Roberta Torre with Anne-Katrin Titze on Gitt Magrini, Michelangelo Antonioni’s costume designer for Red Desert and with Bice Brichetto for L'Eclisse: “With Massimo Cantini Parrini we have thought a lot about this before making the film. So he went to all the beautiful costumes for Monica Vitti to see what remains today.”
A little over an hour and a half into Michelangelo Antonioni’s Red Desert, Monica Vitti’s Giuliana visits Richard Harris’s Corrado Zeller at his hotel. “Mi fanno male i capelli” she says, her hair hurts, as do her eyes, her throat and her mouth. Roberta Torre’s Mi Fanno Male I Capelli with a score by Wong Kar Wai’s longtime composer Shigeru Umebayashi takes the sentence as a starting point to investigate time and the mind, memory and the fluidity of identity.
Edoardo (Filippo Timi) with Monica (Alba Rohrwacher) in dress inspired by Monica...
A little over an hour and a half into Michelangelo Antonioni’s Red Desert, Monica Vitti’s Giuliana visits Richard Harris’s Corrado Zeller at his hotel. “Mi fanno male i capelli” she says, her hair hurts, as do her eyes, her throat and her mouth. Roberta Torre’s Mi Fanno Male I Capelli with a score by Wong Kar Wai’s longtime composer Shigeru Umebayashi takes the sentence as a starting point to investigate time and the mind, memory and the fluidity of identity.
Edoardo (Filippo Timi) with Monica (Alba Rohrwacher) in dress inspired by Monica...
- 5/31/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Conformist
Written and directed by Bernardo Bertolucci
Italy, 1970
When first introduced to the improved quality of Blu-ray technology, there were about a dozen films I couldn’t wait to see in the format. These were movies of extraordinary beauty that I knew would surely benefit from the enhanced visual resolution. Now, with the arrival of Bernardo Bertolucci’s The Conformist on a stunning new Raro Video edition, another one of those titles can be scratched off the list. What makes this an exciting release, however, goes beyond the look of the picture (though that is paramount). This is, in every regard, one of the greatest films ever made.
The Conformist is a complex chronicle of the tormented, ruthless, and devious Marcello Clerici (Jean-Louis Trintignant), a rising-through-the-ranks Fascist enforcer. The film is a fascinating look at the extent to which one will go to escape the past, fit in with the present,...
Written and directed by Bernardo Bertolucci
Italy, 1970
When first introduced to the improved quality of Blu-ray technology, there were about a dozen films I couldn’t wait to see in the format. These were movies of extraordinary beauty that I knew would surely benefit from the enhanced visual resolution. Now, with the arrival of Bernardo Bertolucci’s The Conformist on a stunning new Raro Video edition, another one of those titles can be scratched off the list. What makes this an exciting release, however, goes beyond the look of the picture (though that is paramount). This is, in every regard, one of the greatest films ever made.
The Conformist is a complex chronicle of the tormented, ruthless, and devious Marcello Clerici (Jean-Louis Trintignant), a rising-through-the-ranks Fascist enforcer. The film is a fascinating look at the extent to which one will go to escape the past, fit in with the present,...
- 12/3/2014
- by Jeremy Carr
- SoundOnSight
Following its screening at the Edinburgh International Film Festival (Eiff), here is a closer look at Pulp (1972) starring Michael Caine as stylish Mickey King. Strolling around Malta in a white cord suit and kipper tie, Caine is the epitome of badly folded cool.
Pulp was written and directed by Mike Hodges as only his second feature. It reunited the director with Michael Caine one year after they made grim, seminal revenge thriller Get Carter together. Often described as the ‘anti-Carter’, this film, as its title suggests, is happy to be its low-brow cousin.
Caine as apathetic yet successful novelist Mickey King is drawn into a world of sub-OO7 spy and murder shenanigans when he accepts the job of ghost writer for a reclusive actor’s autobiography. It’s a likeable jaunt, if a tad disjointed to sustain interest by the final act. As ever Caine is the perfect choice for the man in a suit.
Pulp was written and directed by Mike Hodges as only his second feature. It reunited the director with Michael Caine one year after they made grim, seminal revenge thriller Get Carter together. Often described as the ‘anti-Carter’, this film, as its title suggests, is happy to be its low-brow cousin.
Caine as apathetic yet successful novelist Mickey King is drawn into a world of sub-OO7 spy and murder shenanigans when he accepts the job of ghost writer for a reclusive actor’s autobiography. It’s a likeable jaunt, if a tad disjointed to sustain interest by the final act. As ever Caine is the perfect choice for the man in a suit.
- 6/22/2010
- by Chris Laverty
- Clothes on Film
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