott will receive the group’s Filmmaker Award, and Bohemian Rhapsody Oscar winner and nine-time nominee Paul Massey will receive Cas’ Career Achievement Award.
Here is the full list of nominees for the 2022 Cinema Audio Society Awards.:
Motion Pictures – Live Action...
The hardware will be doled out during the group’s in-person event on March 19 at the InterContinental Los Angeles Downtown.
The toons vying for the Animated Motion Picture award are Encanto, Luca, Raya and the Last Dragon, Sing 2 and The Mitchells vs. the Machines. The Documentary category race will be among Becoming Cousteau, Summer of Soul, The Velvet Underground, Tina and Val.
Four-time Oscar nominee Ridley Scott will receive the group’s Filmmaker Award, and Bohemian Rhapsody Oscar winner and nine-time nominee Paul Massey will receive Cas’ Career Achievement Award.
Here is the full list of nominees for the 2022 Cinema Audio Society Awards.:
Motion Pictures – Live Action...
- 1/25/2022
- by Erik Pedersen
- Deadline Film + TV
The Motion Picture Sound Editors (Mpse) made some noise today as they revealed the extensive list of nominees for the 67th Annual Mpse Golden Reel Awards. The nominees are a representation of the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment and student productions.
“Sound artists continue to push boundaries for artistry and technical achievement in entertainment sound,” said Mpse president Tom McCarthy. “This year’s nominees represent the best work in sound across films, television, games, documentaries and other media. On behalf of The Motion Picture Sound Editors, I would like to congratulate all the nominees for their outstanding contributions to the art of sound.”
The Mpse Golden Reel Awards will give shine to outstanding achievement in sound editing in a staggering 23 categories encompassing feature films, television, animation, computer entertainment and student work.
“Sound artists continue to push boundaries for artistry and technical achievement in entertainment sound,” said Mpse president Tom McCarthy. “This year’s nominees represent the best work in sound across films, television, games, documentaries and other media. On behalf of The Motion Picture Sound Editors, I would like to congratulate all the nominees for their outstanding contributions to the art of sound.”
The Mpse Golden Reel Awards will give shine to outstanding achievement in sound editing in a staggering 23 categories encompassing feature films, television, animation, computer entertainment and student work.
- 12/16/2019
- by Dino-Ray Ramos
- Deadline Film + TV
It's all about the sound! The Motion Picture Sound Editors unveiled the winners of the 2016 Golden Reel Awards and "Mad Max: Fury Road" and "The Revenant" tied for the Best Sound Editing: Feature English Language . FX/Foley. For my Oscar predictions, I chose "Mad Max" for both Sound Editing and Mixing! See my full Oscar predictions here.
Here's the full list of winners of the Golden Reel Awards:
Feature Film
Best Sound Editing in Feature Film: Music Score
Star Wars: The Force Awakens (Walt Disney Studios Motion Pictures)
Supervising Music Editor: Ramiro Belgardt
Music Editor: Paul Apelgren
Best Sound Editing in Feature Film: Music in a Musical
Love & Mercy (Roadside Attractions)
Music Editor: Nicholas Renbeck
Best Sound Editing: Feature English Language . Dialogue/Adr
Bridge Of Spies (Walt Disney Studios Motion Pictures)
Supervising Sound Editors: Richard Hymns, Gary Rydstrom
Supervising Dialogue Editor: Brian Chumney
Supervising Adr Editor: Steve Slanec
Best Sound...
Here's the full list of winners of the Golden Reel Awards:
Feature Film
Best Sound Editing in Feature Film: Music Score
Star Wars: The Force Awakens (Walt Disney Studios Motion Pictures)
Supervising Music Editor: Ramiro Belgardt
Music Editor: Paul Apelgren
Best Sound Editing in Feature Film: Music in a Musical
Love & Mercy (Roadside Attractions)
Music Editor: Nicholas Renbeck
Best Sound Editing: Feature English Language . Dialogue/Adr
Bridge Of Spies (Walt Disney Studios Motion Pictures)
Supervising Sound Editors: Richard Hymns, Gary Rydstrom
Supervising Dialogue Editor: Brian Chumney
Supervising Adr Editor: Steve Slanec
Best Sound...
- 2/28/2016
- by Manny
- Manny the Movie Guy
The arrival of Gone Girl prompts Ivan to take a listen back to the impeccable soundtracks in David Fincher's earlier movies...
"I am officially in control of our story… Isn't that what every marriage is, anyway?"
That's Nick Dunne (Ben Affleck) in Gone Girl. A dark satire on marriage, it's a film that recasts human relationships as a battle of control, perfection and perception. In other words, it's a natural fit for David Fincher - and his soundtrack is equally at home.
It perhaps seems harsh to call it Fincher's soundtrack, especially given that the score is composed by Trent Reznor and Atticus Ross, but it also feels apt. The director is renowned for his auteur-like attention to detail, recording take after take of even the shortest shot to get the desired result for the audience's eyes - and he's just as meticulous when it comes to the ears.
"I am officially in control of our story… Isn't that what every marriage is, anyway?"
That's Nick Dunne (Ben Affleck) in Gone Girl. A dark satire on marriage, it's a film that recasts human relationships as a battle of control, perfection and perception. In other words, it's a natural fit for David Fincher - and his soundtrack is equally at home.
It perhaps seems harsh to call it Fincher's soundtrack, especially given that the score is composed by Trent Reznor and Atticus Ross, but it also feels apt. The director is renowned for his auteur-like attention to detail, recording take after take of even the shortest shot to get the desired result for the audience's eyes - and he's just as meticulous when it comes to the ears.
- 10/3/2014
- by ryanlambie
- Den of Geek
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