Andres Veiel on contacting Eva Beuys: "I had Eugen Blume, the head of Hamburger Bahnhof, who curated the show of Joseph Beuys. He's a friend who really helped me a lot." Photo: Anne-Katrin Titze
In the final installment of my conversation with Andres Veiel at Kino Lorber in midtown Manhattan, the director of Beuys gave me a fairy tale reference to explain what it took to make a film on Joseph Beuys - with or without the inclusion of his artworks. Beuys includes interviews with Caroline Tisdall, Rhea Thönges-Stringaris, Klaus Staeck, Johannes Stüttgen, and Franz Joseph van der Grinten, shot by Jörg Jeshel and was smartly edited with Stephan Krumbiegel and Olaf Voigtländer. The documentary includes archival footage of a playful Andy Warhol and begins and ends beautifully with clips from Lutz Mommartz' Soziale Plastik.
On the filming of Joseph Beuys by Lutz Mommartz in Soziale Plastik: "The camera is the spectator,...
In the final installment of my conversation with Andres Veiel at Kino Lorber in midtown Manhattan, the director of Beuys gave me a fairy tale reference to explain what it took to make a film on Joseph Beuys - with or without the inclusion of his artworks. Beuys includes interviews with Caroline Tisdall, Rhea Thönges-Stringaris, Klaus Staeck, Johannes Stüttgen, and Franz Joseph van der Grinten, shot by Jörg Jeshel and was smartly edited with Stephan Krumbiegel and Olaf Voigtländer. The documentary includes archival footage of a playful Andy Warhol and begins and ends beautifully with clips from Lutz Mommartz' Soziale Plastik.
On the filming of Joseph Beuys by Lutz Mommartz in Soziale Plastik: "The camera is the spectator,...
- 2/13/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Andres Veiel on contacting Eva Beuys: "I had Eugen Blume, the head of Hamburger Bahnhof, who curated the show of Joseph Beuys. He's a friend who really helped me a lot." Photo: Anne-Katrin Titze
In the final installment of my conversation with Andres Veiel at Kino Lorber in midtown Manhattan, the director of Beuys gave me a fairy tale reference to explain what it took to make a film on Joseph Beuys - with or without the inclusion of his artworks. Beuys includes interviews with Caroline Tisdall, Rhea Thönges-Stringaris, Klaus Staeck, Johannes Stüttgen, and Franz Joseph van der Grinten, shot by Jörg Jeshel and was smartly edited with Stephan Krumbiegel and Olaf Voigtländer. The documentary includes archival footage of a playful Andy Warhol and begins and ends beautifully with clips from Lutz Mommartz' Soziale Plastik.
On the filming of Joseph Beuys by Lutz Mommartz in Soziale Plastik: "The camera is the spectator,...
In the final installment of my conversation with Andres Veiel at Kino Lorber in midtown Manhattan, the director of Beuys gave me a fairy tale reference to explain what it took to make a film on Joseph Beuys - with or without the inclusion of his artworks. Beuys includes interviews with Caroline Tisdall, Rhea Thönges-Stringaris, Klaus Staeck, Johannes Stüttgen, and Franz Joseph van der Grinten, shot by Jörg Jeshel and was smartly edited with Stephan Krumbiegel and Olaf Voigtländer. The documentary includes archival footage of a playful Andy Warhol and begins and ends beautifully with clips from Lutz Mommartz' Soziale Plastik.
On the filming of Joseph Beuys by Lutz Mommartz in Soziale Plastik: "The camera is the spectator,...
- 2/13/2018
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Vintage film fans should tackle the daunting delights of the Internet Archive; and Saw director James Wan turns out a copybook horror chiller in The Conjuring
The expanding network of online streaming services means there are more ways than ever before for busy/idle/agoraphobic film lovers to see recent releases, but fans of vintage cinema are still rather poorly served. Most outlets offer a small, often arbitrary selection of older standards that are useful for beginners; those in search of more niche classics, however, are still reliant on DVD. Here's where the warren-like world of online archiving comes into play. You'd be amazed how many gems are lurking, albeit in grainy and segmented form, on YouTube, but if that seems too great an affront to cinema, the long-serving, simply named Internet Archive (archive.org/movies) is a better bet.
A non-profit-making Us site run much like an online library,...
The expanding network of online streaming services means there are more ways than ever before for busy/idle/agoraphobic film lovers to see recent releases, but fans of vintage cinema are still rather poorly served. Most outlets offer a small, often arbitrary selection of older standards that are useful for beginners; those in search of more niche classics, however, are still reliant on DVD. Here's where the warren-like world of online archiving comes into play. You'd be amazed how many gems are lurking, albeit in grainy and segmented form, on YouTube, but if that seems too great an affront to cinema, the long-serving, simply named Internet Archive (archive.org/movies) is a better bet.
A non-profit-making Us site run much like an online library,...
- 12/8/2013
- by Guy Lodge
- The Guardian - Film News
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