The 2016 Berlinale Shorts program will include new films by Pham Ngoc Lan, Wu Linfeng, Leonor Teles, Esteban Arrangoiz, Diego Zon, Ronny Trocker, Gabriel Abrantes, Ben Russell, Axel Danielson and Maximilien Van Aertryck, Christine Rebet, Chiang Wei Liang, Volker Schlecht and Alexander Lahl, Réka Bucsi, Mahdi Fleifel, Joanna Rytel, Rubén Gámez, Jonathan Vinel in collaboration with Caroline Poggi, Bentley Brown, Christoph Girardet and Matthias Müller, Pimpaka Towira, Akosua Adoma Owusu, Ricky D’Ambrose, Rotem Murat, Gerrit Frohne-Brinkmann and Paul Spengemann, Siegfried A. Fruhauf, and Akihito Izuhara. » - David Hudson...
- 1/12/2016
- Keyframe
The 2016 Berlinale Shorts program will include new films by Pham Ngoc Lan, Wu Linfeng, Leonor Teles, Esteban Arrangoiz, Diego Zon, Ronny Trocker, Gabriel Abrantes, Ben Russell, Axel Danielson and Maximilien Van Aertryck, Christine Rebet, Chiang Wei Liang, Volker Schlecht and Alexander Lahl, Réka Bucsi, Mahdi Fleifel, Joanna Rytel, Rubén Gámez, Jonathan Vinel in collaboration with Caroline Poggi, Bentley Brown, Christoph Girardet and Matthias Müller, Pimpaka Towira, Akosua Adoma Owusu, Ricky D’Ambrose, Rotem Murat, Gerrit Frohne-Brinkmann and Paul Spengemann, Siegfried A. Fruhauf, and Akihito Izuhara. » - David Hudson...
- 1/12/2016
- Fandor: Keyframe
A total of 25 films selected for competitive programme.
The Berlinale (Feb 11-21) has unveiled the 25 short films from 21 countries that will compete for the Golden and Silver Bear, a nomination for the European Film Awards and, for the second consecutive year, the Audi Short Film Award worth € 20,000.
The short film jury is comprised of the curator and director of the Sharjah Biennial in the UAE, Sheikha Hoor Al-Qasimi; Greek curator and writer Katerina Gregos; and Israeli filmmaker Avi Mograbi.
Among others, the competition will include films from Gabriel Abrantes, Pimpaka Towira, Réka Bucsi, Christoph Girardet and Matthias Müller, and Siegfried A. Fruhauf.
Ben Russell, who won plaudits at festivals around the world with A Spell To Ward Off The Darkness, will present He Who Eats Children, described as “a speculative portrait of a Dutchman living in the Surinamese jungle fixing canoe motors, accused of eating the locals’ children”.
Also among the line-up is a new documentary by [link...
The Berlinale (Feb 11-21) has unveiled the 25 short films from 21 countries that will compete for the Golden and Silver Bear, a nomination for the European Film Awards and, for the second consecutive year, the Audi Short Film Award worth € 20,000.
The short film jury is comprised of the curator and director of the Sharjah Biennial in the UAE, Sheikha Hoor Al-Qasimi; Greek curator and writer Katerina Gregos; and Israeli filmmaker Avi Mograbi.
Among others, the competition will include films from Gabriel Abrantes, Pimpaka Towira, Réka Bucsi, Christoph Girardet and Matthias Müller, and Siegfried A. Fruhauf.
Ben Russell, who won plaudits at festivals around the world with A Spell To Ward Off The Darkness, will present He Who Eats Children, described as “a speculative portrait of a Dutchman living in the Surinamese jungle fixing canoe motors, accused of eating the locals’ children”.
Also among the line-up is a new documentary by [link...
- 1/12/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Film about female empowement in a conservative Bedouin community wins showcase.
Elite Zexer’s first feature Sand Storm and Eitan Anner’s A Quiet Heart have won the First Look Award in Locarno’s showcase, which was dedicated this year to selected Israeli films in post-production.
Jury member Karel Och, director of the Karlovy Vary International Film Festival, presented the first prize of $66,000 (€60,000) worth of picture post-production services sponsored by Rotor Film to Sand Storm’s producers Haim Mecklberg and Estee Yacov-Mecklberg for its “mature, deeply observant storytelling and courageous depiction of the layered struggles of several generations of women”.
Sand Storm centres on a Bedouin mother and daughter testing the limits of their conservative community.
Fellow jury member, Sundance programming director John Nein handed over the second prize - $6,000 (€5,500) worth of advertising donated by the French trade magazine Le Film Francais - to A Quiet Heart’s producer Gal Greenspan of Green Productions for its “urgency...
Elite Zexer’s first feature Sand Storm and Eitan Anner’s A Quiet Heart have won the First Look Award in Locarno’s showcase, which was dedicated this year to selected Israeli films in post-production.
Jury member Karel Och, director of the Karlovy Vary International Film Festival, presented the first prize of $66,000 (€60,000) worth of picture post-production services sponsored by Rotor Film to Sand Storm’s producers Haim Mecklberg and Estee Yacov-Mecklberg for its “mature, deeply observant storytelling and courageous depiction of the layered struggles of several generations of women”.
Sand Storm centres on a Bedouin mother and daughter testing the limits of their conservative community.
Fellow jury member, Sundance programming director John Nein handed over the second prize - $6,000 (€5,500) worth of advertising donated by the French trade magazine Le Film Francais - to A Quiet Heart’s producer Gal Greenspan of Green Productions for its “urgency...
- 8/11/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
The 22nd annual Chicago Underground Film Festival presents five days of devastating celluloid provocations on May 13-17 at the Logan Theatre.
The fest kicks off on May 13 with the incredibly haunting short film Echoes by Jaimz Asmundson and the Filipino romantic crime drama Ruined Heart: Another Lovestory Between a Criminal and a Whore by the single-named director Khavn.
Highlights of the fest include the new slacker-ific comedy by Lev Kalman and Whitney Horn, L for Leisure; the Spanish socio-political documentary Speculation Nation by Bill Brown and Sabine Gruffat; the pastoral friendship drama For the Plasma by Bingham Bryant & Kyle Molzan; and the joyful pop doc Living Stars by Gastón Duprat and Mariano Cohn.
There are also loads of un-missable short films, such as the gritty modern film noir Bite Radius by Spencer Parsons; and amazing new films by Jennifer Reeder (Blood Below the Skin), Zachary Epcar (Under the Heat Lamp...
The fest kicks off on May 13 with the incredibly haunting short film Echoes by Jaimz Asmundson and the Filipino romantic crime drama Ruined Heart: Another Lovestory Between a Criminal and a Whore by the single-named director Khavn.
Highlights of the fest include the new slacker-ific comedy by Lev Kalman and Whitney Horn, L for Leisure; the Spanish socio-political documentary Speculation Nation by Bill Brown and Sabine Gruffat; the pastoral friendship drama For the Plasma by Bingham Bryant & Kyle Molzan; and the joyful pop doc Living Stars by Gastón Duprat and Mariano Cohn.
There are also loads of un-missable short films, such as the gritty modern film noir Bite Radius by Spencer Parsons; and amazing new films by Jennifer Reeder (Blood Below the Skin), Zachary Epcar (Under the Heat Lamp...
- 5/11/2015
- by Mike Everleth
- Underground Film Journal
A re-energised Pula Film Festival, the biggest film festival in Croatia, will welcome top guests including Roger Michell, Fridrik Thor Fridriksson, Gyorgi Palfi, Tudor Giurgiu and Mike Cahill.
Fridriksson [pictured] will serve on a jury and be the subject of a retrospective including his films Rock in Reykjavik, Children of Nature, Devil’s Island, Angels Of The Universe, and Falcons.
The Pula Pro Industry section will include masterclasses from PR expert Charles MacDonald, marketing veteran John Durie, sound expert Ray Gillon of G-Minor and Nik Powell of the UK’s National Film and Television School (Nfts).
The festival boasts a new artistic team of Mike Downey, Hrvoje Puksec and Tanja Milicic, who took over in April.
The Pula Cinematheque section, under special advistor Rajko Grlic, will focus on the year 1965.
One new strand at the festival will be Dizalica, aimed at cinephiles aged 16-21; selections include We Are The Best! and Bitch Hug. This is added...
Fridriksson [pictured] will serve on a jury and be the subject of a retrospective including his films Rock in Reykjavik, Children of Nature, Devil’s Island, Angels Of The Universe, and Falcons.
The Pula Pro Industry section will include masterclasses from PR expert Charles MacDonald, marketing veteran John Durie, sound expert Ray Gillon of G-Minor and Nik Powell of the UK’s National Film and Television School (Nfts).
The festival boasts a new artistic team of Mike Downey, Hrvoje Puksec and Tanja Milicic, who took over in April.
The Pula Cinematheque section, under special advistor Rajko Grlic, will focus on the year 1965.
One new strand at the festival will be Dizalica, aimed at cinephiles aged 16-21; selections include We Are The Best! and Bitch Hug. This is added...
- 7/2/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
The 52nd annual Ann Arbor Film Festival will be a jam-packed experimental feature and short film screening event running for six days and nights, this time on March 25-30.
Opening Night will feature a reception and an after-party, and stuffed between those will be a block of nine short films, including new ones by Bryan Boyce, Michael Robinson, Jennifer Reeder and Martha Colburn, as well as a never-before-released work by the legendary Bruce Baillie called Little Girl in which Baillie captured scenes of natural beauty.
Special Events scattered throughout the festival include a retrospective of indie filmmaker Penelope Spheeris that will feature her rock ‘n’ roll-based work, including the original The Decline of Western Civilization, plus The Decline of Western Civilization Part III, her influential punk film Suburbia (screening twice) and a collection of short films.
There will also be several films and presentations by filmmaking scholar Thom Andersen, such...
Opening Night will feature a reception and an after-party, and stuffed between those will be a block of nine short films, including new ones by Bryan Boyce, Michael Robinson, Jennifer Reeder and Martha Colburn, as well as a never-before-released work by the legendary Bruce Baillie called Little Girl in which Baillie captured scenes of natural beauty.
Special Events scattered throughout the festival include a retrospective of indie filmmaker Penelope Spheeris that will feature her rock ‘n’ roll-based work, including the original The Decline of Western Civilization, plus The Decline of Western Civilization Part III, her influential punk film Suburbia (screening twice) and a collection of short films.
There will also be several films and presentations by filmmaking scholar Thom Andersen, such...
- 3/18/2014
- by Mike Everleth
- Underground Film Journal
Sandra Kaudelka and Sebastian Metz have been named joint winners of the Berlinale’s third “Made in Germany” prize.
The €15,000 cash prize towards the development of a new feature will be shared equally between the two filmmakers who had presented projects at last year’s Perspektive Deutsches Kino.
At that time, both films were documentaries: Metz’s Metamorphosen was set in Russia, while Kaudelka’s Einzelkaempfer focused on cases of doping among East German athletes.
But Metz and Kudelka had each submitted fiction film treatments for consideration for the Made in Germany grant.
Metz’s project, entitled 274, which follows a man on his journey to Manila to end his life, had impressed the jury of film directors Andres Veiel and Frieder Schlaich and writer-producer Katja Eichinger by its “intensity” and “visual power”.
Meanwhile, Kaudelka’s Intershop centres on a love story in the setting of one of former East Germany’s hard currency Intershops.
According to Perspektive...
The €15,000 cash prize towards the development of a new feature will be shared equally between the two filmmakers who had presented projects at last year’s Perspektive Deutsches Kino.
At that time, both films were documentaries: Metz’s Metamorphosen was set in Russia, while Kaudelka’s Einzelkaempfer focused on cases of doping among East German athletes.
But Metz and Kudelka had each submitted fiction film treatments for consideration for the Made in Germany grant.
Metz’s project, entitled 274, which follows a man on his journey to Manila to end his life, had impressed the jury of film directors Andres Veiel and Frieder Schlaich and writer-producer Katja Eichinger by its “intensity” and “visual power”.
Meanwhile, Kaudelka’s Intershop centres on a love story in the setting of one of former East Germany’s hard currency Intershops.
According to Perspektive...
- 1/14/2014
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Infinite Anticipation
Here at the Vienna International Film Festival there are no multiplexes devoted to the festival. Every cinema is a single screen—all quite beautiful and some, like the Urania, Metro, Künstlerhaus, and Austrian Film Museum, very special indeed—and, scattered at a bit of a distance from one another, they trace a lopsided kind of ellipsis, a loop of cinema if you plan your itinerary right.
Above: Out 1, noli me tangere.
I came anticipating this particular suggestion of cinematic infinity, not just because of my memories of the last two years of repeatedly treading this touring path around the constrained city center of Vienna, but because of the promise of a much desired (by Jonathan Rosenbaum since 1996, and thereafter by an untold multitude of tantalized cinephiles) festival pairing of Jacques Rivette and Suzanne Schiffman's improvised serial intended for television, Out 1, noli me tangere (1971), and Louis Feuillade's...
Here at the Vienna International Film Festival there are no multiplexes devoted to the festival. Every cinema is a single screen—all quite beautiful and some, like the Urania, Metro, Künstlerhaus, and Austrian Film Museum, very special indeed—and, scattered at a bit of a distance from one another, they trace a lopsided kind of ellipsis, a loop of cinema if you plan your itinerary right.
Above: Out 1, noli me tangere.
I came anticipating this particular suggestion of cinematic infinity, not just because of my memories of the last two years of repeatedly treading this touring path around the constrained city center of Vienna, but because of the promise of a much desired (by Jonathan Rosenbaum since 1996, and thereafter by an untold multitude of tantalized cinephiles) festival pairing of Jacques Rivette and Suzanne Schiffman's improvised serial intended for television, Out 1, noli me tangere (1971), and Louis Feuillade's...
- 11/3/2013
- by Daniel Kasman
- MUBI
The Ann Arbor Film Festival, having survived their half-a-century blowout in 2012, is back with another rip-roarin’ 51st edition in 2013, which will run from March 19-24, screening a mind-boggling amount of experimental short films and a few features.
Highlights of the fest include:
Special presentations by this year’s jurors, including Marcin Gizycki round-up of Polish animation from the 1950s to the present; Laida Lertxundi’s selection of some of her films as well as her biggest influences; and Kevin Jerome Everson’s mini-retrospective of his own films.
There’s also special tributes to Pat O’Neill, including a retrospective of his short films from the ’70s to the present as well as a screening of his 1989 35mm experimental epic Water and Power; Suzan Pitt, with selections of short films from her career; and a screening of Ken Burns’ latest doc The Central Park Five, co-directed with his daughter Sarah Burns and son-in-law David McMahon,...
Highlights of the fest include:
Special presentations by this year’s jurors, including Marcin Gizycki round-up of Polish animation from the 1950s to the present; Laida Lertxundi’s selection of some of her films as well as her biggest influences; and Kevin Jerome Everson’s mini-retrospective of his own films.
There’s also special tributes to Pat O’Neill, including a retrospective of his short films from the ’70s to the present as well as a screening of his 1989 35mm experimental epic Water and Power; Suzan Pitt, with selections of short films from her career; and a screening of Ken Burns’ latest doc The Central Park Five, co-directed with his daughter Sarah Burns and son-in-law David McMahon,...
- 3/19/2013
- by Mike Everleth
- Underground Film Journal
Covering a film festival always leaves worthy films by the wayside, undiscussed for reasons of time or inspiration or other blocked routes. Rather than leave some of Venice 2011's highlights totally unmentioned, I thought I'd at the very least provide some images to provoke interest:
Sources: Meteor (Chrisoph Giraret, Matthias Müller, Germany), Sonchidi (Golden Bird) (Amir Dutta, India), River Rites (Ben Russell, USA), Late and Deep (Devin Horan, USA), Meteor...
Sources: Meteor (Chrisoph Giraret, Matthias Müller, Germany), Sonchidi (Golden Bird) (Amir Dutta, India), River Rites (Ben Russell, USA), Late and Deep (Devin Horan, USA), Meteor...
- 9/11/2011
- MUBI
Roughly assembled; order within tiers based chronologically on viewing date.
01:
Cut (Amir Naderi, Japan), Anna (Alberto Grifi, Massimo Sarchielli, Italy), Faust (Aleksandr Sokurov, Russia), Louyre - This Our Still Life (Andrew Kotting, UK), Century of Birthing (Lav Diaz, Philippines)
02:
Vieni, dolce morte (dell’ego) (Paolo Brunatto, Italy), A Dangerous Method (David Cronenberg, Canada), Whores’ Glory (Michael Glawogger, Austria), A Simple Life (Ann Hui, Hk), Il potere (Augusto Tretti, Italy), Himizu (Sono Sion, Japan), Conference (Norbert Pfaffenbichler, Austria), 4:44 Last Day on Earth (Abel Ferrara, USA), Die Herde des Herrn (Romuald Karmakar, Germany), Life without Principles (Johnnie To, Hk), Late and Deep (Devin Horan, USA), Iz Tokio (Aleksej German Jr., Russia)
03:
Il canto d’amore di Alfred Prufrock (Nico D’Alessandria, Italy), Carnage (Roman Polanski, France/Germany/Poland ), Black Mirror at the National Gallery (Mark Lewis, UK), Meteor (Chrisoph Giraret, Matthias Müller, Germany), Il villaggio di cartone (Ermanno Olmi,...
01:
Cut (Amir Naderi, Japan), Anna (Alberto Grifi, Massimo Sarchielli, Italy), Faust (Aleksandr Sokurov, Russia), Louyre - This Our Still Life (Andrew Kotting, UK), Century of Birthing (Lav Diaz, Philippines)
02:
Vieni, dolce morte (dell’ego) (Paolo Brunatto, Italy), A Dangerous Method (David Cronenberg, Canada), Whores’ Glory (Michael Glawogger, Austria), A Simple Life (Ann Hui, Hk), Il potere (Augusto Tretti, Italy), Himizu (Sono Sion, Japan), Conference (Norbert Pfaffenbichler, Austria), 4:44 Last Day on Earth (Abel Ferrara, USA), Die Herde des Herrn (Romuald Karmakar, Germany), Life without Principles (Johnnie To, Hk), Late and Deep (Devin Horan, USA), Iz Tokio (Aleksej German Jr., Russia)
03:
Il canto d’amore di Alfred Prufrock (Nico D’Alessandria, Italy), Carnage (Roman Polanski, France/Germany/Poland ), Black Mirror at the National Gallery (Mark Lewis, UK), Meteor (Chrisoph Giraret, Matthias Müller, Germany), Il villaggio di cartone (Ermanno Olmi,...
- 9/11/2011
- MUBI
The 48th annual Ann Arbor Film Festival is another exciting celebration of underground film past and present, featuring two retrospectives of two master filmmakers and dozens of short films and features from some of the most gifted talents working today.
For the retrospectives, first, Kenneth Anger will be in attendance at the festival for two programs of his classic work, including Fireworks and Scorpio Rising. Plus, for the first Anger screening, the filmmaker will be joined on-stage by film critic Dennis Lim for a discussion of his work and career. The second retrospective is of the work of the late Chick Strand, who sadly passed away in 2009. Strand’s Angel Blue Sweet Wings (1966) will actually open the entire festival, then there will be two retrospective screenings of her work, the first of which will be presented by film scholar Irina Leimbacher.
The rest of the Aaff lineup reads like a...
For the retrospectives, first, Kenneth Anger will be in attendance at the festival for two programs of his classic work, including Fireworks and Scorpio Rising. Plus, for the first Anger screening, the filmmaker will be joined on-stage by film critic Dennis Lim for a discussion of his work and career. The second retrospective is of the work of the late Chick Strand, who sadly passed away in 2009. Strand’s Angel Blue Sweet Wings (1966) will actually open the entire festival, then there will be two retrospective screenings of her work, the first of which will be presented by film scholar Irina Leimbacher.
The rest of the Aaff lineup reads like a...
- 3/8/2010
- by Mike Everleth
- Underground Film Journal
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