On May 7th, 1974, the English glam-rock avengers Mott the Hoople opened a six-night engagement in New York City — at the Uris Theater on Broadway, “the first hard-rock group ever to appear there” as the New York Times pop critic John Rockwell noted in his May 9th review. The audience left “cigarette burns in the rugs” and “spilled-drink stains on the floor.” But, Rockwell went on, “In a way, the pretensions of the theater’s decor and design paralleled Mott the Hoople’s own aspirations. This is essentially a rough, scruffy...
- 2/18/2019
- by David Fricke
- Rollingstone.com
Mott the Hoople were on the verge of disbanding in the spring of 1972 when David Bowie offered to lend them a hand. He sent them a demo of his new song “Suffragette City” for them to record, but they politely declined. Bowie then visited them in person and played “All the Young Dudes,” a song he had written specifically for them. “He’s strumming it on his guitar and I’m thinking, he wants to give us that? He must be crazy!” recalled late drummer Dale Griffin. “You couldn’t...
- 1/25/2019
- by Angie Martoccio
- Rollingstone.com
British glam rockers Mott The Hoople are coming to America for the first time since their tour in support of 1974’s The Hoople. They’re using the moniker Mott The Hoople ’74 to mark the return of guitarist Ariel Bender, who hasn’t played with the band since 1974. Also returning for the tour is keyboardist Morgan Fisher, who wasn’t a part of Mott The Hoople’s other reunion tours this past decade.
“Both toured extensively with Mott and both were featured heavily of The Hoople album after Mick Ralphs and Verden Allen left the band,...
“Both toured extensively with Mott and both were featured heavily of The Hoople album after Mick Ralphs and Verden Allen left the band,...
- 1/22/2019
- by Andy Greene
- Rollingstone.com
Since 1989, the National Film Registry of the Library of Congress has been accomplishing the important task of preserving films that “represent important cultural, artistic and historic achievements in filmmaking.” From films way back in 1897 all the way up to 2004, they’ve now reached 675 films that celebrate our heritage and encapsulate our film history.
Today they’ve unveiled their 2015 list, which includes classics such as Douglas Sirk‘s melodrama Imitation of Life, Hal Ashby‘s Being There, and John Frankenheimer‘s Seconds. Perhaps the most popular picks, The Shawshank Redemption, Ghostbusters, Top Gun, and L.A. Confidential were also added. Check out the full list below.
Being There (1979)
Chance, a simple-minded gardener (Peter Sellers) whose only contact with the outside world is through television, becomes the toast of the town following a series of misunderstandings. Forced outside his protected environment by the death of his wealthy boss, Chance subsumes his late employer’s persona,...
Today they’ve unveiled their 2015 list, which includes classics such as Douglas Sirk‘s melodrama Imitation of Life, Hal Ashby‘s Being There, and John Frankenheimer‘s Seconds. Perhaps the most popular picks, The Shawshank Redemption, Ghostbusters, Top Gun, and L.A. Confidential were also added. Check out the full list below.
Being There (1979)
Chance, a simple-minded gardener (Peter Sellers) whose only contact with the outside world is through television, becomes the toast of the town following a series of misunderstandings. Forced outside his protected environment by the death of his wealthy boss, Chance subsumes his late employer’s persona,...
- 12/16/2015
- by Jordan Raup
- The Film Stage
Nb: Films by Robert Beavers, Peter Hutton, and Luther Price were unavailable for preview. However, I said some very nice things about these men and their work in general over at The Dissolve.
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
- 9/9/2013
- by Michael Sicinski
- MUBI
The Ann Arbor Film Festival, having survived their half-a-century blowout in 2012, is back with another rip-roarin’ 51st edition in 2013, which will run from March 19-24, screening a mind-boggling amount of experimental short films and a few features.
Highlights of the fest include:
Special presentations by this year’s jurors, including Marcin Gizycki round-up of Polish animation from the 1950s to the present; Laida Lertxundi’s selection of some of her films as well as her biggest influences; and Kevin Jerome Everson’s mini-retrospective of his own films.
There’s also special tributes to Pat O’Neill, including a retrospective of his short films from the ’70s to the present as well as a screening of his 1989 35mm experimental epic Water and Power; Suzan Pitt, with selections of short films from her career; and a screening of Ken Burns’ latest doc The Central Park Five, co-directed with his daughter Sarah Burns and son-in-law David McMahon,...
Highlights of the fest include:
Special presentations by this year’s jurors, including Marcin Gizycki round-up of Polish animation from the 1950s to the present; Laida Lertxundi’s selection of some of her films as well as her biggest influences; and Kevin Jerome Everson’s mini-retrospective of his own films.
There’s also special tributes to Pat O’Neill, including a retrospective of his short films from the ’70s to the present as well as a screening of his 1989 35mm experimental epic Water and Power; Suzan Pitt, with selections of short films from her career; and a screening of Ken Burns’ latest doc The Central Park Five, co-directed with his daughter Sarah Burns and son-in-law David McMahon,...
- 3/19/2013
- by Mike Everleth
- Underground Film Journal
Los Angeles Filmforum continues its film series "Alternative Projections: Experimental Film in Los Angeles, 1945-1980" with The Alternative Projections Marathon on May 18. As per the Filmforum press release, "for the penultimate experience, we celebrate with an incredible range of films and videos that we haven’t squeezed into other screenings, with frequent breaks for socializing!" Among the screening films are those by Pat O’Neill, Louis Hock, Chick Strand, Susan Mogul, Roberta Friedman and Grahame Weinbren, Gary Beydler, Michael Scroggins, Beth Block, William Hale, Amy Halpern, Morgan Fisher, Diana Wilson, Curtis Harrington (photo), and others. Among those, the best-known filmmaker is Curtis Harrington, among whose credits are more mainstream fare such as Games (1967), with Simone Signoret, James Caan, and Katharine Ross; What’s the Matter with Helen? (1971), with Debbie Reynolds and Shelley Winters; a couple of Charlie’s Angels episodes; and several episodes from Dynasty. Harrington died in May 2007. The...
- 4/27/2012
- by Andre Soares
- Alt Film Guide
It’s four days of experimental media madness in the Sunshine State when the 7th annual Florida Experimental Film/Video Festival — also known as Flex Fest — runs in Gainesville on Feb. 17-20. The majority of the festival will take place at the Top Secret Space, with the exception of a Saturday afternoon screening of all 35mm films at the Hippodrome State Theater.
This year’s judges for the festival are film preservationist Mark Toscano and filmmaker Vanessa Renwick, both of whom will open the fest with two curated programs. First, Toscano will be screening several rare underground films from the late ’50s to the early ’70s, from filmmakers such as Fred Worden, David Bienstock, Chris Langdon and more. Then, Renwick will screen several of her own short documentaries, including the wonderfully eerie Britton, South Dakota and the touching 9 is a secret. These are two events that really are not to be missed.
This year’s judges for the festival are film preservationist Mark Toscano and filmmaker Vanessa Renwick, both of whom will open the fest with two curated programs. First, Toscano will be screening several rare underground films from the late ’50s to the early ’70s, from filmmakers such as Fred Worden, David Bienstock, Chris Langdon and more. Then, Renwick will screen several of her own short documentaries, including the wonderfully eerie Britton, South Dakota and the touching 9 is a secret. These are two events that really are not to be missed.
- 2/11/2011
- by Mike Everleth
- Underground Film Journal
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