“Oppenheimer” collected more trophies on Sunday night as it topped the feature competition at the 71st annual Motion Picture Sound Editors Golden Reel Awards.
During a ceremony held at the Wilshire Ebell Theatre in Los Angeles, the team from Christopher Nolan’s drama about the father of the atomic bomb won a pair of awards in the categories of effects/Foley and dialogue/Adr. Also in the feature categories, “Maestro” won the award for music editing, “Society of the Snow” collected the award for an international feature, “Spider-Man: Across the Spider-Verse” grabbed the trophy for an animated feature, and “32 Sounds” accepted the documentary prize.
“Oppenheimer” and “Maestro,” as well as “The Creator,” “Mission Impossible: Dead Reckoning Part 1” and “The Zone of Interest” are nominated for the Oscar in sound, which combines sound editing and mixing. Previously, ‘Oppenheimer” won the Cinema Audio Society Award for sound mixing, while “The Zone of Interest...
During a ceremony held at the Wilshire Ebell Theatre in Los Angeles, the team from Christopher Nolan’s drama about the father of the atomic bomb won a pair of awards in the categories of effects/Foley and dialogue/Adr. Also in the feature categories, “Maestro” won the award for music editing, “Society of the Snow” collected the award for an international feature, “Spider-Man: Across the Spider-Verse” grabbed the trophy for an animated feature, and “32 Sounds” accepted the documentary prize.
“Oppenheimer” and “Maestro,” as well as “The Creator,” “Mission Impossible: Dead Reckoning Part 1” and “The Zone of Interest” are nominated for the Oscar in sound, which combines sound editing and mixing. Previously, ‘Oppenheimer” won the Cinema Audio Society Award for sound mixing, while “The Zone of Interest...
- 3/4/2024
- by Carolyn Giardina
- Variety Film + TV
Updated with amended list from Mpse: The Motion Picture Sound Editors unveiled the nominations today for its 71st annual Mpse Golden Reel Awards, honoring the year’s outstanding feature film, TV, animation, computer entertainment and student productions. See the full list spanning 20 categories below.
Emmy-winning The Wonder Years director and producer Michael Dinner, whose other credits range from Chicago Hope and Justified to Manhunt and Mayans M.C., will receive the Mpse Filmmaker Award. The Matrix Oscar winner Dane A. Davis, who has worked on many Wachowskis films and has more than 150 credits, is set for the Career Achievement Award.
Both will be presented during the 2024 Mpse Golden Reel Awards ceremony on Sunday, March 3, at the Wilshire Ebell Theatre in Los Angeles.
“It’s been a great year for entertainment sound,” said Mpse president David Barber. “We are so impressed with the creative excellence of sound artists across all media and from around the world.
Emmy-winning The Wonder Years director and producer Michael Dinner, whose other credits range from Chicago Hope and Justified to Manhunt and Mayans M.C., will receive the Mpse Filmmaker Award. The Matrix Oscar winner Dane A. Davis, who has worked on many Wachowskis films and has more than 150 credits, is set for the Career Achievement Award.
Both will be presented during the 2024 Mpse Golden Reel Awards ceremony on Sunday, March 3, at the Wilshire Ebell Theatre in Los Angeles.
“It’s been a great year for entertainment sound,” said Mpse president David Barber. “We are so impressed with the creative excellence of sound artists across all media and from around the world.
- 1/16/2024
- by Erik Pedersen
- Deadline Film + TV
The Motion Picture Sound Editors has revealed the nominations for its 71st annual Golden Reel Awards in categories spanning feature film, television, animation, computer entertainment and student productions. “Oppenheimer,” “Barbie” and “Spider-Man: Across the Spider-Verse” are among the nominees.
“Oppenheimer,” a frontrunner in the Oscar race for best sound, led with three nominations including outstanding achievement in sound editing – feature dialogue/Adr and outstanding achievement in music editing – feature motion picture.
“Barbie,” “Spider-Man: Across the Spider-Verse,” “Maestro” and “Napoleon” were among the features with two nominations.
“It’s been a great year for entertainment sound,” said Mpse president David Barber. “We are so impressed with the creative excellence of sound artists across all media and from around the world. We extend our sincere congratulations to this year’s stellar nominees.”
The 71st Annual Mpse Golden Reel Awards will take place on March 3 at the Wilshire Ebell Theatre in Los Angeles.
“Oppenheimer,” a frontrunner in the Oscar race for best sound, led with three nominations including outstanding achievement in sound editing – feature dialogue/Adr and outstanding achievement in music editing – feature motion picture.
“Barbie,” “Spider-Man: Across the Spider-Verse,” “Maestro” and “Napoleon” were among the features with two nominations.
“It’s been a great year for entertainment sound,” said Mpse president David Barber. “We are so impressed with the creative excellence of sound artists across all media and from around the world. We extend our sincere congratulations to this year’s stellar nominees.”
The 71st Annual Mpse Golden Reel Awards will take place on March 3 at the Wilshire Ebell Theatre in Los Angeles.
- 1/16/2024
- by Jazz Tangcay
- Variety Film + TV
Controversial drama “Nitram” dominated the prizes at the Australian Academy of Cinema & Television Arts (Aacta) film awards on Wednesday. Leaving little room for celebration of any other achievement in the past year, “Nitram” swept to eight awards.
These included the most major prizes — best film, best directing and best original screenplay — as well as all four acting prizes.
The film painstakingly depicts the build-up to a real-life mass shooting that took place in Tasmania. Many people had questioned whether the events were too painful to be retold and whether making a film would make a hero of the perpetrator. “Nitram” deflected those criticisms by spelling the shooter’s name backwards and by avoiding any on-screen violence.
“Nitram” premiered in competition in Cannes in July and won the lucrative top prize at August’s CinefestOZ festival. It is now streaming on Stan, the Ott that was a backer of the project.
These included the most major prizes — best film, best directing and best original screenplay — as well as all four acting prizes.
The film painstakingly depicts the build-up to a real-life mass shooting that took place in Tasmania. Many people had questioned whether the events were too painful to be retold and whether making a film would make a hero of the perpetrator. “Nitram” deflected those criticisms by spelling the shooter’s name backwards and by avoiding any on-screen violence.
“Nitram” premiered in competition in Cannes in July and won the lucrative top prize at August’s CinefestOZ festival. It is now streaming on Stan, the Ott that was a backer of the project.
- 12/8/2021
- by Patrick Frater
- Variety Film + TV
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
The 'Backtrack' sound team..
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
Backtrack has swept the Australian Screen Sound Guild (Assg) awards, picking up the Soundtrack of the Year, Best Sound Mixing, Best Sound Design and the Members. Choice Award.
The film, starring Adrien Brody and Sam Neill, won all feature categories except Best Film Sound Recording, picked up by Goldstone.s Nick Emond and Mike Bakaloff.
The Awards, held on Sunday at the Establishment Hotel Sydney, also saw Monsieur Mayonnaise.s sound team win Best Sound for a Documentary, while Lorne picked up Best Sound for a Short Fiction Film.
In television, Molly won Best Sound for a drama over 30 minutes, while kids program Beat Bugs snatched Best Sound for a drama under 30 minutes.
Academy Award nominated sound engineer Gethin Creagh (Lord of the Rings:Fellowship of the Rings) was honoured with a Lifetime Achievement Award.
Backtrack.s supervising sound editor, Will Ward, told If the...
- 11/24/2016
- by Jackie Keast
- IF.com.au
Roger Savage; photo by Zorro Gamarnik
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
A 40-year veteran of the Australian film industry has been recognised for his achievements by the Australian Screen Sound Guild Awards.
The Syd Butterworth lifetime Achievement Award went to sound mixer Roger Savage at a ceremony last night at Sydney’s The Establishment.
Savage’s first film was a surf documentary about the 1970 World Championship, Getting Back To Nothing, directed by Tim Burstall in 1971. His next film was Mad Max in 1979 Mad Max, as well as other classics Star Wars: Return of the Jedi and Crocodile Dundee. More recently Savage has worked on Mao’s Last Dancer and Mental.
Elsewhere at the awards, Burning Man won the best film sound recording beating out Wish You Were Here, Swerve, Lore and Killer Elite.
In a similar list of nominees, the best Film Sound Design went to Wish You Were Here ahead of Burning Man, Lore,...
- 11/26/2012
- by Colin Delaney
- Encore Magazine
The Australian Sound Guild has announced the winners of.the 2012 Assg Awards.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
Held yesterday at The Establishment Ballroom in Sydney, well over a hundred guests were in attendance.
The Assg has reported this year saw a record number of nominations.
Roger Savage (Babe, Moulin Rouge, Mental) was honoured with the Syd Butterworth Lifetime Achievement Award, and in his acceptance speech spoke of the difficulties the industry is currently facing.
.The problem we all face is low budgets,. he said. .We need to adapt to this new environment. It.s not just in Australia, it.s global. What we need to do is adapt and change.
.It is a collaborative industry and I.d like to share (this award) with everyone associated with sound, both past and present..
Best film sound mixing and best soundtrack both went to Killer Elite while Best Film Sound Design was awarded to Wish You Were Here.
- 11/25/2012
- by Emily Blatchford
- IF.com.au
The recently opened Adelaide Studios have received Dolby Premier Accredition after week of testing my Dolby’s James Seddon.
The announcement:
Adelaide Studios has received Dolby Premier Accreditation, making it one of only two studios in Australia with this prestigious certification.
Dolby Premier Accreditation is the gold standard for studios and a measure of technical excellence at every level of the Studio’s operation. Room acoustics, monitoring standards, equipment selection, installation standards, synchronization accuracy, mixing competence and technical experience are all measured and evaluated by a Dolby expert as part of the certification process.
South Australian Film Corporation CEO, Richard Harris welcomed the news of the accreditation: “This places us amongst just two Dolby Premier Accredited Sound Mixing Studios in Australia. We aimed high and I am justifiably proud of this achievement and congratulate the whole team who worked so well together to ensure this key goal was reached.”
Adelaide...
The announcement:
Adelaide Studios has received Dolby Premier Accreditation, making it one of only two studios in Australia with this prestigious certification.
Dolby Premier Accreditation is the gold standard for studios and a measure of technical excellence at every level of the Studio’s operation. Room acoustics, monitoring standards, equipment selection, installation standards, synchronization accuracy, mixing competence and technical experience are all measured and evaluated by a Dolby expert as part of the certification process.
South Australian Film Corporation CEO, Richard Harris welcomed the news of the accreditation: “This places us amongst just two Dolby Premier Accredited Sound Mixing Studios in Australia. We aimed high and I am justifiably proud of this achievement and congratulate the whole team who worked so well together to ensure this key goal was reached.”
Adelaide...
- 5/3/2012
- by Colin Delaney
- Encore Magazine
Tomorrow, When the War Began took the Soundtrack of the Year and Best Film Sound Recording trophies at the Australian Screen Sound Guild (Assg) Sound Awards
Beneath Hill 60 won the Sound Design Category, while the Sound Mixing prize went to Daybreakers.
The ceremony took place last Friday in North Sydney.
These are the 2010 winners:
Feature Film Soundtrack of the Year.
Tomorrow When The War Began
Best Achievement in Sound for Film Sound Recording.
Tomorrow When The War Began
David Lee, Gerry Nucifora, Emma Barham.
Best Achievement in Sound for Film Sound Design.
Beneath Hill 60
Liam Egan, Tony Murtagh, Alicia Slusarski,
Leah Katz, Blair Slater, Mario Vaccaro,
Liesl Pieterse, Andy Wright, Jennifer Sochackyj,
Ruth Vance, Michelle Child, Cara Harvey.
Best Achievement in Sound for Film Sound Mixing.
Daybreakers
Phil Heywood, Wayne Pashley.
Best Achievement in Sound for a Television Commercial or Program.
Centrebet “Don’t Just Watch itâ€.
Scott Collins...
Beneath Hill 60 won the Sound Design Category, while the Sound Mixing prize went to Daybreakers.
The ceremony took place last Friday in North Sydney.
These are the 2010 winners:
Feature Film Soundtrack of the Year.
Tomorrow When The War Began
Best Achievement in Sound for Film Sound Recording.
Tomorrow When The War Began
David Lee, Gerry Nucifora, Emma Barham.
Best Achievement in Sound for Film Sound Design.
Beneath Hill 60
Liam Egan, Tony Murtagh, Alicia Slusarski,
Leah Katz, Blair Slater, Mario Vaccaro,
Liesl Pieterse, Andy Wright, Jennifer Sochackyj,
Ruth Vance, Michelle Child, Cara Harvey.
Best Achievement in Sound for Film Sound Mixing.
Daybreakers
Phil Heywood, Wayne Pashley.
Best Achievement in Sound for a Television Commercial or Program.
Centrebet “Don’t Just Watch itâ€.
Scott Collins...
- 10/31/2010
- by Miguel Gonzalez
- Encore Magazine
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