One of the scariest films I have ever seen is the 1989 British TV movie The Woman in Black which starred Adrian Rawlins and Bernard Hepton. Based upon the 1983 novel of the same name by author Susan Hill, it has also been made into a British stage play a 2012 theatrical feature with Danielle Radcliffe. Now a sequel is due out in 2015, called The Woman in Black: Angel of Death, which is directed … Continue reading →
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Horrornews.net...
- 11/7/2014
- by Jonathan Stryker
- Horror News
Cool, coordinated, just a little loud; this is the timeless appeal of Jack Carter’s 3 piece suit. In portraying cinema’s ultimate anti-hero, Michael Caine wears his costume like a second skin.
Get Carter was shot mainly on location in Newcastle for just £750,000. By no means a tremendous success on its release (in the U.S. Get Carter was a double feature with a Frank Sinatra movie), it has since acquired cult status and is now widely recognised as one of the greatest British films ever made. Much has been written about the ‘style’ of Carter; photo shoots of models in trench coats carrying shotguns, etc, yet there has been little appreciation for the fine detail of its central costume itself, a dark blue mohair suit, and what it says about the man who wears it so triumphantly.
Director of Get Carter, John Hodges, admits he personally paid little attention to costume.
Get Carter was shot mainly on location in Newcastle for just £750,000. By no means a tremendous success on its release (in the U.S. Get Carter was a double feature with a Frank Sinatra movie), it has since acquired cult status and is now widely recognised as one of the greatest British films ever made. Much has been written about the ‘style’ of Carter; photo shoots of models in trench coats carrying shotguns, etc, yet there has been little appreciation for the fine detail of its central costume itself, a dark blue mohair suit, and what it says about the man who wears it so triumphantly.
Director of Get Carter, John Hodges, admits he personally paid little attention to costume.
- 7/22/2011
- by Chris Laverty
- Clothes on Film
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