The Motion Picture Sound Editors on Monday unveiled nomination for the 70th annual Mpse Golden Reel Awards. Winners will be announced February 26 at the Wilshire Ebell Theatre in Los Angeles.
The organization of professional sound and music editors honors the year’s outstanding feature film, television, animation, computer entertainment, and student productions.
The Mpse will also honor Jerry Bruckheimer with its 2023 Filmmaker Award, and Gwendolyn Yates Whittle with its Career Achievement Award.
Here’s the full noms list:
Outstanding Achievement in Sound Editing – Broadcast Animation
Jurassic World: Camp Cretaceous: “The Last Stand” (DreamWorks Animation)
Supervising Sound Editors: Rob McIntyre, D.J. Lynch
Sound Designer: Evan Dockter
Sound Effects Editor: Adam Cioffi
Dialogue Editor: Anna Adams
Foley Editor: Aran Tanchum
Foley Artist: Vincent Guisetti
Love, Death & Robots: “In Vaulted Halls Entombed” (Netflix)
Supervising Sound Editor: Brad North Mpse
Foley Editor: Antony Zeller Mpse
Foley Artists: Zane Bruce, Lindsay Pepper...
The organization of professional sound and music editors honors the year’s outstanding feature film, television, animation, computer entertainment, and student productions.
The Mpse will also honor Jerry Bruckheimer with its 2023 Filmmaker Award, and Gwendolyn Yates Whittle with its Career Achievement Award.
Here’s the full noms list:
Outstanding Achievement in Sound Editing – Broadcast Animation
Jurassic World: Camp Cretaceous: “The Last Stand” (DreamWorks Animation)
Supervising Sound Editors: Rob McIntyre, D.J. Lynch
Sound Designer: Evan Dockter
Sound Effects Editor: Adam Cioffi
Dialogue Editor: Anna Adams
Foley Editor: Aran Tanchum
Foley Artist: Vincent Guisetti
Love, Death & Robots: “In Vaulted Halls Entombed” (Netflix)
Supervising Sound Editor: Brad North Mpse
Foley Editor: Antony Zeller Mpse
Foley Artists: Zane Bruce, Lindsay Pepper...
- 1/9/2023
- by Patrick Hipes
- Deadline Film + TV
With a trio of nominations, Everything Everywhere All At Once leads the feature competition of the 70th Motion Picture Sound Editors’ (Mpse) Golden Reel Awards, which announced its noms on Monday.
Close behind with two nominations apiece are The Batman, Elvis, Guillermo del Toro’s Pinocchio, Moonage Daydream and Top Gun: Maverick.
A24’s genre-bending Everything is nominated in the categories of outstanding dialogue and Adr, effects/Foley and music editing in a feature film.
The Batman and Top Gun: Maverick are each nominated for dialogue/Adr and effects/Foley editing. Elvis is nominated for dialogue/Adr and music editing, and Pinocchio is nominated for music editing, as well as for sound editing in an animated movie. Meanwhile, Moonage Daydream received two noms in the documentary categories, for sound editing and music editing.
All six of the aforementioned movies are shortlisted for the Oscar in sound, along with All Quiet on the Western Front...
Close behind with two nominations apiece are The Batman, Elvis, Guillermo del Toro’s Pinocchio, Moonage Daydream and Top Gun: Maverick.
A24’s genre-bending Everything is nominated in the categories of outstanding dialogue and Adr, effects/Foley and music editing in a feature film.
The Batman and Top Gun: Maverick are each nominated for dialogue/Adr and effects/Foley editing. Elvis is nominated for dialogue/Adr and music editing, and Pinocchio is nominated for music editing, as well as for sound editing in an animated movie. Meanwhile, Moonage Daydream received two noms in the documentary categories, for sound editing and music editing.
All six of the aforementioned movies are shortlisted for the Oscar in sound, along with All Quiet on the Western Front...
- 1/9/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
The 2022 Emmy nominations for Best Series Sound Design are a varied bunch: from the eldritch gurgling of “Stranger Things” to the explosive space adventures of “Picard,” “Star Trek: Strange New Worlds,” and “Boba Fett” to the retro, timey-wimey vibes of “Loki,” all these series feature nuanced and expansive work, creating fantastic worlds and immersing viewers in thrilling action.
But then there’s “Better Call Saul,” the lone show in the category which takes place wholly on planet Earth in the 21st century (however alien the landscape of the Albuquerque desert might look sometimes). It is a huge outlier by genre. It’s not an outlier at all, though, when you look at how “Better Call Saul” uses sound in its storytelling, or at how the show’s sound drives the series forward.
Co-supervising sound designer Nick Forshager said that, for longer episodes in Season 6, the team recorded 28-30 hours of foley — which,...
But then there’s “Better Call Saul,” the lone show in the category which takes place wholly on planet Earth in the 21st century (however alien the landscape of the Albuquerque desert might look sometimes). It is a huge outlier by genre. It’s not an outlier at all, though, when you look at how “Better Call Saul” uses sound in its storytelling, or at how the show’s sound drives the series forward.
Co-supervising sound designer Nick Forshager said that, for longer episodes in Season 6, the team recorded 28-30 hours of foley — which,...
- 8/15/2022
- by Sarah Shachat
- Indiewire
Better Call Saul has unleashed it's most painful episode yet – leaving the fate of one of its key characters hanging in the balance.
Warning: Spoilers ahead for Monday's episode of Better Call Saul
After Chuck (Michael McKean) figures out that his brother Jimmy (Bob Odenkirk) sabotaged his Mesa Verde case, he goes to the scene of the crime – an all-night print shop. During an argument with the shop's employee (whom Jimmy has bribed to tell Chuck that Jimmy was never there), the elder McGill brother passes out, hitting his head in a blow that looks like it could result in death or serious injury.
Warning: Spoilers ahead for Monday's episode of Better Call Saul
After Chuck (Michael McKean) figures out that his brother Jimmy (Bob Odenkirk) sabotaged his Mesa Verde case, he goes to the scene of the crime – an all-night print shop. During an argument with the shop's employee (whom Jimmy has bribed to tell Chuck that Jimmy was never there), the elder McGill brother passes out, hitting his head in a blow that looks like it could result in death or serious injury.
- 4/12/2016
- by Aaron Couch, @AaronCouch
- People.com - TV Watch
Better Call Saul has unleashed it's most painful episode yet - leaving the fate of one of its key characters hanging in the balance. Warning: Spoilers ahead for Monday's episode of Better Call SaulAfter Chuck (Michael McKean) figures out that his brother Jimmy (Bob Odenkirk) sabotaged his Mesa Verde case, he goes to the scene of the crime - an all-night print shop. During an argument with the shop's employee (whom Jimmy has bribed to tell Chuck that Jimmy was never there), the elder McGill brother passes out, hitting his head in a blow that looks like it could result in death or serious injury.
- 4/12/2016
- by Aaron Couch, @AaronCouch
- PEOPLE.com
Better Call Saul has unleashed it's most painful episode yet - leaving the fate of one of its key characters hanging in the balance. Warning: Spoilers ahead for Monday's episode of Better Call SaulAfter Chuck (Michael McKean) figures out that his brother Jimmy (Bob Odenkirk) sabotaged his Mesa Verde case, he goes to the scene of the crime - an all-night print shop. During an argument with the shop's employee (whom Jimmy has bribed to tell Chuck that Jimmy was never there), the elder McGill brother passes out, hitting his head in a blow that looks like it could result in death or serious injury.
- 4/12/2016
- by Aaron Couch, @AaronCouch
- PEOPLE.com
5 Key Facts About the Sound of 'Better Call Saul': It's Not 'Breaking Bad' and How the Humor is Huge
Read More: Review: 'Better Call Saul' Season 1, Episode 10 'Marco': 'Still No Winners' AMC's "Better Call Saul" wrapped up its first season Monday night. So it only makes sense to explore the overlooked sounds of the "Breaking Bad" spin-off series. A Sound Effect talked to Nick Forshager, the sound editor behind "Better Call Saul" and "Breaking Bad," about the differences between the sound of the two shows and nailing just the right tone for "Better Call Saul." Here are the key things we took from the interview, and they can speak volumes to not just the sound, but the show itself. There's No Faking It When It Comes To "Better Call Saul" "The vision for the sound of 'Better Call Saul' has been to keep it authentic and organic. This isn’t a show that you can really fake. If you try and use sound effects that...
- 4/7/2015
- by Travis Clark
- Indiewire
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.