Italian composer Ottorino Respighi (July 9, 1879-April 18, 1936) was a master of colorful orchestration whose evocative symphonic tone poems and suites arranging Baroque material in modern garb have been audience-pleasers since they were first heard.
The son of a piano teacher who gave him lessons on both piano and violin, Respighi excelled on the latter. It was while first violinist in the Russian Imperial Orchestra at St. Peterburg that Respighi was able to study with master orchestrator Nikolai Rimsky-Korsakov. He may have studied later with composer Max Bruch in Berlin (this is disputed), then returned to Italy, mostly working as first violin in the Mugellini Quintet. He moved to Rome in 1913 to teach and lived there for the rest of his life, which was ended by heart failure at the age of 56.
Luckily for listeners, a high percentage of Respighi's most popular works, in graceful, idiomatic performances, can be found on an...
The son of a piano teacher who gave him lessons on both piano and violin, Respighi excelled on the latter. It was while first violinist in the Russian Imperial Orchestra at St. Peterburg that Respighi was able to study with master orchestrator Nikolai Rimsky-Korsakov. He may have studied later with composer Max Bruch in Berlin (this is disputed), then returned to Italy, mostly working as first violin in the Mugellini Quintet. He moved to Rome in 1913 to teach and lived there for the rest of his life, which was ended by heart failure at the age of 56.
Luckily for listeners, a high percentage of Respighi's most popular works, in graceful, idiomatic performances, can be found on an...
- 7/9/2014
- by SteveHoltje
- www.culturecatch.com
The son of a vicar (and Charles Darwin was his great-uncle), Ralph Vaughan Williams (1872-1958) became one of the most popular English composers. He studied under Charles Villiers Stanford and Hubert Parry at the Royal College of Music, but also read history and music at Trinity College, Cambridge, where he palled around with the philosophers Bertrand Russell and G.E. Moore. He also went to Germany for lessons with Max Bruch, but ultimately rejected the 19th century German Romantic style Friendships with fellow Rcm students Gustav Holst and Leopold Stokowski later bore more fruit, in different ways: Stokowski, who moved to the United States, became Rvw's biggest supporter there; Holst and Vaughan Williams critiqued each others' work and joined in the study and collection of English folk songs. "The knowledge of our folk songs did not so much discover for us something new, but uncovered something which had been hidden by foreign matter,...
- 10/12/2012
- by SteveHoltje
- www.culturecatch.com
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