The ’80s was a decade of movies that you can hear at a roar even on mute. A screenshot of Tom Cruise and Rebecca De Mornay aboard the train in “Risky Business” has a sound to it. The same goes for a still image of Kaneda riding towards Neo-Tokyo in “Akira,” or Jack Nicholson’s car snaking its way up the mountains towards the Overlook Hotel during the opening titles of “The Shining.”
It was a decade of synths and sad jazz; a decade of legends reaching the height of their powers (e.g. John Williams and Ennio Morricone), and of newcomers from other disciplines becoming cinematic virtuosos in their own right (e.g. Ryuichi Sakamoto and Philip Glass). The movies had never sounded that way before, but the best film scores of the ’80s — our picks are listed below — continue to echo in our minds as if they’ve always been there.
It was a decade of synths and sad jazz; a decade of legends reaching the height of their powers (e.g. John Williams and Ennio Morricone), and of newcomers from other disciplines becoming cinematic virtuosos in their own right (e.g. Ryuichi Sakamoto and Philip Glass). The movies had never sounded that way before, but the best film scores of the ’80s — our picks are listed below — continue to echo in our minds as if they’ve always been there.
- 8/15/2023
- by David Ehrlich and Christian Blauvelt
- Indiewire
Ava DuVernay’s arts and social collective Array has announced its slate of summer programming, including an actor’s masterclass taught by Emmy winner Niecy Nash-Betts, a cinematic celebration of Jean-Michel Basquiat and the debut of two new commissioned projects from Array’s Law Enforcement Accountability Project (Leap).
The summer lineup is curated by Array’s SVP of public programming, Mercedes Cooper, and in keeping with the Array’s mission of “igniting social change through the cinematic arts,” all events are free to the public.
“Array’s focus on instigating narrative change through our non-profit Array Alliance allows us to gather audiences around issues aligned with our core mission and everyday work,” said Cooper in a statement announcing the lineup.
“With film and art as the doorway, this summer’s programs invite conversations around otherness, authority and privilege, love and loss, as well as Black masculinity,” she continued. “Our ongoing...
The summer lineup is curated by Array’s SVP of public programming, Mercedes Cooper, and in keeping with the Array’s mission of “igniting social change through the cinematic arts,” all events are free to the public.
“Array’s focus on instigating narrative change through our non-profit Array Alliance allows us to gather audiences around issues aligned with our core mission and everyday work,” said Cooper in a statement announcing the lineup.
“With film and art as the doorway, this summer’s programs invite conversations around otherness, authority and privilege, love and loss, as well as Black masculinity,” she continued. “Our ongoing...
- 6/1/2023
- by Angelique Jackson
- Variety Film + TV
The strikethrough is a typographical choice that commands attention; it demands that you notice it to the temporary dismissal of everything else around it. Jean-Michel Basquiat, the pioneering painting prodigy who rose to great acclaim before his untimely death in 1988 at age 27, used this device on his canvases intentionally. In fact, for a young, dreadlocked Haitian and Puerto Rican artist navigating the predominantly white fine art world of New York City in the late 1970s and 1980s, his very presence was a strikethrough — attracting eyes, intrigue, critique and passive observation. His outsiderness, ultimately, was outsized only by the ingenuity of his work.
Neo-expressionist painting (the movement Basquiat helped popularize) was direct and challenging in its commentary, elbowing the politeness of minimalist concepts that dominated the midcentury out of the way in exchange for high-energy canvases defined by their vividness and honest portrayal of reality. In that tradition, Lisane Basquiat and Jeanine Heriveaux,...
Neo-expressionist painting (the movement Basquiat helped popularize) was direct and challenging in its commentary, elbowing the politeness of minimalist concepts that dominated the midcentury out of the way in exchange for high-energy canvases defined by their vividness and honest portrayal of reality. In that tradition, Lisane Basquiat and Jeanine Heriveaux,...
- 4/1/2023
- by Evan Nicole Brown
- The Hollywood Reporter - Movie News
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