The Creator won big at the 22nd annual Visual Effects Society Awards Wednesday night.
The awards were handed out during a ceremony, hosted by actor-comedian Jay Pharoah, at the Beverly Hilton in Los Angeles.
The Creator took home five awards in the feature competition, including outstanding visual effects in a photoreal feature. The Last of Us was also a top winner in the series categories, scoring four awards, and Spider-Man: Across the Spider-Verse led the animation competition with four wins.
Other winners of the night included Guardians of the Galaxy Vol. 3, Oppenheimer, Nyad, The Mandalorian and The Flash.
It was previously announced that producer Joyce Cox, who produced VFX on movies including Avatar and The Dark Knight, received the Society’s Lifetime Achievement Award during the ceremony.
Actor-producer-director William Shatner was also previously revealed as the recipient of the award for Creative Excellence in “recognition of his valuable contributions...
The awards were handed out during a ceremony, hosted by actor-comedian Jay Pharoah, at the Beverly Hilton in Los Angeles.
The Creator took home five awards in the feature competition, including outstanding visual effects in a photoreal feature. The Last of Us was also a top winner in the series categories, scoring four awards, and Spider-Man: Across the Spider-Verse led the animation competition with four wins.
Other winners of the night included Guardians of the Galaxy Vol. 3, Oppenheimer, Nyad, The Mandalorian and The Flash.
It was previously announced that producer Joyce Cox, who produced VFX on movies including Avatar and The Dark Knight, received the Society’s Lifetime Achievement Award during the ceremony.
Actor-producer-director William Shatner was also previously revealed as the recipient of the award for Creative Excellence in “recognition of his valuable contributions...
- 2/22/2024
- by Carly Thomas
- The Hollywood Reporter - Movie News
Gareth Edwards’ “The Creator” was the big winner at the 22nd Visual Effects Society Awards (held February 21 at the Beverly Hilton Hotel). The AI-themed, sci-fi actioner earned five awards, including the top photoreal feature VFX prize. The other awards were for modeling (Nomad), created environment (Floating Village), effects simulations, and compositing & lighting (Bar).
“The Creator” utilized an innovative streamlining process in post, in which Ilm designed and placed the naturalistic VFX over the actors playing AI simulants and the photographic plates as set extensions. This made the $80 million indie look like a $200 million blockbuster, with director Edwards shooting the entire film guerilla-style in 80 locations throughout Southeast Asia as the primary camera operator with a small crew and natural light.
Meanwhile, “Spider-Man: Across the Spider-Verse,” the animated feature Oscar favorite (snubbed by the Academy’s VFX branch), took home four awards, including the top animated VFX prize. Sony Pictures Imageworks innovated...
“The Creator” utilized an innovative streamlining process in post, in which Ilm designed and placed the naturalistic VFX over the actors playing AI simulants and the photographic plates as set extensions. This made the $80 million indie look like a $200 million blockbuster, with director Edwards shooting the entire film guerilla-style in 80 locations throughout Southeast Asia as the primary camera operator with a small crew and natural light.
Meanwhile, “Spider-Man: Across the Spider-Verse,” the animated feature Oscar favorite (snubbed by the Academy’s VFX branch), took home four awards, including the top animated VFX prize. Sony Pictures Imageworks innovated...
- 2/22/2024
- by Bill Desowitz
- Indiewire
As had been generally expected, Gareth Edwards’ futuristic sci-fi film “The Creator” proved to be the favorite among visual effects practitioners. The film topped the feature competition at the 22nd Visual Effects Society Awards, claiming five wins including one in the leading category for outstanding VFX in a photoreal feature.
Wednesday night at the Beverly Hilton, it also won the categories for created environment, model, compositing and lighting and effects simulations. Also, in the feature competition, “Guardians of the Galaxy Vol. 3” collected two awards for the digital character (the emotive Rocket) and virtual cinematography. “Oppenheimer” grabbed the trophy for practical effects, and “Nyad” took home the award for supporting VFX. Sony Pictures Animation’s “Spider-Man: Across the Spider-Verse” was the big winner among the animated features, collecting four awards.
“The Creator,” whose VFX was led by Industrial Light + Magic, and Guardians 3, whose work was shared by roughly 10 VFX companies,...
Wednesday night at the Beverly Hilton, it also won the categories for created environment, model, compositing and lighting and effects simulations. Also, in the feature competition, “Guardians of the Galaxy Vol. 3” collected two awards for the digital character (the emotive Rocket) and virtual cinematography. “Oppenheimer” grabbed the trophy for practical effects, and “Nyad” took home the award for supporting VFX. Sony Pictures Animation’s “Spider-Man: Across the Spider-Verse” was the big winner among the animated features, collecting four awards.
“The Creator,” whose VFX was led by Industrial Light + Magic, and Guardians 3, whose work was shared by roughly 10 VFX companies,...
- 2/22/2024
- by Carolyn Giardina and Diego Ramos Bechara
- Variety Film + TV
The Visual Effects Society bowed before The Creator tonight. New Regency’s sci-fi flick scored a leading five trophies including Outstanding VFX in a Photoreal Feature at the 22nd annual Ves Awards. Spider-Man: Across the Spider-Verse — hot off dominating the Annie Awards over the weekend — picked up four awards including Outstanding Visual Effects in an Animated Movie.
See the full list of winners below.
Guardians of the Galaxy Vol. 3 was the night’s only other multiple winner on the film side, and Nyad swam home with the other marquee film prize — Outstanding Supporting Visual Effects in a Photoreal Feature. Best Picture Oscar favorite Oppenheimer won for Special (Practical) Effects.
The Creator and Guardians of the Galaxy Vol. 3 also are up for Best Visual Effects at next month’s 96th Academy Awards, vying against Godzilla Minus One, Mission: Impossible – Dead Reckoning Part One and Napoleon. Across the Spider...
See the full list of winners below.
Guardians of the Galaxy Vol. 3 was the night’s only other multiple winner on the film side, and Nyad swam home with the other marquee film prize — Outstanding Supporting Visual Effects in a Photoreal Feature. Best Picture Oscar favorite Oppenheimer won for Special (Practical) Effects.
The Creator and Guardians of the Galaxy Vol. 3 also are up for Best Visual Effects at next month’s 96th Academy Awards, vying against Godzilla Minus One, Mission: Impossible – Dead Reckoning Part One and Napoleon. Across the Spider...
- 2/22/2024
- by Erik Pedersen
- Deadline Film + TV
“Oppenheimer,” “Spider-Man: Across the Spider-Verse” and “The Last of Us” are among the nominees for the Visual Effects Society (Ves) Awards.
Gareth Edwards’ “The Creator” leads the feature film field with seven nominations. “Spider-Man: Across the Spider-Verse” is the top animated contender with seven nominations and 24-time Emmy-nominated drama “The Last of Us” leads the episodic field with six nominations.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” Ves chair Kim Davidson said. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of our nominees.”
The Ves is a global honorary society dedicated to “advancing the arts, sciences and applications of visual effects and to upholding...
Gareth Edwards’ “The Creator” leads the feature film field with seven nominations. “Spider-Man: Across the Spider-Verse” is the top animated contender with seven nominations and 24-time Emmy-nominated drama “The Last of Us” leads the episodic field with six nominations.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” Ves chair Kim Davidson said. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of our nominees.”
The Ves is a global honorary society dedicated to “advancing the arts, sciences and applications of visual effects and to upholding...
- 1/16/2024
- by Diego Ramos Bechara
- Variety Film + TV
The Visual Effects Society has composited the nominees for its 22nd annual Ves Awards, which will be handed out next month. Disney’s The Creator and Sony’s Spider-Man: Across the Spider-Verse lead the field with seven noms apiece, and HBO’s The Last of Us tops TV with six. See the full list below.
The annual Ves Awards will be handed out during the group’s 22nd annual ceremony February 21 at the Beverly Hilton. They recognize outstanding visual effects artistry and innovation in 25 categories spanning features, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” said Kim Davidson, newly elected Ves Chair. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation.
The annual Ves Awards will be handed out during the group’s 22nd annual ceremony February 21 at the Beverly Hilton. They recognize outstanding visual effects artistry and innovation in 25 categories spanning features, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life.
“The artistry, ingenuity and passion of visual effects practitioners around the world have come together to create remarkable imagery,” said Kim Davidson, newly elected Ves Chair. “We are seeing best-in-class work that elevates the art of storytelling and exemplifies the spirit of innovation.
- 1/16/2024
- by Erik Pedersen
- Deadline Film + TV
The Spider-Society has webbed in a few honors. The Visual Effects Society has announced their nominations for the 22nd annual Ves Awards, with “Spider-Man: Across the Spider-Verse” leading the pack.
Held every winter, the Ves Awards honor the best achievements in visual effects artistry over the previous calendar year, with VFX professionals in film, television, video games, and commercials receiving recognition. Nominees in 25 categories are selected by Ves members through a process of 39 in-person and virtual nomination events, held worldwide and conducted during a 36-hour period. A minimum of three judging panels review each submission for the awards, looking at “Before and Afters” for each prospective nominee. Ves judging panels this year included members of the society from 25 different countries.
“Spider-Man: Across the Spider-Verse” was the top animated film to receive nominations this year, gaining seven nominations including Outstanding Effects in an Animated Feature and specific nods for modeling, character animation,...
Held every winter, the Ves Awards honor the best achievements in visual effects artistry over the previous calendar year, with VFX professionals in film, television, video games, and commercials receiving recognition. Nominees in 25 categories are selected by Ves members through a process of 39 in-person and virtual nomination events, held worldwide and conducted during a 36-hour period. A minimum of three judging panels review each submission for the awards, looking at “Before and Afters” for each prospective nominee. Ves judging panels this year included members of the society from 25 different countries.
“Spider-Man: Across the Spider-Verse” was the top animated film to receive nominations this year, gaining seven nominations including Outstanding Effects in an Animated Feature and specific nods for modeling, character animation,...
- 1/16/2024
- by Wilson Chapman
- Indiewire
To the surprise of no one, James Cameron’s dazzling Avatar: The Way of Water dominated the 21st annual Visual Effects Society Award nominations, which were announced on Tuesday. The juggernaut earned 14 Ves noms, a record number for a feature film or any single project in the society’s awards history.
That includes a nomination in the top category for outstanding VFX in a photoreal feature. Alongside The Way of Water, the category nominees are Fantastic Beasts: The Secrets of Dumbledore, Jurassic World: Dominion, The Batman and Top Gun: Maverick. Nominees in the category for supporting VFX are Death on the Nile, I Wanna Dance With Somebody, The Fabelmans, The Gray Man, The Pale Blue Eye and Thirteen Lives.
Guillermo del Toro’s Pinocchio leads the animated contenders, with six nominations including one for outstanding VFX in an animated feature. Meanwhile The Lord of the Rings: The Rings of Power...
That includes a nomination in the top category for outstanding VFX in a photoreal feature. Alongside The Way of Water, the category nominees are Fantastic Beasts: The Secrets of Dumbledore, Jurassic World: Dominion, The Batman and Top Gun: Maverick. Nominees in the category for supporting VFX are Death on the Nile, I Wanna Dance With Somebody, The Fabelmans, The Gray Man, The Pale Blue Eye and Thirteen Lives.
Guillermo del Toro’s Pinocchio leads the animated contenders, with six nominations including one for outstanding VFX in an animated feature. Meanwhile The Lord of the Rings: The Rings of Power...
- 1/17/2023
- by Carolyn Giardina
- The Hollywood Reporter - Movie News
“Avatar: The Way of Water” has made history once more.
As James Cameron’s long-gestating sequel continues its climb up the all-time box-office charts, “The Way of Water” set a new record for the most nominations for a single project from the Visual Effects Society Awards, announced this morning. The film’s 14 nods highlight achievements that range from VFX to character animation to emerging technology, where it accounts for three of the category’s five nominees. This tally surpasses the previous records set by the 11 nominations for the original “Avatar” in 2010 and the 13 nominations for “The Mandalorian” in 2021.
Joining “The Way of Water” on the Ves leaderboard are “Guillermo del Toro’s Pinocchio” and “The Lord of the Rings: The Rings of Power,” which respectively top the animation and TV fields with six and seven nominations. The 21st annual Visual Effects Society Awards will take place February 15 at the Beverly Hilton,...
As James Cameron’s long-gestating sequel continues its climb up the all-time box-office charts, “The Way of Water” set a new record for the most nominations for a single project from the Visual Effects Society Awards, announced this morning. The film’s 14 nods highlight achievements that range from VFX to character animation to emerging technology, where it accounts for three of the category’s five nominees. This tally surpasses the previous records set by the 11 nominations for the original “Avatar” in 2010 and the 13 nominations for “The Mandalorian” in 2021.
Joining “The Way of Water” on the Ves leaderboard are “Guillermo del Toro’s Pinocchio” and “The Lord of the Rings: The Rings of Power,” which respectively top the animation and TV fields with six and seven nominations. The 21st annual Visual Effects Society Awards will take place February 15 at the Beverly Hilton,...
- 1/17/2023
- by Erik Adams
- Indiewire
James Cameron’s “Avatar: The Way of Water” leads the feature competition at the 21st Annual Ves Awards.
The film earned a total of 14 Ves Awards nominations, setting a new record for record nominations for a feature film. The original “Avatar” was the previous record holder when it received 11 nominations at the 8th Annual Ves Awards held in 2010.
“Guillermo Del Toro’s Pinocchio” received six nominations in the animation category making it the top animated contender.
Ves members selected nominees in 25 categories at 27 in-person and virtual nomination events conducted worldwide. The winners will be announced on Feb. 15 at the Beverly Hilton Hotel in Los Angeles.
This year marks the presentation of the first Ves Emerging Technology Award, which celebrates the creators of the technology behind the visuals and honors the inventors of a novel and uniquely innovative tool, device, software or methodology of outstanding value to the art and science of visual effects,...
The film earned a total of 14 Ves Awards nominations, setting a new record for record nominations for a feature film. The original “Avatar” was the previous record holder when it received 11 nominations at the 8th Annual Ves Awards held in 2010.
“Guillermo Del Toro’s Pinocchio” received six nominations in the animation category making it the top animated contender.
Ves members selected nominees in 25 categories at 27 in-person and virtual nomination events conducted worldwide. The winners will be announced on Feb. 15 at the Beverly Hilton Hotel in Los Angeles.
This year marks the presentation of the first Ves Emerging Technology Award, which celebrates the creators of the technology behind the visuals and honors the inventors of a novel and uniquely innovative tool, device, software or methodology of outstanding value to the art and science of visual effects,...
- 1/17/2023
- by Jazz Tangcay
- Variety Film + TV
Suffice it to say that Avatar: The Way of Water commanded the Visual Effects Society’s attention. James Cameron box office-smash sequel scored a record 14 nominations for the 2023 Ves Awards, which were announced today.
Helped by three noms in the Emerging Technology category, Disney’s The Way of Water topped the single-year noms haul by Disney+’s The Mandalorian in 2021. It also shattered the old high-water mark for films, set by — no big surprise here — the original Avatar, which amassed 11 noms in 2010.
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The hardware will be doled out at the 21st annual Ves Awards on Wednesday,...
Helped by three noms in the Emerging Technology category, Disney’s The Way of Water topped the single-year noms haul by Disney+’s The Mandalorian in 2021. It also shattered the old high-water mark for films, set by — no big surprise here — the original Avatar, which amassed 11 noms in 2010.
Related Story 2022-23 Awards Season Calendar – Dates For The Oscars, Grammys, Guilds & More Related Story Moviegoing Happens Over MLK: 'Avatar 2' Soars With 40M 4-day, 'M3GAN' Moves 21M+, 'Puss In Boots 2' Hits 112M, 'Otto' Bright At 15M+ – Update Related Story C'mon Voters: The Oscars Could Use A Little Sequel-itis
The hardware will be doled out at the 21st annual Ves Awards on Wednesday,...
- 1/17/2023
- by Erik Pedersen
- Deadline Film + TV
Last night, the 17th annual Visual Effects Society Awards were held. The gala represented a moment to honor some of the types of films that don’t usually get cited during the precursor season. Mostly, it’s an opportunity to see which movie or movies are the frontrunners in the Best Visual Effects category at the Oscars. Even beyond the Academy Awards, it’s just a perfect time to honor the craftsmen and craftswomen who do the sort of work that’s too often overlooked. So, even though the Academy voters are looking at this for one specific reason, there’s multiple reasons to take interest in the Ves results from yesterday. Below you can see all of the Ves victors, though leading the way was Avengers: Infinity War and Spider-Man: Into the Spider-Verse, with four wins each. The former actually took the top honor of the night, which is...
- 2/6/2019
- by Joey Magidson
- Hollywoodnews.com
Ves Awards 2019: ‘Avengers: Infinity War’ and ‘Spider-Man: Into the Spider-Verse’ Win Top VFX Prizes
Marvel’s “Avengers: Infinity War” was the big VFX winner at the 17th annual Ves Awards Tuesday at the Beverly Hilton, grabbing four prizes, including photoreal feature. And Sony’s animated Oscar favorite, “Spider-Man: Into the Spider-Verse,” also scored four awards, including animated feature.
While it’s a significant momentum builder for “Infinity War” in its quest to be the first VFX Oscar winner for the McU (and first superhero winner since 2004’s “Spider-Man 2”), there still remains competition from Damien Chazelle’s “First Man,” which won the Ves supporting prize. However, “Infinity War” boasts the stronger CG wow factor in the form of the brilliantly animated Thanos (peformance-captured by Josh Brolin) from Digital Domain and Weta Digital.
“Infinity War” also took home honors for animated character (Thanos), simulations (Titan), and compositing (Titan). “Spider-Verse” additionally snagged animated character (Miles Morales), environment (Graphic New York City), and simulations.
On the TV side,...
While it’s a significant momentum builder for “Infinity War” in its quest to be the first VFX Oscar winner for the McU (and first superhero winner since 2004’s “Spider-Man 2”), there still remains competition from Damien Chazelle’s “First Man,” which won the Ves supporting prize. However, “Infinity War” boasts the stronger CG wow factor in the form of the brilliantly animated Thanos (peformance-captured by Josh Brolin) from Digital Domain and Weta Digital.
“Infinity War” also took home honors for animated character (Thanos), simulations (Titan), and compositing (Titan). “Spider-Verse” additionally snagged animated character (Miles Morales), environment (Graphic New York City), and simulations.
On the TV side,...
- 2/6/2019
- by Bill Desowitz
- Indiewire
It was a great night for Marvel at the 17th annual Visual Effects Society Awards on Tuesday night. The comic book publisher’s wares led the film fields, with “Avengers: Infinity War” and “Spider-Man: Into the Spider-Verse” nabbing four wins apiece.
“Spider-Verse,” a dominant animated feature on the awards circuit this year, swept each of its categories. “Avengers” nearly did the same, dropping just one to Universal’s “Mortal Engines.”
“Ready Player One” received two prizes, while “First Man” picked up one. They join “Avengers: Infinity War,” along with “Christopher Robin” and “Solo: A Star Wars Story,” in the Academy’s Oscar lineup of visual effects nominees this year.
On the television side, Netflix’s “Lost in Space” dominated with four wins as well.
“Westworld” co-creator Jonathan Nolan received the Visual Effects Society’s Visionary Award, while “Game of Thrones” creators David Benioff and D.B. Weiss accepted the organization’s...
“Spider-Verse,” a dominant animated feature on the awards circuit this year, swept each of its categories. “Avengers” nearly did the same, dropping just one to Universal’s “Mortal Engines.”
“Ready Player One” received two prizes, while “First Man” picked up one. They join “Avengers: Infinity War,” along with “Christopher Robin” and “Solo: A Star Wars Story,” in the Academy’s Oscar lineup of visual effects nominees this year.
On the television side, Netflix’s “Lost in Space” dominated with four wins as well.
“Westworld” co-creator Jonathan Nolan received the Visual Effects Society’s Visionary Award, while “Game of Thrones” creators David Benioff and D.B. Weiss accepted the organization’s...
- 2/6/2019
- by Kristopher Tapley
- Variety Film + TV
The 17th annual Ves Awards are being handed out tonight at the Beverly Hilton in Los Angeles, and Deadline will be live-blogging the affair and updating the winners list live. Patton Oswalt is hosting the Visual Effects Society’s gala, which celebrates the best VFX artistry and innovation in film, animation, TV, commercials and video games across 24 categories.
The winner of the Ves Award for Photoreal Feature has gone on to win the Visual Effects Oscar 10 of the 16 times it has been presented, but it hasn’t been much of a harbinger for the past half-decade or so. Last year the Ves Award went to War for the Planet of the Apes, while the Academy Award was claimed by Blade Runner 2049, as Roger Deakins won for the first time in his 14th nominations. The Jungle Book won both in 2017, but Ves and Oscar failed to match up in either of the previous two years.
The winner of the Ves Award for Photoreal Feature has gone on to win the Visual Effects Oscar 10 of the 16 times it has been presented, but it hasn’t been much of a harbinger for the past half-decade or so. Last year the Ves Award went to War for the Planet of the Apes, while the Academy Award was claimed by Blade Runner 2049, as Roger Deakins won for the first time in his 14th nominations. The Jungle Book won both in 2017, but Ves and Oscar failed to match up in either of the previous two years.
- 2/6/2019
- by Erik Pedersen
- Deadline Film + TV
The Visual Effects Society announced nominees for the organization’s 17th annual awards on Tuesday.
Leading the way in the film and TV fields, respectively, were Marvel’s “Avengers: Infinity War” and Netflix’s “Lost in Space.” Each picked up six nominations. Pixar’s “Incredibles 2” received the most nominations among animated feature contenders with five.
“Ready Player One” also landed five nominations, while “Jurassic World: Fallen Kingdom,” “Solo: A Star Wars Story,” and “Welcome to Marwen” each earned three. “Christopher Robin” and “First Man” picked up a pair apiece, while “Ant Man and the Wasp” landed one. Those films joined “Avengers: Infinity War” on the Academy’s list of 10 semifinalists for the category, each of which displayed their wares at the organization’s annual Visual Effects Bake-Off on Jan. 5.
Notably, Marvel’s “Black Panther” and Disney’s “Mary Poppins Returns” — the final two films on the Academy’s bake-off...
Leading the way in the film and TV fields, respectively, were Marvel’s “Avengers: Infinity War” and Netflix’s “Lost in Space.” Each picked up six nominations. Pixar’s “Incredibles 2” received the most nominations among animated feature contenders with five.
“Ready Player One” also landed five nominations, while “Jurassic World: Fallen Kingdom,” “Solo: A Star Wars Story,” and “Welcome to Marwen” each earned three. “Christopher Robin” and “First Man” picked up a pair apiece, while “Ant Man and the Wasp” landed one. Those films joined “Avengers: Infinity War” on the Academy’s list of 10 semifinalists for the category, each of which displayed their wares at the organization’s annual Visual Effects Bake-Off on Jan. 5.
Notably, Marvel’s “Black Panther” and Disney’s “Mary Poppins Returns” — the final two films on the Academy’s bake-off...
- 1/15/2019
- by Kristopher Tapley
- Variety Film + TV
The Visual Effects Society has revealed nominations for the 17th annual Ves Awards, which will recognize the best VFX artistry and innovation in film, animation, TV, commercials and video games.
Disney/Marvel’s Avengers: Infinity Wars and Netflix’s Lost In Space lead the film and TV categories this year with six nominations, respectively. Disney/Pixar’s Incredibles 2 tops the animation field with five noms.
Winners will be announced during a ceremony February 5 at the Beverly Hilton hosted by Patton Oswalt. Also at the gala, the annual Ves Visionary Award will be presented to Westworld‘s Jonathan Nolan, while the Ves Award for Creative Excellence will be presented to Game of Thrones masterminds David Benioff and D.B. Weiss.
Here are the nominees announced Tuesday in 24 categories:
Outstanding Visual Effects in a Photoreal Feature
Avengers: Infinity War
Daniel DeLeeuw
Jen Underdahl
Kelly Port
Matt Aitken
Daniel Sudick
Christopher Robin
Chris Lawrence...
Disney/Marvel’s Avengers: Infinity Wars and Netflix’s Lost In Space lead the film and TV categories this year with six nominations, respectively. Disney/Pixar’s Incredibles 2 tops the animation field with five noms.
Winners will be announced during a ceremony February 5 at the Beverly Hilton hosted by Patton Oswalt. Also at the gala, the annual Ves Visionary Award will be presented to Westworld‘s Jonathan Nolan, while the Ves Award for Creative Excellence will be presented to Game of Thrones masterminds David Benioff and D.B. Weiss.
Here are the nominees announced Tuesday in 24 categories:
Outstanding Visual Effects in a Photoreal Feature
Avengers: Infinity War
Daniel DeLeeuw
Jen Underdahl
Kelly Port
Matt Aitken
Daniel Sudick
Christopher Robin
Chris Lawrence...
- 1/15/2019
- by Patrick Hipes
- Deadline Film + TV
While “Avengers: Infinity War” topped the 17th annual Ves Awards (to be held February 5th at the Beverly Hilton Hotel) with six nominations, “Black Panther,” Marvel’s other Oscar frontrunner, was shut out. And Damien Chazelle’s acclaimed “First Man,” another frontrunner, was included in the supporting category as a result of its invisible VFX. Disney’s “Mary Poppins Returns,” meanwhile, was also snubbed.
However, joining “Infinity War” in the top VFX category were a surprising list: “Ready Player One” (with five nominations), “Solo: A Star Wars Story,” “Christopher Robin” and “Welcome to Marwen.” Joining “First Man” for supporting VFX were “12 Strong,” Bird Box,” “Bohemian Rhapsody,” and “Outlaw King”.
In animation, Pixar’s “Incredibles 2” was the big winner with five nominations, followed by Sony’s “Spider-Man: Into the Spider-Verse” and Disney’s “Ralph Breaks the Internet” with four. They were joined by Illumination’s “The Grinch” and Wes Anderson’s “Isle of Dogs.
However, joining “Infinity War” in the top VFX category were a surprising list: “Ready Player One” (with five nominations), “Solo: A Star Wars Story,” “Christopher Robin” and “Welcome to Marwen.” Joining “First Man” for supporting VFX were “12 Strong,” Bird Box,” “Bohemian Rhapsody,” and “Outlaw King”.
In animation, Pixar’s “Incredibles 2” was the big winner with five nominations, followed by Sony’s “Spider-Man: Into the Spider-Verse” and Disney’s “Ralph Breaks the Internet” with four. They were joined by Illumination’s “The Grinch” and Wes Anderson’s “Isle of Dogs.
- 1/15/2019
- by Bill Desowitz
- Indiewire
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