1956's "Forbidden Planet" follows a crew of astronauts traveling the galaxy in a flying saucer. While visiting planet Altair IV, they find a scientist and his daughter (Anne Francis) living alone on this deserted world — and realize they are hiding something.
Directed by Fred M. Wilcox and starring a young Leslie Nielsen, "Forbidden Planets looks like a kitschy B-movie today — and in a way it always was, but it was also a trailblazer. It was one of the first films to show humans in the distant future flying around in faster-than-light starships. Without "Forbidden Planet," there would be no "Star Wars" or "Star Trek."
While the Enterprise has an underbelly and nacelles beneath its saucer head, the "Forbidden Planet" ship (the C-57D) is a simple flying saucer — except this UFO is operated by humans, not aliens. The ship and the other effects got the "Forbidden Planet" special effects team an Oscar nomination.
Directed by Fred M. Wilcox and starring a young Leslie Nielsen, "Forbidden Planets looks like a kitschy B-movie today — and in a way it always was, but it was also a trailblazer. It was one of the first films to show humans in the distant future flying around in faster-than-light starships. Without "Forbidden Planet," there would be no "Star Wars" or "Star Trek."
While the Enterprise has an underbelly and nacelles beneath its saucer head, the "Forbidden Planet" ship (the C-57D) is a simple flying saucer — except this UFO is operated by humans, not aliens. The ship and the other effects got the "Forbidden Planet" special effects team an Oscar nomination.
- 2/10/2024
- by Devin Meenan
- Slash Film
MGM’s glamour factory hit heights of grandeur with this nostalgic disaster spectacle, which retains its power even as its pious sentimentality runs amuck. We don’t believe the characters but we believe the Stars: Clark Gable, Jeanette MacDonald and Spencer Tracy succeed with sheer personality. Best of all are the sensational special effects featuring the highly cinematic earthquake montage by Slavko Vorkapich and John Hoffman.
San Francisco
Blu-ray
Warner Archive Collection
1936 / B&w / 1:37 Academy / 115 min. / Street Date February 16, 2021 / available through the WBshop / 21.99
Starring: Clark Gable, Jeanette MacDonald, Spencer Tracy, Jack Holt, Jessie Ralph, Ted Healy, Shirley Ross, Edgar Kennedy, Warren Hymer, Gertrude Astor, Vince Barnett, Tom Dugan, D.W. Griffith, James Murray, Robert J. Wilke.
Montages: Slavko Vorkapich, John Hoffman
Special Effects: James Basevi, Russell A. Cully, A. Arnold Gillespie, Loyal Griggs
Film Editor: Tom Held
Songs: Bronislau Kaper & Walter Jurmann (music), Gus Kahn (lyrics), Nacio Herb Brown
Written...
San Francisco
Blu-ray
Warner Archive Collection
1936 / B&w / 1:37 Academy / 115 min. / Street Date February 16, 2021 / available through the WBshop / 21.99
Starring: Clark Gable, Jeanette MacDonald, Spencer Tracy, Jack Holt, Jessie Ralph, Ted Healy, Shirley Ross, Edgar Kennedy, Warren Hymer, Gertrude Astor, Vince Barnett, Tom Dugan, D.W. Griffith, James Murray, Robert J. Wilke.
Montages: Slavko Vorkapich, John Hoffman
Special Effects: James Basevi, Russell A. Cully, A. Arnold Gillespie, Loyal Griggs
Film Editor: Tom Held
Songs: Bronislau Kaper & Walter Jurmann (music), Gus Kahn (lyrics), Nacio Herb Brown
Written...
- 2/20/2021
- by Glenn Erickson
- Trailers from Hell
Hal Roach looks on as technicians install Vitaphone equipment in his studio screening room, ca. 1928. (Click on the image to enlarge it.) 'A Century of Sound': Q&A with former UCLA Preservation Officer Robert Gitt about the evolution of film sound technology Long before multi-track Dolby stereo and digital sound technology, there were the Kinetophone and the Vitaphone systems – not to mention organ and piano players at movie houses. Much of that is discussed in A Century of Sound, which chronicles the evolution of film sound from the late 19th century to the mid-1970s. A Century of Sound has been split into two parts, with a third installment currently in the planning stages. They are: Vol. 1, “The Beginning, 1876-1932,” which came out on DVD in 2007. Vol. 2, “The Sound of Movies: 1933-1975,” which came out on Blu-ray in 2015. The third installment will bring the presentation into the 21st century.
- 1/26/2016
- by Andre Soares
- Alt Film Guide
Stop! Don't touch that dial... if you like your atom-age propaganda straight up, MGM has the movie for you, an expensive 1946 docu-drama that became 'the official story' for the making of the bomb. The huge cast includes Brian Donlevy, Robert Walker, Tom Drake, Audrey Totter, Hume Cronyn, Hurd Hatfield, and Joseph Calleia. How trustworthy is the movie? It begins by showing footage of a time capsule being buried -- that supposedly contains the film we are watching. Think about that. Mom, Apple Pie, the Flag and God are enlisted to argume that we should stop worrying and love the fact that bombs are just peachy-keen dandy. The Beginning or the End DVD-r The Warner Archive Collection 1947 / B&W / 1:37 flat Academy / 112 min. / Street Date September 22, 2015 / available through the WBshop / 21.99 Starring Brian Donlevy, Robert Walker, Tom Drake, Beverly Tyler, Audrey Totter, Hume Cronyn, Hurd Hatfield, Joseph Calleia, Godfrey Tearle, Victor Francen,...
- 1/4/2016
- by Glenn Erickson
- Trailers from Hell
'San Andreas' movie with Dwayne Johnson. 'San Andreas' movie box office: $100 million domestic milestone today As the old saying (sort of) goes: If you build it, they will come. Warner Bros. built a gigantic video game, called it San Andreas, and They have come to check out Dwayne Johnson perform miraculous deeds not seen since ... George Miller's Mad Max: Fury Road, released two weeks earlier. Embraced by moviegoers, hungry for quality, original storylines and well-delineated characters – and with the assistance of 3D surcharges – the San Andreas movie debuted with $54.58 million from 3,777 theaters on its first weekend out (May 29-31) in North America. Down a perfectly acceptable 52 percent on its second weekend (June 5-7), the special effects-laden actioner collected an extra $25.83 million, trailing only the Melissa McCarthy-Jason Statham comedy Spy, (with $29.08 million) as found at Box Office Mojo.* And that's how this original movie – it's not officially a remake,...
- 6/9/2015
- by Zac Gille
- Alt Film Guide
Here’s your first look at the trailer for The Wizard Of Oz which will be presented in the immersive IMAX 3D format. It will return to the big screen for an exclusive one-week engagement in IMAX theatres across North America beginning September 20, 2013.
Marking the 75th anniversary of The Wizard of Oz, Warner Bros. has produced a 3D remastered version of the film which will launch a comprehensive, cross-divisional campaign encompassing theatrical, home entertainment, consumer products and a number of promotional partnerships.
“We couldn’t be happier to partner with IMAX® as we celebrate the 75th anniversary of this iconic film,” said Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures. “The Wizard of Oz IMAX® 3D Experience is an integral part of our studio-wide anniversary initiative and we are excited to give fans the rare opportunity to see this stunning version on the big screen.”
“The Wizard of Oz is...
Marking the 75th anniversary of The Wizard of Oz, Warner Bros. has produced a 3D remastered version of the film which will launch a comprehensive, cross-divisional campaign encompassing theatrical, home entertainment, consumer products and a number of promotional partnerships.
“We couldn’t be happier to partner with IMAX® as we celebrate the 75th anniversary of this iconic film,” said Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures. “The Wizard of Oz IMAX® 3D Experience is an integral part of our studio-wide anniversary initiative and we are excited to give fans the rare opportunity to see this stunning version on the big screen.”
“The Wizard of Oz is...
- 7/1/2013
- by Michelle McCue
- WeAreMovieGeeks.com
Marking the 75th anniversary of The Wizard of Oz, Warner Bros. has produced a 3D remastered version of the film which will launch a comprehensive, cross-divisional campaign encompassing theatrical, home entertainment, consumer products and a number of promotional partnerships.
Kicking off the celebration, The Wizard of Oz 3D will be presented in the immersive IMAX® 3D format and return to the big screen for an exclusive one-week engagement in IMAX® theatres across North America beginning September 20, 2013.
“We couldn’t be happier to partner with IMAX® as we celebrate the 75th anniversary of this iconic film,” said Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures. “The Wizard of Oz IMAX® 3D Experience is an integral part of our studio-wide anniversary initiative and we are excited to give fans the rare opportunity to see this stunning version on the big screen.”
“The Wizard of Oz is one of the most beloved films...
Kicking off the celebration, The Wizard of Oz 3D will be presented in the immersive IMAX® 3D format and return to the big screen for an exclusive one-week engagement in IMAX® theatres across North America beginning September 20, 2013.
“We couldn’t be happier to partner with IMAX® as we celebrate the 75th anniversary of this iconic film,” said Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures. “The Wizard of Oz IMAX® 3D Experience is an integral part of our studio-wide anniversary initiative and we are excited to give fans the rare opportunity to see this stunning version on the big screen.”
“The Wizard of Oz is one of the most beloved films...
- 6/4/2013
- by Michelle McCue
- WeAreMovieGeeks.com
Odd List Ryan Lambie 6 Mar 2013 - 06:48
With Robot & Frank out this week in the UK, here’s a look at a few of cinema’s other great robot butlers...
It’s telling that the word ‘robot’ - coined by Josef Capek and first appearing in print in his brother Karel’s play Rossum’s Universal Robots in 1920 - is derived from the Czech word for ‘labour’. Stories of artificial people and automata have appeared in stories for centuries, and it’s often the case that these inhuman constructs are given tasks that their human masters wouldn’t want to do themselves. From the factory-produced workers of Capek’s Rur mentioned above to the eerily blank David in Prometheus, the notion of the robotic servant is a familiar one in science fiction.
It’s a theme touched on in this year’s Robot & Frank, a moving sci-fi drama about an...
With Robot & Frank out this week in the UK, here’s a look at a few of cinema’s other great robot butlers...
It’s telling that the word ‘robot’ - coined by Josef Capek and first appearing in print in his brother Karel’s play Rossum’s Universal Robots in 1920 - is derived from the Czech word for ‘labour’. Stories of artificial people and automata have appeared in stories for centuries, and it’s often the case that these inhuman constructs are given tasks that their human masters wouldn’t want to do themselves. From the factory-produced workers of Capek’s Rur mentioned above to the eerily blank David in Prometheus, the notion of the robotic servant is a familiar one in science fiction.
It’s a theme touched on in this year’s Robot & Frank, a moving sci-fi drama about an...
- 3/4/2013
- by ryanlambie
- Den of Geek
The art of the glass shot or matte painting is one which originated very much in the early ‘teens’ of the silent era. Pioneer film maker, director, cameraman and visual effects inventor Norman Dawn is generally acknowledged as the father of the painted matte composite, with other visionary film makers such as Ferdinand Pinney Earle, Walter Hall and Walter Percy Day being heralded as making vast contributions to the trick process in the early 1920’s.
Boiled down, the matte process is one whereby a limited film set may be extended to whatever, or wherever the director’s imagination dictates with the employment of a matte artist. In it’s most pure form, the artist would set up a large plate of clear glass in front of the motion picture camera upon which he would carefully paint in new scenery an ornate period ceiling, snow capped mountains, a Gothic castle or even an alien world.
Boiled down, the matte process is one whereby a limited film set may be extended to whatever, or wherever the director’s imagination dictates with the employment of a matte artist. In it’s most pure form, the artist would set up a large plate of clear glass in front of the motion picture camera upon which he would carefully paint in new scenery an ornate period ceiling, snow capped mountains, a Gothic castle or even an alien world.
- 5/27/2012
- Shadowlocked
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