HBO’s anthology series “True Detective” is back after five years with a new season that will compete at the 2024 Emmy Awards. This latest installment that premiered in January comes with the subtitle “True Detective: Night Country” and, while still part of the franchise, it’s the first to not have the involvement of creator Nic Pizzolato – other than his executive producer credit. It was instead developed by Issa Lopez who wrote (or co-wrote) and directed all six episodes, and stars Jodie Foster and Kali Reis as detectives in an Alaskan town investigating the disappearance of eight scientists. Let’s re-examine the three previous seasons of “True Detective” at the Emmys – which garnered a combined total of 22 nominations and five wins – to determine possible nominations in categories for the current season.
Here is the complete Emmys history for the first three seasons of “True Detective”:
Season 1 (2014):
Best Drama Series
Nic Pizzolato,...
Here is the complete Emmys history for the first three seasons of “True Detective”:
Season 1 (2014):
Best Drama Series
Nic Pizzolato,...
- 4/1/2024
- by Christopher Tsang
- Gold Derby
Letters From Iwo Jima was the big winner Saturday as the Motion Picture Sound Editors honored an array of films and TV shows including Pan's Labyrinth, Dreamgirls, Apocalypto, Cars and CSI: Miami at its 54th Golden Reel Awards Banquet.
The awards, held at the Beverly Hilton, recognize the year's best work in the various areas of sound editing, and Clint Eastwood's Iwo Jima came away with two trophies.
Iwo Jima took the award for best sound editing in sound effects and foley for a feature film, an honor that was shared by Sarah Monat, Robin Harlan, Alan Robert Murray, Jason King, Bub Asman, Kevin Murray, David Wolowic, Charles Maynes, Steve Mann, Jason Jennings, Michael Dressel and Chris Flick. The film also took the prize for best sound editing in a feature film, dialogue and ADR, with the award shared by Alan Robert Murray, Asman, Dave Arnold, Juno J. Ellis, Lucy Coldsnow-Smith, Gloria D'Alessandro, Karen Spangenberg and Nicholas V. Korda.
The sound editors also presented Eastwood with a Filmmaker of the Year Award.
The awards, held at the Beverly Hilton, recognize the year's best work in the various areas of sound editing, and Clint Eastwood's Iwo Jima came away with two trophies.
Iwo Jima took the award for best sound editing in sound effects and foley for a feature film, an honor that was shared by Sarah Monat, Robin Harlan, Alan Robert Murray, Jason King, Bub Asman, Kevin Murray, David Wolowic, Charles Maynes, Steve Mann, Jason Jennings, Michael Dressel and Chris Flick. The film also took the prize for best sound editing in a feature film, dialogue and ADR, with the award shared by Alan Robert Murray, Asman, Dave Arnold, Juno J. Ellis, Lucy Coldsnow-Smith, Gloria D'Alessandro, Karen Spangenberg and Nicholas V. Korda.
The sound editors also presented Eastwood with a Filmmaker of the Year Award.
- 2/26/2007
- The Hollywood Reporter - Movie News
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