Third Man on the Mountain
1959 / 105 Mins. / 1.66: 1
Starring Michael Rennie, James MacArthur
Written by Eleanore Griffin
Directed by Ken Annakin
CineSavant Revival Screening Review
From Newbery Medal to amusement park thrill ride, James Ramsey Ullman’s Banner in the Sky climbed the ladder as deftly as the men who scaled the mountains in his 1955 best seller, a fictionalized account of the first explorer to make it to the top of the Matterhorn.
It was rarefied air even for Ullman who, when he wasn’t writing, could be found shinnying up the nearest cliff side—though not recognized as a “high end” climber, the writer’s attraction to life or death experiences made him an honorary member of a lofty clique. In 1957, Walt Disney purchased the rights to Ullman’s novel and set the Mouse Machine in motion, first the tie-in paperback, then the Sunday comic strip, and after much fanfare,...
1959 / 105 Mins. / 1.66: 1
Starring Michael Rennie, James MacArthur
Written by Eleanore Griffin
Directed by Ken Annakin
CineSavant Revival Screening Review
From Newbery Medal to amusement park thrill ride, James Ramsey Ullman’s Banner in the Sky climbed the ladder as deftly as the men who scaled the mountains in his 1955 best seller, a fictionalized account of the first explorer to make it to the top of the Matterhorn.
It was rarefied air even for Ullman who, when he wasn’t writing, could be found shinnying up the nearest cliff side—though not recognized as a “high end” climber, the writer’s attraction to life or death experiences made him an honorary member of a lofty clique. In 1957, Walt Disney purchased the rights to Ullman’s novel and set the Mouse Machine in motion, first the tie-in paperback, then the Sunday comic strip, and after much fanfare,...
- 3/11/2023
- by Charlie Largent
- Trailers from Hell
Imitation of Life
Written by William Hurlbut
Directed by John M. Stahl
USA, 1934
Written by Eleanore Griffin and Allan Scott
Directed by Douglas Sirk
USA, 1959
The debate about the necessity and worth of continual remakes rages on every year. Will the new version be as good as the original? Or even better? Should it have even been made to begin with? While we do seem to hear more about this recently, the concept of a remark is, of course, nothing new. Examples go back to the very dawn of cinema. What makes a remake particularly worthwhile, however, is when the films involved are dissimilar in certain aspects yet notably congruent in other areas: just enough to keep the basic premise or theme consistent, but varied enough to keep it up to date and original in one way or another. If both versions have their merits, a considerate comparison and contrast...
Written by William Hurlbut
Directed by John M. Stahl
USA, 1934
Written by Eleanore Griffin and Allan Scott
Directed by Douglas Sirk
USA, 1959
The debate about the necessity and worth of continual remakes rages on every year. Will the new version be as good as the original? Or even better? Should it have even been made to begin with? While we do seem to hear more about this recently, the concept of a remark is, of course, nothing new. Examples go back to the very dawn of cinema. What makes a remake particularly worthwhile, however, is when the films involved are dissimilar in certain aspects yet notably congruent in other areas: just enough to keep the basic premise or theme consistent, but varied enough to keep it up to date and original in one way or another. If both versions have their merits, a considerate comparison and contrast...
- 4/15/2015
- by Jeremy Carr
- SoundOnSight
"There isn't any such thing in the world as a bad boy."
Even people who haven't seen "Boys Town" know Spencer Tracy's line, in character as Father Edward Flanagan, as the credo of the real Boys Town, the institution renowned for its care of orphaned and troubled kids. The classic movie, released 75 years ago this week (on September 9, 1938), was a huge hit, a milestone in the careers of Spencer Tracy and Mickey Rooney, and an inspiration to wayward kids and those who would help them, all over the country.
As beloved as the movie has been for generations, there's still plenty you may not know about it -- how it almost didn't get released, how Tracy's Oscar victory almost turned into a publicity nightmare, and how the movie almost did more harm than good to the real Boys Town.
Read on for 25 true tales behind the making of "Boys Town.
Even people who haven't seen "Boys Town" know Spencer Tracy's line, in character as Father Edward Flanagan, as the credo of the real Boys Town, the institution renowned for its care of orphaned and troubled kids. The classic movie, released 75 years ago this week (on September 9, 1938), was a huge hit, a milestone in the careers of Spencer Tracy and Mickey Rooney, and an inspiration to wayward kids and those who would help them, all over the country.
As beloved as the movie has been for generations, there's still plenty you may not know about it -- how it almost didn't get released, how Tracy's Oscar victory almost turned into a publicity nightmare, and how the movie almost did more harm than good to the real Boys Town.
Read on for 25 true tales behind the making of "Boys Town.
- 9/9/2013
- by Gary Susman
- Moviefone
The Oscar-winning success of last year's "The Help" was a throwback in many ways, principally to the socially-conscious melodramas of Stanley Kramer, like "Guess Who's Coming To Dinner." Another comparison point that came up frequently in reviews of Tate Taylor's film was "Imitation Of Life," the 1959 film by director Douglas Sirk, but it's scarcely fair: over fifty years on, Sirk's picture stands head and shoulders above virtually every other melodrama.
The story follows widow and aspiring actress Lora (Lana Turner), whose daughter Susie goes missing at the beach, and is found by an African-American divorcee, Annie Johnson (Juanita Moore), there with her own light-skinned daughter, Sarah Jane. The two become friends, Lora taking Annie in as a housekeeper, and Annie's care helping Lora achieve her dream of becoming a Broadway star. Eleven years later, however, their children have grown up, and Susie (Sandra Dee) develops a crush on her mother's boyfriend Steve,...
The story follows widow and aspiring actress Lora (Lana Turner), whose daughter Susie goes missing at the beach, and is found by an African-American divorcee, Annie Johnson (Juanita Moore), there with her own light-skinned daughter, Sarah Jane. The two become friends, Lora taking Annie in as a housekeeper, and Annie's care helping Lora achieve her dream of becoming a Broadway star. Eleven years later, however, their children have grown up, and Susie (Sandra Dee) develops a crush on her mother's boyfriend Steve,...
- 4/17/2012
- by Oliver Lyttelton
- The Playlist
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