The 2024 Cannes Film Festival is underway with Quentin Dupieux’s The Second Act starring Léa Seydoux and Louis Garrel serving as the opening-night film.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
- 5/22/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
Having sprinkled his films in the competition section twice before with Les chansons d’amour (2007) and Sorry Angel (2018), Christophe Honoré has also populated the fest with Un Certain Regard, Out of Comp and Directors’ Fortnight offerings. With Marcello Mio, the filmmaker reunites with his muse Chiara Mastroianni and they both honor who else but her famous actor dad and what is kinda meta level is that her mom Catherine Deneuve and other famous faces in Fabrice Luchini, Nicole Garcia, Benjamin Biolay, Melvil Poupaud all play version of themselves.
Gist: This is the story of a woman named Chiara. She is an actress, the daughter of Marcello Mastroianni and Catherine Deneuve.…...
Gist: This is the story of a woman named Chiara. She is an actress, the daughter of Marcello Mastroianni and Catherine Deneuve.…...
- 5/22/2024
- by Eric Lavallée
- IONCINEMA.com
Sean Baker’s Anora has stormed to the top of Screen’s Cannes jury while Paolo Sorrentino’s Parthenope divided critics and Christophe Honoré’s Marcello Mio scored the lowest of this year’s festival so far.
Baker’s latest feature received a solid 3.3 - the first film this year to score an average above three stars, overtaking last year’s jury grid winner, Aki Kaurismäki’s Fallen Leaves (3.2).
The US comedy-drama about a sex worker received six scores of four stars (excellent) and four marks of three stars (good). Critics Katja Nicodemus (Germany’s Die Zeit) and Anton Dolin (Meduza) were less convinced,...
Baker’s latest feature received a solid 3.3 - the first film this year to score an average above three stars, overtaking last year’s jury grid winner, Aki Kaurismäki’s Fallen Leaves (3.2).
The US comedy-drama about a sex worker received six scores of four stars (excellent) and four marks of three stars (good). Critics Katja Nicodemus (Germany’s Die Zeit) and Anton Dolin (Meduza) were less convinced,...
- 5/22/2024
- ScreenDaily
Cannes film festival
Playing themselves, film icons gaze into the looking-glass in this unconvincing and tiresome piece of cine-narcissism
A peculiar and tiresome piece of cine-narcissism here from Christophe Honoré, based on an insufferably twee kind of cinephilia – yet rescued, slightly, by the down-to-earth drollery of Catherine Deneuve, who is playing herself.
Chiara Mastroianni, the Franco-Italian actor and Deneuve’s daughter, is of course very well known for her startling likeness to her father: the film icon Marcello Mastroianni. We see her here also playing herself and acting in what is evidently supposed to be a homage to Anita Ekberg’s Trevi fountain scene from Fellini’s La Dolce Vita, in which Marcello famously starred. She feels haunted by her father and has a dream in which her face turns into Marcello’s in the bathroom mirror; actually, it is not much of a change. She confesses how unhappy she...
Playing themselves, film icons gaze into the looking-glass in this unconvincing and tiresome piece of cine-narcissism
A peculiar and tiresome piece of cine-narcissism here from Christophe Honoré, based on an insufferably twee kind of cinephilia – yet rescued, slightly, by the down-to-earth drollery of Catherine Deneuve, who is playing herself.
Chiara Mastroianni, the Franco-Italian actor and Deneuve’s daughter, is of course very well known for her startling likeness to her father: the film icon Marcello Mastroianni. We see her here also playing herself and acting in what is evidently supposed to be a homage to Anita Ekberg’s Trevi fountain scene from Fellini’s La Dolce Vita, in which Marcello famously starred. She feels haunted by her father and has a dream in which her face turns into Marcello’s in the bathroom mirror; actually, it is not much of a change. She confesses how unhappy she...
- 5/22/2024
- by Peter Bradshaw
- The Guardian - Film News
In the Name of the Father: Honore Pays Homage via Identity Crisis
“I only exist when I am working on a film,” Marcello Mastroianni once said, who is, of course, resurrected through the prism of his daughter Chiara Mastorianni in Marcello Mio, the latest feature from Christophe Honoré. Having passed away in 1996, well before the daughter he had with Catherine Deneuve found her own success as an actor, (thanks in part to being a muse for Honoré during the early part of his career in the 2000s), this approach provides a novel experience for the whole family to be together, in a sense.…...
“I only exist when I am working on a film,” Marcello Mastroianni once said, who is, of course, resurrected through the prism of his daughter Chiara Mastorianni in Marcello Mio, the latest feature from Christophe Honoré. Having passed away in 1996, well before the daughter he had with Catherine Deneuve found her own success as an actor, (thanks in part to being a muse for Honoré during the early part of his career in the 2000s), this approach provides a novel experience for the whole family to be together, in a sense.…...
- 5/22/2024
- by Nicholas Bell
- IONCINEMA.com
Now a Cannes veteran, French filmmaker Christophe Honoré has returned to the Competition with the world premiere of Marcello Mio, his French-Italian comedy that stars longtime collaborator Chiara Mastroianni — who, in the film, adopts the persona and appearance of her late father, Marcello Mastroianni. The movie received applause that lasted a touch over eight minutes during its unveiling this evening.
Marcello Mio taps into the younger Mastroianni’s complex reality of being the daughter of cinema icons Marcello Mastroianni and Catherine Deneuve.
In a fantasy scenario, Chiara hits a crisis point and begins to dress, speak and breathe like her late father, the legendary star of such films as La Dolce Vita, 81/2 and Marriage Italian Style. Those around her, including Deneuve, Fabrice Luchini, Melvil Poupaud, Benjamin Biolay, Nicole Garica and Hugh Skinner, who also play part-real, part-fictionalized versions of themselves in Marcello Mio, begin to believe it and start to call her “Marcello.
Marcello Mio taps into the younger Mastroianni’s complex reality of being the daughter of cinema icons Marcello Mastroianni and Catherine Deneuve.
In a fantasy scenario, Chiara hits a crisis point and begins to dress, speak and breathe like her late father, the legendary star of such films as La Dolce Vita, 81/2 and Marriage Italian Style. Those around her, including Deneuve, Fabrice Luchini, Melvil Poupaud, Benjamin Biolay, Nicole Garica and Hugh Skinner, who also play part-real, part-fictionalized versions of themselves in Marcello Mio, begin to believe it and start to call her “Marcello.
- 5/21/2024
- by Nancy Tartaglione and Nada Aboul Kheir
- Deadline Film + TV
Celebrities: they’re not just like us, exactly, but they’re human just the same. Which is why some of the current discourse around “nepo babies” must be a little wounding for showbiz scions nursing their own insecurities about their talent, their reputation and their place in the world — even if the prudent thing to do, from a PR perspective, is to openly check your privilege and move on. Yet whatever degree of sympathy one might feel for actor Chiara Mastroianni — the daughter of Catherine Deneuve and Marcello Mastroianni, a dazzling legacy to bear but perhaps not an easy one — largely evaporates by the end of “Marcello Mio,” a vastly indulgent but gossamer-weight bit of frippery from French writer-director Christophe Honoré, in which Mastroianni channels her late father to increasingly contrived comic effect.
So wink-wink it can barely see straight, so inside-baseball it’s practically buried under the pitcher’s mound,...
So wink-wink it can barely see straight, so inside-baseball it’s practically buried under the pitcher’s mound,...
- 5/21/2024
- by Guy Lodge
- Variety Film + TV
Talk about an identity crisis!
In a wonderfully funny and completely original comedy, French star Chiara Mastroianni in a bit of an existential crisis mode decides one day to morph into her very famous father, the late great Marcello Mastroianni. In a search for her own identity she discovers more about herself, her father, even her equally famous mother Catherine Deneuve who surprisingly consented to play herself and discover truths about her relationship with her ex-finacé (he died in 1996) that had never been made public.
Playing tonight in the official competition of the Cannes Film Festival, where the entire family has appeared many times as fictional characters, this time it hits close to home, but always with a light touch as Chiara drops her own persona and hits the town as if it were Marcello Mastroianni back in Fellini’s 8 1/2. Black suit, hat, moustache, large glasses — she’s all in.
In a wonderfully funny and completely original comedy, French star Chiara Mastroianni in a bit of an existential crisis mode decides one day to morph into her very famous father, the late great Marcello Mastroianni. In a search for her own identity she discovers more about herself, her father, even her equally famous mother Catherine Deneuve who surprisingly consented to play herself and discover truths about her relationship with her ex-finacé (he died in 1996) that had never been made public.
Playing tonight in the official competition of the Cannes Film Festival, where the entire family has appeared many times as fictional characters, this time it hits close to home, but always with a light touch as Chiara drops her own persona and hits the town as if it were Marcello Mastroianni back in Fellini’s 8 1/2. Black suit, hat, moustache, large glasses — she’s all in.
- 5/21/2024
- by Pete Hammond
- Deadline Film + TV
Of all the actors with claims to nepo baby aristocracy, few, if any, have the same pedigree as Chiara Mastroianni. An accomplished performer and winning star all on her own, the daughter of Catherine Deneuve and Marcello Mastroianni has that rare distinction of seeing both of her parents grace Cannes Film Festival posters, leaving a project that playfully interrogates that very heritage a near shoo-in for the festival spotlight. But that vaunted competition slot does little favors for Christophe Honoré’s slight and sketch-like “Marcello Mio,” which plays as an incisive photo-shoot concept in search of wider justification.
This fashion shoot concept isn’t hypothetical, as Honoré’s meta-movie doodle opens on the very same, finding Mastroianni decked out in full Anita Ekberg garb as she saunters into a pool before Paris’ Saint-Sulpice church reformatted as an ersatz Trevi Fountain. The visual folds in several layers, taking Marcello’s iconic turn in “La Dolce Vita,...
This fashion shoot concept isn’t hypothetical, as Honoré’s meta-movie doodle opens on the very same, finding Mastroianni decked out in full Anita Ekberg garb as she saunters into a pool before Paris’ Saint-Sulpice church reformatted as an ersatz Trevi Fountain. The visual folds in several layers, taking Marcello’s iconic turn in “La Dolce Vita,...
- 5/21/2024
- by Ben Croll
- Indiewire
IndieWire has published its Cannes 2024 Cinematography Survey. We analyzed the data to explore (again and again) that the nine-year-old camera, Arri Alexa Mini, is the most popular camera among Cannes filmmakers. Furthermore, interestingly, in its first appearance on the Cannes Cinematography Chart and jumped straight to second place, is the Arri 35.
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
The main cameras of Cannes 2024 are the Arri Alexa Mini and the 35. Cannes 2024 cinematography
The 77th annual Cannes Film Festival is taking place from 14 to 25 May 2024. IndieWire has reached out to the filmmakers behind 59 films screened in various categories in the festival. The DPs elaborated on the tools they utilized to tell their stories. Read the entire survey here.
Official poster of the 77th Cannes Film Festival featuring a still image from the movie Rhapsody in August by Akira Kurosawa (1991)
As the tradition calls, we took the data and filtered it to the cameras used, to explore tendency. Based on the info,...
- 5/21/2024
- by Yossy Mendelovich
- YMCinema
Ali Abbasi’s The Apprentice has failed to impress the critics on Screen’s Cannes jury grid, recording the lowest score so far this year of 1.7.
The film tells Donald Trump’s origin story, with Sebastian Stan playing the future president and Jeremy Strong his ruthless lawyer and mentor Roy Cohn.
It earned eight scores of two (average), plus two ones (poor) and a zero (bad) from Mathieu Macharet at France’s Le Monde.
Click on the jury grid above for the most up-to-date version.
With a 1.7, it is just below Paul Schrader’s Oh, Canada, which previously occupied the...
The film tells Donald Trump’s origin story, with Sebastian Stan playing the future president and Jeremy Strong his ruthless lawyer and mentor Roy Cohn.
It earned eight scores of two (average), plus two ones (poor) and a zero (bad) from Mathieu Macharet at France’s Le Monde.
Click on the jury grid above for the most up-to-date version.
With a 1.7, it is just below Paul Schrader’s Oh, Canada, which previously occupied the...
- 5/21/2024
- ScreenDaily
In this instalment of Screen’s Cannes Close-Up interview series, Beatrice Bauwens - studio head for Paris’ Mpc and co-chair of France VFX - talks Jacques Audiard, France’s VFX tax credit and why a good pair of shoes is the key to surviving Cannes.
Bauwens is at the festival with several films including Audiard’s Emilia Perez and Christophe Honoré’s Marcello Mio but is also hoping to highlight the country’s booming VFX industry.
“[Cannes] is a great opportunity to show what France is capable of in terms of VFX,” Bauwens says. “It’s a good thing to be here and say ’Ok,...
Bauwens is at the festival with several films including Audiard’s Emilia Perez and Christophe Honoré’s Marcello Mio but is also hoping to highlight the country’s booming VFX industry.
“[Cannes] is a great opportunity to show what France is capable of in terms of VFX,” Bauwens says. “It’s a good thing to be here and say ’Ok,...
- 5/21/2024
- ScreenDaily
French director Christophe Honoré returns to Cannes Competition for a third time on Tuesday with comedy Mio Marcello, reuniting him with long time collaborator Chiara Mastroianni.
The comedy taps into the actress’ real-life complex reality of being the daughter of cinema icons Catherine Deneuve and Marcello Mastroianni.
In a fantasy scenario, Mastroianni hits a crisis point in her life and decides to adopt the look and persona of her late father, much to the surprise of her family and friends, as well as those who knew the legendary actor when he was alive.
Mastroianni is joined in the cast by her mother Deneuve, former partners Benjamin Biolay and Mevil Poupaud as well as Fabrice Luchini, Nicole Garcia, UK actor Hugh Skinner and Italian actress Stefania Sandrelli, who famously starred opposite Marcello Mastroianni in the 1961 classic Divorce Italian Style.
Deadline talked to Honoré ahead of the world premiere.
Deadline: What was...
The comedy taps into the actress’ real-life complex reality of being the daughter of cinema icons Catherine Deneuve and Marcello Mastroianni.
In a fantasy scenario, Mastroianni hits a crisis point in her life and decides to adopt the look and persona of her late father, much to the surprise of her family and friends, as well as those who knew the legendary actor when he was alive.
Mastroianni is joined in the cast by her mother Deneuve, former partners Benjamin Biolay and Mevil Poupaud as well as Fabrice Luchini, Nicole Garcia, UK actor Hugh Skinner and Italian actress Stefania Sandrelli, who famously starred opposite Marcello Mastroianni in the 1961 classic Divorce Italian Style.
Deadline talked to Honoré ahead of the world premiere.
Deadline: What was...
- 5/21/2024
- by Melanie Goodfellow
- Deadline Film + TV
These auteurs are ready for their close-up.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
When Quentin Dupieux’s comedy about an ill-fated film set, “The Second Act,” opened the Cannes Film Festival May 14, it will be just one of several movies about filmmaking and filmmakers to touch down on the Croisette. After all, directors Christophe Honoré, Paul Schrader and Josh Mond are among the other prominent filmmakers who are ready to premiere semi-autobiographical stories.
Honoré’s in-competition comedy, “Marcello Mio,” casts Chiara Mastroianni as a version of herself who — after a director compares her to her late father, Marcello Mastroianni — dresses in drag and takes on his identity. Schrader’s in-competition drama, “Oh, Canada,” focuses on a documentary filmmaker (Richard Gere) telling his life story in a doc. Mond’s drama “It Doesn’t Matter” follows two friends chronicling their lives on video. Leos Carax’s 40-minute “C’est pas moi” is partly a self-portrait, with footage from his films and life.
- 5/14/2024
- by Gregg Goldstein
- Variety Film + TV
Cannes Competition titles Bird by Andrea Arnold and Emila Perez by Jacques Audiard are among the films eligible for the Queer Palm at this year’s festival.
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
Any title playing in Cannes which deals in anyway with Lgbtqiaa+ themes is eligible for the Queer Palm, whose jury this year will be presided over by Belgian filmmaker Lukas Dhont. Competing films are drawn from all Cannes selections: Official Selection, Un Certain Regard, Critics’ Week, Directors’ Fortnight and Acid.
Bird centres on a 12-year-old who lives with her single father and brother in a squat and seeks attention and adventure elsewhere; among...
- 5/9/2024
- ScreenDaily
Sydney Film Festival (June 5-16) has unveiled the 12 titles that will play in competition at its 71st edition, including six features that are set to premiere at Cannes this month.
Fresh from playing in Competition at Cannes will be Kinds of Kindness, starring Emma Stone and directed by Yorgos Lanthimos, who won the Sydney Film Prize in 2012 with Alps. Further Palme d’Or contenders selected for Sydney include Grand Tour from Portugal’s Miguel Gomes, whose Arabian Nights won the Sydney Film Prize in 2015; Christophe Honoré’s French-Italian comedy Marcello Mio; and Payal Kapadia’s Indian romantic drama All We Imagine As Light.
Fresh from playing in Competition at Cannes will be Kinds of Kindness, starring Emma Stone and directed by Yorgos Lanthimos, who won the Sydney Film Prize in 2012 with Alps. Further Palme d’Or contenders selected for Sydney include Grand Tour from Portugal’s Miguel Gomes, whose Arabian Nights won the Sydney Film Prize in 2015; Christophe Honoré’s French-Italian comedy Marcello Mio; and Payal Kapadia’s Indian romantic drama All We Imagine As Light.
- 5/7/2024
- ScreenDaily
The full Cannes Film Festival competition jury has been revealed.
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
Joining president Greta Gerwig to award this year’s Palme d’Or will be “Killers of the Flower Moon” Oscar nominee Lily Gladstone; “The Three Musketeers” star Eva Green; “Lupin” lead Omar Sy; Ebru Ceylan, who co-wrote the 2014 Palme d’Or winner “Winter Sleep”; director Nadine Labaki, whose “Capernaum” won the Cannes jury prize in 2018; director Juan Antonio Bayona, whose latest film “Society of the Snow” was Oscar-nominated for best international feature; Italian actor Pierfrancesco Favino, who will next appear in Pablo Larraìn’s “Maria” alongside Angelina Jolie; and director Kore-eda Hirokazu, director of the 2018 Palme d’Or winner “Shoplifters.”
The competition lineup for the upcoming festival includes “All We Imagine as Light” by Payal Kapadia; Sean Baker’s “Anora”; Donald Trump biopic “The Apprentice” from Ali Abbasi; Andrea Arnold’s “Bird,” starring Barry Keoghan and Franz Rogowski; “Caught by the Tides...
- 4/29/2024
- by Ellise Shafer
- Variety Film + TV
Two of France’s fastest-rising young stars, Lyna Khoudri and Rio Vega, will lead the French voice cast of animated feature “In Waves,” an unconditional first love story, and tale of loss and memories adapting American illustrator Aj Dungo’s same-titled multi-prized graphic novel.
An anticipated banner prestige animation title from Paris-based Silex Films, “In Waves” lead producer, the feature also marks the first animated co-production of both Anonymous Content and Charades, behind sales of Jeremy Clapin’s “I Lost My Body” and Mamoru Hosoda’s “Mirai,” both Oscar nominated titles.
In Waves is directed by Phuong Mai Nguyen, a former student of French animation schools Gobelins and La Poudrière who helmed episodes of the Silex-produced animated series “Brazen” and was Oscar-shortlisted for her short “My Home,” “In Waves” has just been announced as one of five titles at the Annecy Animation Showcase, part of Cannes’ Animation Day on May...
An anticipated banner prestige animation title from Paris-based Silex Films, “In Waves” lead producer, the feature also marks the first animated co-production of both Anonymous Content and Charades, behind sales of Jeremy Clapin’s “I Lost My Body” and Mamoru Hosoda’s “Mirai,” both Oscar nominated titles.
In Waves is directed by Phuong Mai Nguyen, a former student of French animation schools Gobelins and La Poudrière who helmed episodes of the Silex-produced animated series “Brazen” and was Oscar-shortlisted for her short “My Home,” “In Waves” has just been announced as one of five titles at the Annecy Animation Showcase, part of Cannes’ Animation Day on May...
- 4/23/2024
- by John Hopewell
- Variety Film + TV
The 2024 Cannes Film Festival lineup was finally revealed at the sliver of dawn on Thursday, April 11. Festival director Thierry Frémaux and president Iris Knobloch unveiled this year’s crop of films across the many sections, from the Competition to Un Certain Regard, during a press conference beginning at 5 a.m. Et. See the full lineup below.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
The 77th edition of Cannes comes to the Côte d’Azur May 14 through 25, and a few titles were already confirmed to be in the mix. There’s Francis Ford Coppola’s self-funded epic “Megalopolis,” which has already screened for a rarified few in the United States to much awe and speculation over what distributor might take on Coppola’s experimental vision. For his first feature since 2011’s “Twixt,” Coppola gathered a cast including Adam Driver, Nathalie Emmanuel, Shia Labeouf, Giancarlo Esposito, Aubrey Plaza, and Jason Schwartzman for a sci-fi vision of a ruined NYC-like metropolis.
- 4/22/2024
- by Ryan Lattanzio
- Indiewire
“Beating Hearts” (“L’amour ouf”), an epic crime romance directed by Gilles Lellouche and slated to compete at the Cannes Film Festival, has lured major distributors in key markets ahead of its world premiere.
The sprawling movie, which is budgeted in the $30 million range, is financed, co-produced represented in international markets by Studiocanal. One of the most anticipated and ambitious French movies set for a theatrical release in 2024, “Beating Hearts” was produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and Alain Attal’s Les Films du Tresor.
Studiocanal will distribute the film in Germany and Australia, as well as France, with a release set for Oct. 16. The company has sold it to Cineart in Benelux, Filmcoopi in Switzerland, Feelgood in Greece, Lucky Red in Italy, Lusomundo in Portugal, Kinoswiat in Poland, Greenlight Films in Ukraine, Capella in Russia and Pinema in Turkey. Studiocanal will be closing more deals at the Cannes Film Festival.
The sprawling movie, which is budgeted in the $30 million range, is financed, co-produced represented in international markets by Studiocanal. One of the most anticipated and ambitious French movies set for a theatrical release in 2024, “Beating Hearts” was produced by Hugo Selignac at Chi-Fou-Mi, a Mediawan company, and Alain Attal’s Les Films du Tresor.
Studiocanal will distribute the film in Germany and Australia, as well as France, with a release set for Oct. 16. The company has sold it to Cineart in Benelux, Filmcoopi in Switzerland, Feelgood in Greece, Lucky Red in Italy, Lusomundo in Portugal, Kinoswiat in Poland, Greenlight Films in Ukraine, Capella in Russia and Pinema in Turkey. Studiocanal will be closing more deals at the Cannes Film Festival.
- 4/16/2024
- by Elsa Keslassy
- Variety Film + TV
Acclaimed auteurs Francis Ford Coppola, Yorgos Lanthimos, Paolo Sorrentino and Andrea Arnold are among the filmmakers set to compete for the coveted Palme d’Or at the 77th Cannes Film Festival.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
A total of 19 features were revealed today (April 11) that will play in Competition at the festival, set to run May 14-25.
Rarely a festival to veer far from familiar names, the Competition line-up is dominated by directors who have been selected multiple times for Cannes.
They include US filmmaker Coppola with sci-fi epic Megalopolis, which stars Adam Driver and is set in a future version of New York City following a disaster.
- 4/11/2024
- ScreenDaily
As expected, the Cannes Film Festival line-up is pretty spectacular with new films from Yorgos Lanthimos, Andrea Arnold and David Cronenberg heading to the fest.
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
As the days are getting longer and there’s a tiny bit more sunshine in between the showers of rain, that can only mean one thing. The Cannes Film Festival is almost upon us.
Of course, us peasants rarely get to go, but it is fun to read the reactions from the glitzy world premieres as the stars gather in the picturesque town of Cannes.
And this year’s festival line-up is a doozy. We already knew George Miller was heading to the Croisette with Furiosa, Francis Ford Coppola is bringing Megalopolis and Kevin Costner will be premiering his new film, too, but there’s a whole heap of great filmmakers heading out to the beach with their films.
The highlights include Yorgos Lanthimos’ Kinds Of Kindness,...
- 4/11/2024
- by Maria Lattila
- Film Stories
Following the press conference unveiling the Cannes lineup, festival director Thierry Fremaux addressed a few hot topics, including Francis Ford Coppola’s 135-minute epic “Megalopolis,” which doesn’t yet have a distribution deal.
While “Megalopolis,” Coppola’s self-produced $120 million opus starring Adam Driver, has been selected to compete at the Cannes Film Festival, it doesn’t have a distribution deal in France. In theory, that’s not an issue as there are “quite a lot of films in the official section without any distribution,” as Fremaux tells Variety. But in the case of “Megalopolis,” it may be a ticking bomb.
If “Megalopolis” does get sold to a streamer with no theatrical plans for France, it will spark uproar on the Croisette and within local exhibitors. Most importantly, it will clash with Cannes’ infamous rule which requires every film in competition to have French theatrical distribution. That strict guideline was first...
While “Megalopolis,” Coppola’s self-produced $120 million opus starring Adam Driver, has been selected to compete at the Cannes Film Festival, it doesn’t have a distribution deal in France. In theory, that’s not an issue as there are “quite a lot of films in the official section without any distribution,” as Fremaux tells Variety. But in the case of “Megalopolis,” it may be a ticking bomb.
If “Megalopolis” does get sold to a streamer with no theatrical plans for France, it will spark uproar on the Croisette and within local exhibitors. Most importantly, it will clash with Cannes’ infamous rule which requires every film in competition to have French theatrical distribution. That strict guideline was first...
- 4/11/2024
- by Elsa Keslassy
- Variety Film + TV
Descubre las películas que estarán en Cannes 2024: una lista completa de todas las secciones.
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
Esta mañana, Thierry Frémaux ha anunciado la programación oficial de la 77ª edición del Festival de Cannes. La pasada edición del festival fue testigo de los estrenos mundiales de las aclamadas películas “Anatomía de una Caída”, “Killers of the Flower Moon” y “The Zone of Interest”. Unas películas que posteriormente fueron nominadas al Oscar a la mejor película, de modo que este año el listón está muy alto.
Desde su primera edición en 1946, el Festival de Cannes se ha consolidado como uno de los acontecimientos cinematográficos más importantes de la industria del cine y la edición de este año ofrece una gran variedad de películas de todo el mundo; desde directores consagrados hasta nuevas voces de la industria. Aunque, por desgracia, España no tendrá representación en el festival este año.
La presidenta del jurado de...
- 4/11/2024
- by Marta Medina
- mundoCine
Cannes Film Festival is continuing its push to marry auteur cinema with films with commercial potential with its 2024 selection, announced by general delegate Thierry Fremaux during the event’s annual press conference in Paris today (April 11).
After last year’s Palme d’Or-winner Anatomy Of A Fall went on to win at the Oscars, Baftas and Cesar awards as well as earning upwards of $35m at the global box office to date, all eyes are on this year’s 77th event to find the next arthouse titles with breakout potential for critics and audiences.
Iris Knobloch, the festival’s president...
After last year’s Palme d’Or-winner Anatomy Of A Fall went on to win at the Oscars, Baftas and Cesar awards as well as earning upwards of $35m at the global box office to date, all eyes are on this year’s 77th event to find the next arthouse titles with breakout potential for critics and audiences.
Iris Knobloch, the festival’s president...
- 4/11/2024
- ScreenDaily
The Official Selection for the 77th Cannes Film Festival was revealed Thursday, with 19 movies in Competition (see full lists below).
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
Familiar names who will launch new works in the Competition include Ali Abbasi, who brings The Apprentice, a feature pic about the early life of Donald Trump. Andrea Arnold returns with Bird, starring Barry Keoghan, and Jacques Audiard’s latest, Emilia Perez, a musical with Selena Gomez will also debut in competition.
Elsewhere, American filmmaker Sean Baker brings Anora to the Croisette. Poor Things filmmaker Yorgos Lanthimos will launch Kinds of Kindness, his latest collab with Emma Stone. David Cronenberg returns with The Shrouds, and Paul Schrader will debut Oh Canada starring Jacob Elordi, Uma Thurman and Richard Gere.
Related: ‘The Apprentice’: First Look At Sebastian Stan As Donald Trump & Jeremy Strong As Roy Cohn In Cannes Competition Film
There’s a strong English-language and American presence in the...
- 4/11/2024
- by Zac Ntim
- Deadline Film + TV
Ahead of a festival kicking off in just about a month, Iris Knobloch, President of the Festival de Cannes, and Thierry Frémaux, General Delegate, have unveiled the selection of the 77th edition of the Cannes Film Festival.
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
Led by the previously announced major highlight, Francis Ford Coppola’s Megalopolis, the competition lineup features the latest films from Jia Zhangke, David Cronenberg, Paul Schrader, Andrea Arnold, Sean Baker, Miguel Gomes, Yorgos Lanthimos, Jacques Audiard, Ali Abbasi, Payal Kapadia, and more.
Other sections include the previously new films from George Miller and Kevin Costner, alongside Leos Carax’s personal short C’est Pas Moi, Guy Maddin, Evan Johnson, and Galen Johnson’s Rumors, Alain Guiraudie’s Miséricorde, and more.
Check out the lineup below.
Competition
All We Imagine As Light – Payal Kapadia
L’amour Ouf – Gilles Lellouche
Anora – Sean Baker
The Apprentice – Ali Abbasi
Bird – Andrea Arnold
Caught by the Tides – Jia Zhang-ke...
- 4/11/2024
- by Jordan Raup
- The Film Stage
Ali Abbasi’s Donald Trump drama The Apprentice, Anora, the latest from The Florida Project and Red Rocket director Sean Baker, and Andrea Arnold’s Bird, starring Barry Keoghan and Franz Rogowski, are among the highlights of this year’s Cannes Film Festival competition.
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
Abbasi, the Iran-born, Sweden-based director, whose Holy Spider was a sensation of the 2022 Cannes festival, returns with his story of how a young Donald Trump and the notorious lawyer Roy Cohn built up Trump’s real estate business in New York in the 1970s and 1980s. Sebastian Stan stars as Trump, Succession‘s Jeremy Strong plays Cohn and Maria Bakalova (Borat Subsequent Moviefilm) is wife Ivana.
Yorgos Lanthimos’ Poor Things follow-up Kinds of Kindness will also premiere in the Cannes competition. The film, featuring the Oscar-winning Poor Things star Emma Stone, will be high on every Cannes attendee’s must-see list. The Greek auteur has again...
- 4/11/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
David Thion, the French producer of Justine Triet’s best picture contender “Anatomy of a Fall,” is preparing a raft of projects helmed by daring female directors including Charline Bourgeois-Tacquet (“Anais in Love”) and Emily Atef (“More Than Ever”).
Speaking to Variety ahead of the Oscars, Thion said he and Marie-Ange Luciani, who also produced “Anatomy of a Fall,” have also signed Triet for her next movie, the topic of which hasn’t been decided yet.
“Justine has devoted herself fully to the awards campaign for ‘Anatomy of a Fall’ and she hasn’t had time to decide what her next film will be, but she has a few ideas,” Thion said. He added that Triet’s next film will likely be “mainly shot in French, but could have an Anglo-Saxon actress as the lead.”
Bourgeois-Tacquet, who made her feature debut with “Anais in Love,” which premiered at Cannes’ Critics Week,...
Speaking to Variety ahead of the Oscars, Thion said he and Marie-Ange Luciani, who also produced “Anatomy of a Fall,” have also signed Triet for her next movie, the topic of which hasn’t been decided yet.
“Justine has devoted herself fully to the awards campaign for ‘Anatomy of a Fall’ and she hasn’t had time to decide what her next film will be, but she has a few ideas,” Thion said. He added that Triet’s next film will likely be “mainly shot in French, but could have an Anglo-Saxon actress as the lead.”
Bourgeois-Tacquet, who made her feature debut with “Anais in Love,” which premiered at Cannes’ Critics Week,...
- 3/8/2024
- by Elsa Keslassy
- Variety Film + TV
French President Emmanuel Macron made history on Tuesday as he appointed 34-year-old politician Gabriel Attal as France’s youngest ever prime minister.
Macron has a complex relationship with France’s cinema industry, where his pension reforms, attitude to cultural funding and support of Gérard Depardieu have come under fire from some quarters, but his new prime minister comes with interesting film world connections.
The new rising star of French politics is the son of late lawyer and film producer Yves Attal, who took credits on Pedro Almodóvar’s High Heels, Roberto Benigni’s The Monster and Bernardo Bertolucci’s Stealing Beauty.
Attal’s mother Marie de Couriss also worked in a production company.
As a teenager, Attal had a small role in Christophe Honoré’s 2008 drama The Beautiful Person co-starring Louis Garrel and Léa Seydoux.
But Attal chose not to follow in his parents’ footsteps.
After private schooling at Paris’s prestigious École Alsacienne,...
Macron has a complex relationship with France’s cinema industry, where his pension reforms, attitude to cultural funding and support of Gérard Depardieu have come under fire from some quarters, but his new prime minister comes with interesting film world connections.
The new rising star of French politics is the son of late lawyer and film producer Yves Attal, who took credits on Pedro Almodóvar’s High Heels, Roberto Benigni’s The Monster and Bernardo Bertolucci’s Stealing Beauty.
Attal’s mother Marie de Couriss also worked in a production company.
As a teenager, Attal had a small role in Christophe Honoré’s 2008 drama The Beautiful Person co-starring Louis Garrel and Léa Seydoux.
But Attal chose not to follow in his parents’ footsteps.
After private schooling at Paris’s prestigious École Alsacienne,...
- 1/9/2024
- by Melanie Goodfellow
- Deadline Film + TV
Melvil Poupaud, an actor in Francois Ozon’s “By the Grace of God” and Maiwenn’s “Jeanne du Barry,” will receive the French Cinema Award from Unifrance, the French promotion organization.
The ceremony will be held on Jan. 18 at the Culture Ministry during the Rendez-Vous With French Cinema market. The French Cinema Award was created in 2016 to honor actors, filmmakers and producers who have contributed to making French cinema shine abroad. Past recipients include actor Juliette Binoche, director Olivier Assayas and producers Aton Soumache and Dimitri Rassam, among others.
Poupaud started his career as a child actor in the 1980 and has worked with auteurs such as Raoul Ruiz, Eric Rohmer, James Ivory and Ozon, with whom he has made four movies. His latest film directed by Ozon, “By the Grace of God,” won the Silver Bear in Berlin and earned him a Cesar nomination for best actor. He also worked with several well-established female directors,...
The ceremony will be held on Jan. 18 at the Culture Ministry during the Rendez-Vous With French Cinema market. The French Cinema Award was created in 2016 to honor actors, filmmakers and producers who have contributed to making French cinema shine abroad. Past recipients include actor Juliette Binoche, director Olivier Assayas and producers Aton Soumache and Dimitri Rassam, among others.
Poupaud started his career as a child actor in the 1980 and has worked with auteurs such as Raoul Ruiz, Eric Rohmer, James Ivory and Ozon, with whom he has made four movies. His latest film directed by Ozon, “By the Grace of God,” won the Silver Bear in Berlin and earned him a Cesar nomination for best actor. He also worked with several well-established female directors,...
- 1/4/2024
- by Elsa Keslassy
- Variety Film + TV
Catherine Breillat on Léa Drucker in Last Summer (L’Été Dernier) and Alfred Hitchcock’s heroine wardrobe: “I said to Léa, think about Vertigo and Kim Novak! But then I think she is more Tippi Hedren.”
Catherine Breillat’s Last Summer stars Léa Drucker and Samuel Kircher with Olivier Rabourdin, Clotilde Courau, Serena Hu, and Angela Chen. The film is based on May el-Toukhy’s 2019 Queen of Hearts, starring Trine Dyrholm, Gustav Lindh, and Magnus Krepper. Last Summer shares a theme with the NYFF Opening Night Gala selection, Todd Haynes’s May December, where a reversal of age also takes central stage.
Catherine Breillat, with Anne-Katrin Titze, reveals the Christophe Honoré, Winter Boy, Paul Kircher and Samuel Kircher connection for Last Summer
Breillat, incomparably daring as ever, tells the story of Anne (Drucker), a successful lawyer, who lives with her businessman husband Pierre (Rabourdin) and their two headstrong, adopted daughters,...
Catherine Breillat’s Last Summer stars Léa Drucker and Samuel Kircher with Olivier Rabourdin, Clotilde Courau, Serena Hu, and Angela Chen. The film is based on May el-Toukhy’s 2019 Queen of Hearts, starring Trine Dyrholm, Gustav Lindh, and Magnus Krepper. Last Summer shares a theme with the NYFF Opening Night Gala selection, Todd Haynes’s May December, where a reversal of age also takes central stage.
Catherine Breillat, with Anne-Katrin Titze, reveals the Christophe Honoré, Winter Boy, Paul Kircher and Samuel Kircher connection for Last Summer
Breillat, incomparably daring as ever, tells the story of Anne (Drucker), a successful lawyer, who lives with her businessman husband Pierre (Rabourdin) and their two headstrong, adopted daughters,...
- 12/14/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Other signatories include Isabelle Adjani, Jacques Audiard and Michel Hazanavicius.
More than 500 leading figures from the French film and cultural industries have signed a letter calling for a silent march on Sunday (November 19) in Paris in response to the ongoing Israel-Hamas war.
Marion Cotillard, Melanie Laurent, Isabelle Adjani, Nathalie Baye, Jacques Audiard, Christophe Honore and Michel Hazanavicius are among the actors, filmmakers, agents and producers who have called for “a silent march of solidarity, humanism and peace”. The initiative was organised by Le Collectif Une Autre Voix (Another Voice) and spearheaded by the group’s President Lubna Azabal, a Belgian...
More than 500 leading figures from the French film and cultural industries have signed a letter calling for a silent march on Sunday (November 19) in Paris in response to the ongoing Israel-Hamas war.
Marion Cotillard, Melanie Laurent, Isabelle Adjani, Nathalie Baye, Jacques Audiard, Christophe Honore and Michel Hazanavicius are among the actors, filmmakers, agents and producers who have called for “a silent march of solidarity, humanism and peace”. The initiative was organised by Le Collectif Une Autre Voix (Another Voice) and spearheaded by the group’s President Lubna Azabal, a Belgian...
- 11/13/2023
- by Rebecca Leffler
- ScreenDaily
French film organisations Arp, directors’ guild Srf spearhead initiative.
With the parallel WGA and SAG-AFTRA strikes still in full swing across the Atlantic, France and Italy’s top filmmakers guilds have come together to show solidarity and reinforce auteur rights with a joint ’declaration of filmmakers’ and have announced a September 3 symposium in Venice.
French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, spearheaded the initiative.
They wrote the original “declaration of filmmakers” open letter in May calling for full authorship rights, fair redistribution of revenues and immediate regulation of AI, before...
With the parallel WGA and SAG-AFTRA strikes still in full swing across the Atlantic, France and Italy’s top filmmakers guilds have come together to show solidarity and reinforce auteur rights with a joint ’declaration of filmmakers’ and have announced a September 3 symposium in Venice.
French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, spearheaded the initiative.
They wrote the original “declaration of filmmakers” open letter in May calling for full authorship rights, fair redistribution of revenues and immediate regulation of AI, before...
- 8/29/2023
- by Rebecca Leffler
- ScreenDaily
Christophe Honoré has landed quite the cast for his next feature film. Re-teaming with daughter-mother team of Chiara Mastroianni and Catherine Deneuve, Honoré also adds Benjamin Biolay, Melvil Poupaud, Nicole Garcia and Fabrice Luchini to the mix. Les inrocks folks confirm (what we had mentioned last week), filming does take place in late August in Paris and it’ll then move to Rome (Marcello Mastroianni’s home turf). We can chalk what will likely be a meta exercise as a Cannes competition hopeful. Les Films Pelléas’ Philippe Martin and David Thion are producing the currently untitled feature.
Honoré will likely take an intimate approach into Chiara Mastroianni’s world tackling identity and possibly the splitting of two personas — he is in a good position to do so as he has worked with the actress on six prior occasions – their last collaboration being the Un Certain Regard Best Actress awarded for...
Honoré will likely take an intimate approach into Chiara Mastroianni’s world tackling identity and possibly the splitting of two personas — he is in a good position to do so as he has worked with the actress on six prior occasions – their last collaboration being the Un Certain Regard Best Actress awarded for...
- 6/26/2023
- by Eric Lavallée
- IONCINEMA.com
We can mark down a new feature film from Christophe Honoré for the 2024 calendar as the Paris-based filmmaker is setting up shop for what will be his fifteenth feature film in just over a two-decade span. Title, plot, casting news will surely be announced in the weeks ahead but what we do know is that we are looking a six-week shoot beginning mid-August in Paris. Les Films Pelléas’ David Thion (who just won the Palme d’Or for Anatomy of a Fall) will likely return as a producer here. Coming off two-plus hour coming-of-ager TIFF-preemed Le lycéen (Winter Boy), we can expect this film to explore themes of youth, family, sexuality and everything under the human condition — and it would be timed for a possible bid for a competition slot in Cannes.…...
- 6/20/2023
- by Eric Lavallée
- IONCINEMA.com
David Thion, the French producer of Justine Triet’s Palme d’Or winning “Anatomy of a Fall,” is reteaming with Guillaume Senez for “Une part manquante,” a Tokyo-set drama which Be For Films is representing in international markets.
“Une part manquante” will also reunite Senez with popular French actor Romain Duris, who starred in his 2018 film “Our Struggles” and earned a Cesar nomination for it. Brussels-based Be For Films had sold Senez’s feature debut “Keeper” and “Our Struggles” in most major territories and presented at a flurry of international festivals.
Duris will play Jay, who hasn’t seen his daughter for nine years since getting separated from his Japanese wife. As a foreigner residing in Japan, Jay was denied custody of his daughter. Hoping to find her somewhere in the city, he abandons his career as a renown chef and becomes a taxi driver. After all these years searching in vain,...
“Une part manquante” will also reunite Senez with popular French actor Romain Duris, who starred in his 2018 film “Our Struggles” and earned a Cesar nomination for it. Brussels-based Be For Films had sold Senez’s feature debut “Keeper” and “Our Struggles” in most major territories and presented at a flurry of international festivals.
Duris will play Jay, who hasn’t seen his daughter for nine years since getting separated from his Japanese wife. As a foreigner residing in Japan, Jay was denied custody of his daughter. Hoping to find her somewhere in the city, he abandons his career as a renown chef and becomes a taxi driver. After all these years searching in vain,...
- 5/30/2023
- by Elsa Keslassy
- Variety Film + TV
A bold departure from France’s cinema tradition of social realism, Thomas Cailley’s widely ambitious sophomore outing “The Animal Kingdom” is equally a creature-filled dystopia, an emotionally charged father-and-son drama and a coming-of-age tale.
The character-driven film world premiered to warm reviews at the Cannes Film Festival where it bowed the Un Certain Regard section. “The Animal Kingdom” is represented in international market by Studiocanal and was produced by Pierre Guyard at Nord Ouest Films, and co-produced by Artemis.
“The Animal Kingdom” takes place in an undetermined future in France which has been swept by a genetic disease causing people to transform into creatures that are being hunted down and killed or institutionalized by authorities. Kircher, the breakout star of Christophe Honoré’s “Winter Boy,” plays 16-year-old Emile whose mother was institutionalized after showing first signs of a genetic mutation. He lives with his father Francois (Romain Duris) who is struggling to overcome grief.
The character-driven film world premiered to warm reviews at the Cannes Film Festival where it bowed the Un Certain Regard section. “The Animal Kingdom” is represented in international market by Studiocanal and was produced by Pierre Guyard at Nord Ouest Films, and co-produced by Artemis.
“The Animal Kingdom” takes place in an undetermined future in France which has been swept by a genetic disease causing people to transform into creatures that are being hunted down and killed or institutionalized by authorities. Kircher, the breakout star of Christophe Honoré’s “Winter Boy,” plays 16-year-old Emile whose mother was institutionalized after showing first signs of a genetic mutation. He lives with his father Francois (Romain Duris) who is struggling to overcome grief.
- 5/21/2023
- by Elsa Keslassy
- Variety Film + TV
While the world was grappling with the Covid-19 pandemic, French director Thomas Cailley was imagining another kind of coronavirus, one he’d cooked up before the crisis, but which suddenly took on new real-world relevance. In “The Animal Kingdom,” a mysterious malady is sweeping France, unlocking something at a genetic level that causes people to transform into hybrid creatures. The mutations are slow and somewhat unpredictable: One person might sprout feathers, observing over weeks as their arms develop into wings, while another grows scales and winds up slithering like a snake.
Through it all, 16-year-old Émile (Paul Kircher) and his father, François (Romain Duris), are just trying to stay calm, which isn’t easy when something akin to a zombie apocalypse has left the entire country jittery and suspicious. What’s causing the mutations? Is it contagious? Can the creatures be trusted, or are they a threat to others? A scar on Émile’s cheek,...
Through it all, 16-year-old Émile (Paul Kircher) and his father, François (Romain Duris), are just trying to stay calm, which isn’t easy when something akin to a zombie apocalypse has left the entire country jittery and suspicious. What’s causing the mutations? Is it contagious? Can the creatures be trusted, or are they a threat to others? A scar on Émile’s cheek,...
- 5/17/2023
- by Peter Debruge
- Variety Film + TV
It was signed by auteurs including Claire Denis, Jacques Audiard, the Dardenne brothers and Katell Quillévéré.
In an echo of the issues forcing US writers to strike, French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, have written an open letter lashing out at copyright infringements and contemporary commercial cinema practices that they say pose a threat to auteur film.
The letter began: “We, filmmakers, work at the crossroads of ’an art and also an industry’”, in a reference to André Malraux.
They went on to condemn practices that “contravene the core...
In an echo of the issues forcing US writers to strike, French film organisations the Arp (the guild for writers-directors-producers) and directors’ guild the Srf, behind Directors’ Fortnight, have written an open letter lashing out at copyright infringements and contemporary commercial cinema practices that they say pose a threat to auteur film.
The letter began: “We, filmmakers, work at the crossroads of ’an art and also an industry’”, in a reference to André Malraux.
They went on to condemn practices that “contravene the core...
- 5/16/2023
- by Rebecca Leffler
- ScreenDaily
Christophe Honoré's Winter Boy is now showing exclusively on Mubi starting April 28, 2023, in many countries in the series Luminaries.When Antoine Doinel first dons his checkered jacket and roams the streets of Paris in François Truffaut’s The 400 Blows (1959), the city air is so cold that his breath clouds the frame. Truffaut’s wintry film is a tale of isolation and frustration in the life of the young Doinel, a misbehaving schoolboy bored by la dictée and the stifling teachings of his professor. Out in the frostbitten night, he sleeps in a printing press and steals a typewriter, evoking his search for his own liberation and words to live by. To everyone else, he appears a troubled youth in need of institutionalization. To Truffaut, he is his younger self looking for his identity and the means to express it, a memory committed to film. When a filmmaker sets...
- 5/2/2023
- MUBI
A young boy comes of age after his father’s sudden death in Christophe Honoré’s “Winter Boy.” A bleak portrait of grief, the film may earn points for crafting an empathetic, subjective portrayal of one boy’s emotional spiral. Yet, the film also makes several odd formal and aesthetic choices that, ultimately, make Honoré’s film feel more hackneyed than resonant. The strangest of which is the decision to allow Lucas (Paul Kircher), an openly gay 17-year-old, to directly address the camera, explaining and contextualizing his feelings to an unseen audience.
Continue reading ‘Winter Boy’ Review: Christophe Honoré’s Latest With Juliette Binoche Is An Affecting & Occasionally Hackneyed Portrait Of Grief at The Playlist.
Continue reading ‘Winter Boy’ Review: Christophe Honoré’s Latest With Juliette Binoche Is An Affecting & Occasionally Hackneyed Portrait Of Grief at The Playlist.
- 4/29/2023
- by Christian Gallichio
- The Playlist
Hazy Shade of Winter: Honore Deals with a Death in the Family in Sincere Coming-of-Age
Christophe Honoré has built an intricate filmography on the backs of characters consumed with loss and exploring their identities for the past two decades, only occasionally breaking from familiar themes to explore the inherent decadence and taboo of classic literature (such as his adaptations of Georges Bataille or Ovid). His latest, Le Lycéen (Winter Boy), unites coming-of-age tropes paralleled with loss, guilt, and sexuality through a semi-autobiographical lens in his particular talents for loquacious wisdom punctuated by observational sensibilities defining complex human relationships.
Honoré hands relative newcomer Paul Kircher the reins for this quietly poignant narrative about not taking those we love for granted and the inherent power in re-defining ourselves after tragedy shatters the fragile reality of preconceived notions.…...
Christophe Honoré has built an intricate filmography on the backs of characters consumed with loss and exploring their identities for the past two decades, only occasionally breaking from familiar themes to explore the inherent decadence and taboo of classic literature (such as his adaptations of Georges Bataille or Ovid). His latest, Le Lycéen (Winter Boy), unites coming-of-age tropes paralleled with loss, guilt, and sexuality through a semi-autobiographical lens in his particular talents for loquacious wisdom punctuated by observational sensibilities defining complex human relationships.
Honoré hands relative newcomer Paul Kircher the reins for this quietly poignant narrative about not taking those we love for granted and the inherent power in re-defining ourselves after tragedy shatters the fragile reality of preconceived notions.…...
- 4/28/2023
- by Nicholas Bell
- IONCINEMA.com
Grief is by no means a universally relatable subject; we may all encounter it, but the manner in which we process it very rarely translates directly to somebody else’s personal experiences. This is something filmmaker Christophe Honoré has an innate awareness of, with his latest film Winter Boy attempting to address his own formative experience of grief without simply resorting to a semi-autobiographical work. So he doesn’t leave these still-raw emotions confined within a period setting, rendering that adolescent pain a distant memory. He’s attempting to address them via a contemporary coming-of-age tale––one that may share resemblances to his own youth but refuses to simply revisit it.
It’s an intriguing approach for the writer-director to take, and one that didn’t entirely work. Though many moments are keenly felt, especially whenever the sibling relationship takes center stage, there are just as many that lack an...
It’s an intriguing approach for the writer-director to take, and one that didn’t entirely work. Though many moments are keenly felt, especially whenever the sibling relationship takes center stage, there are just as many that lack an...
- 4/27/2023
- by Alistair Ryder
- The Film Stage
AIDS is ever present in Christophe Honoré’s 2018 film Sorry Angel. But rather than dictate the choices and emotions of the characters, the disease simply colors their experiences, serving as a filter through which they see the world. In Winter Boy, Honoré approaches grief in a similarly subtle, intriguingly indirect manner. Where many films show grief merely as a crippling hindrance, Winter Boy sees it as an emotional state that constantly rises and recedes, disrupting the flow and morphing the meaning of everyday experience.
Honoré himself plays a soon-to-be-deceased father, Claude, immediately alluding to the personal nature of the film, which is based on his experiences after losing his own father. Winter Boy’s main focus, though, is Claude’s 17-year-old son, Lucas (Paul Kircher), who’s the same age that Honoré was when his father died, and who faces the aftermath of this loss with his mother, Isabelle (Juliette Binoche), and older brother,...
Honoré himself plays a soon-to-be-deceased father, Claude, immediately alluding to the personal nature of the film, which is based on his experiences after losing his own father. Winter Boy’s main focus, though, is Claude’s 17-year-old son, Lucas (Paul Kircher), who’s the same age that Honoré was when his father died, and who faces the aftermath of this loss with his mother, Isabelle (Juliette Binoche), and older brother,...
- 4/24/2023
- by Derek Smith
- Slant Magazine
Mubi has announced its lineup of streaming offerings for next month, including David Easteal’s The Plains (one of the best films we saw on the festival circuit last year), Christophe Honoré’s Winter Boy, Koji Fukada’s 10-part series The Real Thing, Bruce Labruce’s Saint-Narcisse, and more.
Additional highlights include three films by Joan Micklin Silver, additions to their Lars von Trier series, Sylvain Chomet’s The Triplets of Belleville, Sally Potter’s Orlando, Steven Soderbergh’s Haywire, Nadav Lapid’s Synonyms, and more.
Check out the lineup below and get 30 days free here.
April 1 – Henry Fool, directed by Hal Hartley
April 2 – Waltz with Bashir, directed by Ari Folman
April 3 – The All-Round Reduced Personality – Redupers, directed by Helke Sander | What Sets Us Free? German Feminist Cinema
April 4 – Saint-Narcisse, directed by Bruce Labruce
April 5 – Jaime Francisco, directed by Javier Rodríguez | Brief Encounters
April 6 – Hester Street, directed by Joan Micklin...
Additional highlights include three films by Joan Micklin Silver, additions to their Lars von Trier series, Sylvain Chomet’s The Triplets of Belleville, Sally Potter’s Orlando, Steven Soderbergh’s Haywire, Nadav Lapid’s Synonyms, and more.
Check out the lineup below and get 30 days free here.
April 1 – Henry Fool, directed by Hal Hartley
April 2 – Waltz with Bashir, directed by Ari Folman
April 3 – The All-Round Reduced Personality – Redupers, directed by Helke Sander | What Sets Us Free? German Feminist Cinema
April 4 – Saint-Narcisse, directed by Bruce Labruce
April 5 – Jaime Francisco, directed by Javier Rodríguez | Brief Encounters
April 6 – Hester Street, directed by Joan Micklin...
- 3/23/2023
- by Leonard Pearce
- The Film Stage
That English-language cinema has no parallel for the Garrel family is equal testament to their legacy and our shallow, piddling culture. While Philippe Garrel’s decades-long filmmaking career––which began with political documentation and silent features, but now represents modern cinema’s best studies of romance and longing––just added to its corpus his excellent The Plough, starring progeny Louis Garrel, Esther Garrel, and Lena Garrel, Louis is about to see the U.S. debut of The Innocent, his fourth feature in writing-directing-starring capacities.
If it barely resembles his father’s films––still attuned to human behavior, but packaging observations inside madcap scenarios Garrel proudly calls “completely unbelievable”––that’s all the better: watching The Innocent suggests less an heir to Philippe Garrel than Dino Risi or Pierre Etaix.
Ahead of a release this Friday beginning at NYC’s IFC Center, I talked to Garrel about the difficulty of constructing an intricate comedy-thriller,...
If it barely resembles his father’s films––still attuned to human behavior, but packaging observations inside madcap scenarios Garrel proudly calls “completely unbelievable”––that’s all the better: watching The Innocent suggests less an heir to Philippe Garrel than Dino Risi or Pierre Etaix.
Ahead of a release this Friday beginning at NYC’s IFC Center, I talked to Garrel about the difficulty of constructing an intricate comedy-thriller,...
- 3/16/2023
- by Nick Newman
- The Film Stage
Christophe Honoré selected Catherine Breillat’s 36 Fillette: “Her work is very important for French cinema.” Photo: Anne-Katrin Titze
Jacques Demy’s Lola (starring Anouk Aimée with Marc Michel), Wim Wenders’ Paris, Texas, Zhangke Jia and composer Yoshihiro Hanno, Yves Robert’s La Guerre des Boutons, Alain Resnais’ Providence and L'Année Dernière à Marienbad, Kenneth Lonergan’s Manchester By The Sea, Sophie's Misfortunes, and Catherine Breillat’s 36 Fillette all came up in our discussion.
Christophe Honoré with Anne-Katrin Titze on why Alain Resnais is a king: “I’m interested in narrative play and people who have a ludic relationship to storytelling.” Photo: Anne-Katrin Titze
Christophe Honoré was in New York to present Winter Boy, starring Paul Kircher, Vincent Lacoste, Juliette Binoche, and Erwan Kepoa Falé, shot by Rémy Chevrin (Guermantes, [film]On...
Jacques Demy’s Lola (starring Anouk Aimée with Marc Michel), Wim Wenders’ Paris, Texas, Zhangke Jia and composer Yoshihiro Hanno, Yves Robert’s La Guerre des Boutons, Alain Resnais’ Providence and L'Année Dernière à Marienbad, Kenneth Lonergan’s Manchester By The Sea, Sophie's Misfortunes, and Catherine Breillat’s 36 Fillette all came up in our discussion.
Christophe Honoré with Anne-Katrin Titze on why Alain Resnais is a king: “I’m interested in narrative play and people who have a ludic relationship to storytelling.” Photo: Anne-Katrin Titze
Christophe Honoré was in New York to present Winter Boy, starring Paul Kircher, Vincent Lacoste, Juliette Binoche, and Erwan Kepoa Falé, shot by Rémy Chevrin (Guermantes, [film]On...
- 3/13/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Christophe Honoré with Anne-Katrin Titze at Rendez-Vous with French Cinema in New York Photo: Anne-Katrin Titze
Christophe Honoré (Winter Boy), Florent Gouëlou (Three Nights A Week), Vuk Lungulov-Klotz (Mutt), and Georden West (Playland), will participate in a Rendez-Vous with French Cinema Free Talk: Queer Identities On Screen, moderated by filmmaker and Cuny professor Yoruba Richen (director of The Green Book: Guide to Freedom) on Friday, March 10 at 4:00pm inside the Amphitheater of the Elinor Bunin Munroe Film Center.
Autofiction at Work: An Intimate Portrait of Christophe Honoré at Metrograph
Christophe is also presenting Dans Paris and Sorry Angel, Alain Resnais’s Providence, Catherine Breillat’s 36 Fillette, and Kenneth Lonergan’s Manchester By The Sea in Autofiction at Work: An Intimate Portrait of Christophe Honoré at Metrograph this weekend, curated by Uptown Flicks Adeline Monzier with the support of Unifrance and Villa Albertine.
“As a queer auteur and a...
Christophe Honoré (Winter Boy), Florent Gouëlou (Three Nights A Week), Vuk Lungulov-Klotz (Mutt), and Georden West (Playland), will participate in a Rendez-Vous with French Cinema Free Talk: Queer Identities On Screen, moderated by filmmaker and Cuny professor Yoruba Richen (director of The Green Book: Guide to Freedom) on Friday, March 10 at 4:00pm inside the Amphitheater of the Elinor Bunin Munroe Film Center.
Autofiction at Work: An Intimate Portrait of Christophe Honoré at Metrograph
Christophe is also presenting Dans Paris and Sorry Angel, Alain Resnais’s Providence, Catherine Breillat’s 36 Fillette, and Kenneth Lonergan’s Manchester By The Sea in Autofiction at Work: An Intimate Portrait of Christophe Honoré at Metrograph this weekend, curated by Uptown Flicks Adeline Monzier with the support of Unifrance and Villa Albertine.
“As a queer auteur and a...
- 3/8/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Showcasing the best of contemporary French films, this year's Rendez-Vous with French Cinema features 21 features from old masters to newcomers, including new films by Philippe and Louis Garrel, Arnaud Desplechin, Dominik Moll, Patricia Mazuy and Léa Mysius. Though I feel like I say this every year, about this ultimate festival for Francophiles, but this year's offerings are possibly the strongest in terms of quality and cinematic audacity, in years. Guest attendees include Virginie Efira, Louis Garrel, Christophe Honoré, Alice Winocour, Patricia Mazuy, Melvil Paupoud and more. Rendez-Vous with French Cinema is presented by Unifrance and Film at Lincoln Center and runs from Thursday, March 2, through Sunday, March 12 @filmlinc Here are five films I was privileged to sample for the festival. ...
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- 3/1/2023
- Screen Anarchy
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