Moscow Business Square’s Best Pitch Award has been won by Valeria Gai Germanika for her planned update of a Hans Christian Andersen fairytale.
Germanika, who focusses on coming-of-age films, is known as Russian cinema’s ‘enfent terrible’ and receied the Caméra d’Or at Cannes in 2008 for her feature film Everybody Dies But Me..
Her latest project, The Dream-God, is a contemporary reworking of Christian Andersen’s Ole-Luk-Oie. The $2.45m (€1.875m) production by Andrey Sigle’s St Petersburg-based Proline Film already has $1.6m (€1.25m) in place.
The film’s action centres on a seven-year old boy haunted by a friendly monster called The Dream-God who visits him every night in the form of a Goth singer from the poster in his elder sister’s bedroom.
Proline’s Leonid Choub revealed during the pitching at the Business Square that they intend to cast a Western rock star in the role of the Dream-God and feature his music...
Germanika, who focusses on coming-of-age films, is known as Russian cinema’s ‘enfent terrible’ and receied the Caméra d’Or at Cannes in 2008 for her feature film Everybody Dies But Me..
Her latest project, The Dream-God, is a contemporary reworking of Christian Andersen’s Ole-Luk-Oie. The $2.45m (€1.875m) production by Andrey Sigle’s St Petersburg-based Proline Film already has $1.6m (€1.25m) in place.
The film’s action centres on a seven-year old boy haunted by a friendly monster called The Dream-God who visits him every night in the form of a Goth singer from the poster in his elder sister’s bedroom.
Proline’s Leonid Choub revealed during the pitching at the Business Square that they intend to cast a Western rock star in the role of the Dream-God and feature his music...
- 6/26/2013
- ScreenDaily
Above: Reading of the Oberhausen Manifeso before the West German press.
In 1962, twenty-six West German filmmakers—including writers, directors, producers, and an actor—declared the Oberhausen Manifesto at the 8th Oberhausen Short Film Festival. To celebrate the 50th anniversary of the manifesto, the festival organized the retrospective “Provoking Reality: Mavericks, Mouvements, and Manifestos,” in which they screened nearly forty short films by the manifesto’s signatories. (Earlier this year, Daniel Kasman wrote about several of the retrospective's shorts in his report from the festival, "Manifestations".) This week, the Museum of Modern Art will also screen a selection of them from September 27th through the 30th. Out of these new films, a Junger Deutscher Film (Young German Film) emerged to counter the established film industry and the conventional German entertainment of the 1950s.
Above: The 8th Oberhausen Short Film Festival.
After the Allies defeated Germany in World War II and subsequently partitioned the country,...
In 1962, twenty-six West German filmmakers—including writers, directors, producers, and an actor—declared the Oberhausen Manifesto at the 8th Oberhausen Short Film Festival. To celebrate the 50th anniversary of the manifesto, the festival organized the retrospective “Provoking Reality: Mavericks, Mouvements, and Manifestos,” in which they screened nearly forty short films by the manifesto’s signatories. (Earlier this year, Daniel Kasman wrote about several of the retrospective's shorts in his report from the festival, "Manifestations".) This week, the Museum of Modern Art will also screen a selection of them from September 27th through the 30th. Out of these new films, a Junger Deutscher Film (Young German Film) emerged to counter the established film industry and the conventional German entertainment of the 1950s.
Above: The 8th Oberhausen Short Film Festival.
After the Allies defeated Germany in World War II and subsequently partitioned the country,...
- 9/26/2012
- MUBI
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