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Netflix has lined up its next big-budget feature for Japan, a key growth market for the global streaming business. The company has greenlit a suspenseful rom-com romp titled In Love and Deep Water from veteran drama screenwriter Yuji Sakamoto (Tokyo Love Story, Kadin). Sakamoto describes the project as “a romantic comedy delivered on an unprecedented scale” for the Japanese film industry.
Yusuke Taki will direct, with Nikkatsu and Django Film handling the local production for Netflix.
In Love and Deep Water is set on the Msc Bellissima, a massive luxury cruise ship headed for the Aegean sea. While at sail, the Bellissima‘s loyal butler Suguru and a mysterious woman named Chizuru cross paths as they try to uncover a shocking murder-mystery that occurs early in the voyage.
Ryo Yoshizawa (Sakura, Kingdom) stars as Suguru and Aoi Miyazaki (Future Family, Birthday Card) plays Chizuru.
Netflix has lined up its next big-budget feature for Japan, a key growth market for the global streaming business. The company has greenlit a suspenseful rom-com romp titled In Love and Deep Water from veteran drama screenwriter Yuji Sakamoto (Tokyo Love Story, Kadin). Sakamoto describes the project as “a romantic comedy delivered on an unprecedented scale” for the Japanese film industry.
Yusuke Taki will direct, with Nikkatsu and Django Film handling the local production for Netflix.
In Love and Deep Water is set on the Msc Bellissima, a massive luxury cruise ship headed for the Aegean sea. While at sail, the Bellissima‘s loyal butler Suguru and a mysterious woman named Chizuru cross paths as they try to uncover a shocking murder-mystery that occurs early in the voyage.
Ryo Yoshizawa (Sakura, Kingdom) stars as Suguru and Aoi Miyazaki (Future Family, Birthday Card) plays Chizuru.
- 7/4/2022
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
Unlike any other genre, horror offers perhaps one of the most unique keys to the human psyche, especially human fears. Leading back to Romanticist poets and authors, the disruption of the human sphere and the supernatural has always proven to be a link to social phobias and trauma. Logically, horror does not need to follow the rules based on reality, which is interestingly – and somewhat ironically – an aspect readers and audiences sometimes expect the genre to do. Living through the notions of the narrative with the obligatory “I would never go there.” or “Don’t go into the basement.” is part of the excitement, but also the various criticisms of how a story could never happen like this.
However, this is not what horror is supposed to. According to Japanese screenwriter Konaka Chiaki, who wrote the script for Takashi Shimizu’s “Marebito” (2004), real-life terror does not follow any sensible rules,...
However, this is not what horror is supposed to. According to Japanese screenwriter Konaka Chiaki, who wrote the script for Takashi Shimizu’s “Marebito” (2004), real-life terror does not follow any sensible rules,...
- 8/10/2021
- by Rouven Linnarz
- AsianMoviePulse
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