Bengali superstar Prosenjit Chatterjee has dedicated over three decades to the world of acting, yet he still feels the pressure to deliver. Even after working in over 300 movies, the actor admits to feeling jittery with the release of a new film, as it feels like his first.
Prosenjit, who is lovingly called Bumba Da by his fans, began his journey as a child actor with Hrishikesh Mukherjee’s ‘Chotto Jigyasa’. His breakthrough came in 1987 with Sujit Guha’s ‘Amar Sangi’, after which the spotlight never left him.
Despite the challenges he has faced in cinema, he still loves every bit of it.
When asked about feeling pressure to deliver a hit film, considering his past successes, Prosenjit told Ians: “Yes. It is always pressure to do any kind of film, whether it is a hit or a critically acclaimed one. But for any kind of film, when it gets released,...
Prosenjit, who is lovingly called Bumba Da by his fans, began his journey as a child actor with Hrishikesh Mukherjee’s ‘Chotto Jigyasa’. His breakthrough came in 1987 with Sujit Guha’s ‘Amar Sangi’, after which the spotlight never left him.
Despite the challenges he has faced in cinema, he still loves every bit of it.
When asked about feeling pressure to deliver a hit film, considering his past successes, Prosenjit told Ians: “Yes. It is always pressure to do any kind of film, whether it is a hit or a critically acclaimed one. But for any kind of film, when it gets released,...
- 4/25/2024
- by Agency News Desk
- GlamSham
A unique combination of circumstances led to him landing in Bombay soon after the Partition and being tasked with directing a film, though his cinematic experience was limited to being a film journalist. He even managed to rope in a top actor – and on the very first day, questioned his rendition of a crucial scene.
Recalling the episode decades later, veteran Hindi film director and producer B.R. Chopra revealed that Ashok Kumar, who had somehow agreed to act in the film despite his misgivings at its totally green director, was taken aback.
“He then suggested that he would do the shot again in the way I suggested, and prints of both this and the way he had done, should be made, and he would check them the next day to see which was better,” he told Bollywood personality and chronicler Shashi Ranjan in an interview.
As a nervous Chopra arrived...
Recalling the episode decades later, veteran Hindi film director and producer B.R. Chopra revealed that Ashok Kumar, who had somehow agreed to act in the film despite his misgivings at its totally green director, was taken aback.
“He then suggested that he would do the shot again in the way I suggested, and prints of both this and the way he had done, should be made, and he would check them the next day to see which was better,” he told Bollywood personality and chronicler Shashi Ranjan in an interview.
As a nervous Chopra arrived...
- 4/22/2024
- by Agency News Desk
- GlamSham
Bol Bachchan (2012) Was A Remake Of 1979 Film Gol Maal ( Photo Credit – IMDb )
It has been 45 years since Hrishikesh Mukerjee’s classic film Gol Maal was released in the theaters. The film received a cult status the moment people walked out of the theaters smiling. And it still leaves you with a smile whenever you watch the classic.
The film starred Amol Palekar and Utpal Dutt in the lead role, with Bindiya Goswami, Shubha Khote, and Dina Pathak in the supporting lead. It earned a blockbuster status at the box office.
Years later, Rohit Shetty was so inspired by the film that he took inspiration twice. Once for Golmaal: Fun Unlimited, which borrowed only the name of the Og classic, and for the second time, he attempted a remake that was titled Bol Bachchan!
Trending Pushpa 2 Box Office: Allu Arjun Is Ready To Beat Yash, Shahid Kapoor & Others In Star Ranking!
It has been 45 years since Hrishikesh Mukerjee’s classic film Gol Maal was released in the theaters. The film received a cult status the moment people walked out of the theaters smiling. And it still leaves you with a smile whenever you watch the classic.
The film starred Amol Palekar and Utpal Dutt in the lead role, with Bindiya Goswami, Shubha Khote, and Dina Pathak in the supporting lead. It earned a blockbuster status at the box office.
Years later, Rohit Shetty was so inspired by the film that he took inspiration twice. Once for Golmaal: Fun Unlimited, which borrowed only the name of the Og classic, and for the second time, he attempted a remake that was titled Bol Bachchan!
Trending Pushpa 2 Box Office: Allu Arjun Is Ready To Beat Yash, Shahid Kapoor & Others In Star Ranking!
- 4/21/2024
- by Trisha Gaur
- KoiMoi
Jaya Bachchan, renowned for her work in Indian cinema and politics, is celebrating her 76th birthday on Tuesday. Born as Jaya Bhaduri in a Bengali family, Jaya’s father, Tarun Kumar Bhaduri, was a well-known journalist and a poet.
After completing her education, Jaya attended the Film and Television Institute of India (Ftii), Pune, where she honed her acting skills.
She made her acting debut as a teenager in 1963 with the Bengali film ‘Mahanagar’ directed by Satyajit Ray. The film starred Madhabi Mukherjee in the leading role.
Jaya then transitioned to Hindi cinema and quickly gained prominence with her versatile performances in films like Hrishikesh Mukherjee’s directorial ‘Guddi’, and ‘Anamika’.
The 1971 movie ‘Guddi’ featured Jaya as a petite schoolgirl who is obsessed with actor Dharmendra. The film had created the girl-next-door image for her.
Movies like ‘Uphaar’, ‘Piya Ka Ghar’, ‘Parichay’ and ‘Bawarchi’ made her a superstar.
In 1973, she married Bollywood superstar Amitabh Bachchan,...
After completing her education, Jaya attended the Film and Television Institute of India (Ftii), Pune, where she honed her acting skills.
She made her acting debut as a teenager in 1963 with the Bengali film ‘Mahanagar’ directed by Satyajit Ray. The film starred Madhabi Mukherjee in the leading role.
Jaya then transitioned to Hindi cinema and quickly gained prominence with her versatile performances in films like Hrishikesh Mukherjee’s directorial ‘Guddi’, and ‘Anamika’.
The 1971 movie ‘Guddi’ featured Jaya as a petite schoolgirl who is obsessed with actor Dharmendra. The film had created the girl-next-door image for her.
Movies like ‘Uphaar’, ‘Piya Ka Ghar’, ‘Parichay’ and ‘Bawarchi’ made her a superstar.
In 1973, she married Bollywood superstar Amitabh Bachchan,...
- 4/9/2024
- by Agency News Desk
- GlamSham
Rajesh Khanna Once Confessed How He Was Jealous Of Amitabh Bachchan. (Photo Credit – IMDb)
It was just one film in the year 1971 that sealed the fate of two superstars of this country. A film that starred two superstars and a film that marked the start of the decline of one’s stardom and the rise of the other’s stardom. The film was Anand and the stars were Rajesh Khanna & Amitabh Bachchan!
When Amitabh Bachchan was climbing the ladder of success, he signed Hrishikesh Mukherjee’s Anand. During the making of the film, many people warned the Aradhna superstar to be very alert to the man who was about to turn into an angry young man.
Rajesh Khanna did not pay heed to anyone’s warnings, but later, Anand saw the rise and rise of Amitabh Bachchan despite playing a quiet doctor and Khanna receiving much love for his role as a dying cancer patient.
It was just one film in the year 1971 that sealed the fate of two superstars of this country. A film that starred two superstars and a film that marked the start of the decline of one’s stardom and the rise of the other’s stardom. The film was Anand and the stars were Rajesh Khanna & Amitabh Bachchan!
When Amitabh Bachchan was climbing the ladder of success, he signed Hrishikesh Mukherjee’s Anand. During the making of the film, many people warned the Aradhna superstar to be very alert to the man who was about to turn into an angry young man.
Rajesh Khanna did not pay heed to anyone’s warnings, but later, Anand saw the rise and rise of Amitabh Bachchan despite playing a quiet doctor and Khanna receiving much love for his role as a dying cancer patient.
- 3/23/2024
- by Trisha Gaur
- KoiMoi
Sampooran Singh Kalra, more famous by his pen name ‘Gulzar’, is renowned as a man and master of letters, in Urdu, Hindi and Punjabi, with over seven decades of rich contributions to the literary arena as well as Bollywood. On Saturday, Gulzar and Jagadguru Rambhadracharya, Sanskrit scholar, spiritual leader and educator, were declared the recipients of the coveted 58th Jnanpith Award-2023.
For Gulzar (89), this is yet another feather in his artistic cap brimming with an Oscar Award, a Grammy Award, five National Awards, the Dadasaheb Phalke Award, the Sahitya Akademi Award (Urdu), Padma Bhushan, and 22 Filmfare Awards. He also served as the Vice-Chancellor of Assam Central University besides being decorated with many more honours and accolades.
Born in Dina, Jhelum district (now in Pakistan), Gulzar started coining and penning couplets and ‘shayris’ from an early age, earning his father’s ire over his passion.
Post-Partition, when his clan also suffered a split,...
For Gulzar (89), this is yet another feather in his artistic cap brimming with an Oscar Award, a Grammy Award, five National Awards, the Dadasaheb Phalke Award, the Sahitya Akademi Award (Urdu), Padma Bhushan, and 22 Filmfare Awards. He also served as the Vice-Chancellor of Assam Central University besides being decorated with many more honours and accolades.
Born in Dina, Jhelum district (now in Pakistan), Gulzar started coining and penning couplets and ‘shayris’ from an early age, earning his father’s ire over his passion.
Post-Partition, when his clan also suffered a split,...
- 2/17/2024
- by Agency News Desk
- GlamSham
There are a number of stories about how Gulzar, who has been awarded the 58th Jnanpith Award along with Sanskrit scholar Jagatguru Rambhadracharya, became one of Hindi cinema’s most celebrated lyricists after being better known in his years as a struggler after Partition in Mumbai for his expertise in re-painting cars mauled in crashes.
The one that seems most credible, however, has come from him. Despite his skill with car colours, Gulzar’s first love was the written word and he was a regular at the Progressive Writers Association (Pwa), which was then a creative hub of just about every Titan in Hindi and Urdu literature.
It was at Pwa meetings that the undiscovered poet struck up a friendship with lyricist Shailendra, who introduced him to Bimal Roy, who, in turn, told him that he was wasting his time and talent at a car workshop.
Roy drafted Gulzar, till...
The one that seems most credible, however, has come from him. Despite his skill with car colours, Gulzar’s first love was the written word and he was a regular at the Progressive Writers Association (Pwa), which was then a creative hub of just about every Titan in Hindi and Urdu literature.
It was at Pwa meetings that the undiscovered poet struck up a friendship with lyricist Shailendra, who introduced him to Bimal Roy, who, in turn, told him that he was wasting his time and talent at a car workshop.
Roy drafted Gulzar, till...
- 2/17/2024
- by Agency News Desk
- GlamSham
Mumbai, Feb 9 (Ians) Filmmaker Anushree Mehta, who made her directorial debut with the Radhika Apte-starrer ‘Mrs Undercover’ last year, has now come on board to direct the Hindi remake of the much loved 1972 classic ‘Bawarchi’, originally helmed by Hrishikesh Mukherjee.
The adaptation of the Hrishikesh Mukherjee feature will be the first movie out of the three-film collaboration between Jaadugar Films and Sameer Raj Sippy Productions. They will also remake timeless classics like Amitabh Bachchan-Jaya Bachchan starrer Mili (1975) and Gulzar’s iconic 1972 drama ‘Koshish;.
Mehta described directing the Bawarchi adaptation as a “kaleidoscopic combination” of being excited, honoured, humbled coupled with the awareness of shouldering a “massive responsibility.”
“When my business partner Abir Sengupta (Jaadugar Films), Sameer Raj Sippy and I decided to join hands to produce these three iconic films, we were clear that we would leave no stone unturned in remaking them with utmost love and respect. During our discussion on Bawarchi,...
The adaptation of the Hrishikesh Mukherjee feature will be the first movie out of the three-film collaboration between Jaadugar Films and Sameer Raj Sippy Productions. They will also remake timeless classics like Amitabh Bachchan-Jaya Bachchan starrer Mili (1975) and Gulzar’s iconic 1972 drama ‘Koshish;.
Mehta described directing the Bawarchi adaptation as a “kaleidoscopic combination” of being excited, honoured, humbled coupled with the awareness of shouldering a “massive responsibility.”
“When my business partner Abir Sengupta (Jaadugar Films), Sameer Raj Sippy and I decided to join hands to produce these three iconic films, we were clear that we would leave no stone unturned in remaking them with utmost love and respect. During our discussion on Bawarchi,...
- 2/8/2024
- by Agency News Desk
- GlamSham
Animal: Ranbir Kapoor’s Misogynist Character Slammed By Swanand Kirkire ( Photo Credit – Instagram; Facebook )
Ranbir Kapoor’s Animal is roaring at the box office and how. Ever since the film hit the big screens on December 1 – marking a clash with Vicky Kaushal’s Sam Bahadur – it has set the box offices ringing with its monstrous collections. Within just two days, the film crossed the 100 crore mark, leaving Shah Rukh Khan’s films Pathaan and Jawan behind. Amid all the praises and positive reviews, Bollywood lyricist Swanand Kirkire has bashed the film left, right, and center.
Helmed by Sandeep Reddy Vanga, the film also stars Rashmika Mandanna, Bobby Deol, Anil Kapoor, and Tripti Dimri among others. The film has received mixed to positive reviews from critics and movie lovers. Owing to the buzz around the film, it’s receiving a huge response at the theatres as well. But the film is...
Ranbir Kapoor’s Animal is roaring at the box office and how. Ever since the film hit the big screens on December 1 – marking a clash with Vicky Kaushal’s Sam Bahadur – it has set the box offices ringing with its monstrous collections. Within just two days, the film crossed the 100 crore mark, leaving Shah Rukh Khan’s films Pathaan and Jawan behind. Amid all the praises and positive reviews, Bollywood lyricist Swanand Kirkire has bashed the film left, right, and center.
Helmed by Sandeep Reddy Vanga, the film also stars Rashmika Mandanna, Bobby Deol, Anil Kapoor, and Tripti Dimri among others. The film has received mixed to positive reviews from critics and movie lovers. Owing to the buzz around the film, it’s receiving a huge response at the theatres as well. But the film is...
- 12/3/2023
- by Oshine Koul
- KoiMoi
A nine-film retrospective of Indian cinema acting legend Amitabh Bachchan is set for the Festival des 3 Continents in Nantes, France.
The retrospective, titled ‘Amitabh Bachchan, Big B Forever’, will showcase different aspects of the actor’s oeuvre including his persona as the ‘angry young man,’ created by writers Salim Khan and Javed Akhtar, action, drama, romance and comedy in some of the greatest films of Hindi-language cinema including ‘Sholay’, ‘Deewar’, ‘Don’, ‘Kabhie Kabhie’ and ‘Amar Akbar Anthony’, reports Variety.
The directors are also legends of Indian cinema including Yash Chopra, Ramesh Sippy, Manmohan Desai and Hrishikesh Mukherjee. The showcase is co-presented by Film Heritage Foundation, the not-for-profit organisation founded by filmmaker and archivist Shivendra Singh Dungarpur, which over the past year has hosted a series of hugely successful retrospectives in cinemas across India, including ‘Bachchan Back To The Beginning’, ‘Dilip Kumar – Hero of Heroes’ and ‘Dev Anand @ 100 – Forever Young’.
Amitabh Bachchan said,...
The retrospective, titled ‘Amitabh Bachchan, Big B Forever’, will showcase different aspects of the actor’s oeuvre including his persona as the ‘angry young man,’ created by writers Salim Khan and Javed Akhtar, action, drama, romance and comedy in some of the greatest films of Hindi-language cinema including ‘Sholay’, ‘Deewar’, ‘Don’, ‘Kabhie Kabhie’ and ‘Amar Akbar Anthony’, reports Variety.
The directors are also legends of Indian cinema including Yash Chopra, Ramesh Sippy, Manmohan Desai and Hrishikesh Mukherjee. The showcase is co-presented by Film Heritage Foundation, the not-for-profit organisation founded by filmmaker and archivist Shivendra Singh Dungarpur, which over the past year has hosted a series of hugely successful retrospectives in cinemas across India, including ‘Bachchan Back To The Beginning’, ‘Dilip Kumar – Hero of Heroes’ and ‘Dev Anand @ 100 – Forever Young’.
Amitabh Bachchan said,...
- 11/20/2023
- by Agency News Desk
A nine-film retrospective of Indian cinema acting legend Amitabh Bachchan is set for the Festival des 3 Continents in Nantes, France.
The retrospective, titled ‘Amitabh Bachchan, Big B Forever’, will showcase different aspects of the actor’s oeuvre including his persona as the ‘angry young man,’ created by writers Salim Khan and Javed Akhtar, action, drama, romance and comedy in some of the greatest films of Hindi-language cinema including ‘Sholay’, ‘Deewar’, ‘Don’, ‘Kabhie Kabhie’ and ‘Amar Akbar Anthony’, reports Variety.
The directors are also legends of Indian cinema including Yash Chopra, Ramesh Sippy, Manmohan Desai and Hrishikesh Mukherjee. The showcase is co-presented by Film Heritage Foundation, the not-for-profit organisation founded by filmmaker and archivist Shivendra Singh Dungarpur, which over the past year has hosted a series of hugely successful retrospectives in cinemas across India, including ‘Bachchan Back To The Beginning’, ‘Dilip Kumar – Hero of Heroes’ and ‘Dev Anand @ 100 – Forever Young’.
Amitabh Bachchan said,...
The retrospective, titled ‘Amitabh Bachchan, Big B Forever’, will showcase different aspects of the actor’s oeuvre including his persona as the ‘angry young man,’ created by writers Salim Khan and Javed Akhtar, action, drama, romance and comedy in some of the greatest films of Hindi-language cinema including ‘Sholay’, ‘Deewar’, ‘Don’, ‘Kabhie Kabhie’ and ‘Amar Akbar Anthony’, reports Variety.
The directors are also legends of Indian cinema including Yash Chopra, Ramesh Sippy, Manmohan Desai and Hrishikesh Mukherjee. The showcase is co-presented by Film Heritage Foundation, the not-for-profit organisation founded by filmmaker and archivist Shivendra Singh Dungarpur, which over the past year has hosted a series of hugely successful retrospectives in cinemas across India, including ‘Bachchan Back To The Beginning’, ‘Dilip Kumar – Hero of Heroes’ and ‘Dev Anand @ 100 – Forever Young’.
Amitabh Bachchan said,...
- 11/20/2023
- by Agency News Desk
- GlamSham
A nine-film retrospective of Indian cinema acting legend Amitabh Bachchan is set for the Festival des 3 Continents in Nantes, France.
The retrospective, titled “Amitabh Bachchan, Big B Forever,” will showcase different aspects of the actor’s oeuvre including his persona as the ‘angry young man,’ created by writers Salim Khan and Javed Akhtar, action, drama, romance and comedy in some of the greatest films of Hindi-language cinema including “Sholay,” “Deewar,” “Don,” “Kabhie Kabhie” and “Amar Akbar Anthony.” The directors are also legends of Indian cinema including Yash Chopra, Ramesh Sippy, Manmohan Desai and Hrishikesh Mukherjee.
The showcase is co-presented by Film Heritage Foundation, the not-for-profit organization founded by filmmaker and archivist Shivendra Singh Dungarpur, which over the past year has hosted a series of hugely successful retrospectives in cinemas across India, including “Bachchan Back To The Beginning,” “Dilip Kumar – Hero of Heroes” and “Dev Anand @ 100 – Forever Young.”
Amitabh Bachchan said:...
The retrospective, titled “Amitabh Bachchan, Big B Forever,” will showcase different aspects of the actor’s oeuvre including his persona as the ‘angry young man,’ created by writers Salim Khan and Javed Akhtar, action, drama, romance and comedy in some of the greatest films of Hindi-language cinema including “Sholay,” “Deewar,” “Don,” “Kabhie Kabhie” and “Amar Akbar Anthony.” The directors are also legends of Indian cinema including Yash Chopra, Ramesh Sippy, Manmohan Desai and Hrishikesh Mukherjee.
The showcase is co-presented by Film Heritage Foundation, the not-for-profit organization founded by filmmaker and archivist Shivendra Singh Dungarpur, which over the past year has hosted a series of hugely successful retrospectives in cinemas across India, including “Bachchan Back To The Beginning,” “Dilip Kumar – Hero of Heroes” and “Dev Anand @ 100 – Forever Young.”
Amitabh Bachchan said:...
- 11/20/2023
- by Naman Ramachandran
- Variety Film + TV
Actress Divya Dutta, who is known for films like ‘Badlapur’, ‘Bhaag Milkha Bhaag’, ‘Veer-Zaara’ and others, recollected her experience of meeting the legendary filmmaker Hrishikesh Mukherjee during the early phase of her career.
Hrishikesh Mukherjee is known for films like ‘Gol Maal’, ‘Chupke Chupke’ and ‘Anand’, and is considered one of the masters in Indian cinema.
Walking down the memory lane, the actress recalled interacting with the legend as she said: “I had just come to the industry and Hrishikesh Mukherjee is my favourite, most favourite filmmaker. Although I didn’t have a mobile phone at the time, he called me and said, ‘Mai Hrishikesh Mukherjee bol raha hoon Divya Dutta se baat ho sakti hai’. I thought it was a crank call because none of these legends had ever called me before. He called and I wasn’t sure how to respond. I said, ‘Aap Hrishikesh Mukherjee bol rahe hain?...
Hrishikesh Mukherjee is known for films like ‘Gol Maal’, ‘Chupke Chupke’ and ‘Anand’, and is considered one of the masters in Indian cinema.
Walking down the memory lane, the actress recalled interacting with the legend as she said: “I had just come to the industry and Hrishikesh Mukherjee is my favourite, most favourite filmmaker. Although I didn’t have a mobile phone at the time, he called me and said, ‘Mai Hrishikesh Mukherjee bol raha hoon Divya Dutta se baat ho sakti hai’. I thought it was a crank call because none of these legends had ever called me before. He called and I wasn’t sure how to respond. I said, ‘Aap Hrishikesh Mukherjee bol rahe hain?...
- 11/6/2023
- by Agency News Desk
Actress Divya Dutta, who is known for films like ‘Badlapur’, ‘Bhaag Milkha Bhaag’, ‘Veer-Zaara’ and others, recollected her experience of meeting the legendary filmmaker Hrishikesh Mukherjee during the early phase of her career.
Hrishikesh Mukherjee is known for films like ‘Gol Maal’, ‘Chupke Chupke’ and ‘Anand’, and is considered one of the masters in Indian cinema.
Walking down the memory lane, the actress recalled interacting with the legend as she said: “I had just come to the industry and Hrishikesh Mukherjee is my favourite, most favourite filmmaker. Although I didn’t have a mobile phone at the time, he called me and said, ‘Mai Hrishikesh Mukherjee bol raha hoon Divya Dutta se baat ho sakti hai’. I thought it was a crank call because none of these legends had ever called me before. He called and I wasn’t sure how to respond. I said, ‘Aap Hrishikesh Mukherjee bol rahe hain?...
Hrishikesh Mukherjee is known for films like ‘Gol Maal’, ‘Chupke Chupke’ and ‘Anand’, and is considered one of the masters in Indian cinema.
Walking down the memory lane, the actress recalled interacting with the legend as she said: “I had just come to the industry and Hrishikesh Mukherjee is my favourite, most favourite filmmaker. Although I didn’t have a mobile phone at the time, he called me and said, ‘Mai Hrishikesh Mukherjee bol raha hoon Divya Dutta se baat ho sakti hai’. I thought it was a crank call because none of these legends had ever called me before. He called and I wasn’t sure how to respond. I said, ‘Aap Hrishikesh Mukherjee bol rahe hain?...
- 11/6/2023
- by Agency News Desk
- GlamSham
New Delhi, Oct 15 (Ians) The world has stopped taking film critics and their reviews seriously, but a filmmaker in Kerala, Mubeen Rauf, director of the film ‘Aromalinte Adyyathe Pranayam’, and the Kerala High Court think otherwise.
It is no secret that every actor and, at times, a filmmaker tries to get a positive review for his film. There used to be a time when an actor would dispatch his personal PR man with an envelope to each and every critic. All that they wanted was that the heading should be dedicated to him along with the picture that the review carried.
Something like ‘Rajesh Khanna steals the show’. The heroine’s PR man would follow soon with, probably, a heavier envelope, demanding that the headline be like ‘Heroine steals the show’!
Rather a tough call for a critic!
This was a myth the film industry lived with for a long...
It is no secret that every actor and, at times, a filmmaker tries to get a positive review for his film. There used to be a time when an actor would dispatch his personal PR man with an envelope to each and every critic. All that they wanted was that the heading should be dedicated to him along with the picture that the review carried.
Something like ‘Rajesh Khanna steals the show’. The heroine’s PR man would follow soon with, probably, a heavier envelope, demanding that the headline be like ‘Heroine steals the show’!
Rather a tough call for a critic!
This was a myth the film industry lived with for a long...
- 10/15/2023
- by Agency News Desk
- GlamSham
New Delhi, Oct 15 (Ians) The world has stopped taking film critics and their reviews seriously, but a filmmaker in Kerala, Mubeen Rauf, director of the film ‘Aromalinte Adyyathe Pranayam’, and the Kerala High Court think otherwise.
It is no secret that every actor and, at times, a filmmaker tries to get a positive review for his film. There used to be a time when an actor would dispatch his personal PR man with an envelope to each and every critic. All that they wanted was that the heading should be dedicated to him along with the picture that the review carried.
Something like ‘Rajesh Khanna steals the show’. The heroine’s PR man would follow soon with, probably, a heavier envelope, demanding that the headline be like ‘Heroine steals the show’!
Rather a tough call for a critic!
This was a myth the film industry lived with for a long...
It is no secret that every actor and, at times, a filmmaker tries to get a positive review for his film. There used to be a time when an actor would dispatch his personal PR man with an envelope to each and every critic. All that they wanted was that the heading should be dedicated to him along with the picture that the review carried.
Something like ‘Rajesh Khanna steals the show’. The heroine’s PR man would follow soon with, probably, a heavier envelope, demanding that the headline be like ‘Heroine steals the show’!
Rather a tough call for a critic!
This was a myth the film industry lived with for a long...
- 10/15/2023
- by Agency News Desk
Mumbai, Oct 13 (Ians) “In a world where hope teeters on the edge of despair, ‘Unbroken Resolve’ shines as a powerful beacon of inspiration, reminding us that even in our darkest moments, the human spirit can rise, fight back, and triumph over adversity.”
The story of ‘Daran Choo’ follows Manav Awasthi, a young man tormented by life’s challenges. He decides to end his suffering.
He has no hope left due to financial woes, family disputes, and shattered dreams. Defeated and totally down, he jumps into a lake, intending to drown himself, and succumb to the dark water. He quickly loses his consciousness and his body becomes motionless.
As he sinks to the bottom, a hand rescues him and brings him out of the water. The stranger who saved him assumes that he had slipped into the water by mistake.
But when Manav wakes up and realises he is still alive,...
The story of ‘Daran Choo’ follows Manav Awasthi, a young man tormented by life’s challenges. He decides to end his suffering.
He has no hope left due to financial woes, family disputes, and shattered dreams. Defeated and totally down, he jumps into a lake, intending to drown himself, and succumb to the dark water. He quickly loses his consciousness and his body becomes motionless.
As he sinks to the bottom, a hand rescues him and brings him out of the water. The stranger who saved him assumes that he had slipped into the water by mistake.
But when Manav wakes up and realises he is still alive,...
- 10/13/2023
- by Agency News Desk
Mumbai, Oct 13 (Ians) “In a world where hope teeters on the edge of despair, ‘Unbroken Resolve’ shines as a powerful beacon of inspiration, reminding us that even in our darkest moments, the human spirit can rise, fight back, and triumph over adversity.”
The story of ‘Daran Choo’ follows Manav Awasthi, a young man tormented by life’s challenges. He decides to end his suffering.
He has no hope left due to financial woes, family disputes, and shattered dreams. Defeated and totally down, he jumps into a lake, intending to drown himself, and succumb to the dark water. He quickly loses his consciousness and his body becomes motionless.
As he sinks to the bottom, a hand rescues him and brings him out of the water. The stranger who saved him assumes that he had slipped into the water by mistake.
But when Manav wakes up and realises he is still alive,...
The story of ‘Daran Choo’ follows Manav Awasthi, a young man tormented by life’s challenges. He decides to end his suffering.
He has no hope left due to financial woes, family disputes, and shattered dreams. Defeated and totally down, he jumps into a lake, intending to drown himself, and succumb to the dark water. He quickly loses his consciousness and his body becomes motionless.
As he sinks to the bottom, a hand rescues him and brings him out of the water. The stranger who saved him assumes that he had slipped into the water by mistake.
But when Manav wakes up and realises he is still alive,...
- 10/13/2023
- by Agency News Desk
- GlamSham
Mumbai Diaries Season 2 (Prime Video)
Starring Konkona Sen Sharma, Mohit Raina, Tina Desai, Shreya Dhanwanthary, Satyajeet Dubey, Natasha Bharadwaj, Mrunmayee Deshpande, Prakash Belawadi, Parambrata Chattopadhyay, Riddhi Dogra
Directed by Nikhil Advani
Overlooking the rather strange lacuna in the timeline whereby the second season moves from the terror attack of 26/11/2008 to the monsoonal deluge of 26/7/2005, Mumbai Diaries part 2 is a more intricately sketched portrayal of a city under siege than part 1 which suffered from under-developed characters and over-informed plot developments.
By now we know who’s who at the Bombay General Hospital. They need no introduction, and their function within the disembodied domain of injury and trauma is clearly aligned to the crisis on hand. There is more of Konkona Sen Sharma’s Chitra Das this time than Mohit Raina’s Dr Kaushik Oberoi, the head of trauma who seems pretty traumatized himself.
There are tons of trauma to be negotiated...
Starring Konkona Sen Sharma, Mohit Raina, Tina Desai, Shreya Dhanwanthary, Satyajeet Dubey, Natasha Bharadwaj, Mrunmayee Deshpande, Prakash Belawadi, Parambrata Chattopadhyay, Riddhi Dogra
Directed by Nikhil Advani
Overlooking the rather strange lacuna in the timeline whereby the second season moves from the terror attack of 26/11/2008 to the monsoonal deluge of 26/7/2005, Mumbai Diaries part 2 is a more intricately sketched portrayal of a city under siege than part 1 which suffered from under-developed characters and over-informed plot developments.
By now we know who’s who at the Bombay General Hospital. They need no introduction, and their function within the disembodied domain of injury and trauma is clearly aligned to the crisis on hand. There is more of Konkona Sen Sharma’s Chitra Das this time than Mohit Raina’s Dr Kaushik Oberoi, the head of trauma who seems pretty traumatized himself.
There are tons of trauma to be negotiated...
- 10/6/2023
- by Subhash K Jha
- Bollyspice
Taking a stroll down the memory lane, megastar Amitabh Bachchan recalled his meeting with India’s cultural icon Satyajit Ray, sharing how the latter’s room was filled with books and posters.
Satyajit Ray was considered one of the greatest filmmakers of all time. He was the director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and composer. He is celebrated for works including ‘The Apu Trilogy’, ‘The Music Room’, ‘The Big City’, ‘Charulata’ and the ‘Goopy–Bagha’ trilogy.
Host of the quiz-based reality show ‘Kaun Banega Crorepati’ season 15, Amitabh Bachchan welcomed Varun Kesarwani from Ayodhya, Up, the rollover contestant in the episode 13th of the ‘Rishtey Special’ week.
For the Rs 3,20,000 question, Varun was asked: “Which film director designed the logo of the Sahitya Akademi?” The options given were- Adoor Gopalakrishnan, Satyajit Ray, Hrishikesh Mukherjee, and Bhalji Pendharkar. Varun took the double dip lifeline- and gave the...
Satyajit Ray was considered one of the greatest filmmakers of all time. He was the director, screenwriter, documentary filmmaker, author, essayist, lyricist, magazine editor, illustrator, calligrapher, and composer. He is celebrated for works including ‘The Apu Trilogy’, ‘The Music Room’, ‘The Big City’, ‘Charulata’ and the ‘Goopy–Bagha’ trilogy.
Host of the quiz-based reality show ‘Kaun Banega Crorepati’ season 15, Amitabh Bachchan welcomed Varun Kesarwani from Ayodhya, Up, the rollover contestant in the episode 13th of the ‘Rishtey Special’ week.
For the Rs 3,20,000 question, Varun was asked: “Which film director designed the logo of the Sahitya Akademi?” The options given were- Adoor Gopalakrishnan, Satyajit Ray, Hrishikesh Mukherjee, and Bhalji Pendharkar. Varun took the double dip lifeline- and gave the...
- 8/31/2023
- by Agency News Desk
- GlamSham
Mumbai, Aug 30 (Ians) Writer K.A. Abbas did not take much notice of the nondescript-looking man accompanying Raj Kapoor to his house to hear the story for a film.
After listening quietly to the over two-hour-long rendition, this man only said that it was a good story. Is that all, asked Kapoor noticing the bemused Abbas.
“Gardish mein hoon, aasman ka taara hoon,” he then responded.
Abbas, taken aback, told Kapoor that he had spent two-and-a-half hours telling his story and his unknown visitor had perfectly summarised it in one phrase.
The “nondescript man” was Shailendra, whose 100th birth anniversary falls today (August 30). Just one film old at this meeting, he would go on to become Hindi cinema’s most exemplary, innately-gifted yet self-effacing lyricist, whose songs like “Awaara hoon”, “Mera joota hai Japani”, and “Hothon pe sachai rehti hai” that made Indian film music popular across the world.
While his...
After listening quietly to the over two-hour-long rendition, this man only said that it was a good story. Is that all, asked Kapoor noticing the bemused Abbas.
“Gardish mein hoon, aasman ka taara hoon,” he then responded.
Abbas, taken aback, told Kapoor that he had spent two-and-a-half hours telling his story and his unknown visitor had perfectly summarised it in one phrase.
The “nondescript man” was Shailendra, whose 100th birth anniversary falls today (August 30). Just one film old at this meeting, he would go on to become Hindi cinema’s most exemplary, innately-gifted yet self-effacing lyricist, whose songs like “Awaara hoon”, “Mera joota hai Japani”, and “Hothon pe sachai rehti hai” that made Indian film music popular across the world.
While his...
- 8/30/2023
- by Agency News Desk
- GlamSham
Mumbai, Aug 24 (Ians) Veteran Bollywood and Marathi film actress Seema R. Deo – who essayed a key role in Hrishikesh Mukherjee’s superhit film ‘Anand’ (1971) – passed away here following a prolonged illness, family sources said on Thursday.
She was 81 and breathed her last at a private hospital on Thursday morning after a long battle with Alzheimer’s and other ailments.
Born in Mumbai as Nalini Saraf, Seema Deo is survived by her two sons, actor Ajinkya and director Abhinay.
According to family sources, her body was shifted from the hospital to her son’s residence in Bandra and later was taken in a procession to Dadar to enable film industry people to pay their last respects.
Her last rites were performed at the Shivaji Park Crematorium with a large number of film personalities, fans and family members remaining present to bid a tearful adieu to Seema Deo.
The widow of late actor Ramesh Deo,...
She was 81 and breathed her last at a private hospital on Thursday morning after a long battle with Alzheimer’s and other ailments.
Born in Mumbai as Nalini Saraf, Seema Deo is survived by her two sons, actor Ajinkya and director Abhinay.
According to family sources, her body was shifted from the hospital to her son’s residence in Bandra and later was taken in a procession to Dadar to enable film industry people to pay their last respects.
Her last rites were performed at the Shivaji Park Crematorium with a large number of film personalities, fans and family members remaining present to bid a tearful adieu to Seema Deo.
The widow of late actor Ramesh Deo,...
- 8/24/2023
- by Agency News Desk
- GlamSham
Veteran actors Raghubir Yadav and Seema Pahwa will soon be seen in the upcoming family drama ‘Yaatris’ along with Jamie Lever, and Anuraag Malhan. The film has been directed by Harish Vyas, who is known for ‘Angrezi Mein Kehte Hain’. Set in the bylanes of Banaras and Thailand, the narrative of the film revolves around the Sharma family, a relatable middle-class household from Mathura.
As they embark on an unforgettable adventure, they immerse themselves in a delightful blend of love, humour, and valuable life experiences. This heartwarming tale beautifully captures the essence of unity and togetherness.
Talking about the film, director Harish shared: “The film captures the essence of this sentiment, weaving a heart-warming story that resonates with the experiences of the middle class. Inspired by the notion that sometimes distance can bring us closer, the film takes us on a journey of emotions, laughter, and cherished values. The success...
As they embark on an unforgettable adventure, they immerse themselves in a delightful blend of love, humour, and valuable life experiences. This heartwarming tale beautifully captures the essence of unity and togetherness.
Talking about the film, director Harish shared: “The film captures the essence of this sentiment, weaving a heart-warming story that resonates with the experiences of the middle class. Inspired by the notion that sometimes distance can bring us closer, the film takes us on a journey of emotions, laughter, and cherished values. The success...
- 8/22/2023
- by Agency News Desk
- GlamSham
There are a number of stories about how Gulzar, who turned 89 on Friday, became one of Hindi cinema’s most celebrated lyricists after being better known in his years as a struggler after Partition in Mumbai for his expertise in re-painting cars mauled in crashes.
The one that seems most credible, however, has come from him. Despite his skill with car colours, Gulzar’s first love was the written word and he was a regular at the Progressive Writers Association (Pwa), which was then a creative hub of just about every Titan in Hindi and Urdu literature.
It was at Pwa meetings that the undiscovered poet struck up a friendship with lyricist Shailendra, who introduced him to Bimal Roy, who, in turn, told him that he was wasting his time and talent at a car workshop.
Roy drafted Gulzar, till then known as Sampooran Singh Kalra, for his last film,...
The one that seems most credible, however, has come from him. Despite his skill with car colours, Gulzar’s first love was the written word and he was a regular at the Progressive Writers Association (Pwa), which was then a creative hub of just about every Titan in Hindi and Urdu literature.
It was at Pwa meetings that the undiscovered poet struck up a friendship with lyricist Shailendra, who introduced him to Bimal Roy, who, in turn, told him that he was wasting his time and talent at a car workshop.
Roy drafted Gulzar, till then known as Sampooran Singh Kalra, for his last film,...
- 8/18/2023
- by Agency News Desk
- GlamSham
Mumbai, July 12 (Ians) Hindi-language Indian classics ‘Mili’, ‘Koshish’ and ‘Bawarchi’ are all set to get remade as Jaadugar Films and Sameer Raj Sippy Productions have teamed up for it.
The abovementioned 1970’s films were produced under N.C. Sippy’s banner.
Directed by Gulzar, ‘Koshish’, an homage to 1961 Japanese film ‘Happiness of Us Alone’, starred Sanjeev Kumar and Jaya Bachchan. It followed a deaf-mute couple who fight against the odds to live a life of dignity.
Kumar won best actor and Gulzar best screenplay at India’s National Film Awards, reports ‘Variety’.
‘Bawarchi’, directed by Hrishikesh Mukherjee, was a remake of Tapan Sinha’s 1966 Bengali-language film ‘Galpo Holeo Satti’ and starred Rajesh Khanna and Jaya Bachchan.
In the film, Khanna plays a talented domestic helper who transforms a dysfunctional middle-class family.
Mukherjee’s ‘Mili’ (1975) starred Amitabh Bachchan and Jaya Bachchan and charted the burgeoning romance between a depressed alcoholic and his cheerful neighbour,...
The abovementioned 1970’s films were produced under N.C. Sippy’s banner.
Directed by Gulzar, ‘Koshish’, an homage to 1961 Japanese film ‘Happiness of Us Alone’, starred Sanjeev Kumar and Jaya Bachchan. It followed a deaf-mute couple who fight against the odds to live a life of dignity.
Kumar won best actor and Gulzar best screenplay at India’s National Film Awards, reports ‘Variety’.
‘Bawarchi’, directed by Hrishikesh Mukherjee, was a remake of Tapan Sinha’s 1966 Bengali-language film ‘Galpo Holeo Satti’ and starred Rajesh Khanna and Jaya Bachchan.
In the film, Khanna plays a talented domestic helper who transforms a dysfunctional middle-class family.
Mukherjee’s ‘Mili’ (1975) starred Amitabh Bachchan and Jaya Bachchan and charted the burgeoning romance between a depressed alcoholic and his cheerful neighbour,...
- 7/12/2023
- by Agency News Desk
- GlamSham
The 1975 film ‘Sholay’ was panned by all critics, but it went on to create a history. Film critics too can have a history. Really? Of course, they do, and it is a long one. Not surprisingly, it is a chequered history with mostly grey shades. Once upon a time, this was entirely a print media domain. There were some popular critics who people followed and believed but not enough to spend on a film. The genuine critics left their mark on the reviews they wrote. The print media does not enjoy the privilege alone anymore.
Now we have online critics and FM radio critics. Initially, these online critics wrote for an established portal, but soon, some realised that they need not belong or be answerable to an editor. The Net gives one all kinds of freedom. Some decided to start their own blogs or video reviews.
Thanks to social media,...
Now we have online critics and FM radio critics. Initially, these online critics wrote for an established portal, but soon, some realised that they need not belong or be answerable to an editor. The Net gives one all kinds of freedom. Some decided to start their own blogs or video reviews.
Thanks to social media,...
- 1/8/2023
- by News Bureau
- GlamSham
The year was 1986. Rajesh Khanna was no more the phenomenon but the aura that he had created for himself through the songs that he had crooned on the silver screen was manifest on a screen made out of sacks on which were sewed tattered white sheets. The location- Chakia, a hinterland about 80 kms from Varanasi as the crow flies. The film shown was Raaz in a village godown. His songs were rewinded umpteen number of times, the spool could not withstand the pressure, and the film did not reach its logical end. However, nobody complained, as the fans were enthralled in Rajesh Khanna’s magic.
Were he to be alive today he would have been 82 years of age; his physical self may not be there, but his magic continues to swoon the audiences.
First Fashion icon of Hindi cinema
He was the first actor who created his own mannerism, the...
Were he to be alive today he would have been 82 years of age; his physical self may not be there, but his magic continues to swoon the audiences.
First Fashion icon of Hindi cinema
He was the first actor who created his own mannerism, the...
- 12/30/2022
- by Nalin Rai
- GlamSham
Revathi’s Phir Milenge (2004) dealt with the subject of AIDS; her latest directorial Salaam Venky is again a medical / illness slice-of-life drama centered around a true story of Kolavennu Venkatesh, a 24-year-old chess player, dealing with the subject of a person suffering from Duchenne Muscular Dystrophy (Dmd) and euthanasia. Bollywood has seen a story on the subject of euthanasia not so long ago in Sanjay Leela Bhansali’s Hrithik Roshan-Aishwarya Rai starrer Guzaarish (2010). Salaam Venky may be telling a sad story, but it picks up hints from the evergreen Rajesh Khanna-Amitabh Bachchan starrer Hrishikesh Mukherjee’s Anand (1971), “Zindagi badi honi chahiye, lambi nahin” (roughly meaning life should be lived to the fullest); where the patient is aware of his illness but takes it in his stride and stays cheerful. On similar lines, the protagonist Venky picks up lines and references from popular films’ characters and tries to keep everyone cheerful.
- 12/9/2022
- by Nitin Jain
- GlamSham
OpinionThe argument that you need the validation of a film appreciation course or a film school to write a piece of film criticism can end up de-democratising the space.Neelima MenonDuring an earlier interview to an online portal, actor Mohanlal, while promoting his film Aaraattu, had a rather controversial opinion to share. “People who have no relation to cinema are criticising it. Do you even know anything about editing when you comment on it? You should have some idea about filmmaking. In Hyderabad, they love their cinema and won’t write any negative stuff about it. They respect the industry. I am not sure if that is prevalent here,” the veteran actor said. Not only was this comment condemned and trolled on social media, but a section of the audience also felt that this was a petty remark, especially coming from an actor of Mohanlal’s stature. More so, considering...
- 11/20/2022
- by LakshmiP
- The News Minute
Veteran actor Dharmendra talked about the character of Dr Piramal Tripathi and how he wore a monkey cap and sweater in the movie to disguise himself as a watchman. After looking at ‘Indian Idol 13’ contestant Shivam Singh’s rendition of ‘O mere Mehbooba’ from the 1977 film ‘ Dharam-Veer’ starring Zeenat Aman opposite him, he praised him for his performance and also his look reminded him of his dressing style in one of his blockbuster films ‘Chupke Chupke’.
‘Chupke Chupke’ is a 1975 comedy-drama which was a remake of the Bengali film ‘Chhadmabeshi’. It stars Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bachchan, Om Prakash, Usha Kiran, David Abraham Cheulkar, Asrani and Keshto Mukherjee. It is directed by one of the greatest filmmakers Hrishikesh Mukherjee. The movie was a perfect entertainer and it is always remembered for Dharmendra and Amitabh Bachchan’s comic timing and their on-screen friendly masti.
He said: “There was a...
‘Chupke Chupke’ is a 1975 comedy-drama which was a remake of the Bengali film ‘Chhadmabeshi’. It stars Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bachchan, Om Prakash, Usha Kiran, David Abraham Cheulkar, Asrani and Keshto Mukherjee. It is directed by one of the greatest filmmakers Hrishikesh Mukherjee. The movie was a perfect entertainer and it is always remembered for Dharmendra and Amitabh Bachchan’s comic timing and their on-screen friendly masti.
He said: “There was a...
- 11/19/2022
- by Glamsham Bureau
- GlamSham
The 53rd International Film Festival of India (Iffi) will open with Austrian film “Alma & Oskar,” directed by Dieter Berner.
The film details the tumultuous relationship between Viennese society grand dame Alma Mahler (1879-1964) and Austrian artist Oskar Kokoschka (1886-1980).
Iffi has also revealed the 15 films that will be competing for its top prize, the Golden Peacock Award, including 12 international titles and three Indian ones.
The international titles include “Perfect Number,” “Red Shoes,” “A Minor,” “No End,” “Mediterranean Fever,” “When the Waves Are Gone,” “I Have Electric Dreams,” “Cold as Marble,” “Seven Dogs,” “Maarya: The Ocean Angel,” “Nezouh” and “The Line.”
The Indian titles are “The Kashmir Files,” “The Storyteller” and “Kurangu Pedal.”
Iffi will also pay homage to late legendary Indian singer Lata Mangeshkar with a screening of Hrishikesh Mukherjee’s 1973 musical drama film “Abhimaan,” starring Amitabh Bachchan and Jaya Bhaduri.
Confirmed masterclasses at Iffi include those from: “Kung Fu Panda...
The film details the tumultuous relationship between Viennese society grand dame Alma Mahler (1879-1964) and Austrian artist Oskar Kokoschka (1886-1980).
Iffi has also revealed the 15 films that will be competing for its top prize, the Golden Peacock Award, including 12 international titles and three Indian ones.
The international titles include “Perfect Number,” “Red Shoes,” “A Minor,” “No End,” “Mediterranean Fever,” “When the Waves Are Gone,” “I Have Electric Dreams,” “Cold as Marble,” “Seven Dogs,” “Maarya: The Ocean Angel,” “Nezouh” and “The Line.”
The Indian titles are “The Kashmir Files,” “The Storyteller” and “Kurangu Pedal.”
Iffi will also pay homage to late legendary Indian singer Lata Mangeshkar with a screening of Hrishikesh Mukherjee’s 1973 musical drama film “Abhimaan,” starring Amitabh Bachchan and Jaya Bhaduri.
Confirmed masterclasses at Iffi include those from: “Kung Fu Panda...
- 11/14/2022
- by Naman Ramachandran
- Variety Film + TV
From a family of prominent lawyers, he was expected to follow in their footsteps, but instead chose a career in the fledgling Hindi film industry – and uncharacteristically, not as a hero. Virtually dragooned by his legendary boss taking over a lead role, despite the director’s opposition, he, in his first-ever take, muffed up a simple scene with the heroine, and then, left the villain with a fractured leg.
That, in 1936, was the rather farcical start of the career of Ashok Kumar, who was born on this day in 1911.
Undaunted, he went on to establish himself not only as Hindi cinema’s first superstar as the 1940s began, but also one who was known for his air of naturalness and his willingness to reinvent himself and experiment with playing morally ambiguous or anti-hero roles.
At the appropriate time, he moved on to playing more mature roles in line with his age,...
That, in 1936, was the rather farcical start of the career of Ashok Kumar, who was born on this day in 1911.
Undaunted, he went on to establish himself not only as Hindi cinema’s first superstar as the 1940s began, but also one who was known for his air of naturalness and his willingness to reinvent himself and experiment with playing morally ambiguous or anti-hero roles.
At the appropriate time, he moved on to playing more mature roles in line with his age,...
- 10/13/2022
- by Glamsham Bureau
- GlamSham
On his 80th birthday, the thespian is not ready to call time on his career. Amitabh Bachchan has been a struggler, superstar, bankrupt, a small screen phenomenon, a celluloid colossus and has more or less essayed all types of roles to remain an iconoclast. The arc of his universe littered with peaks and troughs has been legendary.
In an age where hyperboles are common, he stands apart for his being and remains a true legend. Over the years, I have met him and spoken with him several times. Modest to the point of being self-deprecatory, he refuses to accept that his persona remains larger than life. Never afraid to speak his mind, he is distantly related to funambulism.
As he once told me: “I want to keep working, I shall continue to do my best.” He added, “Actually, I don’t know what else to do. Life is a blur...
In an age where hyperboles are common, he stands apart for his being and remains a true legend. Over the years, I have met him and spoken with him several times. Modest to the point of being self-deprecatory, he refuses to accept that his persona remains larger than life. Never afraid to speak his mind, he is distantly related to funambulism.
As he once told me: “I want to keep working, I shall continue to do my best.” He added, “Actually, I don’t know what else to do. Life is a blur...
- 10/10/2022
- by Glamsham Bureau
- GlamSham
By Vikas Datta
Along with expressions and mannerisms, it is the voice that makes a successful actor. But there are times where the film may demand that the performer just use facial expressions and body language, without any words, to emote – and that can test their calibre. Blessed with a resounding baritone – and a fine singing voice too, Amitabh Bachchan was several times called to demonstrate his prowess in this respect – and never disappointed.
Manoj Kumar described his voice as “a mellow whisper, sounding like the murmurs of a thundery cloud” at their first meeting in September 1967, when Amitabh arrived in Bombay to try his luck in the film industry, the first film that he got – “Reshma aur Shera” (1971) had portrayed him as mute.
This, as per director and producer Sunil Dutt – who fulfilled his promise of giving him a break – and writer Ali Raza, was to evoke greater audience sympathy for him.
Along with expressions and mannerisms, it is the voice that makes a successful actor. But there are times where the film may demand that the performer just use facial expressions and body language, without any words, to emote – and that can test their calibre. Blessed with a resounding baritone – and a fine singing voice too, Amitabh Bachchan was several times called to demonstrate his prowess in this respect – and never disappointed.
Manoj Kumar described his voice as “a mellow whisper, sounding like the murmurs of a thundery cloud” at their first meeting in September 1967, when Amitabh arrived in Bombay to try his luck in the film industry, the first film that he got – “Reshma aur Shera” (1971) had portrayed him as mute.
This, as per director and producer Sunil Dutt – who fulfilled his promise of giving him a break – and writer Ali Raza, was to evoke greater audience sympathy for him.
- 10/9/2022
- by Glamsham Bureau
- GlamSham
By Vikas Datta
Along with expressions and mannerisms, it is the voice that makes a successful actor. But there are times where the film may demand that the performer just use facial expressions and body language, without any words, to emote – and that can test their calibre. Blessed with a resounding baritone – and a fine singing voice too, Amitabh Bachchan was several times called to demonstrate his prowess in this respect – and never disappointed.
Manoj Kumar described his voice as “a mellow whisper, sounding like the murmurs of a thundery cloud” at their first meeting in September 1967, when Amitabh arrived in Bombay to try his luck in the film industry, the first film that he got – “Reshma aur Shera” (1971) had portrayed him as mute.
This, as per director and producer Sunil Dutt – who fulfilled his promise of giving him a break – and writer Ali Raza, was to evoke greater audience sympathy for him.
Along with expressions and mannerisms, it is the voice that makes a successful actor. But there are times where the film may demand that the performer just use facial expressions and body language, without any words, to emote – and that can test their calibre. Blessed with a resounding baritone – and a fine singing voice too, Amitabh Bachchan was several times called to demonstrate his prowess in this respect – and never disappointed.
Manoj Kumar described his voice as “a mellow whisper, sounding like the murmurs of a thundery cloud” at their first meeting in September 1967, when Amitabh arrived in Bombay to try his luck in the film industry, the first film that he got – “Reshma aur Shera” (1971) had portrayed him as mute.
This, as per director and producer Sunil Dutt – who fulfilled his promise of giving him a break – and writer Ali Raza, was to evoke greater audience sympathy for him.
- 10/9/2022
- by Glamsham Bureau
- GlamSham
By Vikas Datta
Along with expressions and mannerisms, it is the voice that makes a successful actor. But there are times where the film may demand that the performer just use facial expressions and body language, without any words, to emote – and that can test their calibre. Blessed with a resounding baritone – and a fine singing voice too, Amitabh Bachchan was several times called to demonstrate his prowess in this respect – and never disappointed.
Manoj Kumar described his voice as “a mellow whisper, sounding like the murmurs of a thundery cloud” at their first meeting in September 1967, when Amitabh arrived in Bombay to try his luck in the film industry, the first film that he got – “Reshma aur Shera” (1971) had portrayed him as mute.
This, as per director and producer Sunil Dutt – who fulfilled his promise of giving him a break – and writer Ali Raza, was to evoke greater audience sympathy for him.
Along with expressions and mannerisms, it is the voice that makes a successful actor. But there are times where the film may demand that the performer just use facial expressions and body language, without any words, to emote – and that can test their calibre. Blessed with a resounding baritone – and a fine singing voice too, Amitabh Bachchan was several times called to demonstrate his prowess in this respect – and never disappointed.
Manoj Kumar described his voice as “a mellow whisper, sounding like the murmurs of a thundery cloud” at their first meeting in September 1967, when Amitabh arrived in Bombay to try his luck in the film industry, the first film that he got – “Reshma aur Shera” (1971) had portrayed him as mute.
This, as per director and producer Sunil Dutt – who fulfilled his promise of giving him a break – and writer Ali Raza, was to evoke greater audience sympathy for him.
- 10/9/2022
- by Glamsham Bureau
- GlamSham
By Vikas Datta
Along with expressions and mannerisms, it is the voice that makes a successful actor. But there are times where the film may demand that the performer just use facial expressions and body language, without any words, to emote – and that can test their calibre. Blessed with a resounding baritone – and a fine singing voice too, Amitabh Bachchan was several times called to demonstrate his prowess in this respect – and never disappointed.
Manoj Kumar described his voice as “a mellow whisper, sounding like the murmurs of a thundery cloud” at their first meeting in September 1967, when Amitabh arrived in Bombay to try his luck in the film industry, the first film that he got – “Reshma aur Shera” (1971) had portrayed him as mute.
This, as per director and producer Sunil Dutt – who fulfilled his promise of giving him a break – and writer Ali Raza, was to evoke greater audience sympathy for him.
Along with expressions and mannerisms, it is the voice that makes a successful actor. But there are times where the film may demand that the performer just use facial expressions and body language, without any words, to emote – and that can test their calibre. Blessed with a resounding baritone – and a fine singing voice too, Amitabh Bachchan was several times called to demonstrate his prowess in this respect – and never disappointed.
Manoj Kumar described his voice as “a mellow whisper, sounding like the murmurs of a thundery cloud” at their first meeting in September 1967, when Amitabh arrived in Bombay to try his luck in the film industry, the first film that he got – “Reshma aur Shera” (1971) had portrayed him as mute.
This, as per director and producer Sunil Dutt – who fulfilled his promise of giving him a break – and writer Ali Raza, was to evoke greater audience sympathy for him.
- 10/9/2022
- by Glamsham Bureau
- GlamSham
Along with expressions and mannerisms, it is the voice that makes a successful actor. But there are times where the film may demand that the performer just use facial expressions and body language, without any words, to emote – and that can test their calibre. Blessed with a resounding baritone – and a fine singing voice too, Amitabh Bachchan was several times called to demonstrate his prowess in this respect – and never disappointed.
Manoj Kumar described his voice as “a mellow whisper, sounding like the murmurs of a thundery cloud” at their first meeting in September 1967, when Amitabh arrived in Bombay to try his luck in the film industry, the first film that he got – “Reshma aur Shera” (1971) had portrayed him as mute.
This, as per director and producer Sunil Dutt – who fulfilled his promise of giving him a break – and writer Ali Raza, was to evoke greater audience sympathy for him.
Manoj Kumar described his voice as “a mellow whisper, sounding like the murmurs of a thundery cloud” at their first meeting in September 1967, when Amitabh arrived in Bombay to try his luck in the film industry, the first film that he got – “Reshma aur Shera” (1971) had portrayed him as mute.
This, as per director and producer Sunil Dutt – who fulfilled his promise of giving him a break – and writer Ali Raza, was to evoke greater audience sympathy for him.
- 10/9/2022
- by Glamsham Bureau
- GlamSham
This news is from the South. It is a no-brainer. Since the Telugu film industry has set certain norms for members as well as the stars and the cinemas through the Telugu Film Chamber of Commerce (Tfcc), the Tamil Film Producer Council (Tfpc) has decided to prove that it is the dormant body.
How else does the Tfpc plan to ask the film critics to refrain from writing / publishing reviews of new films till Sunday?! The major media, as in daily broadsheets, always reviewed films in the Sunday editions. The Sunday editions of the papers were meant for leisurely reading with opinions, features on various subjects as well as film reviews. Did that save a film from failing?
The business of movie reviews was all about passing of envelopes. Gradually, someone thought that giving stars to a film made better business sense. Four and five stars carried a decent price tag.
How else does the Tfpc plan to ask the film critics to refrain from writing / publishing reviews of new films till Sunday?! The major media, as in daily broadsheets, always reviewed films in the Sunday editions. The Sunday editions of the papers were meant for leisurely reading with opinions, features on various subjects as well as film reviews. Did that save a film from failing?
The business of movie reviews was all about passing of envelopes. Gradually, someone thought that giving stars to a film made better business sense. Four and five stars carried a decent price tag.
- 9/25/2022
- by Glamsham Bureau
- GlamSham
During the school times the first-hand experience of enacting the role of a teacher on the Teacher’s Day (5th September) was an anticipated day as on this day we got a chance to play the role of a teacher. While preparing for that day had a palpable excitement, the occasion during those school times also underlined how did the Teachers enacted their role in moulding the future of the children day in and day out. Hindi cinema has also over the course of 75 years of its journey time and again touched this unique institution and reminded the citizens of the country about the important role a teacher plays in the life of an individual!
Evolution of the character of Teacher on the silver screen has been a study in motion. It has evolved from being an idealist and non-compromising one to being a teacher with his or her human fallibilities as well.
Evolution of the character of Teacher on the silver screen has been a study in motion. It has evolved from being an idealist and non-compromising one to being a teacher with his or her human fallibilities as well.
- 9/10/2022
- by Nalin Rai
- GlamSham
Raj Kapoor’s naive innocence, as seen in “Mera joota hai Japani” to “Sab kuch seekha hamne”, Dilip Kumar’s restrained sorrow in “Toote hue khwabon” or “Yeh mera diwanapan hai”, Shammi Kapoor’s exuberant ebullience in “Chahe koi mujhe jungli kahe”, or Dev Anand’s cheerful jauntiness in “Khoya khoya chand” to “Gaata rahe mera dil” — all owe their origin to one man.
One of Hindi cinema’s most inspired, capable yet self-effacing wordsmiths, acknowledged duly by his peers — Raj Kapoor called him his “Pushkin” — and seen as inspiration by a later generation of lyricists, especially Gulzar, Shailendra, born Shankardas Kesarilal on this day (August 30) in 1923, left an indelible impact on film songs.
His oeuvre may not even add up to four figures in a career cut short by his untimely death, but in the span of a decade and half, his richness of thought entwined with an endearing...
One of Hindi cinema’s most inspired, capable yet self-effacing wordsmiths, acknowledged duly by his peers — Raj Kapoor called him his “Pushkin” — and seen as inspiration by a later generation of lyricists, especially Gulzar, Shailendra, born Shankardas Kesarilal on this day (August 30) in 1923, left an indelible impact on film songs.
His oeuvre may not even add up to four figures in a career cut short by his untimely death, but in the span of a decade and half, his richness of thought entwined with an endearing...
- 8/30/2022
- by Glamsham Bureau
- GlamSham
ReviewDespite its shortcomings, ‘777 Charlie’ presents a strong case about the life-changing capabilities of pets, especially dogs, and how their unconditional love has helped many wade through the harshest of times.Shuklaji777 Charlie, the latest pan-India offering from Kannada cinema, is the story of unlikely companions. Throughout the story, writer Kiranraj K (also the director) enunciates this in the form of pairings that are odd and ill-fitted at first but find tender resolutions later. Dharma (Rakshit Shetty), the perennially angry, unpleasant protagonist of this story, is the common feature of most, in fact all, of these pairings and in a strange yet endearing way, the film’s gaze remains on him throughout despite him not being the hero, so to speak. Sure, he lands a few crunchy punches along the way, nests a “manly” workshop in his garage, and climbs the tallest mountains for the sake of love. But he still isn’t your run-of-the-mill hero.
- 6/10/2022
- by AjayR
- The News Minute
Rajesh Khanna, the Indian actor who was a phenomenon in Hindi-language cinema from the late 1960s through the mid-1970s, is to be the subject of a biopic.
Producer Nikhil Dwiveri (“Veere Di Wedding”) has acquired the rights to Gautam Chintamani’s bestselling book, “Dark Star: The Loneliness Of Being Rajesh Khanna.” Farah Khan, who made “Main Hoon Na” and “Om Shanti Om,” starring Shah Rukh Khan, is in talks to direct the adaptation of the book. Khan will write the script with Chintamani.
Born Jatin Khanna in Amritsar, Khanna debuted in films with “Aakhri Khat” in 1966, which was India’s entry to the Oscars. From 1969 through 1974, Khanna starred in 15 consecutive hits, earning him the sobriquet ‘Superstar.’
Khanna rose to prominence with dual blockbusters “Aradhana” and “Do Raaste” in 1969. The films, in which he co-starred with Sharmila Tagore and Mumtaz, respectively, ruled the box office for weeks. For the next...
Producer Nikhil Dwiveri (“Veere Di Wedding”) has acquired the rights to Gautam Chintamani’s bestselling book, “Dark Star: The Loneliness Of Being Rajesh Khanna.” Farah Khan, who made “Main Hoon Na” and “Om Shanti Om,” starring Shah Rukh Khan, is in talks to direct the adaptation of the book. Khan will write the script with Chintamani.
Born Jatin Khanna in Amritsar, Khanna debuted in films with “Aakhri Khat” in 1966, which was India’s entry to the Oscars. From 1969 through 1974, Khanna starred in 15 consecutive hits, earning him the sobriquet ‘Superstar.’
Khanna rose to prominence with dual blockbusters “Aradhana” and “Do Raaste” in 1969. The films, in which he co-starred with Sharmila Tagore and Mumtaz, respectively, ruled the box office for weeks. For the next...
- 12/28/2021
- by Naman Ramachandran and Shalini Dore
- Variety Film + TV
Hum Do Hamare Do(Disney-Hotstar)
Starring Ratna Pathak Shah, Paresh Rawail, Rajkummar Rao, Kriti Sanon
Not even the wonderful Ratna Pathak Shah and Paresh Rawal could rescue this dreary rom-com from sinking so low into the abyss that it’s hard to find one single moment of joy from the mirthless mess.
On the premise level it sounds promising. Rajkummar Rao is Dhruv ,an orphan craving for a, awww, family. Ever-bubbly Kriti Sanon , the new-age Preity Zinta, craves for a Bunty with a large heart and a larger family. So what does Dhruv do? He hires two long-in-love estranged people Purushottam(Rawal) and Deepti(Pathak) to play his parents.
There is an unintentional tribute to Hrishikesh Mukherjee’s Golmaal here. In that film Amol Palekar(who was to middle-of-the-road cinema in the 1970s what Rajkummar Rao is now to the romcom industry) had hired Ratna Pathak Shah’s mother...
Starring Ratna Pathak Shah, Paresh Rawail, Rajkummar Rao, Kriti Sanon
Not even the wonderful Ratna Pathak Shah and Paresh Rawal could rescue this dreary rom-com from sinking so low into the abyss that it’s hard to find one single moment of joy from the mirthless mess.
On the premise level it sounds promising. Rajkummar Rao is Dhruv ,an orphan craving for a, awww, family. Ever-bubbly Kriti Sanon , the new-age Preity Zinta, craves for a Bunty with a large heart and a larger family. So what does Dhruv do? He hires two long-in-love estranged people Purushottam(Rawal) and Deepti(Pathak) to play his parents.
There is an unintentional tribute to Hrishikesh Mukherjee’s Golmaal here. In that film Amol Palekar(who was to middle-of-the-road cinema in the 1970s what Rajkummar Rao is now to the romcom industry) had hired Ratna Pathak Shah’s mother...
- 11/1/2021
- by Subhash K Jha
- Bollyspice
Jaipur, March 6: Filmmaker Jp Dutta and veteran actress Bindiya Goswami's daughter Nidhi is all set to tie the knot with director Binoy Gandhi on Sunday. Nidhi's mehndi and sangeet ceremonies took place on Saturday.
Celebrations have already begun in Rambagh Palace, Jaipur, where guests from the film fraternity have been arriving all through Saturday. The guest list includes names like Sunil Shetty, Arjun Rampal and girlfriend Grabiella, Anu Malik, Sonu Nigam, Lisa Mishra among others.
Mother of the bride Bindiya Goswami told, "I'm very excited about Nidhi's marriage. It's happening at a palace, which was her dream since childhood. She was clear even at that age that she wanted to get married in a palace. She is my princess and granting her that wish and to the man of her dreams is like a double dhamaka."
Since the wedding is taking place during the time of Covid, the...
Celebrations have already begun in Rambagh Palace, Jaipur, where guests from the film fraternity have been arriving all through Saturday. The guest list includes names like Sunil Shetty, Arjun Rampal and girlfriend Grabiella, Anu Malik, Sonu Nigam, Lisa Mishra among others.
Mother of the bride Bindiya Goswami told, "I'm very excited about Nidhi's marriage. It's happening at a palace, which was her dream since childhood. She was clear even at that age that she wanted to get married in a palace. She is my princess and granting her that wish and to the man of her dreams is like a double dhamaka."
Since the wedding is taking place during the time of Covid, the...
- 3/6/2021
- by Glamsham Bureau
- GlamSham
Mumbai, Nov 9 (Ians) Amitabh Bachchan shared a bit of nostalgia on social media, sharing the picture of an elaborate rangoli created by a fan.
Big B completed 51 years of acting on November 7. His debut film "Saat Hindustani" had released on the date in 1969. Celebrating the milestone, a fan created a rangoli featuring the cine icon and presented it to him on the sets of his game show. The actor posted the picture on Instagram.
"No .... that be not a painting .. that be ‘rangoli' made by the younger gentleman to commemorate my 51 years in the Industry .. please read the date at the bottom of the ‘rangoli' it's 7 Nov 1969 , and the name Saat Hindustani .. the date of my first film release !! Presented to me on the 7th of Nov 2020," he posted with the picture.
Big B started his journey in showbiz as one of the protagonists in Ka Abbas' "Saat Hindustani" (1969), and...
Big B completed 51 years of acting on November 7. His debut film "Saat Hindustani" had released on the date in 1969. Celebrating the milestone, a fan created a rangoli featuring the cine icon and presented it to him on the sets of his game show. The actor posted the picture on Instagram.
"No .... that be not a painting .. that be ‘rangoli' made by the younger gentleman to commemorate my 51 years in the Industry .. please read the date at the bottom of the ‘rangoli' it's 7 Nov 1969 , and the name Saat Hindustani .. the date of my first film release !! Presented to me on the 7th of Nov 2020," he posted with the picture.
Big B started his journey in showbiz as one of the protagonists in Ka Abbas' "Saat Hindustani" (1969), and...
- 11/9/2020
- by Glamsham Editorial
- GlamSham
The world needs a little bit of humor and some bone tickling comedies to survive the grimness of 2020. Keeping that in mind, Zee Studios released Suraj Pe Mangal Bhari. With Diljit Dosanjh wowing the audience with some crackling punchlines, and Fatima Sana Shaikh ready to be seen in a drastically different avatar, Manoj Bajpayee, who plays a wedding detective making his living out of spying on prospective grooms. The actor dons multiple looks in the trailer as he disguises himself while on the job.
Bajpayee plays Madhu Mangal Rane with flair and steadfast conviction. Battling him out is his equally worthy opponent, Suraj Singh Dhillon played affably by Diljit. Fatima plays a Marathi mulgi from Bombay, with a rebellious streak, whose family wants to see her settled.
Set in 1995 Bombay, the director has captured the city in all its glory. Every detail of the era is beautifully woven into the trailer,...
Bajpayee plays Madhu Mangal Rane with flair and steadfast conviction. Battling him out is his equally worthy opponent, Suraj Singh Dhillon played affably by Diljit. Fatima plays a Marathi mulgi from Bombay, with a rebellious streak, whose family wants to see her settled.
Set in 1995 Bombay, the director has captured the city in all its glory. Every detail of the era is beautifully woven into the trailer,...
- 10/23/2020
- by Stacey Yount
- Bollyspice
The Zee Studios in-house production comedy family entertainer, Suraj Pe Mangal Bhari, brings to you Manoj Bajpayee playing a 90s-era wedding detective, Mangal, who is chasing a prospective groom, Suraj, played by Diljit Dosanjh, to find and reveal his vices.
The trailer drops on October 21, 2020. The film also features Fatima Sana Shaikh in the lead role.
Suraj Pe Mangal Bhari is a social satire, a social commentary on how arranged marriages happen in India; how the match-making process for marriages happen between two families. The filmis among the big Diwali releases of 2020. Get ready to be a part in the most awaited wedding of the year.
Helmed by The Zoya Factor (2019) and Parmanu (2018) famed director Abhishek Sharma, Suraj Pe Mangal Bhari is a slice of life story set in the 1990s where Suraj Singh Dhillon is your quintessential Punjabi young bachelor who is looking to get hitched to a beautiful girl.
The trailer drops on October 21, 2020. The film also features Fatima Sana Shaikh in the lead role.
Suraj Pe Mangal Bhari is a social satire, a social commentary on how arranged marriages happen in India; how the match-making process for marriages happen between two families. The filmis among the big Diwali releases of 2020. Get ready to be a part in the most awaited wedding of the year.
Helmed by The Zoya Factor (2019) and Parmanu (2018) famed director Abhishek Sharma, Suraj Pe Mangal Bhari is a slice of life story set in the 1990s where Suraj Singh Dhillon is your quintessential Punjabi young bachelor who is looking to get hitched to a beautiful girl.
- 10/21/2020
- by Glamsham Editorial
- GlamSham
Scam 1992 The Harshad Mehta Story
Starring Pratik Gandhi, Sharib Hashmi, Shreya Dhanwanthary, Hemant Kher
Directed by Hansal Mehta
There is a certain desperate grace in the Indian workingclass’ existence that most filmmakers are unable to capture. Even Hrishikesh Mukherjee and Basu Chatterjee where seldom able to capture that quality of sublimity in the squalor.
Hansal Mehta’s narrative, based on the infamous Harshad Mehta Dalaal Street scam, is not afraid to get its feet wet in the mud. He looks at his Gujarati characters with a certain respect and admiration without excessively edifying them. The journey from the cramped two-room apartment to the sprawling glass-encased affluence of Harshad Mehta and his family is delineated with vigorous authenticity.
That the director is a Gujarati and his leading man too is a Gujarati goes along way into constrictive an energetic yet calm edifice of middleclass ambitions and how far an individual is...
Starring Pratik Gandhi, Sharib Hashmi, Shreya Dhanwanthary, Hemant Kher
Directed by Hansal Mehta
There is a certain desperate grace in the Indian workingclass’ existence that most filmmakers are unable to capture. Even Hrishikesh Mukherjee and Basu Chatterjee where seldom able to capture that quality of sublimity in the squalor.
Hansal Mehta’s narrative, based on the infamous Harshad Mehta Dalaal Street scam, is not afraid to get its feet wet in the mud. He looks at his Gujarati characters with a certain respect and admiration without excessively edifying them. The journey from the cramped two-room apartment to the sprawling glass-encased affluence of Harshad Mehta and his family is delineated with vigorous authenticity.
That the director is a Gujarati and his leading man too is a Gujarati goes along way into constrictive an energetic yet calm edifice of middleclass ambitions and how far an individual is...
- 10/13/2020
- by Subhash K Jha
- Bollyspice
Veteran actor Amol Palekar feels happy when he hears the young generation talk about his 1979 comedy classic, Gol Maal.
The Hrishikesh Mukherjee film was about how a man lies to get a job but things get complicated when his orthodox boss gets suspicious.
"Shooting for 'Gol Maal' was like a picnic" recalled Palekar. "We used to have a lot of fun while shooting for this film. My friendship with Utpal (Dutt) da was a very different and a priceless one since we knew each other right from our theatre days."
He added: "Often, while shooting scenes he used to tell me ways to improvise my performance to which he would accordingly improvise his own performance. Ours was a give-and-take relation! (Director) Hrishi da would also let us improvise most of the scenes in our own way before sharing his feedback."
"The fun and priceless moments we had while...
The Hrishikesh Mukherjee film was about how a man lies to get a job but things get complicated when his orthodox boss gets suspicious.
"Shooting for 'Gol Maal' was like a picnic" recalled Palekar. "We used to have a lot of fun while shooting for this film. My friendship with Utpal (Dutt) da was a very different and a priceless one since we knew each other right from our theatre days."
He added: "Often, while shooting scenes he used to tell me ways to improvise my performance to which he would accordingly improvise his own performance. Ours was a give-and-take relation! (Director) Hrishi da would also let us improvise most of the scenes in our own way before sharing his feedback."
"The fun and priceless moments we had while...
- 9/11/2020
- by Glamsham Editorial
- GlamSham
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