The Australian Production Design Guild has announced the shortlist for its inaugural awards.
Across 13 categories, the awards recognise outstanding design talent in the screen and theatre industry.
The Apdg Awards will be held at Nida on the 21st September.
Apdg Awards Shortlist
The Docklands Studios Melbourne Apdg award for design on a feature film
The Tree - Steve Jones-Evans; production designer Daybreakers – George Liddle; production designer Beneath Hill 60 – Clayton Jauncey; production designer
The Encore Apdg award for design on a short film
The Cartographer – Jane Shadbolt; designer/director The Missing Key - Jonathan Nix; designer/director, Shane Ingram; 3D designer The Telegram Man – David McKay; production designer
The Matchbox Pictures Apdg award for design on a television drama
Hawke - Carrie Kennedy; production designer, Ben Morieson; production designer Cloudstreet - Herbert Pinter; production designer Paper Giants – Jon Rohde; production designer, Scott Bird; art director
The Next Printing Apdg award...
Across 13 categories, the awards recognise outstanding design talent in the screen and theatre industry.
The Apdg Awards will be held at Nida on the 21st September.
Apdg Awards Shortlist
The Docklands Studios Melbourne Apdg award for design on a feature film
The Tree - Steve Jones-Evans; production designer Daybreakers – George Liddle; production designer Beneath Hill 60 – Clayton Jauncey; production designer
The Encore Apdg award for design on a short film
The Cartographer – Jane Shadbolt; designer/director The Missing Key - Jonathan Nix; designer/director, Shane Ingram; 3D designer The Telegram Man – David McKay; production designer
The Matchbox Pictures Apdg award for design on a television drama
Hawke - Carrie Kennedy; production designer, Ben Morieson; production designer Cloudstreet - Herbert Pinter; production designer Paper Giants – Jon Rohde; production designer, Scott Bird; art director
The Next Printing Apdg award...
- 9/2/2011
- by Georgina Pearson
- Encore Magazine
Even though the episode was entitled “Darkness”, Stargate Universe was all about power, both in a literal and metaphorical sense. Throw in some ego bruising and a lot of tension and letting go and you have a thrilling hour of television.
There were no flashbacks this week of any kind (awwww), but we did have The Office-style farewell messages that Eli recorded with the Kino. The Kino records? During a power outage? I’ll get to that later.
I’m breaking the recap down into storylines instead of trying keep up with all the jumping around.
The Power Hungry Professor
Dr. Rush tries to find the source of the draining power on the ship as he watches systems fail left and right of epic proportions. Seeing the other scientists push buttons and activate things that they know nothing about (according to Dr. Rush, that is), Dr. Rush confronts Col. Young...
There were no flashbacks this week of any kind (awwww), but we did have The Office-style farewell messages that Eli recorded with the Kino. The Kino records? During a power outage? I’ll get to that later.
I’m breaking the recap down into storylines instead of trying keep up with all the jumping around.
The Power Hungry Professor
Dr. Rush tries to find the source of the draining power on the ship as he watches systems fail left and right of epic proportions. Seeing the other scientists push buttons and activate things that they know nothing about (according to Dr. Rush, that is), Dr. Rush confronts Col. Young...
- 10/17/2009
- by Mark O. Estes
- TVovermind.com
- Ten Canoes, the most critically acclaimed Australian film of the year, swept the Australian Film Institute awards last week. The film depicts the cautionary tale of lust and loyalty that an Aboriginal tribe recounts to a young member. Incredibly it is first feature from Australia made in a language indigenous. The film, directed by the experienced Rolf de Heer and newcomer Peter Djigirr, has been generating award buzz since it was selected, and won a Special Jury Prize, at Cannes earlier this year. On Thursday the film won, Best Direction, the much deserved Best Cinematography for Ian Jones, Best Editing, Best Sound and Best Original Screenplay. Unsurprisingly Ten Canoes also managed to secure the L’Oreal Paris AFI Award for Best Film. De Heer was further honoured with the Brian Kennedy Award, an award that is given in respect of a filmmaker’s relentless pursuit of excellence in filmmaking.
- 12/12/2006
- IONCINEMA.com
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