Joseph Koo, a leading music composer during Hong Kong cinema’s golden era, has died in Vancouver, Canada. He was 91.
Local media report his death as happening on Tuesday Jan. 3, 2023, but do not state a cause of death.
Born in Guangzhou, China on Feb. 23, 1931, Koo Ka-fai moved with his scholarly and musical family from mainland China to Hong Kong in 1948.
Koo spent much of his career in the Hong Kong film, TV and pop music industries. And, even after he emigrated to Canada in the 1990s, he maintained active links with the Hong Kong industry.
As a youngster, Koo learned the piano and composed songs for his sister Koo Mei, who was a major recording artist in her own right. Later he became a performer and band leader performing at venues including the Luk Kwok Hotel in Hong Kong.
His first composition for a film was “Dream,” a song performed...
Local media report his death as happening on Tuesday Jan. 3, 2023, but do not state a cause of death.
Born in Guangzhou, China on Feb. 23, 1931, Koo Ka-fai moved with his scholarly and musical family from mainland China to Hong Kong in 1948.
Koo spent much of his career in the Hong Kong film, TV and pop music industries. And, even after he emigrated to Canada in the 1990s, he maintained active links with the Hong Kong industry.
As a youngster, Koo learned the piano and composed songs for his sister Koo Mei, who was a major recording artist in her own right. Later he became a performer and band leader performing at venues including the Luk Kwok Hotel in Hong Kong.
His first composition for a film was “Dream,” a song performed...
- 1/4/2023
- by Patrick Frater
- Variety Film + TV
Stories can be familiar because we here them so often. Whilst we are forever seeking something new, we return to the familiar because we enjoy them. With “The Sword” we begin to see how a fresh set of film-makers were beginning to take the stories of their youth and reimagine them for newer audiences. The onset of the New Wave produced several directors that had a fantastic visual flair. While Patrick Tam might not always be remembered as much as a Tsui Hark, he remains an artist that is worthy of discovery.
Li (Adam Cheng) comes to the aid of Ying Chi (Chui Git) after she is attacked by an assassin. As they befriend each other, they stop at an inn when Li notices the arrival of Hsaio Yue (JoJo Chen) his long lost love. They meet and she tells him of her marriage to Lin Wan...
Li (Adam Cheng) comes to the aid of Ying Chi (Chui Git) after she is attacked by an assassin. As they befriend each other, they stop at an inn when Li notices the arrival of Hsaio Yue (JoJo Chen) his long lost love. They meet and she tells him of her marriage to Lin Wan...
- 7/20/2021
- by Ben Stykuc
- AsianMoviePulse
The mark of a true classic movie is its capacity to transcend time. “A Better Tomorrow” has been in recent years remade in Korea (Watchable) and in China (Surprisingly good!). It has had sequels and entered popular culture albeit not necessarily for the right reasons.
A sudden introduction of Kit (Leslie Cheung) being shot is revealed to be a nightmare before transitioning to a more lighthearted fashion to open the movie. As we see Ho (Ti Lung) and Mark (Chow Yun Fat) initially fooling around before Joseph Koo’s memorable score kicks in as a montage of the money laundering part of their gangland roles is shown, culminating in the first famous image of the movie as Mark burns a freshly produced counterfeit note.
Ho is to go on a visit to Taiwan with underling Shing (Waise Lee) but first goes to see his younger brother Kit graduate as a police officer.
A sudden introduction of Kit (Leslie Cheung) being shot is revealed to be a nightmare before transitioning to a more lighthearted fashion to open the movie. As we see Ho (Ti Lung) and Mark (Chow Yun Fat) initially fooling around before Joseph Koo’s memorable score kicks in as a montage of the money laundering part of their gangland roles is shown, culminating in the first famous image of the movie as Mark burns a freshly produced counterfeit note.
Ho is to go on a visit to Taiwan with underling Shing (Waise Lee) but first goes to see his younger brother Kit graduate as a police officer.
- 12/6/2019
- by Ben Stykuc
- AsianMoviePulse
By Darren Allison
Vocalion have the rare ability to continuously satisfy. Not only does the label re-connect us to the past with essential CD reissues, but also through re-recordings of long forgotten and often overlooked classics. Vocalion’s three latest CD releases continue to exemplify these principles, and all with a certain sense of style.
Themes from The Exorcist (1974) and Flashpoint (1975) are two albums from Ray Davies and the Button Down Brass. As albums, they formed part of an essential collective, an audio treasury that would find their way into the hands of young and enthusiastic kids, particularly of those who displayed an early interest and love of both cinema and TV. They were usually the affordable route; a few weeks pocket money would often result in one of these albums making it into the comforting domain of your bedroom. Sat alongside your Geoff Love compilations, they would provide countless hours of repeated enjoyment.
Vocalion have the rare ability to continuously satisfy. Not only does the label re-connect us to the past with essential CD reissues, but also through re-recordings of long forgotten and often overlooked classics. Vocalion’s three latest CD releases continue to exemplify these principles, and all with a certain sense of style.
Themes from The Exorcist (1974) and Flashpoint (1975) are two albums from Ray Davies and the Button Down Brass. As albums, they formed part of an essential collective, an audio treasury that would find their way into the hands of young and enthusiastic kids, particularly of those who displayed an early interest and love of both cinema and TV. They were usually the affordable route; a few weeks pocket money would often result in one of these albums making it into the comforting domain of your bedroom. Sat alongside your Geoff Love compilations, they would provide countless hours of repeated enjoyment.
- 7/23/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Shout! Factory has announced that they will release a special DVD collection dedicated to Angela Mao Ying, one of the most well known martial art actress.
Angela Mao Ying was born in 1950 in Taiwan and during her career she had trained in hapkido, wushu, taekwondo and other forms of martial arts. She debuted in 1969 but it wasn’t until the mid seventies that she started to get international recognition. She started in more than 35 films and became one of the most celebrated martial art heroines of Hong Kong cinema.
The 3 disc collection with widescreen format, contain six of the most well know films started by Ying. The films included are: When Taekwondo Strikes (1973), Stoner (1974), The Tournament (1974), Queen´s Ransom (1976), The Himalayan (1976) and Broken Oath (1977).
This kick ass must-have DVD collection will be in stores everywhere on June 17 (2014), but you can make a pre-order on ShoutFactory.com or into Amazon.com...
Angela Mao Ying was born in 1950 in Taiwan and during her career she had trained in hapkido, wushu, taekwondo and other forms of martial arts. She debuted in 1969 but it wasn’t until the mid seventies that she started to get international recognition. She started in more than 35 films and became one of the most celebrated martial art heroines of Hong Kong cinema.
The 3 disc collection with widescreen format, contain six of the most well know films started by Ying. The films included are: When Taekwondo Strikes (1973), Stoner (1974), The Tournament (1974), Queen´s Ransom (1976), The Himalayan (1976) and Broken Oath (1977).
This kick ass must-have DVD collection will be in stores everywhere on June 17 (2014), but you can make a pre-order on ShoutFactory.com or into Amazon.com...
- 5/26/2014
- by Sebastian Nadilo
- AsianMoviePulse
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