What will be your first movie of 2023? If you’re reading this it’s likely you put some (let’s be honest: too much) thought into what commences the cinematic year. The Criterion Channel’s January lineup will put some good things front and center: they’re launching a 20-film cinema verité series that highlights all major figures of the form; an eight-film Mike Leigh retrospective that focuses on his little-seen, lesser-discussed BBC features produced between 1973 and 1984; a series on Abbas Kiarostami’s studies of childhood; and because you’ve either seen Eo or have it marked to watch, Jerzy Skolimowski’s three most-acclaimed films should be of equal note.
Another 2022 favorite, Il Buco, will have its streaming premiere alongside Kamikaze Hearts, the Depardieu-led Cyrano de Bergerac, and the recent restoration of Lodge Kerrigan’s Keane. The sole Criterion Edition for this month is 3 Women, while some notable recent documentaries—The American Sector,...
Another 2022 favorite, Il Buco, will have its streaming premiere alongside Kamikaze Hearts, the Depardieu-led Cyrano de Bergerac, and the recent restoration of Lodge Kerrigan’s Keane. The sole Criterion Edition for this month is 3 Women, while some notable recent documentaries—The American Sector,...
- 12/20/2022
- by Nick Newman
- The Film Stage
Vicky Krieps was also a winner as best European actress for Corsage.
Ruben Ostlund’s class warfare comedy Triangle Of Sadness was the big winner at the 2022 European Film Awards (EFAs), which took place today (December 10) in Reykjavík.
Scroll down for winners
The class warfare comedy won best European film, director, screenwriter and actor, for Zlatko Burić.
Vicky Krieps was also a winner as best European actress for Corsage.
Mantas Kvedaravičius’ Mariupolis 2 won the European documentary prize, whilst Alain Ughetto’s No Dogs Or Italians Allowed picked up the animated feature award.
Fernando León de Aranoa’s The Good Boss,...
Ruben Ostlund’s class warfare comedy Triangle Of Sadness was the big winner at the 2022 European Film Awards (EFAs), which took place today (December 10) in Reykjavík.
Scroll down for winners
The class warfare comedy won best European film, director, screenwriter and actor, for Zlatko Burić.
Vicky Krieps was also a winner as best European actress for Corsage.
Mantas Kvedaravičius’ Mariupolis 2 won the European documentary prize, whilst Alain Ughetto’s No Dogs Or Italians Allowed picked up the animated feature award.
Fernando León de Aranoa’s The Good Boss,...
- 12/10/2022
- by Screen staff
- ScreenDaily
The Efa ceremony is taking place December 10 at the Harpa Concert Hall in Reykjavík.
The 2022 European Film Awards (EFAs) ceremony is taking place today (December 10) at 19.15 GMT in Reykjavík.
Scroll down for winners
Screen will be posting the winners on this page as they are announced during the live ceremony (refresh the page for latest updates). The ceremony kicks off at 19.15 GMT.
Ruben Ostlund’s class warfare comedy Triangle Of Sadness is among the five titles up for the European film award, and is also competing in the director, actor (for Zlatko Burić) and screenwriter (Ostlund) categories.
Lukas Dhont’s...
The 2022 European Film Awards (EFAs) ceremony is taking place today (December 10) at 19.15 GMT in Reykjavík.
Scroll down for winners
Screen will be posting the winners on this page as they are announced during the live ceremony (refresh the page for latest updates). The ceremony kicks off at 19.15 GMT.
Ruben Ostlund’s class warfare comedy Triangle Of Sadness is among the five titles up for the European film award, and is also competing in the director, actor (for Zlatko Burić) and screenwriter (Ostlund) categories.
Lukas Dhont’s...
- 12/10/2022
- by Screen staff
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSMuch-loved genre filmmaker Albert Pyun (above) has died. Working mostly with low-budgets, and often making films for the direct-to-video market, Pyun’s career spanned five decades and included films such as The Sword and the Sorcerer (1982), Cyborg (1989), and the popular cyberpunk film series Nemesis. Cynthia Curnan, Pyun's wife and producer, had recently requested messages from fans to pass onto the filmmaker, who had been ill for a number of years prior to his passing.It seems that Paul Thomas Anderson is planning to start shooting his next feature in July 2023. Little is yet known about the new project, but a casting call has been listed for a “15-to-16-year-old female of mixed ethnicity who is physically athletic and excels at Martial Arts.” Previous...
- 11/30/2022
- MUBI
There has been an outpouring of love for Kelly Reichardt as of late, with the “Showing Up” helmer awarded a Carrosse d’Or at Cannes – only the fourth woman to be honored this way – and now a Pardo d’Onore Manor at Locarno.
But it hasn’t always been smooth sailing for the U.S. director, described by the Swiss festival as a “committed, political and independent auteur.”
“Things have gotten easier over time,” Reichardt tells Variety ahead of the event, looking back on her 28-year career.
“I have done a lot of work in the last two decades and I work in a similar kind of mode and budget size. People are familiar with my producers and know them to be very reliable people. I’m not having to prove myself at every outing.”
Since her 1994 debut, “River of Grass,” Reichardt has been celebrated for intimate, simple stories. A...
But it hasn’t always been smooth sailing for the U.S. director, described by the Swiss festival as a “committed, political and independent auteur.”
“Things have gotten easier over time,” Reichardt tells Variety ahead of the event, looking back on her 28-year career.
“I have done a lot of work in the last two decades and I work in a similar kind of mode and budget size. People are familiar with my producers and know them to be very reliable people. I’m not having to prove myself at every outing.”
Since her 1994 debut, “River of Grass,” Reichardt has been celebrated for intimate, simple stories. A...
- 8/2/2022
- by Marta Balaga
- Variety Film + TV
The Criterion Channel’s July lineup is an across-the-board display of strengths, ranging as it does from very specific programming cues to actor retrospectives and hardly ignoring the strength of Criterion Editions. Surely much fun’s to be had with “In the Ring,” a decade-spanning, 16-film curation of boxing pictures—Raging Bull and Fat City, of course, with some you forget are boxing movies (Rocco and His Brothers) and others you’ve likely never seen at all (count me excited for King Vidor’s The Champ). “Noir in Color” brilliantly upends common conception of a drama (and gives you excuse to see Nicholas Ray’s Party Girl); Setsuko Hara films are gathered into a handy collection; and Blake Edwards gets six.
On the Criterion Editions front they’ve gone all out: the Before trilogy, Alex Cox’s Walker, Leave Her to Heaven, Shaft, Destry Rides Again, Raging Bull, Hedwig and the Angry Inch,...
On the Criterion Editions front they’ve gone all out: the Before trilogy, Alex Cox’s Walker, Leave Her to Heaven, Shaft, Destry Rides Again, Raging Bull, Hedwig and the Angry Inch,...
- 6/21/2022
- by Leonard Pearce
- The Film Stage
Women face a complex and compounded pressure of perfection when it comes not just to initial reception of their artistic achievements, but also their legacy. Trailblazers are especially eclipsed by an achievement meant to be representative of a whole entire gender, race or culture, relegated to being a foot note or stepping stone for the proliferation of more disparate successes among later generations. One such example is the formidable Hungarian auteur Márta Mészáros, whose oeuvre is deserving of a recuperation.
Besides her celebrated triptych of Diary films in the 1980s, she’s best known as the first woman (and Hungarian) to win the Golden Bear at the 1975 Berlin International Film Festival for her quietly moving Adoption, a distinction resurrected in 2017 when fellow countrywoman Ildiko Enyedi took home the same prize for On Body and Soul.…...
Besides her celebrated triptych of Diary films in the 1980s, she’s best known as the first woman (and Hungarian) to win the Golden Bear at the 1975 Berlin International Film Festival for her quietly moving Adoption, a distinction resurrected in 2017 when fellow countrywoman Ildiko Enyedi took home the same prize for On Body and Soul.…...
- 3/29/2022
- by Nicholas Bell
- IONCINEMA.com
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Casting board Polaroids from Heat (1995). (Courtesy of Michael Mann)Michael Mann's debut novel is titled Heat 2, which is both a prequel and sequel to his 1995 classic crime thriller. Co-written with novelist Meg Gardiner, Heat 2 will be published on August 9 through the HarperCollins-based Michael Mann Books imprint. Jonas Mekas 100! is a program dedicated to honoring the influential critic, writer, and filmmaker Jonas Mekas. The events of the program are currently underway and are taking place worldwide, from Sweden to Taiwan, with a focus on "[expanding] global recognition of his work." Bong Joon-ho is moving forward with his next English-language film, an adaptation of Edward Ashton's upcoming science fiction novel Mickey7, with Robert Pattinson set to star. The book is about a "disposable employee" on a space colony base who refuses to be replaced by a clone.
- 1/26/2022
- MUBI
Above: Hungarian poster for The Girl. Designer unknown.It is a banner month for Hungarian Cinema in New York. While the downtown Metrograph is showing six restored classics by the great Miklós Jancsó, uptown at Film at Lincoln Center a major retrospective of the films of the equally important Márta Mészáros starts today. Mészáros was married to Jancsó from 1958 to 1973 and they had three children together, but her quiet, observant, and very personal films could hardly be more different. There is already an excellent primer to Mészáros’s films on Notebook (last year Mubi hosted the online retrospective Independent Women: The Pioneering Cinema of Márta Mészáros in many countries), so I direct you there for more information on her extraordinary life and 60-year career (she is now 90-years-old and made her last film just five years ago). Film at Lincoln Center is cramming eleven of her best films (she’s...
- 1/20/2022
- MUBI
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of repertory offerings. While many theaters are still focused on a selection of new releases, there’s a handful of worthwhile repertory screenings taking place.
Metrograph
Deemed “essential viewing” by Martin Scorsese, a six-film retrospective of the Hungarian master Miklós Jancsó continues. A series of literary adaptations includes Adaptation, Mishima, and Crumb, while the staff of Kim’s Video program films by Lang, Murnau, Griffith and more.
Museum of Modern Art
“To Save and Project,” one of the most eye-opening series in any given year, makes its triumphant return.
Film at Lincoln Center
Almost never screened in the US, films by Márta Mészáros are now playing in a series of restorations by Janus.
Film Forum
A new 35mm print...
Metrograph
Deemed “essential viewing” by Martin Scorsese, a six-film retrospective of the Hungarian master Miklós Jancsó continues. A series of literary adaptations includes Adaptation, Mishima, and Crumb, while the staff of Kim’s Video program films by Lang, Murnau, Griffith and more.
Museum of Modern Art
“To Save and Project,” one of the most eye-opening series in any given year, makes its triumphant return.
Film at Lincoln Center
Almost never screened in the US, films by Márta Mészáros are now playing in a series of restorations by Janus.
Film Forum
A new 35mm print...
- 1/20/2022
- by Nick Newman
- The Film Stage
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Sidney Poitier holding his best actor Oscar, won for his role in Lilies of the Field (1963). The singular actor, director, and civil rights activist Sidney Poitier died last Thursday. An immigrant from the Bahamas who rose to prominence through the American Negro Theatre, then Broadway, Poitier entered Hollywood when few complex roles for Black actors were available. He became the first Black man to win the best actor Oscar in 1963 for Lillies of the Field, but also frequently received criticism for playing roles perceived as overly chaste and stately. Poitier persisted nonetheless, and later directed his own films, such as Buck and the Preacher (1972), starring his friend Harry Belafonte and Ruby Dee, and the Gene Wilder-Richard Pryor prison break comedy Stir Crazy (1980). The prolific critic, programmer, and filmmaker Peter Bogdanovich also died on Thursday.
- 1/12/2022
- MUBI
The bar’s so low it doesn’t exactly speak volumes when I say now—of all times, for some reason—is a banner moment for spotlighting Hungarian cinema. As Kino’s fantastic Miklós Jancsó retrospective starts this weekend, Janus has unveiled the trailer for their no-less-fantastic series on Márta Mészáros, a director whose name has perhaps never come up in my years occupying cinephile circles. If film history is a narrow, unforgiving thing, so often at mercy of what’s readily available in acceptable condition, this goes beyond restoration—it constitutes something more like rescue.
And so just the trailer for this series, which runs at Film at Lincoln Center from January 21 to January 26, is a revelation: none of this sparks familiarity, even Isabelle Huppert—star of Mészáros’s The Heiresses—constituting a surprise. In conjunction with Adoption arriving on Criterion in March and an inevitable release of more restorations,...
And so just the trailer for this series, which runs at Film at Lincoln Center from January 21 to January 26, is a revelation: none of this sparks familiarity, even Isabelle Huppert—star of Mészáros’s The Heiresses—constituting a surprise. In conjunction with Adoption arriving on Criterion in March and an inevitable release of more restorations,...
- 1/12/2022
- by Leonard Pearce
- The Film Stage
Revisiting last year's introduction when putting together 2021's favorites, it is with a shock to realize how little has changed in the wildly disrupted world of cinema under the shroud of the pandemic. The urge to copy-and-paste the whole shebang is quite tempting indeed.What can we say about this year, 2021? We got a little more used to long-term instability. Cinemas and festivals re-opened, only for some to close again. We, like many, ventured carefully out into the world to finally see films again with audiences, all kinds: nervous ones, uproarious ones, spartan ones, and delighted ones. It was an experience both anxious and joyous. We also doubled down on the challenges, but also the pleasures, of home viewing: of virtual cinemas and virtual festivals, of straight to streaming premieres, of trying to capture a social joy in semi-isolation by connecting with others over experiences shared and disparate.The long...
- 12/27/2021
- MUBI
As 2021 reaches its merciful end we are only happy to look forward—towards March, mainly, and what Criterion’s planning as spring springs. The 4K stride continues with Jean-Pierre Melville’s Le Cercle Rouge, which screened this summer in (from what I’ve heard) a splendid restoration, and Scorsese’s The Last Waltz, my 2008 Blu-ray of which is perhaps no longer up to snuff. Will Neil Young’s coke snot come clearer in 2,160 pixels?
Aldrich’s Flight of the Phoenix joins while some pretty deep cuts are added to the collection: Hungarian filmmaker Márta Mészáros’s Adoption and Theodore Witcher’s Love Jones.
See artwork below and further details on all titles here:
The post Criterion's March Lineup Includes Le Cercle Rouge and The Last Waltz in 4K first appeared on The Film Stage.
Aldrich’s Flight of the Phoenix joins while some pretty deep cuts are added to the collection: Hungarian filmmaker Márta Mészáros’s Adoption and Theodore Witcher’s Love Jones.
See artwork below and further details on all titles here:
The post Criterion's March Lineup Includes Le Cercle Rouge and The Last Waltz in 4K first appeared on The Film Stage.
- 12/15/2021
- by Leonard Pearce
- The Film Stage
Bosnian war drama also wins best director and best actress.
Jasmila Žbanić’s Quo Vadis, Aida? won three prizes including best film at this year’s European Film Awards, which went ahead as a hybrid event in Berlin tonight (Dec 11).
Žbanić was also named best director by the European Film Academy’s (Efa) 4,200-strong membership, whilst the film’s star Jasna Đuričić won best actress.
In her acceptance speech, Žbanić dedicated her award to “the women of Srebrenica and mothers who taught us how to turn destruction into love. I hope it will encourage more female solidarity, female stories, female perspective in film,...
Jasmila Žbanić’s Quo Vadis, Aida? won three prizes including best film at this year’s European Film Awards, which went ahead as a hybrid event in Berlin tonight (Dec 11).
Žbanić was also named best director by the European Film Academy’s (Efa) 4,200-strong membership, whilst the film’s star Jasna Đuričić won best actress.
In her acceptance speech, Žbanić dedicated her award to “the women of Srebrenica and mothers who taught us how to turn destruction into love. I hope it will encourage more female solidarity, female stories, female perspective in film,...
- 12/11/2021
- by Martin Blaney
- ScreenDaily
Following their Main Slate announcement, Film at Lincoln Center has now unveiled the slate of new restorations set to premiere at the 59th New York Film Festival. Featuring work by Mira Nair, John Carpenter, Michael Powell, Lynne Ramsay, Joan Micklin Silver, Melvin Van Peebles, and more, it’s an eclectic lineup of classics and rarities.
“We are delighted to share this year’s particularly strong Revivals lineup,” said Florence Almozini, Flc Senior Programmer at Large. “The section showcases groundbreaking works by John Carpenter, Mira Nair, Melvin Van Peebles, Nina Menkes, Wendell B. Harris Jr., Michael Powell, and more, in masterful restorations. One of the biggest satisfactions of programming Revivals within this festival is looking back at cinematic treasures of the past and seeing their continuity and relevance with today’s cinema. We think this selection is both a celebration and a thought-provoking adventure, and we hope audiences will enjoy exploring it,...
“We are delighted to share this year’s particularly strong Revivals lineup,” said Florence Almozini, Flc Senior Programmer at Large. “The section showcases groundbreaking works by John Carpenter, Mira Nair, Melvin Van Peebles, Nina Menkes, Wendell B. Harris Jr., Michael Powell, and more, in masterful restorations. One of the biggest satisfactions of programming Revivals within this festival is looking back at cinematic treasures of the past and seeing their continuity and relevance with today’s cinema. We think this selection is both a celebration and a thought-provoking adventure, and we hope audiences will enjoy exploring it,...
- 8/18/2021
- by Leonard Pearce
- The Film Stage
Groundbreaking works by John Carpenter, Mira Nair, Melvin Van Peebles, Nina Menkes and Michael Powell will be featured in the Revivals lineup of the 59th New York Film Festival. These films, which range from historical dramas to pulpy crime thrillers, have been digitally remastered and restored.
Films being highlighted this year include a 4K restoration of Carpenter’s “Assault on Precinct 13,” Powell’s “Bluebird’s Ghost,” Menkes’s “The Bloody Child,” Nair’s “Mississippi Masala” and Van Peebles’s “Sweet Sweetback’s Baadasssss Song.”
“One of the biggest satisfactions of programming Revivals within this festival is looking back at cinematic treasures of the past and seeing their continuity and relevance with today’s cinema,” said Florence Almozini, Flc Senior Programmer at Large. “We think this selection is both a celebration and a thought-provoking adventure, and we hope audiences will enjoy exploring it, whether they are seeing these films for the first or 20th time.
Films being highlighted this year include a 4K restoration of Carpenter’s “Assault on Precinct 13,” Powell’s “Bluebird’s Ghost,” Menkes’s “The Bloody Child,” Nair’s “Mississippi Masala” and Van Peebles’s “Sweet Sweetback’s Baadasssss Song.”
“One of the biggest satisfactions of programming Revivals within this festival is looking back at cinematic treasures of the past and seeing their continuity and relevance with today’s cinema,” said Florence Almozini, Flc Senior Programmer at Large. “We think this selection is both a celebration and a thought-provoking adventure, and we hope audiences will enjoy exploring it, whether they are seeing these films for the first or 20th time.
- 8/17/2021
- by Brent Lang
- Variety Film + TV
The Golden Bear winner is 90 this year. As a showcase of her films plays in London, she reflects on her career, from documentaries to dramas, and the impact of censorship
Márta Mészáros, the pioneering Hungarian film-maker who turns 90 in September, has always looked young for her age. When she wanted to study film in her home country in the late 1940s, she was told: “We don’t need anyone from kindergarten!” She spoke fluent Russian, having lived in Russia for much of her childhood, so she went to Moscow instead, where gender was the sticking point. “There were not so many female film-makers in those days,” she tells me by phone. “A woman wanting to have that career was a joke. The men were all laughing at me.” How did she respond? “Ah, I was laughing, too,” she says, a trace of slyness in her voice.
Márta Mészáros, the pioneering Hungarian film-maker who turns 90 in September, has always looked young for her age. When she wanted to study film in her home country in the late 1940s, she was told: “We don’t need anyone from kindergarten!” She spoke fluent Russian, having lived in Russia for much of her childhood, so she went to Moscow instead, where gender was the sticking point. “There were not so many female film-makers in those days,” she tells me by phone. “A woman wanting to have that career was a joke. The men were all laughing at me.” How did she respond? “Ah, I was laughing, too,” she says, a trace of slyness in her voice.
- 7/13/2021
- by Ryan Gilbey
- The Guardian - Film News
Cannes Classics
Mark Cousins‘ documentary “The Storms Of Jeremy Thomas,” following the legendary “The Last Emperor” and “Merry Christmas Mr. Lawrence” producer’s annual drive to Cannes, will be the pre-opener at the Cannes Classics selection this year.
Restored titles this year include “Friendship’s Death” by Peter Wollen, starring Tilda Swinton; “F For Fake” by Orson Welles; “Mulholland Drive” by David Lynch (2001 U.S.); “I Know Where I’m Going!” by Michael Powell and Emeric Pressburger; and “The Double Life Of Véronique by Krzysztof Kieślowski”.
The section will also celebrate the work of actor/director Bill Duke with a screening of “The Killing Floor” (1985); Japanese actor and filmmaker Kinuyo Tanaka’s “Tsuki Wa Noborinu”; Spanish actor and filmmaker Ana Marisca’s “El Camino” from 1964; French maven Marcel Camus’ “Orfeu Negro” and Italian master Roberto Rossellini’s “Francesco, Giullare Di Dio”.
Oscar Micheaux, the first African-American director in the history of U.
Mark Cousins‘ documentary “The Storms Of Jeremy Thomas,” following the legendary “The Last Emperor” and “Merry Christmas Mr. Lawrence” producer’s annual drive to Cannes, will be the pre-opener at the Cannes Classics selection this year.
Restored titles this year include “Friendship’s Death” by Peter Wollen, starring Tilda Swinton; “F For Fake” by Orson Welles; “Mulholland Drive” by David Lynch (2001 U.S.); “I Know Where I’m Going!” by Michael Powell and Emeric Pressburger; and “The Double Life Of Véronique by Krzysztof Kieślowski”.
The section will also celebrate the work of actor/director Bill Duke with a screening of “The Killing Floor” (1985); Japanese actor and filmmaker Kinuyo Tanaka’s “Tsuki Wa Noborinu”; Spanish actor and filmmaker Ana Marisca’s “El Camino” from 1964; French maven Marcel Camus’ “Orfeu Negro” and Italian master Roberto Rossellini’s “Francesco, Giullare Di Dio”.
Oscar Micheaux, the first African-American director in the history of U.
- 6/24/2021
- by Naman Ramachandran
- Variety Film + TV
The Cannes Film Festival has unveiled the lineup for its 2021 Cannes Classics section. Made up of a selection of restored prints, the roster also includes new documentaries that explore the history of cinema. Among the offerings is Mark Cousins’ pre-opening doc, The Storms Of Jeremy Thomas, which covers a yearly drive with the British producer from London to Cannes. Cousins and Thomas will be in town for the presentation. (Scroll down for the full Cannes Classics list.)
Restored titles include David Lynch’s 2001 Mulholland Drive; 1945’s I Know Where I’m Going! by Michael Powell and Emeric Pressburger; Krzysztof Kieślowski’s 1991 drama The Double Life Of Véronique; Orson Welles’ F For Fake from 1973; and Friendship’s Death by Peter Wollen which features Tilda Swinton’s first role.
Among the special events are a tribute to director and actor Bill Duke who will present his 1985 The Killing Floor which premiered at Critics...
Restored titles include David Lynch’s 2001 Mulholland Drive; 1945’s I Know Where I’m Going! by Michael Powell and Emeric Pressburger; Krzysztof Kieślowski’s 1991 drama The Double Life Of Véronique; Orson Welles’ F For Fake from 1973; and Friendship’s Death by Peter Wollen which features Tilda Swinton’s first role.
Among the special events are a tribute to director and actor Bill Duke who will present his 1985 The Killing Floor which premiered at Critics...
- 6/23/2021
- by Nancy Tartaglione
- Deadline Film + TV
Tilda Swinton to attend restored screening of Peter Wollen’s 1987 UK film Friendship’s Death.
Two documentaries from Mark Cousins and restored films from Kinuyo Tanaka, Oscar Micheaux, and Orson Welles will screen in Cannes Classics, announced on Wednesday (June 23).
Cousins’ The Story Of Film: A New Generation and The Storms Of Jeremy Thomas, a profile of the celebrated British producer, are among a documentary line-up that incudes Buñuel, Un Cineasta Surrealista from Javier Espada, and All About Yves Montand by Yves Jeuland.
The roster of restored narrative films includes David Lynch’s 2001 Mulholland Drive, Japanese actor-filmmaker Kinuyo Tanaka’s (pictured) The Moon Has Risen,...
Two documentaries from Mark Cousins and restored films from Kinuyo Tanaka, Oscar Micheaux, and Orson Welles will screen in Cannes Classics, announced on Wednesday (June 23).
Cousins’ The Story Of Film: A New Generation and The Storms Of Jeremy Thomas, a profile of the celebrated British producer, are among a documentary line-up that incudes Buñuel, Un Cineasta Surrealista from Javier Espada, and All About Yves Montand by Yves Jeuland.
The roster of restored narrative films includes David Lynch’s 2001 Mulholland Drive, Japanese actor-filmmaker Kinuyo Tanaka’s (pictured) The Moon Has Risen,...
- 6/23/2021
- by Jeremy Kay
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe winners of this year's socially distanced Academy Awards ceremony include Daniel Kaluuya, Youn Yuh Jung, and Chloé Zhao. Find our full list of winners and nominees here.The legendary layout artist Roy Naisbitt has died at 90. Best known for his intricate and interweaving visions, Naisbitt worked on films like Who Framed Roger Rabbit, Space Jam, Balto and 2001: A Space Odyssey. Recommended VIEWINGAn extension of This Long Century, Ecstatic Static is a database of films and information from a broad community of artists. The site is currently screening films like Simon Liu's Signal 8, and also has an extensive library featuring new notes on filmmaking by Jodie Mack, Helena Wittmann, and more. Anthology Film Archives has announced a new online festival, presented in partnership with production company Vanda. Entitled Vanda Duarte: Dissident Films by Latin American Women Directors,...
- 4/28/2021
- MUBI
Mari Törőcsik, one of Hungary’s most prominent actors who won Best Actress at the Cannes Film Festival and starred in two Oscar-nominated films, died on Friday in Budapest after a long illness. She was 85.
Törőcsik’s first international appearance was at the 1956 Cannes Film Festival where she starred in Palme d’Or contender Körhinta (Merry-Go-Round), from director Zoltán Fábri. In that film, she played a young farmer girl who falls in love with a peasant boy against her father’s wishes.
Francois Truffaut, who was then a journalist with the weekly Arts, said he would have given her the Best Actress Award and French poet Jean Cocteau also praised her talent. Truffaut wrote: “without the twenty-year-old artist knowing it, she was the biggest star of the festival.”
Over the past half century, she played more than 100 roles. She worked with Fábri as well as Miklós Jancsó, Márta Mészáros and Károly Makk on multiple occasions.
Törőcsik’s first international appearance was at the 1956 Cannes Film Festival where she starred in Palme d’Or contender Körhinta (Merry-Go-Round), from director Zoltán Fábri. In that film, she played a young farmer girl who falls in love with a peasant boy against her father’s wishes.
Francois Truffaut, who was then a journalist with the weekly Arts, said he would have given her the Best Actress Award and French poet Jean Cocteau also praised her talent. Truffaut wrote: “without the twenty-year-old artist knowing it, she was the biggest star of the festival.”
Over the past half century, she played more than 100 roles. She worked with Fábri as well as Miklós Jancsó, Márta Mészáros and Károly Makk on multiple occasions.
- 4/16/2021
- by Diana Lodderhose
- Deadline Film + TV
Mari Törőcsik, one of Hungary’s leading actors, died on Friday, at the age of 85, in Budapest after a long illness. She won best actress at the Cannes Film Festival, and appeared in two Oscar nominated films.
Törőcsik’s first international appearance was in 1956 at Cannes, where she starred in Zoltán Fábri’s Palme d’Or competitor “Körhinta” (Merry-Go-Round), playing a country girl in love with a peasant boy, battling against the opposition of her father to the relationship.
During the festival, Francois Truffaut, who was then a journalist with the weekly Arts, said he would have given her the best actress award, and Jean Cocteau also praised her performance. Truffaut wrote: “Without the 20-year-old artist knowing it, she was the biggest star of the festival.”
Since then she has played more than 100 roles. She worked with directors Fábri, Miklós Jancsó, Márta Mészáros and Károly Makk on multiple occasions.
Several...
Törőcsik’s first international appearance was in 1956 at Cannes, where she starred in Zoltán Fábri’s Palme d’Or competitor “Körhinta” (Merry-Go-Round), playing a country girl in love with a peasant boy, battling against the opposition of her father to the relationship.
During the festival, Francois Truffaut, who was then a journalist with the weekly Arts, said he would have given her the best actress award, and Jean Cocteau also praised her performance. Truffaut wrote: “Without the 20-year-old artist knowing it, she was the biggest star of the festival.”
Since then she has played more than 100 roles. She worked with directors Fábri, Miklós Jancsó, Márta Mészáros and Károly Makk on multiple occasions.
Several...
- 4/16/2021
- by Leo Barraclough
- Variety Film + TV
The Notebook Primer introduces readers to some of the most important figures, films, genres, and movements in film history. The series Independent Women: The Pioneering Cinema of Márta Mészáros starts on Mubi on March 22, 2021 in many countries.In an interview with Philip Roth, Czech writer Milan Kundera said about the concept of forgetting: “This is the great private problem of man: death as the loss of self. But what is this self? It is the sum of everything we remember. Thus, what terrifies us about death is not the loss of the past. Forgetting is a form of death ever present within life…. But forgetting is also the great problem of politics. When a big power wants to deprive a small country of its national consciousness, it uses the method of organized forgetting.”The films of Márta Mészáros epitomize these sentiments. Internationally renowned for her four Diary films—Diary for...
- 3/31/2021
- MUBI
The Basque city’s 61st International Documentary and Short Film Festival will fling open its doors on Friday 8 November and will unspool for a week, packed to the rafters with various activities. Zinebi is set to kick off on Friday 8 November and will be celebrating its 61st edition this year. The gathering, headed up by Vanessa Fernández Guerra, will unspool in Bilbao until 15 November, offering a varied programme of short films and documentaries. In addition, China’s Wang Bing will pay the festival a visit and will have a tribute dedicated to him; as part of this, a selection of his shorts and medium-length films will get an airing. Two other Honorary Mikeldis will also be handed out: one to Hungarian filmmaker Márta Mészáros (The Unburied Man), who will have a retrospective available for audiences to enjoy, and the other to France’s Claire Simon (Young Solitude), who will present.
For the fifth year running, Lyon’s Lumière Festival will honor Hungarian cinema and invite guests of the Hungarian National Film Fund to present two classic Hungarian films from important national filmmakers, Márta Mészáros’ “Ők ketten” (“Women”) and Zoltán Fábri’s “Fifth Seal.”
Both films will be presented by Lumière Festival special guest Marina Vlady on Oct 18.
It’s a treat for the Hungarian National Film Fund, coming just one month after hosting their own retrospective film festival, the Budapest Classics Film Marathon. This year’s event saw 100 films screen over seven days with more than 17,000 spectators attending.
1977’s “Women” stars popular Hungarian actors Lili Monori and Golden Globe-nominated Marina Vlady (“The Conjugal Bed”) with an appearance from Vladimir Visotski (“The Duel”). The story turns on two women, Juli and Mari, who are each experiencing marital crisis. Their problems bring the two together in an attempt to help one another put their lives back together.
Both films will be presented by Lumière Festival special guest Marina Vlady on Oct 18.
It’s a treat for the Hungarian National Film Fund, coming just one month after hosting their own retrospective film festival, the Budapest Classics Film Marathon. This year’s event saw 100 films screen over seven days with more than 17,000 spectators attending.
1977’s “Women” stars popular Hungarian actors Lili Monori and Golden Globe-nominated Marina Vlady (“The Conjugal Bed”) with an appearance from Vladimir Visotski (“The Duel”). The story turns on two women, Juli and Mari, who are each experiencing marital crisis. Their problems bring the two together in an attempt to help one another put their lives back together.
- 10/16/2019
- by Jamie Lang
- Variety Film + TV
In the past decade, Hong Kong has seen a growing number of first-time or emerging filmmakers. To help young filmmakers build a long-term sustainable career and to meet the needs of an increasingly diversified audience culture and film industry, the Hong Kong Arts Centre (Hkac) sees a pertinent need to assist filmmakers to expand their professional and personal horizons, enrich their crafts, network and get recognised on local and international levels.
In 2019, coinciding with the 50th Anniversary of the Cannes Directors’ Fortnight, one of the world’s most prestigious and influential breeding grounds for accomplished filmmakers, the Hkac presents New Waves, New Shores: Cannes Directors’ Fortnight 50 Meets Hong Kong Cinema. Hong Kong-based film critic, journalist and curator, Clarence Tsui, is the Hkac’s guest curator of the film screening series and will conduct discussion panels and workshops under this programme.
Venue: Louis Koo Cinema, Hong Kong Arts Centre
Date: 06.06.2019 – 23.06.2019
Schedule...
In 2019, coinciding with the 50th Anniversary of the Cannes Directors’ Fortnight, one of the world’s most prestigious and influential breeding grounds for accomplished filmmakers, the Hkac presents New Waves, New Shores: Cannes Directors’ Fortnight 50 Meets Hong Kong Cinema. Hong Kong-based film critic, journalist and curator, Clarence Tsui, is the Hkac’s guest curator of the film screening series and will conduct discussion panels and workshops under this programme.
Venue: Louis Koo Cinema, Hong Kong Arts Centre
Date: 06.06.2019 – 23.06.2019
Schedule...
- 6/2/2019
- by Adriana Rosati
- AsianMoviePulse
Cluj, Romania — The off-beat, the avant garde and the boundary-defying take center stage at the Transilvania Intl. Film Festival, which kicked off Friday night with a soggy start to the 17th edition.
Unspooling over 10 days in the lively medieval city of Cluj, a festival known for bold and provocative programming will feature 12 films in competition for the Transilvania Trophy, starting with fest opener “Foxtrot,” Israeli director Samuel Maoz’s Oscar-shortlisted portrait of a grieving family who lose their soldier son in the line of duty.
Though evening showers threatened to turn the night into a washout, the skies cleared over the historic Piata Unirii (Union Square), where Maoz’s controversial film, which won the Silver Lion in Venice last year, played to a damp but upbeat crowd.
With lightning flashing over what the Israeli helmer described as “the biggest screen and the biggest screening my film has ever had,” Maoz...
Unspooling over 10 days in the lively medieval city of Cluj, a festival known for bold and provocative programming will feature 12 films in competition for the Transilvania Trophy, starting with fest opener “Foxtrot,” Israeli director Samuel Maoz’s Oscar-shortlisted portrait of a grieving family who lose their soldier son in the line of duty.
Though evening showers threatened to turn the night into a washout, the skies cleared over the historic Piata Unirii (Union Square), where Maoz’s controversial film, which won the Silver Lion in Venice last year, played to a damp but upbeat crowd.
With lightning flashing over what the Israeli helmer described as “the biggest screen and the biggest screening my film has ever had,” Maoz...
- 5/25/2018
- by Christopher Vourlias
- Variety Film + TV
Award-winning Hungarian director whose best films demonstrate how state oppression damages love and fidelity but cannot kill the human spirit
The glory days of the Hungarian cinema from the mid-1960s to the mid-70s came about mainly because of the relative liberalisation of the communist regime under the Soviet loyalist János Kádár. Károly Makk, who has died aged 91, was among leading Hungarian directors such as Miklós Jancsó, Márta Mészáros, István Szabó, Zoltán Fábri and István Gaál whose films were beginning to be shown and acclaimed more and more in the west.
Because of problems with censorship under the previous, Stalinist puppet regime, Makk, who had been making films since 1955, had to wait until 1971 to gain international recognition with his simply titled masterpiece, Love. “I asked every year for six years for permission to make it. The political elite finally gave in because it was part of a rejection of the Stalin years.
The glory days of the Hungarian cinema from the mid-1960s to the mid-70s came about mainly because of the relative liberalisation of the communist regime under the Soviet loyalist János Kádár. Károly Makk, who has died aged 91, was among leading Hungarian directors such as Miklós Jancsó, Márta Mészáros, István Szabó, Zoltán Fábri and István Gaál whose films were beginning to be shown and acclaimed more and more in the west.
Because of problems with censorship under the previous, Stalinist puppet regime, Makk, who had been making films since 1955, had to wait until 1971 to gain international recognition with his simply titled masterpiece, Love. “I asked every year for six years for permission to make it. The political elite finally gave in because it was part of a rejection of the Stalin years.
- 9/6/2017
- by Ronald Bergan
- The Guardian - Film News
My Happy Family also wins two awards at Wiesbaden festival.
Bojan Vuletic’s second feature Requiem For Mrs J. has become the first Serbian film in the history of the goEast - Festival of Central and Eastern European Film’s 17 years to win the top award, the €10,000 Golden Lily, for best film in Wiesbaden’s competition.
The co-production between Serbia’s See Film Pro, Bulgaria’s Geopoly Film, Fyr Macedonia’s Skopje Film Studio, France’s Surprise Alley and Russia’s Non-Stop Production had had its world premiere at the Berlinale’s Panorama section in February and is in the sales line-up of Belgrade-based Soul Food Films.
Vuletic, who had attended his film’s screenings and last night’s awards ceremony with lead actress Mirjana Karanovic (both pictured, top, alongside filmmaker Hana Jusic and festival director Gaby Babic), is no stranger to goEast after his feature debut Practical Guide To Belgrade With Singing And Crying had its...
Bojan Vuletic’s second feature Requiem For Mrs J. has become the first Serbian film in the history of the goEast - Festival of Central and Eastern European Film’s 17 years to win the top award, the €10,000 Golden Lily, for best film in Wiesbaden’s competition.
The co-production between Serbia’s See Film Pro, Bulgaria’s Geopoly Film, Fyr Macedonia’s Skopje Film Studio, France’s Surprise Alley and Russia’s Non-Stop Production had had its world premiere at the Berlinale’s Panorama section in February and is in the sales line-up of Belgrade-based Soul Food Films.
Vuletic, who had attended his film’s screenings and last night’s awards ceremony with lead actress Mirjana Karanovic (both pictured, top, alongside filmmaker Hana Jusic and festival director Gaby Babic), is no stranger to goEast after his feature debut Practical Guide To Belgrade With Singing And Crying had its...
- 5/3/2017
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Update With Key Speeches: Hungarian title On Body And Soul takes best film; Aki Kaurismaki, Sebastian Lelio among winners; Insyriated and I Am Not Your Negro scoop Panorama audience awards; 2018 festival dates revealed.
The awards ceremony for the 67th Berlin Film Festival took place this evening (18 Feb) with winners including Ildiko Enyedi, Alain Gomis, Agnieszka Holland and Sebastian Lelio.
Scroll down for full list of winners
Ildikò Enyedi’s Hungarian feature On Body and Soul - the unusual love story of two damaged souls trying to make contact in a harsh world - was the big winner on the night taking home the Golden Bear for best film in the Competition as well as the Ecumenical and Fipresci juries’ prizes for best film in the Official Competition and the Berliner Morgenpost Readers’ Award.
Enyedi’s film - which is handled internationally by Berlin-based sales agent Films Boutique and had been hotly tipped for the Golden Bear - is...
The awards ceremony for the 67th Berlin Film Festival took place this evening (18 Feb) with winners including Ildiko Enyedi, Alain Gomis, Agnieszka Holland and Sebastian Lelio.
Scroll down for full list of winners
Ildikò Enyedi’s Hungarian feature On Body and Soul - the unusual love story of two damaged souls trying to make contact in a harsh world - was the big winner on the night taking home the Golden Bear for best film in the Competition as well as the Ecumenical and Fipresci juries’ prizes for best film in the Official Competition and the Berliner Morgenpost Readers’ Award.
Enyedi’s film - which is handled internationally by Berlin-based sales agent Films Boutique and had been hotly tipped for the Golden Bear - is...
- 2/18/2017
- by screen.berlin@googlemail.com (Martin Blaney) andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Film director who used powerful symbolism to depict the fight for Hungarian socialism and independence
At the 1966 Cannes film festival, a movie whose title sounded like a western – but was actually Hungarian – caused a sensation and launched its director into the international cinematic scene, where he was to remain for a decade. The film of hypnotic beauty and daring technique was The Round-Up (Szegénylegények, literally translated as The Outlaws) and the director was Miklós Jancsó, who has died aged 92.
Jancsó's highly personal style had blossomed in this, his fifth feature. The Round-Up is set on a bleak Hungarian plain in 1868, when Austro‑Hungarian troops tried to break the unity of the Hungarian partisans by torture, interrogations and killings. There is little dialogue as horsemen drive the people to and fro, with power continually changing hands. Jancsó's ritualistic style manages to make the particular Hungarian situation into a universal parable of evil,...
At the 1966 Cannes film festival, a movie whose title sounded like a western – but was actually Hungarian – caused a sensation and launched its director into the international cinematic scene, where he was to remain for a decade. The film of hypnotic beauty and daring technique was The Round-Up (Szegénylegények, literally translated as The Outlaws) and the director was Miklós Jancsó, who has died aged 92.
Jancsó's highly personal style had blossomed in this, his fifth feature. The Round-Up is set on a bleak Hungarian plain in 1868, when Austro‑Hungarian troops tried to break the unity of the Hungarian partisans by torture, interrogations and killings. There is little dialogue as horsemen drive the people to and fro, with power continually changing hands. Jancsó's ritualistic style manages to make the particular Hungarian situation into a universal parable of evil,...
- 2/1/2014
- by Ronald Bergan
- The Guardian - Film News
Exclusive: Poland’s Akson Studio, producer of Andrzej Wajda’s Venice title Walesa. Man Of Hope, is preparing a film set in the world of the Polish mafia.
Speaking exclusively to ScreenDaily, producer Jan Kwiecinski said the feature, titled Totem, will be “a very raw movie in the vein of films like Bullhead or Pusher.”
He added: “It will be made with non-professional actors, very dark, low budget, and totally different from what we are doing at the moment.”
Totem will mark the feature directorial debut of Jakub Charon, who has previously written and directed two short films, Traces and Tension. He is also a member of alternative rock group NarcolipZ and an author of two novels.
Warsaw Uprising shoot underway
Akson is halfway through its 63-day shoot of Jan Komasa’s Warsaw44 about the Warsaw Uprising of 1944. The $8m production is already being touted as the biggest Polish film of 2014.
Eight years ago, Akson Studio’s founder...
Speaking exclusively to ScreenDaily, producer Jan Kwiecinski said the feature, titled Totem, will be “a very raw movie in the vein of films like Bullhead or Pusher.”
He added: “It will be made with non-professional actors, very dark, low budget, and totally different from what we are doing at the moment.”
Totem will mark the feature directorial debut of Jakub Charon, who has previously written and directed two short films, Traces and Tension. He is also a member of alternative rock group NarcolipZ and an author of two novels.
Warsaw Uprising shoot underway
Akson is halfway through its 63-day shoot of Jan Komasa’s Warsaw44 about the Warsaw Uprising of 1944. The $8m production is already being touted as the biggest Polish film of 2014.
Eight years ago, Akson Studio’s founder...
- 7/31/2013
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Arvind Iyer’s Drapchi will be screened under the ‘The World Today’ section of the 28th Warsaw Film Festival. The 80 minute musical was earlier screened at the Osian’s Cinefan Film Festival 2012.
The Warsaw Film Festival will run from 12th – 21st October, 2012.
The synopsis of the film on the festival website reads: “Modern Tibet: a systematic war is being waged with the traditional past. Punishment awaits those who raise their voices in protest. This is the case with Yiga Gyalnang, a traditional Tibetan opera singer. She is abducted one morning and finds herself in near complete isolation in an underground prison cell in Drapchi, the biggest jail in Lhasa, Tibet. After two years, she breaks free and escapes to Nepal and from there, to the West. With her, she takes her strength, her spirituality, her Tibetan song.
Namgyal Lhamo, Lobsang Yonten, Chris Constantinou, Tashi Choephel and Gen Tenzin la are...
The Warsaw Film Festival will run from 12th – 21st October, 2012.
The synopsis of the film on the festival website reads: “Modern Tibet: a systematic war is being waged with the traditional past. Punishment awaits those who raise their voices in protest. This is the case with Yiga Gyalnang, a traditional Tibetan opera singer. She is abducted one morning and finds herself in near complete isolation in an underground prison cell in Drapchi, the biggest jail in Lhasa, Tibet. After two years, she breaks free and escapes to Nepal and from there, to the West. With her, she takes her strength, her spirituality, her Tibetan song.
Namgyal Lhamo, Lobsang Yonten, Chris Constantinou, Tashi Choephel and Gen Tenzin la are...
- 10/5/2012
- by NewsDesk
- DearCinema.com
"27 films from 22 countries will be competing for the Golden Bear and Silver Bear Jury Prize, the Daad Short Film Award and a short film nomination for the European Film Prize," the Berlinale's announced today. The International Jury will be comprised of German actress Sandra Hüller, Palestinian artist Emily Jacir and Irish-American filmmaker David O'Reilly. We'll get to the lineup in a moment, but first, this:
"Due to the political events in Hungary, the Berlinale Shorts is presenting a special screening on February 18, 2012 at the Haus der Berliner Festspiele: Magyarország 2011 (Hungary 2011) – an omnibus film, which reflects also in its aesthetics, the radical political and social developments in this crisis-ridden country. The directors of the work are Ágnes Kocsis, Márta Mészáros, Bence Fliegauf, Miklós Jancsó, and others [András Jeles, Ferenc Török, Simon Szabó, Péter Forgács, László Siroki, György Pálfi and András Salamon]. Following the screening, Béla Tarr will conduct a discussion on the current situation in Hungary."
On to the main program, with a few descriptions from the festival:
Ad balloon,...
"Due to the political events in Hungary, the Berlinale Shorts is presenting a special screening on February 18, 2012 at the Haus der Berliner Festspiele: Magyarország 2011 (Hungary 2011) – an omnibus film, which reflects also in its aesthetics, the radical political and social developments in this crisis-ridden country. The directors of the work are Ágnes Kocsis, Márta Mészáros, Bence Fliegauf, Miklós Jancsó, and others [András Jeles, Ferenc Török, Simon Szabó, Péter Forgács, László Siroki, György Pálfi and András Salamon]. Following the screening, Béla Tarr will conduct a discussion on the current situation in Hungary."
On to the main program, with a few descriptions from the festival:
Ad balloon,...
- 1/19/2012
- MUBI
Stellan Skarsgård (second from right) in Hans Petter Moland's A Somewhat Gentle Man Chicago Film Festival 2010 Winners: How I Ended The Summer, We Are What We Are Main Competition The Gold Hugo for Best Film: How I Ended the Summer (Russia), directed by Aleksei Popogrebsky The Silver Hugo – Special Jury Award: A Somewhat Gentle Man (Norway), directed by Hans Petter Moland The Silver Hugo – Special Jury Award: We Are What We Are (Mexico), directed by Jorge Michel Grau The Silver Hugo – Best Actor: Youssouf Djaoro of A Screaming Man (France/Belgium/Chad) The Silver Hugo – Best Actress: Liana Liberato of Trust (USA) The Silver Hugo: Brother & Sister (Argentina), directed by Daniel Burman The Silver Hugo – Best Screenplay: Mahamat-Saleh Haroun of A Screaming Man (France/Belgium/Chad) Gold Plaque: Márta Mészáros in recognition of her career in international cinema, on the occasion of Last Report on Anna (Hungary) Silver Plaque:...
- 10/19/2010
- by Steve Montgomery
- Alt Film Guide
Chicago – The 2010 46th Annual Chicago International Film Festival and Michael Kutza, Founder and Artistic Director, announced the competition award winners at a ceremony at the Pump Room in Chicago on October 16th. The Gold Hugo for Best Film went to “How I Ended the Summer,” from Russia.
Kutza made the announcements, along with Mimi Plauché, Head of Programming, and Associate Programmers Joel Hoglund and Penny Bartlett. The Pump Room is the legendary restaurant inside the Ambassador East Hotel in Chicago. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery.
International Feature Film Competition
’How I Ended The Summer’
Photo Credit: Chicago International Film Festival
The Gold Hugo for Best Film: “How I Ended the Summer” (Russia), directed by Aleksei Popogrebsky
The Silver Hugo – Special Jury Award: “A Somewhat Gentle Man” (Norway), directed by Hans Petter Moland
The Silver Hugo – Special Jury Award: “We...
Kutza made the announcements, along with Mimi Plauché, Head of Programming, and Associate Programmers Joel Hoglund and Penny Bartlett. The Pump Room is the legendary restaurant inside the Ambassador East Hotel in Chicago. The Festival’s highest honor is the Gold Hugo, named for the mythical God of Discovery.
International Feature Film Competition
’How I Ended The Summer’
Photo Credit: Chicago International Film Festival
The Gold Hugo for Best Film: “How I Ended the Summer” (Russia), directed by Aleksei Popogrebsky
The Silver Hugo – Special Jury Award: “A Somewhat Gentle Man” (Norway), directed by Hans Petter Moland
The Silver Hugo – Special Jury Award: “We...
- 10/17/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Best Actress award winner Liana Liberato
The 46th Chicago International Film Festival (Ciff 2010) Award Winners Announced
Click Here for complete coverage of the Chicago International Film Festival (Ciff 2010)
Russia, Mexico, Norway, Germany and USA win top awards in Chicago …
Chicago, October 16, 2010 – Michael Kutza, Founder and Artistic Director of the
Chicago International Film Festival, Mimi Plauché, Head of Programming, and Associate
Programmers Joel Hoglund and Penny Bartlett proudly announce the winners of the 46th
Chicago International Film Festival competitions. The Festival’s highest honor is the
Gold Hugo, named after the mythological God of Discovery.
International Feature Film Competition
Gold Hugo for Best Film to How I Ended The Summer (Russia) for the brilliantly
acted and dynamically staged exploration of human nature under pressure. Director:
Aleksei Popogrebsky
Special Jury Prize shared by:
Silver Hugo Special Jury Prize to A Somewhat Gentle Man (Norway) for a
hilarious and deeply serious adventure into crime and,...
The 46th Chicago International Film Festival (Ciff 2010) Award Winners Announced
Click Here for complete coverage of the Chicago International Film Festival (Ciff 2010)
Russia, Mexico, Norway, Germany and USA win top awards in Chicago …
Chicago, October 16, 2010 – Michael Kutza, Founder and Artistic Director of the
Chicago International Film Festival, Mimi Plauché, Head of Programming, and Associate
Programmers Joel Hoglund and Penny Bartlett proudly announce the winners of the 46th
Chicago International Film Festival competitions. The Festival’s highest honor is the
Gold Hugo, named after the mythological God of Discovery.
International Feature Film Competition
Gold Hugo for Best Film to How I Ended The Summer (Russia) for the brilliantly
acted and dynamically staged exploration of human nature under pressure. Director:
Aleksei Popogrebsky
Special Jury Prize shared by:
Silver Hugo Special Jury Prize to A Somewhat Gentle Man (Norway) for a
hilarious and deeply serious adventure into crime and,...
- 10/17/2010
- by Jeff Bayer
- The Scorecard Review
The 46th Chicago International Film Festival is coming, and The Scorecard Review will be there will exclusive interviews, movie reviews and red carpet events beginning October 7, 2010.
Here’s the first 20 films announced for the festival. Below is the news release.
October 7 – 21, 2010
Chicago, August 25, 2010 – Cinema/Chicago is proud to announce the first 20 new films that will appear at this year’s Chicago International Film Festival. Among them are some of the most anticipated domestic and foreign films featuring well-respected talent and directors as well as the work of exceptional newcomers. From Slumdog Millionaire and Resevoir Dogs to Martin Scorsese and Werner Herzog, The Chicago International Film Festival has consistently brought the brightest and boldest new films and filmmakers to Chicago first. Audiences will be delighted to find that this year’s Festival will be no different. Below is just a taste of the more than 150 films that will be shown at...
Here’s the first 20 films announced for the festival. Below is the news release.
October 7 – 21, 2010
Chicago, August 25, 2010 – Cinema/Chicago is proud to announce the first 20 new films that will appear at this year’s Chicago International Film Festival. Among them are some of the most anticipated domestic and foreign films featuring well-respected talent and directors as well as the work of exceptional newcomers. From Slumdog Millionaire and Resevoir Dogs to Martin Scorsese and Werner Herzog, The Chicago International Film Festival has consistently brought the brightest and boldest new films and filmmakers to Chicago first. Audiences will be delighted to find that this year’s Festival will be no different. Below is just a taste of the more than 150 films that will be shown at...
- 9/10/2010
- by Jeff Bayer
- The Scorecard Review
Chicago – Cinema/Chicago is proud to announce the first 20 new films scheduled to appear at the 2010 Chicago International Film Festival, October 7th – 21st. The Chicago festival continues to combine the films of established directors/talent with promising newcomers. Expect some foreign and domestic film surprises.
Screenings will take place at the AMC River East Theater in downtown Chicago during the October festival run. Festival passes are on sale now and individual tickets go on sale September 24th.
Gemma Arterton in ‘Tamara Drewe’
Photo Credit: Sony Pictures Classic
Here are the first 20 films slated for the Chicago International Film Festival in the announcement made on August 25th.
UK – ‘Tamara Drewe’
Director: Stephen Frears
When former ugly duckling Tamara Drewe sashays back into her hometown, life for her neighbors is thrown upside down. Now a devastating beauty, Tamara sets a contemporary comedy of manners into play using the oldest magic in the book: sex appeal.
Screenings will take place at the AMC River East Theater in downtown Chicago during the October festival run. Festival passes are on sale now and individual tickets go on sale September 24th.
Gemma Arterton in ‘Tamara Drewe’
Photo Credit: Sony Pictures Classic
Here are the first 20 films slated for the Chicago International Film Festival in the announcement made on August 25th.
UK – ‘Tamara Drewe’
Director: Stephen Frears
When former ugly duckling Tamara Drewe sashays back into her hometown, life for her neighbors is thrown upside down. Now a devastating beauty, Tamara sets a contemporary comedy of manners into play using the oldest magic in the book: sex appeal.
- 8/25/2010
- by PatrickMcD
- HollywoodChicago.com
Profound Desires Of The Gods
Eureka, Blu-Ray
With most films you can guess when they were made, to within five years, just by looking at them. Some films, however, are so locked into their own little world, so perfectly and unwaveringly delivered, that you'd be hard-pressed to date them with any accuracy. This near-forgotten classic from Shohei Imamura (better known for Pigs & Battleships and the incredible 1979 serial killer film Vengeance Is Mine) slides easily into the latter category. Released to mass bafflement and public indifference in 1968 after an indulgent 18-month production schedule, it looks and feels as if it could have been made any time within the past five decades. Set on a fictional island near Okinawa, the tale concerns a Tokyo engineer sent to oversee the construction of a well for a sugar mill. His encounters with a shamed local family provide a story that touches on both farce and allegory.
Eureka, Blu-Ray
With most films you can guess when they were made, to within five years, just by looking at them. Some films, however, are so locked into their own little world, so perfectly and unwaveringly delivered, that you'd be hard-pressed to date them with any accuracy. This near-forgotten classic from Shohei Imamura (better known for Pigs & Battleships and the incredible 1979 serial killer film Vengeance Is Mine) slides easily into the latter category. Released to mass bafflement and public indifference in 1968 after an indulgent 18-month production schedule, it looks and feels as if it could have been made any time within the past five decades. Set on a fictional island near Okinawa, the tale concerns a Tokyo engineer sent to oversee the construction of a well for a sugar mill. His encounters with a shamed local family provide a story that touches on both farce and allegory.
- 6/18/2010
- by Phelim O'Neill
- The Guardian - Film News
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