- (July 2002) Designed costumes for "A Saint She Ain't" musical by Dick Vosburgh and Denis King (Berkshire Theater Festival Main Stage, Stockbridge, Massachussets, USA).
- (November 2002) Designed costumes for "The Fourth Wall" play by A.R.Gurney and Noel Coward (Primary Stages, New York City, New York, USA).
- (April 2005) Designed costumes for "Steel Magnolias" play by Robert Harling (Lyceum Theatre, New York City, New York, USA).
- Designed the costumes for the 1983 Broadway revival of "The Caine Mutiny Court-Martial".
- (April 25, 2002 to May 26, 2002) He was costume designer for Clifford Odets' play, "Awake and Sing!," at the Public Theater in Pittsburgh, Pennsylvania with Lawrence Arancio, Karl Bury, David Crawford, Gene Dynarski, Marilyn Fox, Jarrod Fry, Juliet Landau, Larry John Meyers and Robert Trebor in the cast. Elina De Santos was director. James Noone was scenic designer. Phil Monat was Lighting Designer.
- (1983-1984 season) He was costume designer for Samson Raphaelson's play, "Accent on Youth," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Kenneth Frankel was director. David Jenkins was set designer. Pat Collins was lighting designer. Tom Fay was composer.
- (1984-1985 season) He was costume designer for Simon Gray's play, "The Common Pursuit," in an American premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Kenneth Frankel was director. David Jenkins was set designer. Pat Collins was lighting designer.
- (1984-1985 season) He was costume designer for the musical, "Albert Herring," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Benjamin Britten wrote the book based on the short story by Guy De Maupassant. Benjamin Britten was also composer. Henry Boys wrote the vocal score. Arvin Brown was director. Michael Yeargan was set designer. Ronald Wallace was lighting designer. Murry Sidlin was conductor. Eric Crozier was lyricist.
- (1986-1987 season) He was costume designer for Tom Stoppard's adaptation of Arthur Schnitzler's play, "Liebelei," for the play, "Dalliance," in an American premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Kenneth Frankel was director. John Conklin was set designer. Pat Collins was lighting designer.
- (1986-1987 season) He was costume designer for the musical, "The Tender Land," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Aaron Copland and Horace Everett wrote the book. Aaron Copland was composer. Horace Everett was lyricist. Arvin Brown was director. Michael H. Yeargan was set designer. Ronald Wallace was lighting designer. Murry Sidlin was conductor.
- (1986-1987 season) He was costume designer for Tina Howe's play, "Painting Churches," at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. David Trainer was director. James Noone was set designer. Mimi Jordan Sherin was lighting designer.
- (1987-1988 season) He was costume designer for Thornton Wilder's play, "Our Town," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut with Hal Holbrook in the cast. Arvin Brown was director. Michael H. Yeargan was set designer. Ronald Wallace was lighting designer.
- (1987-1988 season) He was costume designer for Brian Friel's adaptation of Ivan Turgenev's novel, "Fathers and Sons," in an American premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Austin Pendleton was director. John Conklin was set designer. Pat Collins was lighting designer.
- (1988-1989 season) He was costume designer for George S. Kaufman and Edna Ferber's play, "Dinner at Eight," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Hugh Landwehr was set designer. Ronald Wallace was lighting designer.
- (1988-1989 season) He was costume designer for Dennis McIntyre's play, "National Anthems," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Michael H. Yeargan was set designer. Ronald Wallace was lighting designer.
- (1988-1989 season) He was costume designer for Nancy Fales Garrett's play, "Some Sweet Day," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Seret Scott was director. Michael H. Yeargan was set designer. Pat Collins was lighting designer.
- (1989-1990 season) He was costume designer for Arthur Miller's play ,"The Crucible," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Michael H. Yeargan was set designer. Ronald Wallace was lighting designer.
- (1989-1990 season) He was costume designer for David Wiltse's play, "A Dance Lesson," in a world premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Gordon Edelstein was director. Hugh Landwehr was set designer. Pat Collins was lighting designer.
- (1990-1991 season) He was costume designer for Harley Granville Barker's play, "The Voysey Inheritance," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. John Lee Beatty was set designer. Arden Fingerhut was lighting designer.
- (1990-1991 season) He was costume designer for Jane Anderson's play, "The Baby Dance," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut before transferred to New York City. Jenny Sullivan was director. Marjorie Bradley Kellogg was set designer. Kirk Bookman was lighting designer.
- (1990-1991 season) He was costume designer for Joyce Carol Oates' play, "How Do You Like Your Meat?," in a world premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Gordon Edelstein was director. Hugh Landwehr was set designer. Arden Fingerhut was lighting designer. John Gromada was music composer.
- (1991-1992 season) He was costume designer for Eugene O'Neill's play, "A Touch of the Poet," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Michael Yeargan was set designer. Christopher Akerlind was lighting designer. Renton Evans was composer.
- (1992-1993 season) He was costume designer for Alan Ayckbourn's play, "Absurd Person Singular," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Michael H. Yeargan was set designer. Arden Fingerhut was lighting designer.
- (1994-1995 season) He was costume designer for Eduardo De Filippo's play, "Saturday, Sunday, Monday," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Thomas Simpson was translator. Arvin Brown was director. Marjorie Bradley Kellogg was set designer. Dennis Parichy was lighting designer.
- (1994-1995 season) He was costume designer for Joseph Kesselring's play, "Arsenic and Old Lace," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. John Tillinger was director. James Noone was set designer. Ken Billington was lighting designer.
- (1995-1996 season) He was costume designer for Peter Segal's play, "Denial," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Marjorie Bradley Kellogg was set designer. Richard Nelson was lighting designer. Jim Van Bergen was sound designer.
- (1996-1997 season) He was costume designer for George Kelly's play, "The Show-Off," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Arvin Brown was director. Michael Yeargan was set designer. Mark Stanley was lighting designer.
- (1996-1997 season) He was costume designer for John Henry Redwood's play, "The Old Settler," in a world premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Walter Dallas was director. Loren Sherman was set designer. Frances Aronson was lighting designer.
- (1999-2000 season) He was costume designer for Anne Meara's play, "Down the Garden Paths," in a world premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut before transferred to New York City. David Saint was director. James Youmans was set designer. Michael Lincoln was lighting designer.
- (November 1995) He was costume designer for Peter Sagal's play, "Denial," at the Newton Schenck Stage, Long Wharf Theatre in New Haven, Connecticut with Bonnie Franklin (Abigail Gersten), Max Wright (Prof. Bernard Cooper), Starla Benford (Stephanie), Geoffrey P. Cantor (Adam Ryberg), Alan Mandell (Noah Gomrowitz) and Sol Frieder (Nathan) in the cast. Arvin Brown was director and artistic director. Marjorie Bradley Kellogg was set designer. Richard Nelson was lighting designer. Jim van Bergen was sound designer. Anne Keefe was production stage manager. M. Edgar Rosenblum was executive director.
- (July 12 to 16, 1977) He was costume designer for Arthur Conan Doyle and William Gillette's play, "Sherlock Holmes," in a Williamstown Theatre Festival production at the Adams Memorial Theatre Main Stage at Williams College in Williamstown, Massachusetts was performed at the Williamstown Theatre Festival in Williamstown, Massachusetts with Tony Abatemarco (Alfred Bassick); David Babcock (2nd sailor); Dudley Bahman (Sir Edward Leighton); Louis Beachner (Sidney Prince); Robert Brolli (John Forman); Torben Brooks (Newsboy); Paul Burg (1st policeman); Kevin Bushee (Violinist); Thomas Carroll (1st sailor); Breez Cooper (Moroccan Prince); Albert Cummings (Leary); Tom Domenici (Mimist, 2nd guardsman); James Drummond (Organ Grinder); Jill Goldrach (Teresa); Wendell Green (Beggar); Mary Hastings (Trumpeter); Charlie Hopton (2nd Boy); Spenser Hopton (3rd boy); Max Hunt (Urchin); Philip Knoerzer (2nd policeman); Gil Konowitch (Estate Agent); Philip Kroerzer (Chinaman); Frank Langella (Sherlock Holmes); George Morforgen (Professor Moriarty); Jeffrey Moxon (1st boy); Mugsy (Bassett Hound); Barry O'Donnell (John); Ken Olin (Craigin); Madeleine Oulette (Old Lady); Ralph Renzi (Beefeater); Henry Rinehart (Billy); Ellis Roberts (Lightfoot McTague); Jack Ryland (James Larrabee); Susan Santiago (Street Singer); David Simonds (Parsons); Erika Stadtlander (Penny Whistler); Diane Toomey (Nanny); Maggie Topkis (Whore); Leonard Tucker (Count Von Stalburg); Barbette Tweed (Madge Larrabee); Toby Wheeler (Karate Expert, 2nd guardsman); Colby Willis (Alice Faulkner); Richard Woods (Doctor Watson) in the cast. Nikos Psacharopoulos was artistic director. Peter Hunt was director and lighting designer. John Lee Beatty was scenery designer. Lawrence Rosen was composer. Tom Aberger was stage manager.
- (July 11 to 15, 1978) He was costume designer for Noel Coward's play, "Design for Living," in a Williamstown Theatre Festival production at the Adams Memorial Theatre Main Stage at Williams College in Williamstown, Massachusetts with Sara E. Alberti (Miss Hodge); Penelope Corbin (Grace Torrence); Patricia Elliott (Gilda); Peter Evans (Otto); Allen Hart (Matthew); Zeljko Ivanek (Photographer); David Sabin (Ernest Friedman); Alan Schack (Henry Carver); Paxton Whitehead (Leo); John Whitesell (Mr. Bribeck) and Colby Willis (Helen Carver); in the cast. Nikos Psacharapoulos was artistic director. Gerald Gutierrez was director. Franco Colavecchia was scenery designer. Mitchell Kurtz was lighting designer. Peggy Peterson was assistant stage manage.r
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